Fennesz // Endless Summer 2xLP
Fennesz // Endless Summer 2xLP
¥4,890
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This is a reissue of the album released in 2001 by Austrian ambient writer Fennesz.
Labels and other works Click here for more information. ///Click here to see more Editions Mego releases available at Tobira.
-----------------------------------
Editions Mego:
"" Endless Summer ", originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental" Hotel Paral.lell "and the Beach Boys homaged "Plays" single "Endless Summer" brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls. This new definitive edition is newly mixed by Fennesz resulting in a more open sounding version of the tracks, especially the marimba driven "Caecilia", the hypnotic "Before I Leave", and the towering "Happy Audio". In addition 2 extra titles are included: "Badminton Girl", originally released in 2001 as part of the Split # 15 12 "with Main on Fat Cat Records (12FAT045), now out of print." Endless ", previously unreleased."
Artist: Fennesz
Label: Editions Mego
This is a reissue of the album released in 2001 by Austrian ambient writer Fennesz.
Labels and other works Click here for more information. ///Click here to see more Editions Mego releases available at Tobira.
-----------------------------------
Editions Mego:
"" Endless Summer ", originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental" Hotel Paral.lell "and the Beach Boys homaged "Plays" single "Endless Summer" brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls. This new definitive edition is newly mixed by Fennesz resulting in a more open sounding version of the tracks, especially the marimba driven "Caecilia", the hypnotic "Before I Leave", and the towering "Happy Audio". In addition 2 extra titles are included: "Badminton Girl", originally released in 2001 as part of the Split # 15 12 "with Main on Fat Cat Records (12FAT045), now out of print." Endless ", previously unreleased."
Artist: Fennesz
Label: Editions Mego
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{"id":8214973284602,"title":"NPVR \/\/ 33 34 LP","handle":"npvr-33-34-12","description":"\u003cp\u003eイギリス・ロンドンの実験レーベルEditions Mego創設者PITA AKA Peter RehbergとFactory Floor aka Nik Colk VoidによるデュオNPVRが、2024年3月にリリースした再発レコードです。（オリジナルは2017年リリース）\u003c\/p\u003e\n\u003cp\u003eドローン〜ドローン・テクノ5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1642182322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003ehere\u003c\/a\u003e to see more Editions Mego releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaw to the Core 04:23\u003c\/li\u003e\n\u003cli\u003eKeep Former 06:43\u003c\/li\u003e\n\u003cli\u003eInvisible Man 10:23\u003c\/li\u003e\n\u003cli\u003eOk but No 10:53\u003c\/li\u003e\n\u003cli\u003eI\/C\/D\/S 08:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Editions Mego:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eNPVR is the avant garde duo made up of the late Peter Rehberg and Nik Void. Editions Mego is proud to present their second and final release. No this is not some kind of Beatles synthetic AI that raises the dead reconstructed recordings but rather a new album made by the humans and their machines. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe initial meeting of Rehberg and Void was in London in 2016 and despite or due to their mutual awkwardness found solace and compatibility in the fact that they both had a similar electronic modular set up, along with matching cases to transport all. The idea to collaborate was an obvious and organic process as a means to connect their individual gear together and observe the outcome. The fruits of these initial experiments, recorded in London, resulted in the playful experimentation of their acclaimed 2017 release 33 33 (eMego 251).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow in 2024 Editions Mego presents the logically titled follow up, 33 34. 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{"id":7511816601850,"title":"Powell \/\/ Piano Music 1-7 LP","handle":"popi","description":"\u003cp\u003e過去にDiagonalやXLなどから発表しているイギリス・ロンドンのテクノ作家Powellが、2021年12月にEditions Megoからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eこれまでの作品とは一線を画し、ピアノをメインソースとしたアンビエント作品となっています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEditions Megoは、パウエルが奇妙で奇妙な感情を持つコンピューター作品のLP『Piano Music 1-7』をリリースすることを誇りに思っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自身のDiagonal Records、XL Recordings、そして最近ではオーディオ\/フィルム・プラットフォームA Folder [afolder.studio]の開設により、Powellは現代のエレクトロニクス界に確固たる足場を築いています。彼は軽妙かつ頑固な音楽生活の中で、ポストパンク、テクノ、ノイズ、コンピュータ・ミュージックの領域を探求し、拡大するために無数の合成的な形態をひねり出してきた。