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{"id":7618285601018,"title":"James Ferraro \/\/ Rerex 3xLP","handle":"james-ferraro-rerex-3xlp","description":"\u003cp\u003eアメリカ・NYのポストニューエイジ・コラージュ作家James Ferraroが、ベルギーの実験レーベルAguirreからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fi\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・コラージュ〜ストレンジビーツ約3時間を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JYtISNqxTjQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJames Ferraro\u003c\/strong\u003e is an experimental musician, composer and virtual atmospherist born in Bronx, NY. Ferraro has released material under a wide array of aliases, and was a member of the Californian two-piece avant-garde project \u003cstrong data-mce-fragment=\"1\"\u003eThe Skaters\u003c\/strong\u003e. His album Far Side Virtual was chosen as Album of the Year by the UK's Wire Magazine in 2011.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerraro has been producing small runs of releases on cassette, CD-R, and VHS with a wide variety of styles all representing different dreams of a demonic mind tower spanning from freak flesh bodybuilder atmospheres to ambient modern world\/psych. First on \u003cstrong data-mce-fragment=\"1\"\u003eNew Age Tapes\u003c\/strong\u003e and later on \u003cstrong data-mce-fragment=\"1\"\u003eMuscleWork Inc\u003c\/strong\u003e., self run cassette \/ CD-R labels primarily used for releasing small runs of his solo work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2009 Ferraro composed and recorded the Summer Headrush Series in Antwerp, Belgium for Musclework Inc. The series is loosely based on visualisations that came to mind while receiving self-induced hypocapnia (aka choking oneself) or as it’s commonly called 'free fall'. The albums being representatives of the free fall head space. Other albums from the Headrush Series are: Body Fusion 1 and 2, iAsia, Wild World, Son of Dracula and Hacker Track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Rerex album is vintage hypnagogic Ferraro and with it’s length (almost 3 hours) it may be considered as one of his Magnum Opuses. Using cheap casio keyboards, loops, effects and difficult to trace samples Ferraro creates a slightly haunting but oh so beautiful musical world which we’d like to visit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlease use headphones for a dynamic HD headphone experience.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T15:16:15+09:00","created_at":"2022-05-25T14:21:49+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","lp","monooto","new","post newage","strange beats"],"price":429000,"price_min":429000,"price_max":429000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793330376954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Ferraro \/\/ Rerex 3xLP","public_title":null,"options":["Default Title"],"price":429000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ja1.webp?v=1653456111"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ja1.webp?v=1653456111","options":["Title"],"media":[{"alt":null,"id":29759344279802,"position":1,"preview_image":{"aspect_ratio":1.009,"height":535,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ja1.webp?v=1653456111"},"aspect_ratio":1.009,"height":535,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ja1.webp?v=1653456111","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのポストニューエイジ・コラージュ作家James Ferraroが、ベルギーの実験レーベルAguirreからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fi\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・コラージュ〜ストレンジビーツ約3時間を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JYtISNqxTjQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJames Ferraro\u003c\/strong\u003e is an experimental musician, composer and virtual atmospherist born in Bronx, NY. Ferraro has released material under a wide array of aliases, and was a member of the Californian two-piece avant-garde project \u003cstrong data-mce-fragment=\"1\"\u003eThe Skaters\u003c\/strong\u003e. His album Far Side Virtual was chosen as Album of the Year by the UK's Wire Magazine in 2011.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerraro has been producing small runs of releases on cassette, CD-R, and VHS with a wide variety of styles all representing different dreams of a demonic mind tower spanning from freak flesh bodybuilder atmospheres to ambient modern world\/psych. First on \u003cstrong data-mce-fragment=\"1\"\u003eNew Age Tapes\u003c\/strong\u003e and later on \u003cstrong data-mce-fragment=\"1\"\u003eMuscleWork Inc\u003c\/strong\u003e., self run cassette \/ CD-R labels primarily used for releasing small runs of his solo work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2009 Ferraro composed and recorded the Summer Headrush Series in Antwerp, Belgium for Musclework Inc. The series is loosely based on visualisations that came to mind while receiving self-induced hypocapnia (aka choking oneself) or as it’s commonly called 'free fall'. The albums being representatives of the free fall head space. Other albums from the Headrush Series are: Body Fusion 1 and 2, iAsia, Wild World, Son of Dracula and Hacker Track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Rerex album is vintage hypnagogic Ferraro and with it’s length (almost 3 hours) it may be considered as one of his Magnum Opuses. Using cheap casio keyboards, loops, effects and difficult to trace samples Ferraro creates a slightly haunting but oh so beautiful musical world which we’d like to visit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlease use headphones for a dynamic HD headphone experience.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a 3-disc set released by James Ferraro, a post-new age collage writer in New York, USA, on the Belgian experimental label Aguirre. Lo-Fi Post New Age Collage ~ Strange Beats Approximately 3 hours recorded.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of ...
¥4,290

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{"id":7618283929850,"title":"Seikatsu Kōjyō Iinkai \/\/ Seikatsu Kōjyō Iinkai LP","handle":"seikatsu-kojyo-iinkai-seikatsu-kojyo-iinkai-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のジャズ奏者梅津和時と原田依幸、アメリカの\u003cmeta charset=\"utf-8\"\u003eWilliam Parker、\u003cmeta charset=\"utf-8\"\u003eAhmed Abdullah、Rashid Shinanが\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1974に録音した作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKv6bzGcnz4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFerocious JP \/ US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs \u0026amp; liner notes by Alan Cummings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eFollowing hot on the heels of the first, mid-sixties generation of Japanese free jazz players like \u003cstrong\u003eKaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa,\u003c\/strong\u003e etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist \u003cstrong\u003eKazutoki Umezu\u003c\/strong\u003e and multi-instrumentalist \u003cstrong\u003eYoriyuki Harada\u003c\/strong\u003e. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west. They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThese experiments eventually led to the creation of a trio, with a high-school student called Tetsuya Morimura on drums, that they decided to name \u003cstrong\u003eSeikatsu Kōjyō Iinkai\u003c\/strong\u003e (Lifestyle Improvement Committee) in joking reference to the Marxist discourse of the student radicals of the time. Around 1973, Umezu and Harada decided to call it a day and go their separate ways. Umezu began playing with the\u003cstrong\u003e Toshinori Kondo Unit\u003c\/strong\u003e and Harada with the \u003cstrong\u003eTadashi Yoshida Quintet.\u003c\/strong\u003e In 1974 Harada formed his own trio and began to play at jazz coffeehouses across Japan.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, in September 1974 Umezu travelled alone to New York, where he set about building connections with the loft jazz scene in the city. It was a fortuitous moment to arrive in New York. Rents were cheap in the Lower East Side, possibilities for squatting existed, so many musicians and artists had moved to the area. Umezu soon became known on the scene as Kappo and he started to make connections with some of the young musicians like \u003cstrong\u003eDavid Murray, Arthur Blythe\u003c\/strong\u003e, and \u003cstrong\u003eOliver Lake\u003c\/strong\u003e. He recalls making the rounds of the lofts every evening, checking out the performances, and getting the chance to sit in with many groups including Juma Sultan’s Aboriginal Music Society and trumpeter Ted Daniel’s orchestra. \u003cbr\u003e\u003cbr\u003eThings were going so well that Umezu wrote to Harada and invited him to come to New York. He accepted and arrived in the city in July 1975. Harada and Umezu took the opportunity to resume their artistic collaboration. Their first concert together in over two years took place on July 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e at another loft, Sunrise Studios at 122 2\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e Avenue. Umezu remembers Sunrise as an unusually sunny loft with the rarest of things, a grand piano. He invited along \u003cstrong\u003eAhmed Abdullah\u003c\/strong\u003e, a trumpeter he had got to know while playing with Ted Daniel. Abdullah led his own group and was a long-term \u003cstrong\u003eSun Ra\u003c\/strong\u003e sideman. \u003cstrong\u003eWilliam Parker\u003c\/strong\u003e, one of the key figures in the loft jazz scene of the period, was on bass. Abdullah also brought along \u003cstrong\u003eRashid Sinan\u003c\/strong\u003e on drums. Sinan drummed in Abdullah’s units throughout the seventies, but he had also played on \u003cstrong\u003eFrank Lowe\u003c\/strong\u003e’s immortal Black Beings album and collaborated with \u003cstrong\u003eArthur Doyle\u003c\/strong\u003e, playing on Doyle’s Alabama Feeling album. By all accounts the evening was a huge success, with speed and dynamism of Harada’s piano playing gaining him lots of support.