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{"id":8030318002426,"title":"Marja Ahti \/\/ Tender Membranes LP","handle":"marja-ahti-tender-membranes-lp","description":"\u003cp\u003e過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1877754458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShrine (Aether) 11:38\u003c\/li\u003e\n\u003cli\u003eDust \/ Light 06:40\u003c\/li\u003e\n\u003cli\u003eIn all this, there is a melody that you can sing and to which you may dance 10:48\u003c\/li\u003e\n\u003cli\u003eOh Fragrant Witness 05:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-10-10T13:24:27+09:00","created_at":"2023-10-08T09:58:49+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44613623644410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marja Ahti \/\/ Tender Membranes LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","options":["Title"],"media":[{"alt":null,"id":32535225270522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","width":700},{"alt":null,"id":32535225303290,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1877754458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShrine (Aether) 11:38\u003c\/li\u003e\n\u003cli\u003eDust \/ Light 06:40\u003c\/li\u003e\n\u003cli\u003eIn all this, there is a melody that you can sing and to which you may dance 10:48\u003c\/li\u003e\n\u003cli\u003eOh Fragrant Witness 05:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a record released by Australian experimental label Black Truffle in September 2023 by Swedish-born Finland-based sound artist Marja Ahti, who has released records on bands such as Hallow Ground and Students of Decay in the past.Contains 9 minimal noise drone songs.Click here to see more Black Truffle releases...
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{"id":7830384935162,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-caught-in-the-dilemma-of-being-made-to-choose-this-makes-the-modesty-which-should-never-been-closed-off-itself-continue-to-ask-itself-ready-or-not-2xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-07T13:24:32+09:00","created_at":"2022-11-07T11:45:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","strange beats"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622684000506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","options":["Title"],"media":[{"alt":null,"id":30937460539642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","width":700},{"alt":null,"id":30937460572410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Keiji Haino, Jim O'Rourke, and Oren Ambarchi released the 3th collaboration series from Australian experimental label Black Truffle in October 2022. Includes 10 live recordings with a wide variety of variations, including the first track reminiscent of Tibetan Buddhist music with Keiji Haino on metal percussion, Jim O'Rourke on electronics, and Oren Ambarchi on gongs.Click here for labels and other works /// Click here to see more Black...
¥5,480
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{"id":8214972662010,"title":"Dagar Brothers \/\/ Berlin 1964 - Live CD","handle":"dagar-brothers-berlin-1964-live-cd","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e","published_at":"2024-03-09T08:19:09+09:00","created_at":"2024-03-08T10:51:37+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","cd","field recording","new"],"price":248900,"price_min":248900,"price_max":248900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313299906810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - Live CD","public_title":null,"options":["Default Title"],"price":248900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","options":["Title"],"media":[{"alt":null,"id":33335982260474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","width":700},{"alt":null,"id":33335982293242,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e"}
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This CD was released by the Dagar brothers, the heirs of the North Indian classical Dhrupad, on Black Truffle in March 2024. Click here to see more Black Truffle releases available at Tobira. ---------------------------- CD. ..
¥2,489
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{"id":8214972367098,"title":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","handle":"dagar-brothers-berlin-1964-the-lost-studio-recording-lp","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e","published_at":"2024-03-09T08:18:14+09:00","created_at":"2024-03-08T10:48:32+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":438900,"price_min":438900,"price_max":438900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313296924922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","public_title":null,"options":["Default Title"],"price":438900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","options":["Title"],"media":[{"alt":null,"id":33335976263930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","width":700},{"alt":null,"id":33335976296698,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e"}
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This is a record released by the Dagar brothers, the heirs of North Indian classical Dhrupad, on Black Truffle in March 2024. Click here to see more Black Truffle releases available at Tobira. ---------------------------- 3" ...