昨年だけでも、イアニス・クセナキスが提案した音楽の形式化に触発されて、ハイデフの抽象的な4枚のアルバムをリリースしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eストキャスティック関数（確率を使って作曲する）を使ったこの激しい作業\/研究\/遊びの延長として、様々なプロセスが生まれ、パウエルはそれをより伝統的な音楽イベントに適用し始めた。通常，彼の作品では確率と関係は波形，折り返し，FM，フィルター・モードなどのパラメータを定義するために使われるが，彼は今，あらゆるソフトウェア／MIDI楽器を使って再生できる音楽のフォーメーションと視覚的スコアを作るためにそれらを使い始めた［LP盤の裏表紙にその1つが掲載されている］．この関係性の地図を描く間、彼は基本的なグランド・スタインウェイ・サンプラーをプレースホルダ楽器として使用したが、このプロセスが長引くにつれ、彼は合成ピアノの音響特性を受け入れ、それをこの新しい作品群の基盤にするようになったのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano Music 1-7は、「Music for Synthetic Piano and Assorted Electronics」というサブタイトルで、7つの異なるシンセティック・アイランドを1つのコンポジションに繋げたものである。すべて、パウエルが手でピアノを弾くことを習わなかったとしても、ピアノを弾くことを可能にした前述のプロセスを使って作曲された。結局のところ、「電子音楽を書くにあたって、あなたは新しい道具の発明を指示しなければならない」とロビン・マッケイはかつて書いているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eある時はピアノが影のような合成音の上を嬉々として飛び回り、またある時は合成音のシートが群がり、鍵盤を包み込む。この2つの相互作用は、幻想的な別世界、すなわち時間が浸食され、縮小され、拡大される宇宙的な機械を生み出し、まるで操作や関係が刻まれた蝋のようである。多くの作品は、ピアノの音の束が、決して繰り返されることのない電子的なジェスチャーで踊り、挿入され、バイタリズムに近い遊び心や楽観主義を表現している。色とりどりの花が咲き乱れる花壇のような雰囲気だ。この音響と電子の相互作用は、デヴィッド・ベアマンが『Leapday Night』などの作品で開発した先駆的なプロセスを基にしており、『Piano Music 1-7』はコンロン・ナンキャロウのプレイヤーピアノのための調査を現代風にアレンジしたものと考えることもできるだろう。同様に、鋭い音の特性と人間以外の出来事の展開は、クセナキスのコンピュータ作品や、メゴの主役であるフローリアン・ヘッカーの外科的な正確さを思い起こさせます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2020年後半に録音されたこのパウエルの新作は、電子音楽の大胆で明るいビジョンを提案するだけでなく、少なくとも35分間は、現在の環境から抜け出すためのナビゲーションとなる地図として機能する。スリーブノートでアーティスト自身が述べているように、「...。. この霧やスープから生まれたのは、肯定的で生命を与えるようなアイデアやプロセスで、それは私がいつも自分の音楽で伝えたいと思っていた感覚だった。おそらく、私がこの音楽的な出来事の展開に感じた楽観性やポジティブさ、時間を超えて様々な方向に転がるこれらのクラスターや結び目は、あなたにも感じていただけると思います」。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1757982332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003ehere\u003c\/a\u003e to see more Editions Mego releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Editions Mego:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEditions Mego is proud to welcome Powell to its roster with a bizarre and strangely emotive new LP of synthetic computer works entitled Piano Music 1-7.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVia his own Diagonal Records imprint, his work on XL Recordings and, most recently, the opening of audio\/film platform A Folder [afolder.studio], Powell has firm footing in the contemporary electronic landscape. During a wry and obstinate musical life he has twisted myriad synthetic forms into shapes that explore and expand upon the districts of post-punk, techno, noise + computer music, and in the the last year alone he has released four albums of hi-def abstractions, each inspired by a formalisation of music proposed by Iannis Xenakis. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs an extension of this intense period of work\/research\/play with stochastic functions [using probabilities to compose music], various processes emerged that Powell then began to apply to more traditional musical events. Where ordinarily in his work the probabilities and relationships are used to define parameters such as wave-shape, folding, FM, filter modes etc., he now began to use them to create musical formations and visual scores that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e could be played back using any software\/MIDI instrument [one of these can be seen on the rear cover of the LP release]. While mapping out this cartography of relations, he used a basic Grand Steinway sampler as a placeholder instrument; the longer the process went on, though, the more he began to embrace the acoustic properties of the synthetic piano and make it the bedrock for this new constellation of work. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePiano Music 1-7, subtitled ‘Music for Synthetic Piano and Assorted Electronics’, consists of seven different synthetic islands strung together into a single composition. All were composed using the aforementioned processes that allowed Powell to play a piano, even if he never learned to do so with his hands. After all, ’In writing electronic music,’ Robin Mackay once wrote, ‘you also have to direct the invention of new tools.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times the piano skips gleefully over shadowing synthesis, whilst at others the synthetic sheets swarm and envelope the keys. The interplay between the two create a fantastical alternate reality, a cosmic machine in which time is eroded, shrunk and expanded, like a wax upon which operations and relations are inscribed or engraved. Many of the pieces express a playfulness or optimism verging on vitalism, as bundles of piano notes dance and interpolate with a never-repeating range of electronic gestures. The feel is of a brightly coloured flower-bed in various stage of bloom. This interplay of the [artifical] acoustic and the electronic builds on the pioneering processes developed by David Behrman in works such as Leapday Night, and Piano Music 1-7 could also be posited as a modern take on Conlon Nancarrow’s investigations for player piano. Similarly, the razor-sharp sonic properties and unfolding of non-human events recall the computer works of Xenakis and the surgical precision of Mego mainstay Florian Hecker.