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSince they had managed to save some money from their day jobs, Umezu and Harada decided to set up a recording session with the same line-up on August 11 at Studio We, where there was a well-equipped studio on the third floor. Umezu recalls the session as follows,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, we recorded our performances in one take, with zero retakes as far as I remember. On all the tracks we recorded, we moved as one unit, sharp and fast. That was the nature of Lifestyle Improvement Committee, New York Branch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eUmezu and Harada would later become known for the elements of parody and entertainment that they brought to their music, a freewheeling blend of pastiche, humour and on-stage performativity that paralleled the approaches of the\u003cstrong\u003e Art Ensemble, Sun Ra\u003c\/strong\u003e, and Holland’s \u003cstrong\u003eICP\u003c\/strong\u003e. But here, on their first recordings, the humour element is not yet present. Instead, there is a febrile sense of joy in creation and connection. On the Umezu-penned “Kim”, for example, Harada opens the piece with a speedy exploration of the full-range of the keyboard, hitting hard on the bass keys to create a rhythmic bed out of which patterns begin to emerge. Umezu enters at a much slower pace, longer held notes that at first float weightlessly over the urgency of the piano before they begin in splinter and accelerate. When Parker and Sinan kick in, it’s a rollicking tempo with Parker plucking deep and hard and the left-handed Sinan skittering hard across the topside of his kit. Abdullah kicks in a glorious solo twelve minutes in, bright and breathy at once. The piece slows and grows more spacious towards the end, giving Parker a chance to showcase some arco work that shades beautifully into the air against Abdullah’s trumpet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeikatsu Kōjyō Iinkai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:55:01+09:00","created_at":"2022-05-25T14:19:13+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793322053882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seikatsu Kōjyō Iinkai \/\/ Seikatsu Kōjyō Iinkai LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1.webp?v=1653455955","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2.webp?v=1653455955"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1.webp?v=1653455955","options":["Title"],"media":[{"alt":null,"id":29759324586234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1.webp?v=1653455955"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1.webp?v=1653455955","width":540},{"alt":null,"id":29759324619002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2.webp?v=1653455955"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2.webp?v=1653455955","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のジャズ奏者梅津和時と原田依幸、アメリカの\u003cmeta charset=\"utf-8\"\u003eWilliam Parker、\u003cmeta charset=\"utf-8\"\u003eAhmed Abdullah、Rashid Shinanが\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1974に録音した作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKv6bzGcnz4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFerocious JP \/ US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs \u0026amp; liner notes by Alan Cummings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eFollowing hot on the heels of the first, mid-sixties generation of Japanese free jazz players like \u003cstrong\u003eKaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa,\u003c\/strong\u003e etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist \u003cstrong\u003eKazutoki Umezu\u003c\/strong\u003e and multi-instrumentalist \u003cstrong\u003eYoriyuki Harada\u003c\/strong\u003e. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west. They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThese experiments eventually led to the creation of a trio, with a high-school student called Tetsuya Morimura on drums, that they decided to name \u003cstrong\u003eSeikatsu Kōjyō Iinkai\u003c\/strong\u003e (Lifestyle Improvement Committee) in joking reference to the Marxist discourse of the student radicals of the time. Around 1973, Umezu and Harada decided to call it a day and go their separate ways. Umezu began playing with the\u003cstrong\u003e Toshinori Kondo Unit\u003c\/strong\u003e and Harada with the \u003cstrong\u003eTadashi Yoshida Quintet.\u003c\/strong\u003e In 1974 Harada formed his own trio and began to play at jazz coffeehouses across Japan.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, in September 1974 Umezu travelled alone to New York, where he set about building connections with the loft jazz scene in the city. It was a fortuitous moment to arrive in New York. Rents were cheap in the Lower East Side, possibilities for squatting existed, so many musicians and artists had moved to the area. Umezu soon became known on the scene as Kappo and he started to make connections with some of the young musicians like \u003cstrong\u003eDavid Murray, Arthur Blythe\u003c\/strong\u003e, and \u003cstrong\u003eOliver Lake\u003c\/strong\u003e. He recalls making the rounds of the lofts every evening, checking out the performances, and getting the chance to sit in with many groups including Juma Sultan’s Aboriginal Music Society and trumpeter Ted Daniel’s orchestra. \u003cbr\u003e\u003cbr\u003eThings were going so well that Umezu wrote to Harada and invited him to come to New York. He accepted and arrived in the city in July 1975. Harada and Umezu took the opportunity to resume their artistic collaboration. Their first concert together in over two years took place on July 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e at another loft, Sunrise Studios at 122 2\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e Avenue. Umezu remembers Sunrise as an unusually sunny loft with the rarest of things, a grand piano. He invited along \u003cstrong\u003eAhmed Abdullah\u003c\/strong\u003e, a trumpeter he had got to know while playing with Ted Daniel. Abdullah led his own group and was a long-term \u003cstrong\u003eSun Ra\u003c\/strong\u003e sideman. \u003cstrong\u003eWilliam Parker\u003c\/strong\u003e, one of the key figures in the loft jazz scene of the period, was on bass. Abdullah also brought along \u003cstrong\u003eRashid Sinan\u003c\/strong\u003e on drums. Sinan drummed in Abdullah’s units throughout the seventies, but he had also played on \u003cstrong\u003eFrank Lowe\u003c\/strong\u003e’s immortal Black Beings album and collaborated with \u003cstrong\u003eArthur Doyle\u003c\/strong\u003e, playing on Doyle’s Alabama Feeling album. By all accounts the evening was a huge success, with speed and dynamism of Harada’s piano playing gaining him lots of support.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSince they had managed to save some money from their day jobs, Umezu and Harada decided to set up a recording session with the same line-up on August 11 at Studio We, where there was a well-equipped studio on the third floor. Umezu recalls the session as follows,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, we recorded our performances in one take, with zero retakes as far as I remember. On all the tracks we recorded, we moved as one unit, sharp and fast. That was the nature of Lifestyle Improvement Committee, New York Branch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eUmezu and Harada would later become known for the elements of parody and entertainment that they brought to their music, a freewheeling blend of pastiche, humour and on-stage performativity that paralleled the approaches of the\u003cstrong\u003e Art Ensemble, Sun Ra\u003c\/strong\u003e, and Holland’s \u003cstrong\u003eICP\u003c\/strong\u003e. But here, on their first recordings, the humour element is not yet present. Instead, there is a febrile sense of joy in creation and connection. On the Umezu-penned “Kim”, for example, Harada opens the piece with a speedy exploration of the full-range of the keyboard, hitting hard on the bass keys to create a rhythmic bed out of which patterns begin to emerge. Umezu enters at a much slower pace, longer held notes that at first float weightlessly over the urgency of the piano before they begin in splinter and accelerate. When Parker and Sinan kick in, it’s a rollicking tempo with Parker plucking deep and hard and the left-handed Sinan skittering hard across the topside of his kit. Abdullah kicks in a glorious solo twelve minutes in, bright and breathy at once. The piece slows and grows more spacious towards the end, giving Parker a chance to showcase some arco work that shades beautifully into the air against Abdullah’s trumpet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeikatsu Kōjyō Iinkai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This work was recorded in 1974 by Japanese jazz players Kazutoki Umezu and Yoriyuki Harada, and American William Parker, Ahmed Abdullah, and Rashid Shinan.Includes liner notes and a booklet with photos.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
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{"id":7618280358138,"title":"Ignatz \/\/ I Live In A Utopia 2xLP","handle":"ignatz-i-live-in-a-utopia-2xlp","description":"\u003cp\u003eベルギーのアウトサイダーブルース作家Ignatzが、2022年5月に同国Aguirreからリリースした再発盤です。(オリジナルは2015年Goaty Tapesリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなLo-Fiアウトサイダーブルース〜アメリカンプリミティブ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894248614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAquirre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs always, Deven’s playing is deceptively elegant, raw but precise, attuned to resonance, radiance, and negative space. Echoes of Fahey and Jandek reverberate in certain moments but ultimately the world Ignatz maps is one incomparably his own. A landscape both doomed and dawning, weary but undefeated, tracing outlines of lengthening shadows. “I walk in the sunshine,” he sings, uneasily. This is music of a rare inner wilderness, poised at cryptic crossroads, devoted to its ghosts. I Live In A Utopia stands as an apex work by one of the underground’s most veiled and visionary talents.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1 I Live In A Utopia 4:10\u003cbr\u003eA2 I Have Found True Love 10:44\u003cbr\u003eA3 Time Does Not Bring Relief 4:54\u003cbr\u003eB1 Warm Memories 7:31\u003cbr\u003eB2 Bright Future 12:00\u003cbr\u003eC1 We Used To Smoke Inside 9:58\u003cbr\u003eC2 I Live In A Utopia (2) 4:12\u003cbr\u003eD1 The Upside Down World 9:12\u003cbr\u003eD2 Waiting For The Taxi 8:18\u003c\/p\u003e\n\u003cp\u003eArtist : Ignatz\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:45:13+09:00","created_at":"2022-05-25T14:11:02+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new"],"price":425000,"price_min":425000,"price_max":425000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793269854458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ignatz \/\/ I Live In A Utopia 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2.webp?v=1653455465"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","options":["Title"],"media":[{"alt":null,"id":29759282446586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","width":700},{"alt":null,"id":29759282479354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2.webp?v=1653455465"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2.webp?v=1653455465","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのアウトサイダーブルース作家Ignatzが、2022年5月に同国Aguirreからリリースした再発盤です。(オリジナルは2015年Goaty Tapesリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなLo-Fiアウトサイダーブルース〜アメリカンプリミティブ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894248614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAquirre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs always, Deven’s playing is deceptively elegant, raw but precise, attuned to resonance, radiance, and negative space. Echoes of Fahey and Jandek reverberate in certain moments but ultimately the world Ignatz maps is one incomparably his own. A landscape both doomed and dawning, weary but undefeated, tracing outlines of lengthening shadows. “I walk in the sunshine,” he sings, uneasily. This is music of a rare inner wilderness, poised at cryptic crossroads, devoted to its ghosts. I Live In A Utopia stands as an apex work by one of the underground’s most veiled and visionary talents.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1 I Live In A Utopia 4:10\u003cbr\u003eA2 I Have Found True Love 10:44\u003cbr\u003eA3 Time Does Not Bring Relief 4:54\u003cbr\u003eB1 Warm Memories 7:31\u003cbr\u003eB2 Bright Future 12:00\u003cbr\u003eC1 We Used To Smoke Inside 9:58\u003cbr\u003eC2 I Live In A Utopia (2) 4:12\u003cbr\u003eD1 The Upside Down World 9:12\u003cbr\u003eD2 Waiting For The Taxi 8:18\u003c\/p\u003e\n\u003cp\u003eArtist : Ignatz\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue released by Belgian outsider blues writer Ignatz on Aguirre in May 2022. (Original released in 5 Goaty Tapes) Includes 2015 psychedelic Lo-Fi outsider blues-American primitive songs.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aquirre : "This ...