¥4,389
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{"id":7830388932858,"title":"crys cole \/\/ Other Meetings LP","handle":"crys-cole-other-meetings-lp","description":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:12:30+09:00","created_at":"2022-11-07T11:53:30+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622697992442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"crys cole \/\/ Other Meetings LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","options":["Title"],"media":[{"alt":null,"id":30937503760634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","width":700},{"alt":null,"id":30937503793402,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Canadian experimental musician crys cole released a cassette record in April 2021.Includes 4 long-form collage drones.Click here for labels and other works /// Click here to see more Black Truffle releases available at Tobira. ----------------------------.. .
¥3,580
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{"id":7830387228922,"title":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","handle":"amelia-cuni-mumbai-04-02-1996-2xlp","description":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:19:28+09:00","created_at":"2022-11-07T11:50:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","field recording","lp","new"],"price":508000,"price_min":508000,"price_max":508000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622691733754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","public_title":null,"options":["Default Title"],"price":508000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","options":["Title"],"media":[{"alt":null,"id":30937487606010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","width":700},{"alt":null,"id":30937487638778,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Born in Milan, Italy, living in Berlin, Amelia Cuni, who has been honing the techniques of North Indian classical music Dhrupad in India, released a double record from the Australian experimental label Black Truffle in September 2022.A long raga drone from her concert in Mumbai in 9.Click here for label and other works /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8108861260026,"title":"Sam Dunscombe \/\/ Two Forests LP","handle":"sam-dunscombe-two-forests-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法（スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど）で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-12-10T12:13:47+09:00","created_at":"2023-12-10T10:39:21+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","field recording","lp","monooto","new"],"price":464200,"price_min":464200,"price_max":464200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868831117562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Dunscombe \/\/ Two Forests LP","public_title":null,"options":["Default Title"],"price":464200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","options":["Title"],"media":[{"alt":null,"id":32817702338810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","width":700},{"alt":null,"id":32817702371578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法（スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど）で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a record released by Sam Dunscombe, an experimental musician from Berlin, Germany, on the Australian experimental label Black Truffle in November 2023.Contains two sound collage/drone songs processed from field recordings of the forest and the sea.Below is an explanation by the label. Two Forests begins in a redwood forest in central California.Bird songs and insect calls are processed with various time-based processing methods (slicing and recombination, primitive granular synthesis, delay, etc.) to remove the linear, documentary character from field recordings and to reduce traces and echoes. reconstructed in a fascinating web. Dunscombe analyzed the pitches contained in the original recording and generated a large set of just-intonated pitches.These sounds are slowly woven into the field recordings, gradually increasing in density and complexity, transforming the forest into a surreal space of infinite proportions.At the end of the song, we break out of this cosmic expanse and find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the work creates "a strange sense of place, where space and time simultaneously expand and contract across octaves, miles, and minutes." On Oceanic, various beach recordings fade in and out, the rhythm of the waves and the depth and distance of each recording creating a homogeneous yet ever-changing texture.The tones, related in simple proportions to the average rhythm of each beach, overlap each other, coloring the field recording's white noise texture with shifting hues.In both works, Dunscombe rejects the easy consonance of contemporary ambient music in favor of richer harmonic arrangements derived from extended tuning practices and spectralism.The result suggests a hitherto undreamed-of encounter between the rolling sonic masses of Radulesque and the sparingly processed location recordings of Ivtaiber's "psychologically extreme" Environments. .Beyond the narrow-mindedness that can plague experimental music culture, Dunscombe's work makes a moving case for the healing power of a wide-ranging approach to sound and music.Beyond psychedelic therapy, frequent immersion in Two Forests/Oceanic is almost certain to have psychologically beneficial results. " Click here to see other works from the label /// Click here to see...
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{"id":8065829142778,"title":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","handle":"alvin-lucier-works-for-the-ever-present-orchestra-vol-ii-lp","description":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-11-07T07:35:45+09:00","created_at":"2023-11-04T15:06:42+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","new"],"price":397200,"price_min":397200,"price_max":397200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728515330298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","public_title":null,"options":["Default Title"],"price":397200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","options":["Title"],"media":[{"alt":null,"id":32641517912314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","width":700},{"alt":null,"id":32641517945082,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a record of the works of experimental musician Alvin Lucier, who passed away in 2011, in his later years.Below is an explanation by the label. "'Works for the Ever Present Orchestra Vol. II' is Black Truffle's record of the late works of Alvin Lucier, the legendary American experimental music composer who sadly passed away in 2021 at the age of 90. As with the first volume of the series, the two works included here were created for the Ever Present Orchestra, an ensemble founded in Zurich in 1 to exclusively perform Alvin Lucier's works. Written by: Alvin...