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in late 2020, these new Powell works propose not just a bold and bright vision of electronic music but serve also as a map with which, for 35 minutes at least, we can navigate our way out of the current milieu. As the artist himself remarks in the sleeve-notes, ‘. . . What emerged from this fog or soup [for me] were ideas and processes that felt affirmative and life giving — sensations I had always hoped to convey in my music. Perhaps the optimism or positivity I felt at these musical events unfolding, these clusters and knots tumbling in different directions across time, can also be felt by you.’\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Powell\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Mego\u003c\/p\u003e","published_at":"2022-01-11T19:15:12+09:00","created_at":"2022-01-11T16:04:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","editions mego","lp","sale22"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303947669754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Powell \/\/ Piano Music 1-7 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_ca920e5c-5d7f-4565-b2c1-130b232ea80f.jpg?v=1641884697","\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_e70a9030-310b-4961-8626-3e8754121e7f.jpg?v=1641884697"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_ca920e5c-5d7f-4565-b2c1-130b232ea80f.jpg?v=1641884697","options":["Title"],"media":[{"alt":null,"id":28986628178170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_ca920e5c-5d7f-4565-b2c1-130b232ea80f.jpg?v=1641884697"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_ca920e5c-5d7f-4565-b2c1-130b232ea80f.jpg?v=1641884697","width":700},{"alt":null,"id":28986628210938,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_e70a9030-310b-4961-8626-3e8754121e7f.jpg?v=1641884697"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_e70a9030-310b-4961-8626-3e8754121e7f.jpg?v=1641884697","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDiagonalやXLなどから発表しているイギリス・ロンドンのテクノ作家Powellが、2021年12月にEditions Megoからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eこれまでの作品とは一線を画し、ピアノをメインソースとしたアンビエント作品となっています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEditions Megoは、パウエルが奇妙で奇妙な感情を持つコンピューター作品のLP『Piano Music 1-7』をリリースすることを誇りに思っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自身のDiagonal Records、XL Recordings、そして最近ではオーディオ\/フィルム・プラットフォームA Folder [afolder.studio]の開設により、Powellは現代のエレクトロニクス界に確固たる足場を築いています。彼は軽妙かつ頑固な音楽生活の中で、ポストパンク、テクノ、ノイズ、コンピュータ・ミュージックの領域を探求し、拡大するために無数の合成的な形態をひねり出してきた。昨年だけでも、イアニス・クセナキスが提案した音楽の形式化に触発されて、ハイデフの抽象的な4枚のアルバムをリリースしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eストキャスティック関数（確率を使って作曲する）を使ったこの激しい作業\/研究\/遊びの延長として、様々なプロセスが生まれ、パウエルはそれをより伝統的な音楽イベントに適用し始めた。通常，彼の作品では確率と関係は波形，折り返し，FM，フィルター・モードなどのパラメータを定義するために使われるが，彼は今，あらゆるソフトウェア／MIDI楽器を使って再生できる音楽のフォーメーションと視覚的スコアを作るためにそれらを使い始めた［LP盤の裏表紙にその1つが掲載されている］．この関係性の地図を描く間、彼は基本的なグランド・スタインウェイ・サンプラーをプレースホルダ楽器として使用したが、このプロセスが長引くにつれ、彼は合成ピアノの音響特性を受け入れ、それをこの新しい作品群の基盤にするようになったのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano Music 1-7は、「Music for Synthetic Piano and Assorted Electronics」というサブタイトルで、7つの異なるシンセティック・アイランドを1つのコンポジションに繋げたものである。すべて、パウエルが手でピアノを弾くことを習わなかったとしても、ピアノを弾くことを可能にした前述のプロセスを使って作曲された。結局のところ、「電子音楽を書くにあたって、あなたは新しい道具の発明を指示しなければならない」とロビン・マッケイはかつて書いているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eある時はピアノが影のような合成音の上を嬉々として飛び回り、またある時は合成音のシートが群がり、鍵盤を包み込む。この2つの相互作用は、幻想的な別世界、すなわち時間が浸食され、縮小され、拡大される宇宙的な機械を生み出し、まるで操作や関係が刻まれた蝋のようである。多くの作品は、ピアノの音の束が、決して繰り返されることのない電子的なジェスチャーで踊り、挿入され、バイタリズムに近い遊び心や楽観主義を表現している。色とりどりの花が咲き乱れる花壇のような雰囲気だ。この音響と電子の相互作用は、デヴィッド・ベアマンが『Leapday Night』などの作品で開発した先駆的なプロセスを基にしており、『Piano Music 1-7』はコンロン・ナンキャロウのプレイヤーピアノのための調査を現代風にアレンジしたものと考えることもできるだろう。同様に、鋭い音の特性と人間以外の出来事の展開は、クセナキスのコンピュータ作品や、メゴの主役であるフローリアン・ヘッカーの外科的な正確さを思い起こさせます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2020年後半に録音されたこのパウエルの新作は、電子音楽の大胆で明るいビジョンを提案するだけでなく、少なくとも35分間は、現在の環境から抜け出すためのナビゲーションとなる地図として機能する。スリーブノートでアーティスト自身が述べているように、「...。. この霧やスープから生まれたのは、肯定的で生命を与えるようなアイデアやプロセスで、それは私がいつも自分の音楽で伝えたいと思っていた感覚だった。おそらく、私がこの音楽的な出来事の展開に感じた楽観性やポジティブさ、時間を超えて様々な方向に転がるこれらのクラスターや結び目は、あなたにも感じていただけると思います」。