Vetson'Androy // Mavandeza 7 "
Vetson'Androy // Mavandeza 7 "
¥1,276
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Madagascar's original genre released by SOFRITO, which mainly releases the recurrence of world musicSound source of SALEGY. 6/
Vetson'Androy's 1978 release'Mavandeza' featuring authentic Salegy sounds --a genesis of the traditional Antsa musical style of north-west Madagascar. Featuring layers of psychedelic percussion, call-and-response vocals and 6/8 rhythms.
Artist: Mavandeza
Label: Sofrito
Madagascar's original genre released by SOFRITO, which mainly releases the recurrence of world musicSound source of SALEGY. 6/
Sofrito · SOFRITO ISLAND SERIES // MADAGASCAR 7 "(SSS018)
Vetson'Androy's 1978 release'Mavandeza' featuring authentic Salegy sounds --a genesis of the traditional Antsa musical style of north-west Madagascar. Featuring layers of psychedelic percussion, call-and-response vocals and 6/8 rhythms.
Artist: Mavandeza
Label: Sofrito
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{"id":8306876449018,"title":"alëna korolëva \/\/ premonitions TAPE","handle":"alena-koroleva-premonitions-tape","description":"\u003cp\u003eカナダ・トロントのコラージュ作家／ドキュメンタリー映像作家alëna korolëvaが、2024年3月にドイツ・ベルリンの物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeから60部限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを紡いだ映画のようなコラージュ・サウンドスケープ作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"いつ行っても、私は迫り来る変化の兆しを感じずにはいられない。大小さまざまな生き物の会話を盗み聞きするのだが、私と同じように、彼らはこれから起こることに不安と不確実性を感じているようだ。何かが漂い、暗雲が立ちこめ、風は進路を変えようとしている。混乱と落ち着きのなかに、人間以外の世界と人間の世界の声が混ざり合い、心配なシンフォニーを奏でる。この作品は、6度目の大量絶滅の瀬戸際にあるさまざまな生命体の美しさへの、期待への頌歌である。コーラスに参加しているのは、アメリカヒキガエル、北風、古いやかん、ミスター・キャット、オニフクロウ、コオロギ、家畜の鶏と豚、トランペッター・ハクチョウ、ミツバチ、トラックのクラクション、鵜、カモメ、その他の要素や生き物たちである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1781150085\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"forms of minutiae\" href=\"https:\/\/soundcloud.com\/forms-of-minutiae\" target=\"_blank\"\u003eforms of minutiae\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"alëna korolëva — premonitions [fom10]\" href=\"https:\/\/soundcloud.com\/forms-of-minutiae\/fom10\" target=\"_blank\"\u003ealëna korolëva — premonitions [fom10]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 60.\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eProgram repeats on both sides of cassette. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003epremonitions 28:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSomething is afoot, the Tkaronto\/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s \"musique anecdotique\" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. 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Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : alëna korolëva\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e","published_at":"2024-04-13T10:20:09+09:00","created_at":"2024-04-13T08:42:15+09:00","vendor":"Tobira Records","type":"","tags":["field recording","forms of minutiae","monooto","new","recommended","tape"],"price":227400,"price_min":227400,"price_max":227400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45639842070778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"alëna korolëva \/\/ premonitions TAPE","public_title":null,"options":["Default Title"],"price":227400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_470cb20d-7a1e-43ac-8ce9-0b14f0a183f4.jpg?v=1712965337","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_806d4038-96a4-40b6-a52f-86e149e69f87.jpg?v=1712965337"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_470cb20d-7a1e-43ac-8ce9-0b14f0a183f4.jpg?v=1712965337","options":["Title"],"media":[{"alt":null,"id":33696864076026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_470cb20d-7a1e-43ac-8ce9-0b14f0a183f4.jpg?v=1712965337"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_470cb20d-7a1e-43ac-8ce9-0b14f0a183f4.jpg?v=1712965337","width":700},{"alt":null,"id":33696864108794,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_806d4038-96a4-40b6-a52f-86e149e69f87.jpg?v=1712965337"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_806d4038-96a4-40b6-a52f-86e149e69f87.jpg?v=1712965337","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのコラージュ作家／ドキュメンタリー映像作家alëna korolëvaが、2024年3月にドイツ・ベルリンの物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeから60部限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを紡いだ映画のようなコラージュ・サウンドスケープ作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"いつ行っても、私は迫り来る変化の兆しを感じずにはいられない。大小さまざまな生き物の会話を盗み聞きするのだが、私と同じように、彼らはこれから起こることに不安と不確実性を感じているようだ。