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{"id":7979494047994,"title":"Giuseppe Ielasi \/\/ Down On Darkened Meetings LP","handle":"giuseppe-ielasi-down-on-darkened-meetings-lp","description":"\u003cp\u003eイタリアの実験音楽家Giuseppe Ielasiが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263588966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less prominent in his work over the next decade, ceding to loop-based constructs that would eventually split into abstracted takes on club music and hip-hop (including his work as Inventing Masks), on the one hand, and spectral electroacoustic explorations (such as the stunning triple disc 3 pauses), on the other. Returning to the guitar in recent years, he has approached the instrument as a source of shimmering metallic glissandi (Five Wooden Frames) or as the vehicle of elegiac double-tracked lines that feel almost like Frisell playing Feldman (The Prospect). Here the focus is on electric guitar filtered, looped, and splayed out into fields of irregular echoes through a bank of pedals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike many of Ielasi’s releases, Down On Darkened Meetings is structured as a set of short untitled pieces (here ranging\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e between two and six minutes in length) that single-mindedly explore a single instrument or source throughout. The opening track immediately introduced the distinctive timbral world of fizzing, heavily filtered tones, chiming harmonics, and woozy looping bass figures inhabited throughout. At points it becomes near impossible to trace these sounds to the strings of an electric guitar; at others, as on the final two pieces, the instrument is unmistakable, as Ielasi builds up his shifting loops from snatches of almost unintentional sounding half-playing that give these closing tracks a hushed, private atmosphere reminiscent of Tolerance’s Anonym. While the repeating chords and hanging melodic figures present on many tracks call to mind earlier Ielasi classics like Gesine and Untitled, here the music feels less meticulously constructed than played: Ielasi’s lyrical guitar lines obscured by a battery of effects at times come across like a dilated take on the outer-fringe fretwork of improvisers like Henry Kaiser and Raymond Boni, and the muddy, asynchronous fields of pops and hiss at times wander into areas reminiscent of the hand-played dub techno of Vladislav Delay’s Multila.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike much of Ielasi’s work in recent years, these seven pieces perform a delicate balancing act: between abstraction and immediacy, austerity and abundance. Imbued with Ielasi’s distinctive lightness of touch, considered approach to pacing, and subtly psychedelic approach to the stereo field, Down on Darkened Meetings is a major new work from a quiet master of contemporary experimental music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-05-27T16:13:17+09:00","created_at":"2023-05-27T15:31:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44255630196986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giuseppe Ielasi \/\/ Down On Darkened Meetings LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_444fc950-ac0f-4ead-8377-b4db39d543e3.jpg?v=1685169105","\/\/tobirarecords.com\/cdn\/shop\/files\/do2_b649650c-2f03-48b7-b148-e8e7c3022904.jpg?v=1685169105"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_444fc950-ac0f-4ead-8377-b4db39d543e3.jpg?v=1685169105","options":["Title"],"media":[{"alt":null,"id":32025363874042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_444fc950-ac0f-4ead-8377-b4db39d543e3.jpg?v=1685169105"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_444fc950-ac0f-4ead-8377-b4db39d543e3.jpg?v=1685169105","width":700},{"alt":null,"id":32025363906810,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_b649650c-2f03-48b7-b148-e8e7c3022904.jpg?v=1685169105"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_b649650c-2f03-48b7-b148-e8e7c3022904.jpg?v=1685169105","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Giuseppe Ielasiが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263588966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less prominent in his work over the next decade, ceding to loop-based constructs that would eventually split into abstracted takes on club music and hip-hop (including his work as Inventing Masks), on the one hand, and spectral electroacoustic explorations (such as the stunning triple disc 3 pauses), on the other. Returning to the guitar in recent years, he has approached the instrument as a source of shimmering metallic glissandi (Five Wooden Frames) or as the vehicle of elegiac double-tracked lines that feel almost like Frisell playing Feldman (The Prospect). Here the focus is on electric guitar filtered, looped, and splayed out into fields of irregular echoes through a bank of pedals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike many of Ielasi’s releases, Down On Darkened Meetings is structured as a set of short untitled pieces (here ranging\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e between two and six minutes in length) that single-mindedly explore a single instrument or source throughout. The opening track immediately introduced the distinctive timbral world of fizzing, heavily filtered tones, chiming harmonics, and woozy looping bass figures inhabited throughout. At