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1757982332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003ehere\u003c\/a\u003e to see more Editions Mego releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Editions Mego:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEditions Mego is proud to welcome Powell to its roster with a bizarre and strangely emotive new LP of synthetic computer works entitled Piano Music 1-7.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVia his own Diagonal Records imprint, his work on XL Recordings and, most recently, the opening of audio\/film platform A Folder [afolder.studio], Powell has firm footing in the contemporary electronic landscape. During a wry and obstinate musical life he has twisted myriad synthetic forms into shapes that explore and expand upon the districts of post-punk, techno, noise + computer music, and in the the last year alone he has released four albums of hi-def abstractions, each inspired by a formalisation of music proposed by Iannis Xenakis. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs an extension of this intense period of work\/research\/play with stochastic functions [using probabilities to compose music], various processes emerged that Powell then began to apply to more traditional musical events. Where ordinarily in his work the probabilities and relationships are used to define parameters such as wave-shape, folding, FM, filter modes etc., he now began to use them to create musical formations and visual scores that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e could be played back using any software\/MIDI instrument [one of these can be seen on the rear cover of the LP release]. While mapping out this cartography of relations, he used a basic Grand Steinway sampler as a placeholder instrument; the longer the process went on, though, the more he began to embrace the acoustic properties of the synthetic piano and make it the bedrock for this new constellation of work. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePiano Music 1-7, subtitled ‘Music for Synthetic Piano and Assorted Electronics’, consists of seven different synthetic islands strung together into a single composition. All were composed using the aforementioned processes that allowed Powell to play a piano, even if he never learned to do so with his hands. After all, ’In writing electronic music,’ Robin Mackay once wrote, ‘you also have to direct the invention of new tools.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times the piano skips gleefully over shadowing synthesis, whilst at others the synthetic sheets swarm and envelope the keys. The interplay between the two create a fantastical alternate reality, a cosmic machine in which time is eroded, shrunk and expanded, like a wax upon which operations and relations are inscribed or engraved. Many of the pieces express a playfulness or optimism verging on vitalism, as bundles of piano notes dance and interpolate with a never-repeating range of electronic gestures. The feel is of a brightly coloured flower-bed in various stage of bloom. This interplay of the [artifical] acoustic and the electronic builds on the pioneering processes developed by David Behrman in works such as Leapday Night, and Piano Music 1-7 could also be posited as a modern take on Conlon Nancarrow’s investigations for player piano. Similarly, the razor-sharp sonic properties and unfolding of non-human events recall the computer works of Xenakis and the surgical precision of Mego mainstay Florian Hecker.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in late 2020, these new Powell works propose not just a bold and bright vision of electronic music but serve also as a map with which, for 35 minutes at least, we can navigate our way out of the current milieu. As the artist himself remarks in the sleeve-notes, ‘. . . What emerged from this fog or soup [for me] were ideas and processes that felt affirmative and life giving — sensations I had always hoped to convey in my music. Perhaps the optimism or positivity I felt at these musical events unfolding, these clusters and knots tumbling in different directions across time, can also be felt by you.’\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Powell\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Mego\u003c\/p\u003e"}
