cejero

Quickview {"id":7531297636602,"title":"Rick Myers \/\/ Obstacle #80: INDICES LP","handle":"rick-myers-obstacle-80-indices-lp","description":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2021年12月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマーク・コペンハーゲンの実験レーベルCejeroから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ2曲、約40分を収録。DLコード付属。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPは、ドローイング、文章、写真、書籍作品、ビデオ、サウンドを含む「Obstacle Corpus」と呼ばれる作品群に演奏されたインデックスを形成しています。レコーディングでは、私は2台のピアノを交互に演奏しながら、話し言葉のテキストを演奏しました。テキストは、2019年の間に制作した75のいわゆる「障害物」アートワークのタイトルを用いて、「Field」と名付けられた新しいテキストに分散させ、2つのパートに分けてドローイング形式で書き下ろしました。パフォーマンスを録音したテープは磁場に晒され、電磁波とピアノの弦との物理的な接触を利用して増幅され、録音中に短絡しながら時折火花を発する回路を作り、ピアノを通して再生されました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Rick Myers、2021年12月\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヴィジュアル・アーティスト、フィルム・メーカー、ライターとしてのリック・マイヤーズの旅が、ついに蓄音機のフォーマットに収斂するのは時間の問題だった。著名なグラフィック・デザイナーから、自己推進する様々な芸術活動への彼の30年にわたる発展を追ってきた人々にとって、それは待ち望んだこと以外の何物でもなかったのだ。ニューヨーク近代美術館、ロンドンの国立詩歌図書館、ニューヨークのホワイトコラム、アテネのオナシス文化センターなど、数え上げればきりがないほどのパフォーマンスや展覧会（米国議会図書館、ハーバード大学はもちろんのこと）を開催している。リックのアーティストブックやプロジェクトのアーカイブを保管しているスタンフォード大学やテート・ブリテンとの関わりはあまり知られていないが、おそらくレコードのバイヤーやいわゆる非音楽の特定の系統のパトロンに最も深く響くのは、一次情報出版社と彼の苦心作であるブロークン・ミュージックのインデックスの復元と再発売であろう。リックは、彼自身が待ち望んでいた聴覚的なジェスチャーが、アーシュラ・ブロックとマイケル・グラスマイヤーの著書に一度はその項目を予約するという考えに同意するのに時間がかかるかもしれないが、彼は負け戦をすることになる。このマンキュニアン育ちでマサチューセッツを拠点とする「行動者」は、人生の中でいつでもこのようなレコードをリリースすることができたのであり、問題は常に「いつ」なのだ、ということを考えると、上記のどれもが特に関係ないということもあり得るだろう。長年の友人として言わせてもらえば、このレコードに収録されている音は、もし訓練を受けた作曲家に、この男の個性だけで音楽を作曲するように頼んだら、謎めいた「リック・マイヤーズ」の音になるのかもしれない......。もちろん、リックがこのレコードを自分で作ったことに驚きはしないが、この非常に関連性の高いメディアを通じて、彼自身の芸術をさらに正確に伝えることに成功したことに、非常に嬉しい驚きを覚える。同じような型式で作られたアートレコードを論じる際に、エモーショナル、センシティブ、ビギニング、そしてリスクを伴うマジカルといった言葉を持ち出すのは稀な例外であるが、『Obstacle #80: Indices』でリック・マイヤーズは彼が意図するより多くの領域を開拓しているかもしれない。非音楽、反音楽、壊れた音楽といったカテゴリーでレコードの聴き方を決めようとする私たちにとって、そもそもなぜ音楽という言葉を使い続けるのだろうか。障害その80：Indicesは、実は音楽も少しは好きな人のための、正真正銘の非音楽レコードなのかもしれない。このプラスチック片に刻まれたノイズは、リック・マイヤーズの芸術的分野の便利な副産物であり、ポポル・ヴフ、フランソワ・トゥスク、カレル・ゲイヴァーツ、グルッポ・ディ・インプロヴァイズione・ヌヴァ・コンソナンザ、ARルシアニ、カタリン・ラディック、ジャン・ゲラン、イゴール・ワケビッチ、ミラン・グリガー、ジャン・デュブフェ、そしてアンドレイ・コルジンスキーやジャン・クロード・バニエのプリペアドピアノのフィルムサウンドトラックも評価する人たちにアピールするとしよう。いい感じですか？このアルバムの制作の裏側には、リックの芸術活動のビジネスがあるのだが（これについては別の記事を読んでいただきたい）、ここではこう言っておこう。2台のオープンピアノ、磁場、トランスデューサーマイクで私を魅了した。ここにある機械的に操作された音声テキストは、臆面もないマンキュニアンが快適な場所から3,500マイルも離れた場所で自分のボールを賭けている音であり、レコードを買いすぎる私にとっては、この細長いアップルゼットの時代にレコードに託すことの少ない貴重なエネルギーが凝縮されているのだ。REAL DEALのようなフレーズに畏敬の念を抱く人は、このアルバムを手元に置き、まだ封印を解いていない人は、今聴いて、後で学べばいい。宇宙的な配当が得られる重要なインポイントだ。-\u003cmeta charset=\"utf-8\"\u003eAndy Votel\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3652098178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eObstacle #80: INDICES is a spoken text for two pianos and piano strings, transducer, tape and magnetic fields.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWritten between 2019 og 2020 and performed in July and August 2020 by Rick Myers. Recorded by Justin Pizzoferrato at Sonelab, Easthampton, Mass, and edited and mixed by Rick Myers at the Cabin Studio, Easthampton, Mass. Additional magnetic fields added by Madeleine Myers.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***********************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAndy Votel, February, 2021\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis LP forms a performed index to a body of artwork called 'Obstacle Corpus' that encompasses drawing, writing, photographic and book works, video and sound. For the recording, I alternated between two pianos played at once while performing a spoken text. The text was written in two parts, using the titles of 75 so-called 'Obstacle' artworks made during 2019, dispersed into a new text entitled 'Field' that was written in the form of a drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano using electromagnetic and physical contact with its strings, making a circuit that occasionally emitted sparks while short-circuiting during the recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Rick Myers, December, 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt was only a matter of time before Rick Myers’ journey as a visual artist, film maker and writer finally converged with the phonographic format, and for those who have followed