points it becomes near impossible to trace these sounds to the strings of an electric guitar; at others, as on the final two pieces, the instrument is unmistakable, as Ielasi builds up his shifting loops from snatches of almost unintentional sounding half-playing that give these closing tracks a hushed, private atmosphere reminiscent of Tolerance’s Anonym. While the repeating chords and hanging melodic figures present on many tracks call to mind earlier Ielasi classics like Gesine and Untitled, here the music feels less meticulously constructed than played: Ielasi’s lyrical guitar lines obscured by a battery of effects at times come across like a dilated take on the outer-fringe fretwork of improvisers like Henry Kaiser and Raymond Boni, and the muddy, asynchronous fields of pops and hiss at times wander into areas reminiscent of the hand-played dub techno of Vladislav Delay’s Multila.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike much of Ielasi’s work in recent years, these seven pieces perform a delicate balancing act: between abstraction and immediacy, austerity and abundance. Imbued with Ielasi’s distinctive lightness of touch, considered approach to pacing, and subtly psychedelic approach to the stereo field, Down on Darkened Meetings is a major new work from a quiet master of contemporary experimental music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Italian experimental musician Giuseppe Ielasi released a record in April 2023 from Australian experimental label Black Truffle.Contains 4 ambient songs by electric guitar.Click here for label and other works /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":7511819124986,"title":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","handle":"david-behrman-viewfinder-hide-seek-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-01-19T18:08:39+09:00","created_at":"2022-01-11T16:10:00+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","post newage"],"price":296000,"price_min":296000,"price_max":296000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303956943098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","public_title":null,"options":["Default Title"],"price":296000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","options":["Title"],"media":[{"alt":null,"id":28986636370170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","width":700},{"alt":null,"id":28986636402938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a collaboration between American mogul experimental musician David Behrman and Jon Gibson and Werner Durand.Click here to see more Black Truffle releases available at Tobira. ...
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{"id":7956339359994,"title":"Richard Youngs \/\/ Modern Sorrow 12\"","handle":"richard-youngs-modern-sorrow-12","description":"\u003cp\u003eイギリスの実験音楽家Richard Youngsが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;Bやラップ、Mobb Deep、DJ Shadowなどをさりげなくサンプリングした実験ポップ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=967749403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, Modern Sorrow serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long title track is built from a piano sample, synthetic bass notes and organ swells, and an iterative blurt that seems to have wandered out of a 90s jungle track. Eventually joined by a shuffling drum machine, the track moves very slowly through a series of chords, each delayed long enough that its arrival comes as a major event. Over the top, Youngs’ heavily pitch-corrected voice is heard. The processing paints his signature wandering melodic improvisations with shades of contemporary R\u0026amp;B; at the same time, it cuts the natural swoops and glides of Youngs’ melodies into rapid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microtonal trills, giving his voice a quavering, middle eastern feel. Unfolding languorously over more than 17 minutes, the piece’s final minutes make room for an extended drumless coda, returning to the stark palette of its opening moments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the second side, the two parts of ‘Benevolence’ push this minimalism ever further, its first half consisting of nothing more than a remarkably slow drum machine hit, bass-heavy chords and pitch-corrected voice, here so heavily processed that it starts to resemble a shawn solo. In its second part, the harmonic foundation drops out from under the piece while two more voices join; at some moments the voices pause, leaving nothing more than isolated, metronomic drum hits. Though Youngs has explored the sound worlds associated with dance music and contemporary pop in previous work, here these elements are radically reduced, foregrounding a meditative bed of silence with a boldness equal to any more academically inclined contemporary composer. Embracing the accessible digital tools of contemporary music production just as at another moment he would pick up a kazoo, like much of Youngs’ work Modern Sorrow uses simple DIY tools to generous ends, producing formally radical music that remains both free from pretension and deeply moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-04-12T15:25:48+09:00","created_at":"2023-04-09T17:49:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44160659292410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Richard Youngs \/\/ Modern Sorrow 