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This is the latest work released by Editions Mego in December 2021 by Powell, a techno writer from London, England, who has announced in the past from Diagonal and XL.It is an ambient work with the piano as the main source, which is different from the previous works. DL code included.Below is a description of the label. Editions Mego is proud to release Powell's strange and bizarre computer work LP, Piano Music 12-1.With the opening of his Diagonal Records, XL Recordings, and more recently the audio / film platform A Folder [afolder.studio], Powell has established a solid foothold in the modern electronics world.In his light and stubborn musical life, he has explored and expanded the territory of post-punk, techno, noise and computer music, creating a myriad of synthetic forms.Last year alone, he released four high-definition abstract albums, inspired by the formalization of music proposed by Iannis Xenakis.As an extension of this intense work / research / play using stochastic functions (composing with probabilities), various processes were born and Powell began to apply them to more traditional musical events.Usually in his work, probabilities and relationships are used to define parameters such as waveforms, wraps, FM, filter modes, but now he can now play music formations and visions using any software / MIDI instrument. I started using them to make a target score [one of them is on the back cover of the LP].While mapping this relationship, he used the basic Grand Steinway sampler as a placeholder instrument, but as the process prolonged, he embraced the acoustics of synthetic pianos and made it into this new piece. It came to be the foundation of. Piano Music 7-4 is "Music ...
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{"id":7895846158586,"title":"Tujiko Noriko \/\/ Crépuscule I \u0026 II 2xTAPE","handle":"tujiko-noriko-crepuscule-i-ii-2xtape","description":"\u003cp\u003e日本のアンビエント作家Tujiko Norikoが、2023年1月にEditions Megoから100本限定でリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e声を多用したアンビエント〜アンビエント・ポップ12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2947128556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003ehere\u003c\/a\u003e to see more Editions Mego releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eEditions Mego:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the early days of MEGO prior to it’s transformation into Editions MEGO a most unexpected release appeared amongst the radical roster. Out of all the twisted hard drive activity from PITA, General Magic, Farmers Manual etc appeared a very different kind of release. One made from a computer, but one with a softer atmosphere, cloud-like in sonic shape and even containing discernible melodies (!). This was the debut release from Japanese artist Tujiko Noriko which not only launched her career to a larger audience but opened the doors of Editions Mego to a broader range of experimental musical forms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNoriko’s particular synthesis of electronic abstraction, melody, voice and atmosphere has few peers as sound gently circles her mystical words morphing into a succession of emotive aural experiments framed as songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNoriko’s evolution since her debut Mego release has seen further solo works alongside collaborations as well as a shift into cinema, both acting and as director.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Crépuscule one can hear the influence the film medium has had on her music as visual insignia are invoked in the evocative audio at hand. Instrumental interludes further conjure a film landscape alongside the titles which also reiterate the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e cinematic form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is synthetic music with a deep human presence. The mind of a human captured wandering the fantastic realms of the internal sphere is exquisitely rendered through machines which usually prompt one to disfigure such humanistic tendencies. The warmth, serenity and dream-like environment that Noriko conjures from her tools is what makes her such a unique and outstanding artist and Crépuscule is an epic testament to these powers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title Crépuscule perfectly encapsulates the somnambulant nature of the music where the nocturnal shifts evoke a broad sense of calm. Crépuscule I features a selection of shorter ‘songs’ whilst Crépuscule II allows more room for these songs \/ moods to breathe with only three songs running at broader longer duration. Crépuscule allows the listener to view the world through Noriko’s eyes. With her cunning ability to humanise machines a world of calm wonder is allowed to take focus in the frame.