his 30 year developments from celebrated graphic designer through to his self-propelled multidisciplinary artistic exploits, it has been nothing less than a waiting game. Alongside a seemingly endless list of performances and exhibitions which count MoMA NYC, The National Poetry Library in London, White Columns in New York and The\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Onassis Cultural Centre in Athens amongst his hosts (not to mention The Library of Congress, Harvard University, Stanford University and Tate Britain who are custodians of his Artist Books and project archives) It is perhaps Rick’s lesser known involvement with Primary Information publishers and his painstaking work in restoring and reissuing the seminal Broken Music index that will resonate most profoundly with record buyers and patrons of a particular strain of so-called Non-Music. It might take Rick a while to agree with the notion that his own long awaited aural gestures would at one time reserve their own entry in Ursula Block’s and Michael Glasmeier’s said tome, but he’d be fighting a losing battle. There’s also a chance that none of the above is particularly relevant given that this Mancunian raised and Massachusetts based “doer” could have released a record like this at anytime in his life, the question was always, when? Speaking as a longtime friend, the noise on this record might as well be the sound of the enigmatic “Rick Myers” if one had asked a trained composer to score music based on the man’s personality alone... Obviously I’m not surprised that Rick made this record himself, but I am very pleasantly astonished how accurately he has managed to further communicate his own art via this very relevant medium. To bring words like emotive, sensitive, beguiling and, at a risk, magical, to the table when discussing art-records made in a similar mould would be a rare exception, but with Obstacle #80: Indices, Rick Myers might be breaking more ground than he intended. For those of us that require categories such as non-music, anti-music and broken-music to predetermine how we listen to a record... well why on earth do you keep using the word Music in the first place? Obstacle #80: Indices is maybe a genuine non-music record for people who also actually like music a bit. Let’s say the noises engraved on this piece of plastic are a handy by-product of Rick Myers’ artistic disciplines that will also appeal to people who appreciate Popol Vuh, François Tusques, Karel Goeyvaerts, Gruppo di Improvvisazione Nuova Consonanza, AR Luciani, Katalin Ladik, Jean Guérin, Igor Whakevitch, Milan Grygar, Jean Dubuffet and even the prepared piano film soundtracks of Andrzej Korzynski and Jean-Claude Vannier. Does that sound good? The nuts and bolts behind the making of this album is the business of Rick’s art practice (which you can look forward to reading about elsewhere) but let’s just say: You had me at Two Open Pianos, Magnetic Fields and Transducer Mic. The mechanically manipulated spoken text found here is also the sound of a unabashed Mancunian putting his balls on the line some 3,500 miles away from his comfort zone, which for me, as someone who buys too many records, encapsulates a very precious energy seldom committed to vinyl in this elongated apple zed era. For those who hold phrases like REAL DEAL in reverence then this belongs in your custody, for those who have not yet “broken” the seal, then listen now and learn later. An essential in-point that returns a universe of dividends.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : CEJERO\u003c\/p\u003e","published_at":"2022-02-03T13:01:50+09:00","created_at":"2022-02-03T11:11:20+09:00","vendor":"Tobira Records","type":"","tags":["cejero","lp","monooto","sound poetry"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42389623570682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rick Myers \/\/ Obstacle #80: INDICES LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_8d113f20-9588-4956-abc1-af5b766e0714.jpg?v=1643854282","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_480b482f-040b-48dc-816e-f8d84f62b4b3.jpg?v=1643854282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_8d113f20-9588-4956-abc1-af5b766e0714.jpg?v=1643854282","options":["Title"],"media":[{"alt":null,"id":29096640676090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_8d113f20-9588-4956-abc1-af5b766e0714.jpg?v=1643854282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_8d113f20-9588-4956-abc1-af5b766e0714.jpg?v=1643854282","width":700},{"alt":null,"id":29096640708858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_480b482f-040b-48dc-816e-f8d84f62b4b3.jpg?v=1643854282"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_480b482f-040b-48dc-816e-f8d84f62b4b3.jpg?v=1643854282","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2021年12月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマーク・コペンハーゲンの実験レーベルCejeroから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ2曲、約40分を収録。DLコード付属。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPは、ドローイング、文章、写真、書籍作品、ビデオ、サウンドを含む「Obstacle Corpus」と呼ばれる作品群に演奏されたインデックスを形成しています。レコーディングでは、私は2台のピアノを交互に演奏しながら、話し言葉のテキストを演奏しました。テキストは、2019年の間に制作した75のいわゆる「障害物」アートワークのタイトルを用いて、「Field」と名付けられた新しいテキストに分散させ、2つのパートに分けてドローイング形式で書き下ろしました。パフォーマンスを録音したテープは磁場に晒され、電磁波とピアノの弦との物理的な接触を利用して増幅され、録音中に短絡しながら時折火花を発する回路を作り、ピアノを通して再生されました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Rick Myers、2021年12月\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヴィジュアル・アーティスト、フィルム・メーカー、ライターとしてのリック・マイヤーズの旅が、ついに蓄音機のフォーマットに収斂するのは時間の問題だった。著名なグラフィック・デザイナーから、自己推進する様々な芸術活動への彼の30年にわたる発展を追ってきた人々にとって、それは待ち望んだこと以外の何物でもなかったのだ。ニューヨーク近代美術館、ロンドンの国立詩歌図書館、ニューヨークのホワイトコラム、アテネのオナシス文化センターなど、数え上げればきりがないほどのパフォーマンスや展覧会（米国議会図書館、ハーバード大学はもちろんのこと）を開催している。リックのアーティストブックやプロジェクトのアーカイブを保管しているスタンフォード大学やテート・ブリテンとの関わりはあまり知られていないが、おそらくレコードのバイヤーやいわゆる非音楽の特定の系統のパトロンに最も深く響くのは、一次情報出版社と彼の苦心作であるブロークン・ミュージックのインデックスの復元と再発売であろう。リックは、彼自身が待ち望んでいた聴覚的なジェスチャーが、アーシュラ・ブロックとマイケル・グラスマイヤーの著書に一度はその項目を予約するという考えに同意するのに時間がかかるかもしれないが、彼は負け戦をすることになる。このマンキュニアン育ちでマサチューセッツを拠点とする「行動者」は、人生の中でいつでもこのようなレコードをリリースすることができたのであり、問題は常に「いつ」なのだ、ということを考えると、上記のどれもが特に関係ないということもあり得るだろう。長年の友人として言わせてもらえば、このレコードに収録されている音は、もし訓練を受けた作曲家に、この男の個性だけで音楽を作曲するように頼んだら、謎めいた「リック・マイヤーズ」の音になるのかもしれない......。もちろん、リックがこのレコードを自分で作ったことに驚きはしないが、この非常に関連性の高いメディアを通じて、彼自身の芸術をさらに正確に伝えることに成功したことに、非常に嬉しい驚きを覚える。同じような型式で作られたアートレコードを論じる際に、エモーショナル、センシティブ、ビギニング、そしてリスクを伴うマジカルといった言葉を持ち出すのは稀な例外であるが、『Obstacle #80: Indices』でリック・マイヤーズは彼が意図するより多くの領域を開拓しているかもしれない。非音楽、反音楽、壊れた音楽といったカテゴリーでレコードの聴き方を決めようとする私たちにとって、そもそもなぜ音楽という言葉を使い続けるのだろうか。障害その80：Indicesは、実は音楽も少しは好きな人のための、正真正銘の非音楽レコードなのかもしれない。このプラスチック片に刻まれたノイズは、リック・マイヤーズの芸術的分野の便利な副産物であり、ポポル・ヴフ、フランソワ・トゥスク、カレル・ゲイヴァーツ、グルッポ・ディ・インプロヴァイズione・ヌヴァ・コンソナンザ、ARルシアニ、カタリン・ラディック、ジャン・ゲラン、イゴール・ワケビッチ、ミラン・グリガー、ジャン・デュブフェ、そしてアンドレイ・コルジンスキーやジャン・クロード・バニエのプリペアドピアノのフィルムサウンドトラックも評価する人たちにアピールするとしよう。いい感じですか？このアルバムの制作の裏側には、リックの芸術活動のビジネスがあるのだが（これについては別の記事を読んでいただきたい）、ここではこう言っておこう。2台のオープンピアノ、磁場、トランスデューサーマイクで私を魅了した。ここにある機械的に操作された音声テキストは、臆面もないマンキュニアンが快適な場所から3,500マイルも離れた場所で自分のボールを賭けている音であり、レコードを買いすぎる私にとっては、この細長いアップルゼットの時代にレコードに託すことの少ない貴重なエネルギーが凝縮されているのだ。REAL DEALのようなフレーズに畏敬の念を抱く人は、このアルバムを手元に置き、まだ封印を解いていない人は、今聴いて、後で学べばいい。宇宙的な配当が得られる重要なインポイントだ。-\u003cmeta charset=\"utf-8\"\u003eAndy Votel\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3652098178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eObstacle #80: INDICES is a spoken text for two pianos and piano strings, transducer, tape and magnetic fields.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWritten between 2019 og 2020 and performed in July and August 2020 by Rick Myers. Recorded by Justin Pizzoferrato at Sonelab, Easthampton, Mass, and edited and mixed by Rick Myers at the Cabin Studio, Easthampton, Mass. Additional magnetic fields added by Madeleine Myers.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***********************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAndy Votel, February, 2021\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis LP forms a performed index to a body of artwork called 'Obstacle Corpus' that encompasses drawing, writing, photographic and book works, video and sound. For the recording, I alternated between two pianos played at once while performing a spoken text. The text was written in two parts, using the titles of 75 so-called 'Obstacle' artworks made during 2019, dispersed into a new text entitled 'Field' that was written in the form of a drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano using electromagnetic and physical contact with its strings, making a circuit that occasionally emitted sparks