12\"","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","options":["Title"],"media":[{"alt":null,"id":31808909377786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","width":700},{"alt":null,"id":31808909410554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Richard Youngsが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;Bやラップ、Mobb Deep、DJ Shadowなどをさりげなくサンプリングした実験ポップ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=967749403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, Modern Sorrow serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long title track is built from a piano sample, synthetic bass notes and organ swells, and an iterative blurt that seems to have wandered out of a 90s jungle track. Eventually joined by a shuffling drum machine, the track moves very slowly through a series of chords, each delayed long enough that its arrival comes as a major event. Over the top, Youngs’ heavily pitch-corrected voice is heard. The processing paints his signature wandering melodic improvisations with shades of contemporary R\u0026amp;B; at the same time, it cuts the natural swoops and glides of Youngs’ melodies into rapid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microtonal trills, giving his voice a quavering, middle eastern feel. Unfolding languorously over more than 17 minutes, the piece’s final minutes make room for an extended drumless coda, returning to the stark palette of its opening moments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the second side, the two parts of ‘Benevolence’ push this minimalism ever further, its first half consisting of nothing more than a remarkably slow drum machine hit, bass-heavy chords and pitch-corrected voice, here so heavily processed that it starts to resemble a shawn solo. In its second part, the harmonic foundation drops out from under the piece while two more voices join; at some moments the voices pause, leaving nothing more than isolated, metronomic drum hits. Though Youngs has explored the sound worlds associated with dance music and contemporary pop in previous work, here these elements are radically reduced, foregrounding a meditative bed of silence with a boldness equal to any more academically inclined contemporary composer. Embracing the accessible digital tools of contemporary music production just as at another moment he would pick up a kazoo, like much of Youngs’ work Modern Sorrow uses simple DIY tools to generous ends, producing formally radical music that remains both free from pretension and deeply moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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British experimental musician Richard Youngs released this record in April 2023 from Australian experimental label Black Truffle. Includes 4 experimental pop songs casually sampling R&B, rap, Mobb Deep, DJ Shadow, and more.Click here to see more Black Truffle releases available...
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{"id":7677226647802,"title":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","handle":"brunhild-ferrari-christoph-heemann-sturmische-ruhe-lp","description":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-21T13:53:18+09:00","created_at":"2022-07-15T12:36:21+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993233461498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","options":["Title"],"media":[{"alt":null,"id":30124649480442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","width":700},{"alt":null,"id":30124649513210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a collaborative record released in June 2022 by French experimental musician Brunhild Ferrari and German drone writer Christoph Heemann.Includes 6 low-end drone songs.Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8118909534458,"title":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","handle":"sombat-simla-master-of-bamboo-mouth-organ-isan-thailand-lp","description":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr data-mce-fragment=\"1\"\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-12-24T10:27:26+09:00","created_at":"2023-12-23T12:38:26+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":438000,"price_min":438000,"price_max":438000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44917524234490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","options":["Title"],"media":[{"alt":null,"id":32869964218618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","width":700},{"alt":null,"id":32869964251386,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr data-mce-fragment=\"1\"\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a record released by Sombat Simla, a Thai bamboo flute organ player, ``Kaeng'', on the Australian experimental label Black Truffle in November 2023. Comes with liner notes. Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8151817060602,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2024-01-29T09:40:21+09:00","created_at":"2024-01-24T15:18:19+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":778000,"price_min":778000,"price_max":778000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45077712732410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":778000,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a live recording performed by Keiji Haino, Jim O'Rourke, and Oren Ambarchi at Super Deluxe in November 2018. Click here to see more Black Truffle releases available at Tobira. ...