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{"id":7618279571706,"title":"Terry Riley \/\/ Persian Surgery Dervishes 2xLP","handle":"terry-riley-persian-surgery-dervishes-2xlp","description":"\u003cp\u003eミニマルミュージックの巨匠Terry Rileyが、1972年にリリースしたライブ音源の再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/324064401\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e° Insert with liner notes by Julian Cowley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e° Lacquer cut by Rashad Becker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThis classic minimal music album is now available again on vinyl for the first time since the 70s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCalifornian composer\u003cb data-mce-fragment=\"1\"\u003e Terry Riley\u003c\/b\u003e’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIn recent decades Riley has composed a series of critically acclaimed pieces for string quartet. He has also written for full orchestra and explored a variety of instrumental combinations. But during the 1970s, he concentrated on solo keyboard performances, continuing to make music yet writing down almost nothing. Riley selected a mode, chose a few motifs or basic patterns and then, seated on the floor in front of his audience, improvised on electronic keyboard. That instrument became an essential part of his musical identity for a while, although it was chosen in part for practical reasons. The electric organ, superseded at later concerts by a synthesizer, was portable and consistent. This enabled him to avoid unreliable pianos in venues which were less formal and more variable than the standard concert hall circuit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eBy the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAt the start of that decade Riley became a dedicated student of the great Hindustani singer \u003cb data-mce-fragment=\"1\"\u003ePandit Pran Nath\u003c\/b\u003e. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as \u003cb data-mce-fragment=\"1\"\u003eBill Evans\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/b\u003e, is also present as an enduring source of inspiration. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEchoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Terry Riley\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:58:04+09:00","created_at":"2022-05-25T14:07:40+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","new"],"price":425000,"price_min":425000,"price_max":425000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793250980090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Terry Riley \/\/ Persian Surgery Dervishes 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1.webp?v=1653455262","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2.webp?v=1653455262"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1.webp?v=1653455262","options":["Title"],"media":[{"alt":null,"id":29759266750714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1.webp?v=1653455262"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1.webp?v=1653455262","width":500},{"alt":null,"id":29759266783482,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2.webp?v=1653455262"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2.webp?v=1653455262","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eミニマルミュージックの巨匠Terry Rileyが、1972年にリリースしたライブ音源の再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/324064401\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e° Insert with liner notes by Julian Cowley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e° Lacquer cut by Rashad Becker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThis classic minimal music album is now available again on vinyl for the first time since the 70s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCalifornian composer\u003cb data-mce-fragment=\"1\"\u003e Terry Riley\u003c\/b\u003e’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIn recent decades Riley has composed a series of critically acclaimed pieces for string quartet. He has also written for full orchestra and explored a variety of instrumental combinations. But during the 1970s, he concentrated on solo keyboard performances, continuing to make music yet writing down almost nothing. Riley selected a mode, chose a few motifs or basic patterns and then, seated on the floor in front of his audience, improvised on electronic keyboard. That instrument became an essential part of his musical identity for a while, although it was chosen in part for practical reasons. The electric organ, superseded at later concerts by a synthesizer, was portable and consistent. This enabled him to avoid unreliable pianos in venues which were less formal and more variable than the standard concert hall circuit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eBy the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAt the start of that decade Riley became a dedicated student of the great Hindustani singer \u003cb data-mce-fragment=\"1\"\u003ePandit Pran Nath\u003c\/b\u003e. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as \u003cb data-mce-fragment=\"1\"\u003eBill Evans\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/b\u003e, is also present as an enduring source of inspiration. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEchoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Terry Riley\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the live sound source released in 1972 by the master of minimal music, Terry Riley.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 1000 ...
¥4,250

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{"id":6779476541605,"title":"Nova Scotian Arms \/ Motion Sickness Of Time Travel \/\/ Crystal Anniversary LP","handle":"nova-scotian-arms-motion-sickness-of-time-travel-crystal-anniversary-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるそれぞれのソロ名義でのスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690878823\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis split lp sees the man\/wife duo of Grant and Rachel Evans performing under their own solo projects. In the past two years they have released a bunch of awesome tapes and cd-rs on their label “Hooker Vision”. They also record and perform as droneduo Quiet Evenings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record was created to celebrate the crystal anniversary of the couple. And indeed, on both sides Grant and Rachel create sounds which sound like the perfect marriage.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotian Arms \/ Motion Sickness Of Time Travel\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:19:29+09:00","created_at":"2021-05-24T13:07:09+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954799329445,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nova Scotian Arms \/ Motion Sickness Of Time Travel \/\/ Crystal Anniversary LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231","options":["Title"],"media":[{"alt":null,"id":22250254434469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるそれぞれのソロ名義でのスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690878823\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis split lp sees the man\/wife duo of Grant and Rachel Evans performing under their own solo projects. In the past two years they have released a bunch of awesome tapes and cd-rs on their label “Hooker Vision”. They also record and perform as droneduo Quiet Evenings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record was created to celebrate the crystal anniversary of the couple. And indeed, on both sides Grant and Rachel create sounds which sound like the perfect marriage.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotian Arms \/ Motion Sickness Of Time Travel\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a split record under each solo name by a couple who presides over the American drone label Adversary.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
¥2,490

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{"id":6779461042341,"title":"Tuluum Shimmering \/\/ Ulau Tau \/ Spirit Of Sun LP","handle":"tuluum-shimmering-ulau-tau-spirit-of-sun-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの民族アンビエントドローン作家Tuluum Shimmeringのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011132554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eO\u003cmeta charset=\"utf-8\"\u003ene of the most magical recordings you’ll hear this year is the first LP by Uk-based one-man trancedental-drone band Tuluum Shimmering. The sound of Tuluum Shimmering is like a sort of loop driven, timeless ethnic music without a region or a tradition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe recordings on the LP were made on a 4-track cassette recorder. On the A side there's: homemade bamboo xylophone, homemade flute, acoustic guitar customised with buzz bridge, Roland digital piano, vietnamese gong, cymbal, rattle. On the B side: homemade tamboura, various flutes, Roland digital piano, hand drums, vocals, tibetan singing bowl, snake charmer, rattle, saxophone.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tuluum Shimmering\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:22:24+09:00","created_at":"2021-05-24T13:02:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","monooto","new","post newage","strange beats"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954732548261,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tuluum Shimmering \/\/ Ulau Tau \/ Spirit Of Sun LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937","options":["Title"],"media":[{"alt":null,"id":22250211213477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの民族アンビエントドローン作家Tuluum Shimmeringのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011132554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eO\u003cmeta charset=\"utf-8\"\u003ene of the most magical recordings you’ll hear this year is the first LP by Uk-based one-man trancedental-drone band Tuluum Shimmering. 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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of British folk ambient drone writer Tuluum Shimmering.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
¥2,490

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{"id":6779456225445,"title":"Xiphiidae \/\/ Pass Hidingly Seek LP","handle":"xiphiidae-pass-hidingly-seek-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3478549820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:23:46+09:00","created_at":"2021-05-24T13:00:41+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","monooto","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954725077157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xiphiidae \/\/ Pass Hidingly Seek LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843","options":["Title"],"media":[{"alt":null,"id":22250199351461,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3478549820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of Xiphiidae, the president of the American experimental tape label Housecraft. Description by Aguirre: "Long-running solo project by Jeffry Astin. Label head ...
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{"id":6779451867301,"title":"Xiphiidae \/\/ Quaking Myth LP","handle":"xiphiidae-quaking-myth-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241180374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:24:20+09:00","created_at":"2021-05-24T12:59:17+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954715803813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xiphiidae \/\/ Quaking Myth LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759","options":["Title"],"media":[{"alt":null,"id":22250186211493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241180374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of Xiphiidae, the president of the American experimental tape label Housecraft. Description by Aguirre: "Long-running solo project by Jeffry Astin. Label head ...
¥2,490

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{"id":6779441348773,"title":"Ian William Craig \/\/ Meaning Turns to Whispers LP","handle":"ian-william-craig-meaning-turns-to-whispers-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Recitalなどから発表しているカナダ・バンクーバーのアンビエント作家Ian William Craigが2012年にリリースしたレコードです。ピアノインプロをオープンリールに流し込んで融解した6曲を収録。マスタリングはSean McCannが担当。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367140562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMeaning Turns to Whispers is a combination of piano improvisations and FM feedback loops, recorded over various winters in the last three years or so, and edited down\/manipulated\/degraded to reveal some of their hidden spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ian William Craig\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-24T14:55:45+09:00","created_at":"2021-05-24T12:56:00+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","neo classical","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954701975717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ian William Craig \/\/ Meaning Turns to Whispers LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562","options":["Title"],"media":[{"alt":null,"id":22250159046821,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Recitalなどから発表しているカナダ・バンクーバーのアンビエント作家Ian William Craigが2012年にリリースしたレコードです。ピアノインプロをオープンリールに流し込んで融解した6曲を収録。マスタリングはSean McCannが担当。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367140562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMeaning Turns to Whispers is a combination of piano improvisations and FM feedback loops, recorded over various winters in the last three years or so, and edited down\/manipulated\/degraded to reveal some of their hidden spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ian William Craig\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record released in 2012 by ambient writer Ian William Craig of Vancouver, Canada, which has been released by Recital and others.Includes 6 songs that are melted by pouring a piano improvisation into an open reel.Sean McCann is in charge of mastering.Click here to see more Aguirre releases available at Tobira ....