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tujiko Noriko\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Mego\u003c\/p\u003e","published_at":"2023-01-19T07:39:33+09:00","created_at":"2023-01-16T14:28:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","editions mego","tape"],"price":345000,"price_min":345000,"price_max":345000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43897174065402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tujiko Noriko \/\/ Crépuscule I \u0026 II 2xTAPE","public_title":null,"options":["Default Title"],"price":345000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_880894e7-86a7-4788-9ab8-3bdda15e33e9.jpg?v=1673846908","\/\/tobirarecords.com\/cdn\/shop\/products\/cr2_875bf585-3d5b-40fc-86e0-c9d8e1c69f4a.jpg?v=1673846908"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_880894e7-86a7-4788-9ab8-3bdda15e33e9.jpg?v=1673846908","options":["Title"],"media":[{"alt":null,"id":31380776124666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_880894e7-86a7-4788-9ab8-3bdda15e33e9.jpg?v=1673846908"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_880894e7-86a7-4788-9ab8-3bdda15e33e9.jpg?v=1673846908","width":700},{"alt":null,"id":31380776157434,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr2_875bf585-3d5b-40fc-86e0-c9d8e1c69f4a.jpg?v=1673846908"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr2_875bf585-3d5b-40fc-86e0-c9d8e1c69f4a.jpg?v=1673846908","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のアンビエント作家Tujiko Norikoが、2023年1月にEditions Megoから100本限定でリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e声を多用したアンビエント〜アンビエント・ポップ12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2947128556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-mego\"\u003ehere\u003c\/a\u003e to see more Editions Mego releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eEditions Mego:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the early days of MEGO prior to it’s transformation into Editions MEGO a most unexpected release appeared amongst the radical roster. Out of all the twisted hard drive activity from PITA, General Magic, Farmers Manual etc appeared a very different kind of release. One made from a computer, but one with a softer atmosphere, cloud-like in sonic shape and even containing discernible melodies (!). This was the debut release from Japanese artist Tujiko Noriko which not only launched her career to a larger audience but opened the doors of Editions Mego to a broader range of experimental musical forms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNoriko’s particular synthesis of electronic abstraction, melody, voice and atmosphere has few peers as sound gently circles her mystical words morphing into a succession of emotive aural experiments framed as songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNoriko’s evolution since her debut Mego release has seen further solo works alongside collaborations as well as a shift into cinema, both acting and as director.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Crépuscule one can hear the influence the film medium has had on her music as visual insignia are invoked in the evocative audio at hand. Instrumental interludes further conjure a film landscape alongside the titles which also reiterate the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e cinematic form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is synthetic music with a deep human presence. The mind of a human captured wandering the fantastic realms of the internal sphere is exquisitely rendered through machines which usually prompt one to disfigure such humanistic tendencies. The warmth, serenity and dream-like environment that Noriko conjures from her tools is what makes her such a unique and outstanding artist and Crépuscule is an epic testament to these powers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title Crépuscule perfectly encapsulates the somnambulant nature of the music where the nocturnal shifts evoke a broad sense of calm. Crépuscule I features a selection of shorter ‘songs’ whilst Crépuscule II allows more room for these songs \/ moods to breathe with only three songs running at broader longer duration. Crépuscule allows the listener to view the world through Noriko’s eyes. With her cunning ability to humanise machines a world of calm wonder is allowed to take focus in the frame.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tujiko Noriko\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Mego\u003c\/p\u003e"}
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Japanese ambient artist Tujiko Noriko released a 2023-piece cassette limited edition of 1 from Editions Mego in January 100.Contains 2 ambient/ambient pop songs that make extensive use of voices.Click here for labels and other works /// Click here to see more Editions Mego releases available at Tobira....
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