何かが漂い、暗雲が立ちこめ、風は進路を変えようとしている。混乱と落ち着きのなかに、人間以外の世界と人間の世界の声が混ざり合い、心配なシンフォニーを奏でる。この作品は、6度目の大量絶滅の瀬戸際にあるさまざまな生命体の美しさへの、期待への頌歌である。コーラスに参加しているのは、アメリカヒキガエル、北風、古いやかん、ミスター・キャット、オニフクロウ、コオロギ、家畜の鶏と豚、トランペッター・ハクチョウ、ミツバチ、トラックのクラクション、鵜、カモメ、その他の要素や生き物たちである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1781150085\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"forms of minutiae\" href=\"https:\/\/soundcloud.com\/forms-of-minutiae\" target=\"_blank\"\u003eforms of minutiae\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"alëna korolëva — premonitions [fom10]\" href=\"https:\/\/soundcloud.com\/forms-of-minutiae\/fom10\" target=\"_blank\"\u003ealëna korolëva — premonitions [fom10]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 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This cassette was released in March 2024 by collage artist/documentary filmmaker Alëna Korolëva from Toronto, Canada, in a limited edition of 3 copies on the Forms of Minutiae label in Berlin, Germany. This is a cinematic collage soundscape created from field recordings. DL code included. Below is an explanation by the author himself. "Every time I go, I can't help but feel the signs of impending change. I eavesdrop on the conversations of creatures large and small, and like me, they feel anxious and uncertain about what's to come." Something is in the air, dark clouds are gathering, and the wind is about to change course. Amidst the chaos and calm, voices from the non-human and human worlds mix together to create a worrying symphony. This piece is an ode to hope and the beauty of life on the brink of the sixth mass extinction. Joining in the chorus are the American Toad, the North Wind, the Old Kettle, and Mr. - Cats, owl, crickets, domestic chickens and pigs, trumpeter swans, bees, truck horns, cormorants, seagulls, and other elements and creatures.
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Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne 18:33\u003c\/li\u003e\n\u003cli\u003eTwo 16:52\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eScissor Tail:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Track one is an improvisation recorded at the home of Joshua Massad's friend who he was house sitting for and invited me to come play. When I showed up the door was open and he was deep in practice so no words were spoken. I set up a mic and just started playing. We played for 45 minutes straight and the 20 mins of the first track was culled from that moment. We clicked immediately and that was the first time we ever played together. 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Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne 18:33\u003c\/li\u003e\n\u003cli\u003eTwo 16:52\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eScissor Tail:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Track one is an improvisation recorded at the home of Joshua Massad's friend who he was house sitting for and invited me to come play. When I showed up the door was open and he was deep in practice so no words were spoken. I set up a mic and just started playing. We played for 45 minutes straight and the 20 mins of the first track was culled from that moment. We clicked immediately and that was the first time we ever played together. Joshua is studying and teaching in India now where he's been since 2019.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Massad \u0026amp; Dylan Aycock\u003c\/p\u003e\n\u003cp\u003eLabel : Scissor Tail\u003c\/p\u003e"}
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This is a collaborative record released by Indian tabla/sitar player Joshua Massad and American guitarist Dylan Aycock on the Oklahoma folk label Scissor Tail in April 2024. Contains two improvised ambient folk songs for tabla, 4-string guitar, and sitar. DL code included. It is a 12g weight disc. Click here to see more Scissor Tail...
¥3,450