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{"id":6779423162533,"title":"Taj Mahal Travellers \/\/ August 1974 2xLP","handle":"taj-mahal-travellers-august-1974-2lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 日本のサイケバンドTaj Mahal Travellersが1974年にリリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jspt_dj3uX8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHigh quality reissue of the monumental work August 1974 by Japanese experimental music ensemble Taj Mahal Travellers. Pressed on 180gr. vinyl with extensive liner notes by Julian Cowley.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the changing scene and to differing ways of life. Midway through May they reached their destination, the iconic Taj Mahal on the bank of the Yamuna river in Agra, India. \u003cstrong data-mce-fragment=\"1\"\u003eThe Taj Mahal Travellers\u003c\/strong\u003e had fulfilled physically the promise of the name they adopted when they formed in 1969. But their music had always been a journey, a sonic adventure designed to lead any listener’s imagination into unfamiliar territory.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe double album August 1974 was their second official release. The first July 15, 1972 is a live concert recording, but on 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e August 1974 the Taj Mahal Travellers entered the Tokyo studios of \u003cstrong data-mce-fragment=\"1\"\u003eNippon Columbia\u003c\/strong\u003e and produced what is arguably their definitive statement. The electronic dimension of their collective improvising was coordinated, as usual, by Kinji Hayashi. Guest percussionist Hirokazu Sato joined long-term group members Ryo Koike, Seiji Nagai, Yukio Tsuchiya, Michihiro Kimura, Tokio Hasegawa and Takehisa Kosugi. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe enigmatic \u003cstrong data-mce-fragment=\"1\"\u003eTakehisa Kosugi\u003c\/strong\u003e, whose soaring electric violin was such a vital element in their music, had been a pioneer of free improvisation and intermedia performance art with Group Ongaku at the start of the 60s. Later in that decade, before launching the Taj Mahal Travellers, he had become known internationally through his association with the \u003cstrong data-mce-fragment=\"1\"\u003eFluxus art movement\u003c\/strong\u003e. During the mid-70s the Travellers disbanded and while his colleagues more or less stopped performing as musicians Kosugi continued to reach new audiences across the course of several decades as a composer, regular performer and musical director for the acclaimed \u003cstrong data-mce-fragment=\"1\"\u003eMerce Cunningham Dance Company.\u003c\/strong\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAugust 1974 captures vividly the characteristic sound of the Taj Mahal Travellers, haunting tones from an unusual combination of instruments, filtered through multiple layers of reverb and delay. Their music has strong stylistic affinities with the trippy ambience of cosmic and psychedelic rock, but the Taj Mahal Travellers were tuning in to other vibrations, drawing inspiration from the energies and rhythms of the world around them rather than projecting some alternative reality. Films of rolling ocean waves often provided a highly appropriate backdrop for their lengthy improvised concerts. This is truly electric music for the mind and body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Taj Mahal Travellers \u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:30:22+09:00","created_at":"2021-05-24T12:49:55+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","asia","lp","monooto","new","strange beats"],"price":425000,"price_min":425000,"price_max":425000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954674352293,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Taj Mahal Travellers \/\/ August 1974 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197","options":["Title"],"media":[{"alt":null,"id":22250111369381,"position":1,"preview_image":{"aspect_ratio":1.004,"height":538,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197"},"aspect_ratio":1.004,"height":538,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 日本のサイケバンドTaj Mahal Travellersが1974年にリリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jspt_dj3uX8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHigh quality reissue of the monumental work August 1974 by Japanese experimental music ensemble Taj Mahal Travellers. Pressed on 180gr. vinyl with extensive liner notes by Julian Cowley.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the changing scene and to differing ways of life. Midway through May they reached their destination, the iconic Taj Mahal on the bank of the Yamuna river in Agra, India. \u003cstrong data-mce-fragment=\"1\"\u003eThe Taj Mahal Travellers\u003c\/strong\u003e had fulfilled physically the promise of the name they adopted when they formed in 1969. But their music had always been a journey, a sonic adventure designed to lead any listener’s imagination into unfamiliar territory.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe double album August 1974 was their second official release. The first July 15, 1972 is a live concert recording, but on 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e August 1974 the Taj Mahal Travellers entered the Tokyo studios of \u003cstrong data-mce-fragment=\"1\"\u003eNippon Columbia\u003c\/strong\u003e and produced what is arguably their definitive statement. The electronic dimension of their collective improvising was coordinated, as usual, by Kinji Hayashi. Guest percussionist Hirokazu Sato joined long-term group members Ryo Koike, Seiji Nagai, Yukio Tsuchiya, Michihiro Kimura, Tokio Hasegawa and Takehisa Kosugi. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe enigmatic \u003cstrong data-mce-fragment=\"1\"\u003eTakehisa Kosugi\u003c\/strong\u003e, whose soaring electric violin was such a vital element in their music, had been a pioneer of free improvisation and intermedia performance art with Group Ongaku at the start of the 60s. Later in that decade, before launching the Taj Mahal Travellers, he had become known internationally through his association with the \u003cstrong data-mce-fragment=\"1\"\u003eFluxus art movement\u003c\/strong\u003e. During the mid-70s the Travellers disbanded and while his colleagues more or less stopped performing as musicians Kosugi continued to reach new audiences across the course of several decades as a composer, regular performer and musical director for the acclaimed \u003cstrong data-mce-fragment=\"1\"\u003eMerce Cunningham Dance Company.\u003c\/strong\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAugust 1974 captures vividly the characteristic sound of the Taj Mahal Travellers, haunting tones from an unusual combination of instruments, filtered through multiple layers of reverb and delay. Their music has strong stylistic affinities with the trippy ambience of cosmic and psychedelic rock, but the Taj Mahal Travellers were tuning in to other vibrations, drawing inspiration from the energies and rhythms of the world around them rather than projecting some alternative reality. Films of rolling ocean waves often provided a highly appropriate backdrop for their lengthy improvised concerts. This is truly electric music for the mind and body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Taj Mahal Travellers \u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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A large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium, has arrived.This work is a reissue of the work released in 1974 by the Japanese psychedelic band Taj Mahal Travelers. Description by Aguirre: "High quality reissue of the ...
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{"id":6779413332133,"title":"Sacred Tapestry \/\/ Shader Complete 2xLP","handle":"sacred-tapestry-shader-complete-2lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカのヴェーパーウェーブ第一人者Vektroidの別名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=734332344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDefinitive version of the Shader album by vaporwave pioneer Ramona Vektroid, here under the moniker Sacred Tapestry. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier. Concerned at the time that this was her final release, the record was paired with a cryptic note about body transmigration from fictitious Hong Kong company PrismCorp, hinting at the possibility of the album being her \"final transmission.\" It wasn't until 2016 when it was reworked to its current state as Shader Complete, which saw Xavier reinterpreting the album to include orphaned tracks from the Color Ocean Road (2012, as Vektroid) sessions. This makes Shader Complete something like a lost sequel to Color Ocean Road.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sacred Tapestry\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:32:24+09:00","created_at":"2021-05-24T12:47:01+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","monooto","strange beats"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954660360357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sacred Tapestry \/\/ Shader Complete 2xLP","public_title":null,"options":["Default Title"],"price":358000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022","options":["Title"],"media":[{"alt":null,"id":22250087121061,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカのヴェーパーウェーブ第一人者Vektroidの別名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=734332344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDefinitive version of the Shader album by vaporwave pioneer Ramona Vektroid, here under the moniker Sacred Tapestry. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier. Concerned at the time that this was her final release, the record was paired with a cryptic note about body transmigration from fictitious Hong Kong company PrismCorp, hinting at the possibility of the album being her \"final transmission.\" It wasn't until 2016 when it was reworked to its current state as Shader Complete, which saw Xavier reinterpreting the album to include orphaned tracks from the Color Ocean Road (2012, as Vektroid) sessions. This makes Shader Complete something like a lost sequel to Color Ocean Road.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sacred Tapestry\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record under another name of Vektroid, the leading American vapor wave.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
¥3,580

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{"id":6779398095013,"title":"Crazy Doberman \/\/ Two Tales Of Lost Witness Marks LP","handle":"crazy-doberman-two-tales-of-lost-witness-marks-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカで今最もアツいサイケバンドCrazy Doberman のレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3980454862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRinging modular synth sirens evoke alarmingly huge Southern watersnakes swimming on top of Oconee river. Total trip zone across two sides: brownouts in the sequence of events, dubby fadeouts, and bright jump cuts in space. Teases of cartoon barrlehouse tickling on the keys of a farmhouse piano and tape melt psychedelia. The recording session in Athens, Georgia was a total \"CHUGFEST\" recalls Frank Hurricane, the Appalachian juggalo folkie king, who joined the session with the Lafayette, Indiana crew. The presence of Hurricane's own \"Life is Spiritual\" mirth bulworks the record with a muddy, barefoot hippy hopefullness, steadying the log flume through the notcturnal psychic murk toward the holy morning dew. (J. Russ)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Crazy Doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:36:01+09:00","created_at":"2021-05-24T12:42:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","drone","lp","monooto","strange beats"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954635587749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crazy Doberman \/\/ Two Tales Of Lost Witness Marks LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738","options":["Title"],"media":[{"alt":null,"id":22250047176869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカで今最もアツいサイケバンドCrazy Doberman のレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3980454862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRinging modular synth sirens evoke alarmingly huge Southern watersnakes swimming on top of Oconee river. Total trip zone across two sides: brownouts in the sequence of events, dubby fadeouts, and bright jump cuts in space. Teases of cartoon barrlehouse tickling on the keys of a farmhouse piano and tape melt psychedelia. The recording session in Athens, Georgia was a total \"CHUGFEST\" recalls Frank Hurricane, the Appalachian juggalo folkie king, who joined the session with the Lafayette, Indiana crew. The presence of Hurricane's own \"Life is Spiritual\" mirth bulworks the record with a muddy, barefoot hippy hopefullness, steadying the log flume through the notcturnal psychic murk toward the holy morning dew. (J. Russ)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Crazy Doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This is the record of Crazy Doberman, the hottest psychedelic band in the United States.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
¥2,680

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{"id":6779378434213,"title":"The Begotten \/\/ Temidden Laaghangende Wolken LP","handle":"the-begotten-temidden-laaghangende-wolken-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 ベルギーの大御所作家KohnとRazenによるデュオThe Begottenのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910881218\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Aguirre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Begotten is the brainchild of Jürgen De Blonde (Köhn\/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn their debut LP \"Temidden Laaghangende Wolken\" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye\/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels. In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums. Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; \"Temidden Laaghangende Wolken\" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Begotten\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:41:40+09:00","created_at":"2021-05-24T12:35:21+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","post newage","strange beats"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954594037925,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Begotten \/\/ Temidden Laaghangende Wolken LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322","options":["Title"],"media":[{"alt":null,"id":22249975185573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 ベルギーの大御所作家KohnとRazenによるデュオThe Begottenのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910881218\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Aguirre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Begotten is the brainchild of Jürgen De Blonde (Köhn\/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn their debut LP \"Temidden Laaghangende Wolken\" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye\/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels. In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums. Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; \"Temidden Laaghangende Wolken\" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Begotten\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This is a record of the duo The Begotten by Belgian authors Kohn and Razen.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
¥2,680

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{"id":6779371782309,"title":"Joshua Abrams \/\/ Natural Information LP","handle":"joshua-abrams-natural-information-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176410119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enatural information, joshua abrams 1st record for eremite, is another fascinating entry in a solo discography of recordings that gather aesthetic input from all over the map into vivid personal statements. at the heart of natural information is the guimbri, a three-stringed animal hide bass traditionally used by the gnawa of north africa in healing ceremonies. combining solo, trio \u0026amp; quartet formats with adroit use of sampling techniques abrams creates intricate psychedelic environments that join the hypnotic character of gnawa guimbri music to more contemporary musics \u0026amp; methodologies. brown rice era don cherry, sandy bull's \"blend\" recordings \u0026amp; can's \"magic\" albums are super-heavy but in this case earned \u0026amp; appropriate historical reference points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe wire magazine top 50 records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eni kantu top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epitchfork guest list top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ematador records matablog top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edusted best of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewfmu beware the blog 2010 favorites\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewax poetics jeff parker's top ten discoveries of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efoxy digitalis\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e best of 2010\u003cbr data-mce-fragment=\"1\"\u003ereckless records employees best of 2010\u003cbr data-mce-fragment=\"1\"\u003eaquarius records customers favorites 2010\u003cbr data-mce-fragment=\"1\"\u003earsnovaworkshop 2010 year end lists\u003cbr data-mce-fragment=\"1\"\u003elars gotrich's (NPR) best of 2010\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:43:01+09:00","created_at":"2021-05-24T12:33:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new","post newage","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954573426853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Abrams \/\/ Natural Information LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na.jpg?v=1621827197"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na.jpg?v=1621827197","options":["Title"],"media":[{"alt":null,"id":22249952706725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na.jpg?v=1621827197"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na.jpg?v=1621827197","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176410119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enatural information, joshua abrams 1st record for eremite, is another fascinating entry in a solo discography of recordings that gather aesthetic input from all over the map into vivid personal statements. at the heart of natural information is the guimbri, a three-stringed animal hide bass traditionally used by the gnawa of north africa in healing ceremonies. combining solo, trio \u0026amp; quartet formats with adroit use of sampling techniques abrams creates intricate psychedelic environments that join the hypnotic character of gnawa guimbri music to more contemporary musics \u0026amp; methodologies. brown rice era don cherry, sandy bull's \"blend\" recordings \u0026amp; can's \"magic\" albums are super-heavy but in this case earned \u0026amp; appropriate historical reference points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe wire magazine top 50 records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eni kantu top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epitchfork guest list top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ematador records matablog top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edusted best of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewfmu beware the blog 2010 favorites\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewax poetics jeff parker's top ten discoveries of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efoxy digitalis\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e best of 2010\u003cbr data-mce-fragment=\"1\"\u003ereckless records employees best of 2010\u003cbr data-mce-fragment=\"1\"\u003eaquarius records customers favorites 2010\u003cbr data-mce-fragment=\"1\"\u003earsnovaworkshop 2010 year end lists\u003cbr data-mce-fragment=\"1\"\u003elars gotrich's (NPR) best of 2010\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of psychedelic writer Joshua Abrams. Description by Eremite: "natural information, joshua abrams 1st record ...
