Janek Schaefer // Unfolding Luxury beyond the City of Dreams LP

¥2,640

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British ambient artist Janek Schaefer, who has released on 12k and room40 in the past, released this record in 2014 on the experimental label Dekorder in Hamburg, Germany.

Includes 7 warm minimal ambient drone tracks. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Dekorder / Cellule 75 releases available at Tobira.

----------------------------

Includes DL code.

Dekorder / Cellule 75:

"Dekorder presents two new vinyl editions composed and designed by UK sound artist Janek Schaefer, who is known around the world for his wide variety of engaging and unpredictable works for installation, concert and composition. Following his highly acclaimed 'Lay-by Lullaby' album on 12k [which Pitchfork listed in the 'Top 10 under-the-radar releases for 2014'], Janek has created and collated a collection of tracks that showcase both his more ambient works [077], and his highly charged sonorities [078]. A beautiful pair of LP's that ideally should be experienced together for your home listening pleasure. The tracks were mastered by Stephan Mathieu and cut by Lupo at Calyx Mastering."

***

Artist statement/track information:

A1 White Lights of Divine Darkness (for Sir John Tavener) 7:34
By chance I composed this for my brother-in-law the day he passed away. In recent years he had seen the white lights of heavens gate, but returned, and became fascinated by what he called God's divine darkness in this lifetime.

A2 Unfolding Honey 6:06
A track from my exhibition soundtrack 'Future Beauty, 30 years of Japanese fashion' held at The Barbican Gallery, London. The exhibition featured some amazing folded garments by Issey Miyake, that inspired the unfurling fabric feeling of the composition.

A3 Luxury 3:00
An orchestral drone piece featuring an old French lady singing to her cats with an extra celestial chorus.

A4 Skyline Ascending 3:28
A Carpenters LP piano loop is layered again and again over a high sky recording, which was recorded using a helium balloon floating in the clouds over the city, with raindrops.

B1 Coda (for Sir John Dankworth) 5:00
In my early teens, I used to attend week long music camps, in tents, within the grounds of Sir John Dankworth's home with Cleo Laine. I used to know them, and composed this piece with one of their vinyl's on the day I heard he died. The installation premiered at the Sydney Cooper Gallery in Canterbury, broadcasting a 3 channel version to six 50's radios.

B2 The City of Dreams 8:28
Theme tune for the opening of “The Mill: City of Dreams” a site specific theater production in a deserted mill in Bradford. Piano motif recorded live with my twin-arm turntable, additional overlays recorded with Mark Robinson on his old family piano.

B3 Beyond 6:30
The Carpenter's return, sliding piano loops through recordings made in Grand Central Station at closing time when the vast hall was deserted, and the full majesty of the acoustic space could be appreciated. Stilettos pass by forming polyrhythm's, as the last train announces it's departure. ..

Artist : Janek Schaefer

Label: Label: Dekorder / Cellule 75

British ambient artist Janek Schaefer, who has released on 12k and room40 in the past, released this record in 2014 on the experimental label Dekorder in Hamburg, Germany.

Includes 7 warm minimal ambient drone tracks. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Dekorder / Cellule 75 releases available at Tobira.

----------------------------

Includes DL code.

Dekorder / Cellule 75:

***

Artist statement/track information:

Artist : Janek Schaefer

Label: Label: Dekorder / Cellule 75

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This is a record released in 2016 by experimental dance artist Vindicatrix, who has released records for labels such as Purge, on Hamburg's experimental label Dekorder.Includes 3 floor-stick no-wave techno tracks. Comes with DL code.Single-sided picture disc.Click here for labels and other works /// Click here to see more Dekorder / Cellule 75 releases available at Tobira. ...

¥2,780

Quickview {"id":7782361825530,"title":"Raymond Dijkstra \/\/ L'Opus L'H LP","handle":"raymond-dijkstra-lopus-lh-lp","description":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-30T13:34:36+09:00","created_at":"2022-09-30T20:42:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Dekorder \/ Cellule 75","drone","lp","monooto"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43461214142714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Dijkstra \/\/ L'Opus L'H LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","options":["Title"],"media":[{"alt":null,"id":30610267275514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e"}