while short-circuiting during the recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Rick Myers, December, 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt was only a matter of time before Rick Myers’ journey as a visual artist, film maker and writer finally converged with the phonographic format, and for those who have followed his 30 year developments from celebrated graphic designer through to his self-propelled multidisciplinary artistic exploits, it has been nothing less than a waiting game. Alongside a seemingly endless list of performances and exhibitions which count MoMA NYC, The National Poetry Library in London, White Columns in New York and The\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Onassis Cultural Centre in Athens amongst his hosts (not to mention The Library of Congress, Harvard University, Stanford University and Tate Britain who are custodians of his Artist Books and project archives) It is perhaps Rick’s lesser known involvement with Primary Information publishers and his painstaking work in restoring and reissuing the seminal Broken Music index that will resonate most profoundly with record buyers and patrons of a particular strain of so-called Non-Music. It might take Rick a while to agree with the notion that his own long awaited aural gestures would at one time reserve their own entry in Ursula Block’s and Michael Glasmeier’s said tome, but he’d be fighting a losing battle. There’s also a chance that none of the above is particularly relevant given that this Mancunian raised and Massachusetts based “doer” could have released a record like this at anytime in his life, the question was always, when? Speaking as a longtime friend, the noise on this record might as well be the sound of the enigmatic “Rick Myers” if one had asked a trained composer to score music based on the man’s personality alone... Obviously I’m not surprised that Rick made this record himself, but I am very pleasantly astonished how accurately he has managed to further communicate his own art via this very relevant medium. To bring words like emotive, sensitive, beguiling and, at a risk, magical, to the table when discussing art-records made in a similar mould would be a rare exception, but with Obstacle #80: Indices, Rick Myers might be breaking more ground than he intended. For those of us that require categories such as non-music, anti-music and broken-music to predetermine how we listen to a record... well why on earth do you keep using the word Music in the first place? Obstacle #80: Indices is maybe a genuine non-music record for people who also actually like music a bit. Let’s say the noises engraved on this piece of plastic are a handy by-product of Rick Myers’ artistic disciplines that will also appeal to people who appreciate Popol Vuh, François Tusques, Karel Goeyvaerts, Gruppo di Improvvisazione Nuova Consonanza, AR Luciani, Katalin Ladik, Jean Guérin, Igor Whakevitch, Milan Grygar, Jean Dubuffet and even the prepared piano film soundtracks of Andrzej Korzynski and Jean-Claude Vannier. Does that sound good? The nuts and bolts behind the making of this album is the business of Rick’s art practice (which you can look forward to reading about elsewhere) but let’s just say: You had me at Two Open Pianos, Magnetic Fields and Transducer Mic. The mechanically manipulated spoken text found here is also the sound of a unabashed Mancunian putting his balls on the line some 3,500 miles away from his comfort zone, which for me, as someone who buys too many records, encapsulates a very precious energy seldom committed to vinyl in this elongated apple zed era. For those who hold phrases like REAL DEAL in reverence then this belongs in your custody, for those who have not yet “broken” the seal, then listen now and learn later. An essential in-point that returns a universe of dividends.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : CEJERO\u003c\/p\u003e"}