¥3,480

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{"id":6777564266661,"title":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","handle":"nisep","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Drag Cityなどから発表しているシンティル(グナワの弦楽器)、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが2021年4月にリリースした共作2枚組レコードです。ロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e","published_at":"2021-05-23T17:08:36+09:00","created_at":"2021-05-23T17:08:35+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39950908326053,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","options":["Title"],"media":[{"alt":null,"id":22242053259429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Drag Cityなどから発表しているシンティル(グナワの弦楽器)、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが2021年4月にリリースした共作2枚組レコードです。ロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a co-production of two pieces released in April 2021 by the band Natural Information Society with Sintir (Gnawa's stringed instrument), harmonica, saxophone, clarinet, and drums released by Drag City and others, and the great jazz player Evan Parker. It is a group record.Includes 4 sessions recorded at Cafe Oto, London's famous experimental space.Click here to see more Aguirre releases available ...
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{"id":6726947012773,"title":"Timelash \/\/ A Morphology Of Wonders 2xLP","handle":"timelash-a-morphology-of-wonders-2lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEMBASSADOR DULGOONとGRANT CORUMによるデュオTimelashが2021年1月にAguirreよりリリースした2枚組レコード。トライバルなパーカッションが響く土着ニューエイジ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3360917297\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimelash is the freshly erupted synthesizer \u0026amp; SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds \/ Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-15T05:21:03+09:00","created_at":"2021-05-06T17:56:45+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","lp","post newage","strange beats"],"price":372000,"price_min":372000,"price_max":372000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39814479806629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Timelash \/\/ A Morphology Of Wonders 2xLP","public_title":null,"options":["Default Title"],"price":372000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407","options":["Title"],"media":[{"alt":null,"id":22033201561765,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEMBASSADOR DULGOONとGRANT CORUMによるデュオTimelashが2021年1月にAguirreよりリリースした2枚組レコード。トライバルなパーカッションが響く土着ニューエイジ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3360917297\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimelash is the freshly erupted synthesizer \u0026amp; SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds \/ Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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A 2021-disc set released by Aguirre in January 1 by the duo Timelash by EMBASSADOR DULGOON and GRANT CORUM.Includes 2 indigenous New Age songs with tribal percussion. <Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre ...
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{"id":7666934350074,"title":"Blod \/\/ Knutna Nävar LP","handle":"blod-knutna-navar-lp","description":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2018年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eLo-Fiアヴァンフォーク7曲を収録。巨大ポスターが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1469857673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert and large poster.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Swedish progg is not to be confused with \"prog\" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. \u003cstrong\u003eBlod\u003c\/strong\u003e's Knutna Nävar, originally released in an edition of 150 copies on F\u003cstrong\u003eörlag För Fri Musik\u003c\/strong\u003e in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cem\u003eFurther developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack\/library music and Swedish composers like the late \u003cstrong\u003eBjörn Isfält\u003c\/strong\u003e when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the ABBA album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIt seems like everyone has their own favourite but Knutna Nävar is the \u003cstrong\u003eBlod\u003c\/strong\u003e album I have returned to the most. It has that extra something that sets it apart and if I would have to pick up a few records that sums up why Gothenburg has been a pretty damn awesome place to be in the last 10 years or so, this would definitely be one of the top picks. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-07-05T15:19:17+09:00","created_at":"2022-07-05T14:45:03+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new"],"price":377000,"price_min":377000,"price_max":377000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954911416570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Blod \/\/ Knutna Nävar LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/kn1.webp?v=1656999904"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/kn1.webp?v=1656999904","options":["Title"],"media":[{"alt":null,"id":30061647593722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/kn1.webp?v=1656999904"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/kn1.webp?v=1656999904","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2018年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eLo-Fiアヴァンフォーク7曲を収録。巨大ポスターが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1469857673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert and large poster.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Swedish progg is not to be confused with \"prog\" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. \u003cstrong\u003eBlod\u003c\/strong\u003e's Knutna Nävar, originally released in an edition of 150 copies on F\u003cstrong\u003eörlag För Fri Musik\u003c\/strong\u003e in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cem\u003eFurther developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack\/library music and Swedish composers like the late \u003cstrong\u003eBjörn Isfält\u003c\/strong\u003e when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the ABBA album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIt seems like everyone has their own favourite but Knutna Nävar is the \u003cstrong\u003eBlod\u003c\/strong\u003e album I have returned to the most. It has that extra something that sets it apart and if I would have to pick up a few records that sums up why Gothenburg has been a pretty damn awesome place to be in the last 10 years or so, this would definitely be one of the top picks. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the album released in 2018 by Swedish experimental musician Blood. Contains 7 Lo-Fi Avant Folk songs.Comes with a huge poster.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 500 ....
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{"id":7666933432570,"title":"Blod \/\/ Leendet Från Helvetet LP","handle":"blod-leendet-fran-helvetet-lp","description":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2017年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eインプロ〜フリージャズ〜アヴァンフォーク8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3378537585\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on \u003cstrong data-mce-fragment=\"1\"\u003eFörlag För Fri Musik\u003c\/strong\u003e) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes\/audial voyeurism and brutish stop\/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cem\u003eThe record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D\u0026amp;D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp \u0026amp; Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eA couple of years has passed since it's initial release back in 2017 and I think it's safe to say that Leendet Från Helvetet is by far the most overlooked album in the Blod discography (well, if you can say that about a record that was only pressed in a mere 100 copies to begin with!). The blueprint to what would later evolve into the bombastic Knuta Nävar, the intimate Tusen Bitar, the highly confusing medieval masterpiece Missväxt, not to mention all the self-released cassettes and CD-rs.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-07-05T15:17:33+09:00","created_at":"2022-07-05T14:43:14+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","jazz","lp","new"],"price":377000,"price_min":377000,"price_max":377000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954905256186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Blod \/\/ Leendet Från Helvetet LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1.webp?v=1656999795"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1.webp?v=1656999795","options":["Title"],"media":[{"alt":null,"id":30061636354298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1.webp?v=1656999795"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1.webp?v=1656999795","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2017年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eインプロ〜フリージャズ〜アヴァンフォーク8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3378537585\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on \u003cstrong data-mce-fragment=\"1\"\u003eFörlag För Fri Musik\u003c\/strong\u003e) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes\/audial voyeurism and brutish stop\/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cem\u003eThe record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D\u0026amp;D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp \u0026amp; Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eA couple of years has passed since it's initial release back in 2017 and I think it's safe to say that Leendet Från Helvetet is by far the most overlooked album in the Blod discography (well, if you can say that about a record that was only pressed in a mere 100 copies to begin with!). The blueprint to what would later evolve into the bombastic Knuta Nävar, the intimate Tusen Bitar, the highly confusing medieval masterpiece Missväxt, not to mention all the self-released cassettes and CD-rs.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the album released in 2017 by Swedish experimental musician Blood.Includes 8 improvisational-free jazz-avantfolk songs.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 500 ....