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{"id":7923205439738,"title":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","handle":"tony-conrad-arnold-dreyblatt-jim-orourke-tonic-19-01-2001-lp","description":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-02-22T16:27:21+09:00","created_at":"2023-02-22T13:47:26+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44013323256058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","options":["Title"],"media":[{"alt":null,"id":31566120222970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","width":700},{"alt":null,"id":31566120255738,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Tony Conrad, Arnold Dreyblatt, and Jim O'Rourke performed in 2001 at the legendary experimental music box Tonic in New York. This is egoless music that perfectly expresses Conrad's desire to "go from composing to listening" and "work on the sound from within".Click here for label and other works /// Click here to see more Black Truffle releases available at...
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{"id":7788157174010,"title":"Alvin Curran \/\/ Drumming Up Trouble LP","handle":"alvin-curran-drumming-up-trouble-lp","description":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-10-04T18:46:25+09:00","created_at":"2022-10-02T10:05:15+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","hiphop \/ funk","lp","strange beats"],"price":359000,"price_min":359000,"price_max":359000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43471048179962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Drumming Up Trouble LP","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","options":["Title"],"media":[{"alt":null,"id":30621178527994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","width":700},{"alt":null,"id":30621178560762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is the latest record released in September 2022 by influential experimental musician Alvin Curran.Below is a description of the label. Black Truffle are excited to announce Drumming Up Trouble, the label's first ever unreleased material from Alvin Curran. Collecting material recorded between 9 and 2018, and, as the title suggests, dating back to the early '2021s, Drumming Up Trouble is the little-known so far of Curran's encyclopedic and omnivorous musical universe. It focuses on the missing side, experimenting with sampling and synthesizer percussion. As Curran's brilliant, gritty liner notes make clear, his fascination with drumming belongs to a radical investigation into the fundamental elements of music that have characterized his work since the early days of MEV. , as he said in a recent interview, aims to return "in some collective way to a non-existent starting point in the history of human music."Whatever music our ancestors played, he wrote, "drums were front row and center of the mix. Drums rule!" In a typical Curran paradoxical approach, Drumming Up Trouble revisits the music's oldest dimensions with modern technology.On the front side, you'll hear some of Curran's most recent work performed using sampling software and a full-size MIDI keyboard setup that he's refined since the 80s.Two of the songs are mostly wild real-time improvisations, drawing on huge hip-hop sample banks.From polyrhythmic layers of drum machine snippets to wild cacophony of clashes, scratches and frantic pitch-shifts of vocal samples, these energetic and sometimes comical productions feature John Oswald's Plunderphonics and Tony Oxley Quartet's Pat...
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{"id":7677219504378,"title":"Oren Ambarchi \/\/ Live Hubris LP","handle":"oren-ambarchi-live-hubris-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-15T15:03:57+09:00","created_at":"2022-07-15T12:34:19+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","jazz","lp","strange beats"],"price":388000,"price_min":388000,"price_max":388000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993224188154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Oren Ambarchi \/\/ Live Hubris LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","options":["Title"],"media":[{"alt":null,"id":30124638896378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","width":700},{"alt":null,"id":30124638929146,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Oren Ambarchi, who presides over the experimental label Black Truffle in Australia, is a live sound source of the music of Hubris released from Editions Mego played at Cafe Oto, an experimental music live space in London, England.Click here to see more Black Truffle releases available at ...
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{"id":6845037805733,"title":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","handle":"phew-ambarchi-orourke-patience-soup-lp","description":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2021-06-18T10:31:28+09:00","created_at":"2021-06-17T18:12:22+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","monooto"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40168179105957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144","options":["Title"],"media":[{"alt":null,"id":22608400122021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a collaborative record by three big names in the experimental area. Description by Black Truffle: "Patience Soup presents the entire of a live performance ...
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