This record was released in December 2021 by Rick Myers, an artist / writer in Manchester, England, on the experimental label Cejero in Copenhagen, Denmark, in a limited edition of 12 copies.Includes sound poetry ~ 300 collage songs, about 2 minutes. DL code included.The following is a commentary by the writer himself.This LP forms an index played on a group of works called "Obstacle Corpus" that includes drawings, texts, photographs, book works, videos and sounds.In the recording, I played the spoken text, alternating between the two pianos.The text was distributed into a new text named "Field", using the titles of the 40 so-called "obstacles" artwork produced during 2, and was written in two parts in a drawing format. ..The tape that recorded the performance was exposed to a magnetic field, amplified using the physical contact between the electromagnetic waves and the strings of the piano, creating a circuit that occasionally sparked while short-circuiting during recording, and was played through the piano. --Rick Myers, December 2019 It was only a matter of time before Ric Meyers' journey as a visual artist, film maker and writer finally converged on the gramophone format.For those who have followed his 75-year development from a prominent graphic designer to a variety of self-promoting artistic activities, it was nothing more than a long-awaited one.He has held countless performances and exhibitions (not to mention the Library of Congress and Harvard University), including the Museum of Modern Art in New York, the National Poetry Library in London, the White Column in New York, and the Onasis Cultural Center in Athens. ing.Little is known about his involvement with Stanford University and Tate Britain, who keep Rick's artist books and project archives, but perhaps the ones that most deeply affect record buyers and so-called non-musical patrons. It will be the restoration and re-release of the index of the primary information publisher and his hard work, Broken Music.Rick may take some time to agree with the idea that the auditory gesture he had been waiting for would book the item once in the books of Ashura Brock and Michael Grasmeyer, but he You will lose the battle.Given that this Mankunian-raised, Massachusetts-based "actor" was able to release such records at any time in his life, and the problem is always "when", the above It is possible that none of them are particularly relevant.As a longtime friend, the sounds on this record are a mysterious "Rick" if you ask a trained composer to compose music solely on the man's personality. It may be the sound of "Myers" ...Of course, I'm not surprised that Rick made this record himself, but I'm very happy to be surprised that he succeeded in communicating his own art more accurately through this highly relevant medium. ..Rick Myers in Obstacle # 2: Indices, with the rare exception of the words emotional, sensitive, beginning, and risky magical when discussing art records made in similar formats. May be exploring more territory than he intended.Why continue to use the word music in the first place for those of us who are trying to decide how to listen to records in categories such as non-music, anti-music and broken music.Obstacle # 2021: Indicators may actually be a genuine non-musical record for those who like a little music.The noise carved into this piece of plastic is a useful by-product of Rick Myers' artistic discipline: Popol Vuh, François Tusk, Karel Gavers, Gruppo di Improvise ione Nuva Consonanza, AR Luciani. , Catalin Radick, Jean Guerlain, Igor Wakevic, Milan Grigger, Jean Dubfe, and those who also appreciate the film soundtracks of Andrey Kordinsky and Jean Claude Banier's prepared pianos.Do you feel good?Behind the scenes of the production of this album is Rick's artistic business (read another article about this), but let's say this here. I fascinated me with two open pianos, a magnetic field, and a transducer mic.The mechanically manipulated audio text here is the sound of an unabashed Mankunian betting his ball 12 miles away from a comfortable place, and for me who buy too many records, this slender The precious energy that is rarely entrusted to records in the days of Apple Zet is condensed. Those who are in awe of phrases like REAL DEAL should have this album at hand, and those who haven't unsealed yet should listen now and learn later.It's an important point to get a cosmic dividend. -Andy Votel -------------------------------- Edition of ...

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Rick Myers // Obstacle # 80: INDICES LP

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Evol // Speed Snake TAPE