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{"id":7666931859706,"title":"Kot Kot \/\/ i pni LP","handle":"kot-kot-i-pni-lp","description":"\u003cp\u003eロシア出身ドイツ在住のLo-Fiベッドルームフォーク作家Kot Kotが、2022年6月にベルギーの実験レーベルAguirreからリリースした最新レコードです。\u003c\/p\u003e\n\u003cp\u003eおとぎ話のようなアヴァンフォーク12曲を収録。インサート付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3255981640\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the old attic, among dust and dimness, I once found an old children's magazine, that opened itself on a photograph of three melancholic girls eating soup.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA distant voice, quietly singing ravels of poems from the 19th century, all gone and forgotten long ago, is accompanied by monotonous loops, played on toy keyboards, or are they maybe a rustling and hissing of twigs on the roof? repeating gusts of wind, slightly moving curtains over a flaking window frame? the pace of moonlight on the carpet? Do you also hear a horn, every now and then sounding from a frayed and yellowed picture of a castle on flower dotted wallpaper?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKot Kot’s \"i pni\" (\"and stumps\") LP brings another glimpse into Lena Filatova’s sound gathering \u0026amp; recording process and her unique sensibilities. Feeling as though born from some kind of advent calendar hiding forgotten sounds, neglected moments and haunting sentiments, waiting there for those inclined to have a look. Lena is curiously opening doors individually and in new unisons to arrive at sound collages \u0026amp; compositions born from both accident and design (see the 5\/4 odd time signature in „Ottepel“). Vocals that are fragile yet often laced with a feeling of determination and emotive persuasion. Lyrics pulled from old children’s books\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, juxtaposed with often dark and foreboding loops and samples that dance asynchronously around each other beneath Lena’s voice \u0026amp; piano\/toy keyboards. Often recognising and embracing the magic in imperfection and choosing to keep early takes \u0026amp; improvisations, capturing and treasuring what others might have failed to recognise and hold dear. Lena is always demonstrating an innate ability to sew all of these things together in such a way as to cast a spell on the listener from inside a zoetrope of curiously collected \u0026amp; curated frames.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e„i pni“ is a big and serious poetic work about the most hidden, almost lost and perished, but forever wandering between sleep and waking in an eternal hauntological dream of an old attic.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kot Kot\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e","published_at":"2022-07-05T15:13:35+09:00","created_at":"2022-07-05T14:38:08+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new"],"price":377000,"price_min":377000,"price_max":377000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954884874490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kot Kot \/\/ i pni LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pn1.jpg?v=1656999490"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pn1.jpg?v=1656999490","options":["Title"],"media":[{"alt":null,"id":30061608173818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pn1.jpg?v=1656999490"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pn1.jpg?v=1656999490","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシア出身ドイツ在住のLo-Fiベッドルームフォーク作家Kot Kotが、2022年6月にベルギーの実験レーベルAguirreからリリースした最新レコードです。\u003c\/p\u003e\n\u003cp\u003eおとぎ話のようなアヴァンフォーク12曲を収録。インサート付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3255981640\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the old attic, among dust and dimness, I once found an old children's magazine, that opened itself on a photograph of three melancholic girls eating soup.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA distant voice, quietly singing ravels of poems from the 19th century, all gone and forgotten long ago, is accompanied by monotonous loops, played on toy keyboards, or are they maybe a rustling and hissing of twigs on the roof? repeating gusts of wind, slightly moving curtains over a flaking window frame? the pace of moonlight on the carpet? Do you also hear a horn, every now and then sounding from a frayed and yellowed picture of a castle on flower dotted wallpaper?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKot Kot’s \"i pni\" (\"and stumps\") LP brings another glimpse into Lena Filatova’s sound gathering \u0026amp; recording process and her unique sensibilities. Feeling as though born from some kind of advent calendar hiding forgotten sounds, neglected moments and haunting sentiments, waiting there for those inclined to have a look. Lena is curiously opening doors individually and in new unisons to arrive at sound collages \u0026amp; compositions born from both accident and design (see the 5\/4 odd time signature in „Ottepel“). Vocals that are fragile yet often laced with a feeling of determination and emotive persuasion. Lyrics pulled from old children’s books\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, juxtaposed with often dark and foreboding loops and samples that dance asynchronously around each other beneath Lena’s voice \u0026amp; piano\/toy keyboards. Often recognising and embracing the magic in imperfection and choosing to keep early takes \u0026amp; improvisations, capturing and treasuring what others might have failed to recognise and hold dear. Lena is always demonstrating an innate ability to sew all of these things together in such a way as to cast a spell on the listener from inside a zoetrope of curiously collected \u0026amp; curated frames.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e„i pni“ is a big and serious poetic work about the most hidden, almost lost and perished, but forever wandering between sleep and waking in an eternal hauntological dream of an old attic.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kot Kot\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e"}
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This is the latest record released by Lo-Fi bedroom folk writer Kot Kot from Russia and Germany in June 2022 on the Belgian experimental label Aguirre.Contains 6 fairy-tale Avant Folk songs.Includes insert.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre : "In ...
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{"id":7618283012346,"title":"Takayanagi Masayuki New Direction for the Art \/\/ La Grima LP","handle":"takayanagi-masayuki-new-direction-for-the-art-la-grima-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所ギタリスト\u003cmeta charset=\"utf-8\"\u003e高柳昌行が1971年8月14日に行ったライブの録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m-1kxWzgTEM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003c\/strong\u003eFamed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs \u0026amp; extensive liner notes by Alan Cummings.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe performance by \u003cstrong\u003eTakayanagi Masayuki New Direction for the Art\u003c\/strong\u003e at the Gen’yasai festival on August 14, 1971 was an intense, bruising collision between the radical, anti-establishment politics of the period in Japan and the febrile avant-garde music that had begun to emerge a few years before. The ferocious performance that you can hear here was received with outright hostility by the audience, who responded first with catcalls and later with showers of debris that were hurled at the performers. Takayanagi though described the group’s performance to jazz magazine Swing Journal as a success, “an authentic and realistic depiction of the situation”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1962, Takayanagi, bassist Kanai Hideto and painter Kageyama Isamu went on to form an AACM-style musicians’ collective called the \u003cstrong\u003eNew Century Music Research Institute.\u003c\/strong\u003e Every Friday, members gathered at Gin-Paris, a chanson bar in the fashionable Ginza district of Tokyo, to push the outer limits of jazz creativity. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut the pivotal moment for his music was the creation a new trio version of his New Directions group in August 1969, with the free bassist \u003cstrong\u003eYoshizawa Motoharu\u003c\/strong\u003e and a young drummer \u003cstrong\u003eToyozumi (Sabu) Yoshisaburō\u003c\/strong\u003e. Experiments eventually led to the creation of two basic frameworks for improvisation that Takayagi referred to as Mass Projection and Gradually Projection. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e “La Grima” (tears), the piece that was played at the Gen’yasai festival, is a mass projection and listening to it, you can get a clear sense of what Takayanagi was aiming at. Mass projection involves a dense, speedy and chaotic colouring in of space that destroys the listener’s perception of time, and thus of musical development.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ferocity of the performance of “La Grima” at the Gen’yasai Festival in Sanrizuka on August 14, 1971 was consciously grounded by Takayanagi in a particular historical moment, ripe with conflict and violence. A month after the festival, on September 16, three policemen would die during struggles at the site. This was the context that the three-day Gen’yasai Festival existed within. The line-up reflected the radical politics of the movement, with leading free jazz musicians like \u003cstrong\u003eTakayanagi, Abe Kaoru\u003c\/strong\u003e, and \u003cstrong\u003eTakagi Mototeru\u003c\/strong\u003e appearing alongside radical ur-punkers \u003cstrong\u003eZuno Keisatsu\u003c\/strong\u003e, heavy electric blues bands like \u003cstrong\u003eBlues Creation\u003c\/strong\u003e, and\u003cstrong\u003e Haino Keiji\u003c\/strong\u003e’s scream-jazz unit \u003cstrong\u003eLost Aaraaff\u003c\/strong\u003e.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNew Direction for the Arts\u003c\/strong\u003e trio topped the bill on the opening day, playing an aggressive, uncompromising “mass projection” set of polyphonic improvisation. Alongside drummer \u003cstrong\u003eHiroshi Yamazaki\u003c\/strong\u003e and saxophonist \u003cstrong\u003eKenji Mori\u003c\/strong\u003e, Takayanagi soloed hard and continuously for forty minutes. This was performance as precisely calibrated metaphor: three musicians responding to the demands of the moment with instinctive force and fury, untethered by rules, leaderless yet not rudderless (the direction part of the group’s name was no accident). The piece was entitled La Grima – tears - and the fusion between the palpable anger of the performance and hopeless sadness of its title were also perfectly apt for the situation. This was a fight that the state was always going to win. Yet, by all accounts, the band’s set went down like a fart at a funeral. The band were showered with catcalls and debris throughout, and by chants of “go home” when the music finally came to an end.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eHowever, looking back at the event in the year-end issue of Japan’s leading jazz magazine, Swing Journal, Takayanagi was surprisingly upbeat: New Directions brought a solid political consciousness to our performance and succeeded in an authentic and realistic depiction of the situation. But journalism revealed its superficiality in its inability to penetrate the core of the music. I don’t know much about anyone else, but we at least left behind a competent record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a fascinating statement in many ways. Perhaps on one-hand it can be read as stubborn, solipsistic and self-justifying, yet in conjunction with his statement in 1971 there are points that guide us towards an understanding of just what Takayanagi intended with his performance at the festival. As\u003cstrong\u003e Kitazato Yoshiyuki\u003c\/strong\u003e has argued, it becomes an almost religious act, directed at the earth deities of the land. A union of anger, sorrow and malevolence that can be placed nowhere effective, all it can do is find expression and channeling. The forcible land seizures at Narita, the eviction of farmers from land that had been in families for generations, the destruction of communities: none of this can be prevented, not least by an artistic action. All that can be done is an attempt to mark the land itself, to soak it with the combined force of emotions and the volume of the performances, to bury something there that cannot be drowned out, even by the coming roar of jet engines.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takayanagi Masayuki New Direction for the Art\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:51:27+09:00","created_at":"2022-05-25T14:17:01+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793311764730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takayanagi Masayuki New Direction for the Art \/\/ La Grima LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1.webp?v=1653455822","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta2.webp?v=1653455822"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1.webp?v=1653455822","options":["Title"],"media":[{"alt":null,"id":29759311380730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1.webp?v=1653455822"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta1.webp?v=1653455822","width":540},{"alt":null,"id":29759311413498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta2.webp?v=1653455822"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ta2.webp?v=1653455822","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所ギタリスト\u003cmeta charset=\"utf-8\"\u003e高柳昌行が1971年8月14日に行ったライブの録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m-1kxWzgTEM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003c\/strong\u003eFamed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs \u0026amp; extensive liner notes by Alan Cummings.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe performance by \u003cstrong\u003eTakayanagi Masayuki New Direction for the Art\u003c\/strong\u003e at the Gen’yasai festival on August 14, 1971 was an intense, bruising collision between the radical, anti-establishment politics of the period in Japan and the febrile avant-garde music that had begun to emerge a few years before. The ferocious performance that you can hear here was received with outright hostility by the audience, who responded first with catcalls and later with showers of debris that were hurled at the performers. Takayanagi though described the group’s performance to jazz magazine Swing Journal as a success, “an authentic and realistic depiction of the situation”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1962, Takayanagi, bassist Kanai Hideto and painter Kageyama Isamu went on to form an AACM-style musicians’ collective called the \u003cstrong\u003eNew Century Music Research Institute.\u003c\/strong\u003e Every Friday, members gathered at Gin-Paris, a chanson bar in the fashionable Ginza district of Tokyo, to push the outer limits of jazz creativity. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut the pivotal moment for his music was the creation a new trio version of his New Directions group in August 1969, with the free bassist \u003cstrong\u003eYoshizawa Motoharu\u003c\/strong\u003e and a young drummer \u003cstrong\u003eToyozumi (Sabu) Yoshisaburō\u003c\/strong\u003e. Experiments eventually led to the creation of two basic frameworks for improvisation that Takayagi referred to as Mass Projection and Gradually Projection. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e “La Grima” (tears), the piece that was played at the Gen’yasai festival, is a mass projection and listening to it, you can get a clear sense of what Takayanagi was aiming at. Mass projection involves a dense, speedy and chaotic colouring in of space that destroys the listener’s perception of time, and thus of musical development.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ferocity of the performance of “La Grima” at the Gen’yasai Festival in Sanrizuka on August 14, 1971 was consciously grounded by Takayanagi in a particular historical moment, ripe with conflict and violence. A month after the festival, on September 16, three policemen would die during struggles at the site. This was the context that the three-day Gen’yasai Festival existed within. The line-up reflected the radical politics of the movement, with leading free jazz musicians like \u003cstrong\u003eTakayanagi, Abe Kaoru\u003c\/strong\u003e, and \u003cstrong\u003eTakagi Mototeru\u003c\/strong\u003e appearing alongside radical ur-punkers \u003cstrong\u003eZuno Keisatsu\u003c\/strong\u003e, heavy electric blues bands like \u003cstrong\u003eBlues Creation\u003c\/strong\u003e, and\u003cstrong\u003e Haino Keiji\u003c\/strong\u003e’s scream-jazz unit \u003cstrong\u003eLost Aaraaff\u003c\/strong\u003e.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNew Direction for the Arts\u003c\/strong\u003e trio topped the bill on the opening day, playing an aggressive, uncompromising “mass projection” set of polyphonic improvisation. Alongside drummer \u003cstrong\u003eHiroshi Yamazaki\u003c\/strong\u003e and saxophonist \u003cstrong\u003eKenji Mori\u003c\/strong\u003e, Takayanagi soloed hard and continuously for forty minutes. This was performance as precisely calibrated metaphor: three musicians responding to the demands of the moment with instinctive force and fury, untethered by rules, leaderless yet not rudderless (the direction part of the group’s name was no accident). The piece was entitled La Grima – tears - and the fusion between the palpable anger of the performance and hopeless sadness of its title were also perfectly apt for the situation. This was a fight that the state was always going to win. Yet, by all accounts, the band’s set went down like a fart at a funeral. The band were showered with catcalls and debris throughout, and by chants of “go home” when the music finally came to an end.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eHowever, looking back at the event in the year-end issue of Japan’s leading jazz magazine, Swing Journal, Takayanagi was surprisingly upbeat: New Directions brought a solid political consciousness to our performance and succeeded in an authentic and realistic depiction of the situation. But journalism revealed its superficiality in its inability to penetrate the core of the music. I don’t know much about anyone else, but we at least left behind a competent record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a fascinating statement in many ways. Perhaps on one-hand it can be read as stubborn, solipsistic and self-justifying, yet in conjunction with his statement in 1971 there are points that guide us towards an understanding of just what Takayanagi intended with his performance at the festival. As\u003cstrong\u003e Kitazato Yoshiyuki\u003c\/strong\u003e has argued, it becomes an almost religious act, directed at the earth deities of the land. A union of anger, sorrow and malevolence that can be placed nowhere effective, all it can do is find expression and channeling. The forcible land seizures at Narita, the eviction of farmers from land that had been in families for generations, the destruction of communities: none of this can be prevented, not least by an artistic action. All that can be done is an attempt to mark the land itself, to soak it with the combined force of emotions and the volume of the performances, to bury something there that cannot be drowned out, even by the coming roar of jet engines.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takayanagi Masayuki New Direction for the Art\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a live recording of the live performance by the great guitarist Masayuki Takayanagi on August 1971, 8.Includes liner notes and a booklet with photos.Click here to see more Aguirre releases available at Tobira. ------------------------------ Essay by Aguirre: ...
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{"id":7618281406714,"title":"Jéricho \/\/ De Dreit Nien 2xLP","handle":"jericho-de-dreit-nien-2xlp","description":"\u003cp\u003eフランスのLa Noviaコレクティブに所属する4名からなる民謡ドローンバンドJérichoが、2022年5月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやバンジョー、バグパイプ、声によるサイケデリックな民謡ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1633195891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThey can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet’s banjo and Gauthier and Puech’s cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. Many of the songs slide into each other in long sequences, adding to the sense of disorientation; the one which runs from ‘Revenant Des Noces’ to ‘Trois Mariniers’ takes in both eerie, keening balladry and wild dances. When Jericho hit their stride at these\u003cspan class=\"bcTruncateMore\"\u003e moments – see also, especially, the glorious ‘Planh De la Madalena’ – they leave you feeling like you’re spinning forever, encircled by whirling bodies caught up in dancing mania.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\"L’Oreille Dauphine: An ambitious reinvention of Auvergne songs, where popular tradition mixes with a truly modern aesthetic, a mixture of contemporary folk and drone. The opportunity to discover the unfortunately declining Occitan language as well as unusual instruments such as the limousine bagpipes or the hurdy-gurdy, which by continuous and powerful \"drones\" ensure this continuity between ancestral heritage and avant-garde.\u003cbr\u003e\u003cbr\u003eThis album marks an astonishing symbiosis, where the joyful frenzy of a wedding song can mingle seamlessly with a hypnotic and transcendent yet profane mysticism, against a backdrop of deep roots in the earth, thereby consecrating a nobility of heart. which frankly conquered mine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jéricho\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T15:11:46+09:00","created_at":"2022-05-25T14:14:12+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","drone","lp","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793295184122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jéricho \/\/ De Dreit Nien 2xLP","public_title":null,"options":["Default Title"],"price":398000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653","options":["Title"],"media":[{"alt":null,"id":29759297454330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのLa Noviaコレクティブに所属する4名からなる民謡ドローンバンドJérichoが、2022年5月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやバンジョー、バグパイプ、声によるサイケデリックな民謡ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1633195891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThey can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet’s banjo and Gauthier and Puech’s cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. 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This is a two-disc set released on the Belgian experimental label Aguirre in May 4 by the four-member folk song drone band Jéricho, who belongs to the La Novia collective in France.Includes 2022 psychedelic folk song drones with hurdy-gurdy, banjo, bagpipes, and voice.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre : "The ...
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{"id":6779470839973,"title":"Mpala Garoo \/\/ Ou Du Monde LP","handle":"mpala-garoo-ou-du-monde-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eトロピカルサイケな一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756231359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUpgrade of the original cassette release on Sweat Lodge Guru. Moscow multi-instrumentalist Ivan Karib who also plays in Kon Tiki Gemini makes wondrous spaced-out and multi-layered electronics that float somewhere between Ducktails and Sean McCann. The tropics invade Russia and clatter to the floor. ghost guitars ring hollow, looping around endlessly searching for synthetic embrase.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSweat Lodge Guru described the recordings as \"Music crafted for the sunny and tropical paradises of our minds. Seasonal temperament is shared via magnetic vibes; we can all exist in the same balmy and tropical headstate no matter what our physical locale may be. Pure vibrations that ebb and flow on the appeal of tidal moons.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mpala Garoo\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:17:35+09:00","created_at":"2021-05-24T13:05:32+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","strange beats"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954756468901,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mpala Garoo \/\/ Ou Du Monde LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134","options":["Title"],"media":[{"alt":null,"id":22250236346533,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eトロピカルサイケな一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756231359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUpgrade of the original cassette release on Sweat Lodge Guru. Moscow multi-instrumentalist Ivan Karib who also plays in Kon Tiki Gemini makes wondrous spaced-out and multi-layered electronics that float somewhere between Ducktails and Sean McCann. The tropics invade Russia and clatter to the floor. ghost guitars ring hollow, looping around endlessly searching for synthetic embrase.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSweat Lodge Guru described the recordings as \"Music crafted for the sunny and tropical paradises of our minds. Seasonal temperament is shared via magnetic vibes; we can all exist in the same balmy and tropical headstate no matter what our physical locale may be. Pure vibrations that ebb and flow on the appeal of tidal moons.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mpala Garoo\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.It is a tropical psychedelic piece. Description by Aguirre: "Upgrade of the original cassette release on Sweat ...
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{"id":6779466186917,"title":"Quiet Evenings \/\/ Impressions LP","handle":"quiet-evenings-impressions-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるQuiet Evenings名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332968719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the much loved Nova Scotian Arms \/ Motion Sickness Of Time Travel split LP on Aguirre, here's the second collaborative LP by the couple from Winterville, Georgia. In a little over three years, the duo that comprise Quiet Evenings – Grant and Rachel Evans – have become two of the most prolific and active artists in the American underground. Each also has solo projects: Grant most recently under his own name as well as Crippling and Rachel as Motion Sickness of Time Travel. Between those as well as Quiet Evenings, they’ve amassed well over 50 releases for various labels in various editions. They also co-run the Hooker Vision label, clocking up a similar amount of releases for other kindred spirits.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Impressions both sides offer superrepetitivedronework in the highest form. Outer-space that balances a slow pace with an incredibly intense inertia to evolve immediately, yet gracefully. With minimal instrumentation of guitars and synthesizers the pieces on Impressions captivate the listener into the world they've created. Far from the realm of pure ambient drift, subtle forces build within their disarming restraint and provide a stunning balance between light and shade. Quiet Evenings inhabit a ghostly space of unique elegance. This is a duo that can carry their craft well beyond standard shapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quiet Evenings\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:20:38+09:00","created_at":"2021-05-24T13:04:00+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954745819301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Quiet Evenings \/\/ Impressions LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042","options":["Title"],"media":[{"alt":null,"id":22250224713893,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるQuiet Evenings名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332968719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the much loved Nova Scotian Arms \/ Motion Sickness Of Time Travel split LP on Aguirre, here's the second collaborative LP by the couple from Winterville, Georgia. In a little over three years, the duo that comprise Quiet Evenings – Grant and Rachel Evans – have become two of the most prolific and active artists in the American underground. Each also has solo projects: Grant most recently under his own name as well as Crippling and Rachel as Motion Sickness of Time Travel. Between those as well as Quiet Evenings, they’ve amassed well over 50 releases for various labels in various editions. They also co-run the Hooker Vision label, clocking up a similar amount of releases for other kindred spirits.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Impressions both sides offer superrepetitivedronework in the highest form. Outer-space that balances a slow pace with an incredibly intense inertia to evolve immediately, yet gracefully. With minimal instrumentation of guitars and synthesizers the pieces on Impressions captivate the listener into the world they've created. Far from the realm of pure ambient drift, subtle forces build within their disarming restraint and provide a stunning balance between light and shade. Quiet Evenings inhabit a ghostly space of unique elegance. This is a duo that can carry their craft well beyond standard shapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quiet Evenings\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record under the name of Quiet Evenings by a couple who presides over the American drone label Adversary. Description by Aguirre: "Following the much loved Nova Scotian Arms ...
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{"id":6779445936293,"title":"Komodo Haunts \/\/ Suijin LP","handle":"komodo-haunts-suijin-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 イギリスの民族ドローン作家Komodo Hauntsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83990452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKomodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, \"reality therapy\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from drone masters and new age wanderers the Suijin album is all about getting into \"the zone” and could be the soundtrack to an unreleased Tarkovsky movie. Building up from a basis of minimalistic stylings in the vein of Terry Riley’s Persian Surgery Dervishes and adding rich instrumental and vocal layers later.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNotes on SUIJIN \/ notes on water: liquid forms; SUIJIN, the shinto God of water - water as a force - the symbolic status of water - people-water relationship. Instruments range from shifting tape loops to reverb laden electric guitar and dark synths, human voice, wind, distorted bass, ceramic ocarina, acoustic strings, processed electronics and oscillating waves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Komodo Haunts\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:25:08+09:00","created_at":"2021-05-24T12:57:20+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","post newage"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954707579045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Komodo Haunts \/\/ Suijin LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642","options":["Title"],"media":[{"alt":null,"id":22250171039909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 イギリスの民族ドローン作家Komodo Hauntsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83990452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKomodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, \"reality therapy\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from drone masters and new age wanderers the Suijin album is all about getting into \"the zone” and could be the soundtrack to an unreleased Tarkovsky movie. Building up from a basis of minimalistic stylings in the vein of Terry Riley’s Persian Surgery Dervishes and adding rich instrumental and vocal layers later.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNotes on SUIJIN \/ notes on water: liquid forms; SUIJIN, the shinto God of water - water as a force - the symbolic status of water - people-water relationship. Instruments range from shifting tape loops to reverb laden electric guitar and dark synths, human voice, wind, distorted bass, ceramic ocarina, acoustic strings, processed electronics and oscillating waves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Komodo Haunts\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of British folk drone writer Komodo Haunts. Description by Aguirre: "Komodo Haunts is the psychedelic drone ...
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{"id":6779430994085,"title":"Fifty Foot Hose \/\/ Cauldron LP","handle":"fifty-foot-hose-cauldron-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカの実験サイケバンドFifty Foot Hose が1967年にリリースしたレコードの再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827557084\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Sundazed Music\/ Modern Harmonic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e1967 Electro-Psych Opus! \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTheir fusion of psychedelia and electronics resulted in a truly trailblazing sound. Cauldron stands as a signal achievement that laid the groundwork for genres that didn’t even exist when it was released.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fifty Foot Hose\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:28:55+09:00","created_at":"2021-05-24T12:52:34+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954685591717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fifty Foot Hose \/\/ Cauldron LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_4fd4bedf-e0ff-45db-bba1-52b056ecd96c.jpg?v=1621828356","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_3bcbd1f1-4063-47be-90ee-0b11d7fb7c96.jpg?v=1621828356"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_4fd4bedf-e0ff-45db-bba1-52b056ecd96c.jpg?v=1621828356","options":["Title"],"media":[{"alt":null,"id":22250128605349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_4fd4bedf-e0ff-45db-bba1-52b056ecd96c.jpg?v=1621828356"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_4fd4bedf-e0ff-45db-bba1-52b056ecd96c.jpg?v=1621828356","width":700},{"alt":null,"id":22250128638117,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_3bcbd1f1-4063-47be-90ee-0b11d7fb7c96.jpg?v=1621828356"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_3bcbd1f1-4063-47be-90ee-0b11d7fb7c96.jpg?v=1621828356","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカの実験サイケバンドFifty Foot Hose が1967年にリリースしたレコードの再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827557084\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Sundazed Music\/ Modern Harmonic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e1967 Electro-Psych Opus! \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTheir fusion of psychedelia and electronics resulted in a truly trailblazing sound. Cauldron stands as a signal achievement that laid the groundwork for genres that didn’t even exist when it was released.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fifty Foot Hose\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a reissue of the record released in 1967 by the American experimental psychedelic band Fifty Foot Hose. Description by Sundazed Music / Modern Harmonic: "1967 ...
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{"id":6779406385317,"title":"New Dreams Ltd. \/\/ Sleepline 2xLP","handle":"new-dreams-ltd-sleepline-2lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカ・ヴェーパーウェーブ第一人者Vektroid aka New Dreams Ltd.の2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrucial album by vaporwave pioneer Ramona Vektroid, here released under the moniker New Dreams Ltd. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : New Dreams Ltd.\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:34:32+09:00","created_at":"2021-05-24T12:44:47+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","hiphop \/ funk","lp","monooto","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954652594341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"New Dreams Ltd. \/\/ Sleepline 2xLP","public_title":null,"options":["Default Title"],"price":398000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sl1.jpg?v=1621827889"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sl1.jpg?v=1621827889","options":["Title"],"media":[{"alt":null,"id":22250070114469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sl1.jpg?v=1621827889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sl1.jpg?v=1621827889","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカ・ヴェーパーウェーブ第一人者Vektroid aka New Dreams Ltd.の2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrucial album by vaporwave pioneer Ramona Vektroid, here released under the moniker New Dreams Ltd. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : New Dreams Ltd.\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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A large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium, has arrived.This work is a two-disc set of Vektroid aka New Dreams Ltd., a leading figure in American Vaporwave.Click here to see more Aguirre releases available ...
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{"id":6779366932645,"title":"Joshua Abrams \/\/ Represencing LP","handle":"joshua-abrams-represencing-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901163282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003erepresencing is the second installment of the joshua abrams sound world introduced on his 2010 eremite album natural information. recorded at home in chicago summer of 2011, abrams again organizes small group statements around the resonant grooves of the north african ceremonial instrument the guimbri with a unique \u0026amp; broadly assimilative compositional voice. sources from traditional musics to minimalism, jazz to krautrock, animate represencing, but Abrams is always grounded in the solidity of true working musicianship \u0026amp; he proves himself an artist fluent not just in styles but traditions. abrams' guest musicians embrace his polyglot approach. goaded (the guimbri is partly constructed from animal-hide) by abrams to focus on a particular facet of their vocabularies, jeff parker \u0026amp; emmett kelly appear as finely contrasting rhythm guitarists, michael zerang gets virtuosic on a tambourine \u0026amp; david boykin devotes himself to altissimo long-tones \u0026amp; circular breathing. others perform more structural roles, such as jason stein's bass clarinet, or, as with nicole mitchell's diaphanous choir of flute parts, function as landscape. the moondog-influenced \"sungazer\" is an aria for tomeka reid's spirited cello. throughout the album gong rhythms, synthesizer \"sub\" bass, harmonium \u0026amp; organ return as unifying coloristic elements\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. abrams likens the overall experience to \"entering a forest from different directions,\" \u0026amp; cites as inspirations the AACM, don cherry, arnold dreyblatt, hamza el din, popul vuh, pharaoh sanders, \u0026amp; sandy bull's duets with billy higgins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eany one of these pieces would play fantastically as all-night trance music but abrams opts instead to miniaturize his environments, teasing the open \u0026amp; 'endless' forms of the compositions to present poetic episodes that imply sonic vastness. something of an exception to this practice is the ten minute title track, a duo with drummer chad taylor that is a tour de force of two brilliant rhythm players improvising to the omega point.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003epitchfork staff list top ten albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emagnet magazine best of 2012 jazz\/improv\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebaltimore city paper 2012 top ten experimental \u0026amp; avant-garde records\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eni kantu best of 2012 list\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ematador records matablog top fifteen records 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKDHX DJs top 10 albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estupid scientifical best vinyl albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereckless records staff best-of 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efoxy digitalis best vinyl only release 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003evillage voice pazznjop 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edownbeat 4 star review\u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:43:36+09:00","created_at":"2021-05-24T12:31:14+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","post newage","strange beats"],"price":332600,"price_min":332600,"price_max":332600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954568741029,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Abrams \/\/ Represencing LP","public_title":null,"options":["Default Title"],"price":332600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re.jpg?v=1621827077"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re.jpg?v=1621827077","options":["Title"],"media":[{"alt":null,"id":22249935601829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re.jpg?v=1621827077"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re.jpg?v=1621827077","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901163282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003erepresencing is the second installment of the joshua abrams sound world introduced on his 2010 eremite album natural information. recorded at home in chicago summer of 2011, abrams again organizes small group statements around the resonant grooves of the north african ceremonial instrument the guimbri with a unique \u0026amp; broadly assimilative compositional voice. sources from traditional musics to minimalism, jazz to krautrock, animate represencing, but Abrams is always grounded in the solidity of true working musicianship \u0026amp; he proves himself an artist fluent not just in styles but traditions. abrams' guest musicians embrace his polyglot approach. goaded (the guimbri is partly constructed from animal-hide) by abrams to focus on a particular facet of their vocabularies, jeff parker \u0026amp; emmett kelly appear as finely contrasting rhythm guitarists, michael zerang gets virtuosic on a tambourine \u0026amp; david boykin devotes himself to altissimo long-tones \u0026amp; circular breathing. others perform more structural roles, such as jason stein's bass clarinet, or, as with nicole mitchell's diaphanous choir of flute parts, function as landscape. the moondog-influenced \"sungazer\" is an aria for tomeka reid's spirited cello. throughout the album gong rhythms, synthesizer \"sub\" bass, harmonium \u0026amp; organ return as unifying coloristic elements\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. abrams likens the overall experience to \"entering a forest from different directions,\" \u0026amp; cites as inspirations the AACM, don cherry, arnold dreyblatt, hamza el din, popul vuh, pharaoh sanders, \u0026amp; sandy bull's duets with billy higgins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eany one of these pieces would play fantastically as all-night trance music but abrams opts instead to miniaturize his environments, teasing the open \u0026amp; 'endless' forms of the compositions to present poetic episodes that imply sonic vastness. something of an exception to this practice is the ten minute title track, a duo with drummer chad taylor that is a tour de force of two brilliant rhythm players improvising to the omega point.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003epitchfork staff list top ten albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emagnet magazine best of 2012 jazz\/improv\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebaltimore city paper 2012 top ten experimental \u0026amp; avant-garde records\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eni kantu best of 2012 list\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ematador records matablog top fifteen records 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKDHX DJs top 10 albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estupid scientifical best vinyl albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereckless records staff best-of 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efoxy digitalis best vinyl only release 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003evillage voice pazznjop 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edownbeat 4 star review\u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of psychedelic writer Joshua Abrams. Description by Eremite: "represencing is the second installment of the ...
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