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{"id":8262446645498,"title":"Katarzyna Szczerba • Andrzej Załęski • Tomek Mirt \/\/ Deer Rut Time CD","handle":"katarzyna-szczerba-andrzej-zaleski-tomek-mirt-deer-rut-time-cd","description":"\u003cp\u003eポーランドのフィールドレコーディング作家Katarzyna SzczerbaとAndrzej Załęski、Tomek Mirtが、2018年に同国フィールドレコーディングレーベルsaamlengからリリースした3-wayスプリットCDです。\u003c\/p\u003e\n\u003cp\u003eポーランドの村Osiek nad NoteciąやOdra Backwater、原生林Białowieżaでのフィールドレコーディング5曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2413081048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKatarzyna Szczerba - Osiek nad Notecią: The Evening 12:10\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Night 06:06\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Daytime 1 06:45\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Daytime 2 09:39\u003c\/li\u003e\n\u003cli\u003eTomek Mirt - Odra Backwater: The Night 15:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Katarzyna Szczerba • Andrzej Załęski • Tomek Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-04-15T16:18:22+09:00","created_at":"2024-04-03T10:35:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504756351226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Katarzyna Szczerba • Andrzej Załęski • Tomek Mirt \/\/ Deer Rut Time CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dee1_f8c23ccc-0251-4d73-a55e-14ef04c8d6a0.jpg?v=1712108157","\/\/tobirarecords.com\/cdn\/shop\/files\/dee2_a93c140b-7a81-4383-bdc9-545287188588.jpg?v=1712108157"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dee1_f8c23ccc-0251-4d73-a55e-14ef04c8d6a0.jpg?v=1712108157","options":["Title"],"media":[{"alt":null,"id":33537673101562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dee1_f8c23ccc-0251-4d73-a55e-14ef04c8d6a0.jpg?v=1712108157"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dee1_f8c23ccc-0251-4d73-a55e-14ef04c8d6a0.jpg?v=1712108157","width":700},{"alt":null,"id":33537673134330,"position":2,"preview_image":{"aspect_ratio":1.671,"height":718,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dee2_a93c140b-7a81-4383-bdc9-545287188588.jpg?v=1712108157"},"aspect_ratio":1.671,"height":718,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dee2_a93c140b-7a81-4383-bdc9-545287188588.jpg?v=1712108157","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのフィールドレコーディング作家Katarzyna SzczerbaとAndrzej Załęski、Tomek Mirtが、2018年に同国フィールドレコーディングレーベルsaamlengからリリースした3-wayスプリットCDです。\u003c\/p\u003e\n\u003cp\u003eポーランドの村Osiek nad NoteciąやOdra Backwater、原生林Białowieżaでのフィールドレコーディング5曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2413081048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKatarzyna Szczerba - Osiek nad Notecią: The Evening 12:10\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Night 06:06\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Daytime 1 06:45\u003c\/li\u003e\n\u003cli\u003eAndrzej Załęski - Białowieża Forest: The Daytime 2 09:39\u003c\/li\u003e\n\u003cli\u003eTomek Mirt - Odra Backwater: The Night 15:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Katarzyna Szczerba • Andrzej Załęski • Tomek Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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This is a 2018-way split CD released by Polish field recording artists Katarzyna Szczerba, Andrzej Załęski, and Tomek Mirt on the Polish field recording label saamleng in 3. Contains 5 field recordings from the Polish villages of Osiek nad Notecią, Odra Backwater, and the virgin forest Białowieża. It is a 6-page digipak specification. Click here for label and other works /// Click here to see...
¥2,270
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{"id":8262445924602,"title":"Bolesław Wawrzyn \u0026 Paweł Starzec \/\/ Spomeniks CD","handle":"boleslaw-wawrzyn-pawel-starzec-spomeniks-cd","description":"\u003cp\u003eポーランドのフィールドレコーディング作家Bolesław WawrzynとPaweł Starzecが、2019年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eクロアチアで収集したフィールドレコーディング5曲を収録。ゲートフォルドデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e01. ヤセノヴァツ強制収容所（しばしば「ユーゴスラヴィアのアウシュヴィッツ」と呼ばれる）は、1941年にクロアチア独立国によって設立され、ウスターゼ政権が単独で運営していた。収容者のほとんどは、革手袋と農業用ナイフで作られた仮の道具、いわゆる「スルボシェク（セルブカッター）」によって屠殺された。何年もの間、推定被害者数は3万人から140万人まで様々であった。最も多く推定されているのは10万人で、そのほとんどがセルビア人である。メモリアルサイトは、クロアチアで最初の民主的選挙が行われる直前の1990年に設立された。\u003cbr\u003e\u003cbr\u003e02. ヤジンチ記念公園は1960年に設立され、1986年に文化遺産に指定された。ベオグラードで最も大きな公園の一つであり、現在は遠足や家族団らんの場として、また子供たちが自転車やスクーターに乗るための広大なスペースとして利用されている。この公園は、ユーゴスラビア軍の射撃場があった場所に造られた。1941年7月15日から1943年末まで毎日、ナチス軍はベオグラードの強制収容所から連行された人々を処刑した。その期間に殺された人の数は、6万5千人から8万人と推定されている。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e03. ゼムンのユダヤ人収容所（Judenlager Semlin）としても知られるサジミステ強制収容所は、1941年10月から1943年7月までSSアインザッツグルッペン部隊によって運営されていた。第二次世界大戦後、ユーゴスラビア政府はその間に10万人が収容所を通過し、その半数が殺されたと発表した。現在、セルビア人権ヘルシンキ委員会は、死者数は政治的目的のために誇張されたものであり、実際の数はおよそ5万人の囚人と2万人の抹殺者であると主張している。記念碑と小さな慰霊碑のほか、戦後に残された、あるいは再建されたすべての建物は今も利用されている。1948年、その場所は青年労働者の本部と兵舎に変わった。現在、残された建物はすべて移民によって、おそらく不法に使用されている。\u003c\/p\u003e\n\u003cp\u003e04. トポフスケ・シュペ強制収容所は1941年8月20日に設立され、その年の終わりまで運営された。その間、5000人から6500人が収容され、そのうち約4300人が殺された。犠牲者のほとんどはユダヤ人かロマ人であり、彼らは共産主義者や反ファシストの闘士ではなかったため、政治的な理由から、収容所は長年共産主義政権によって放置されていた。今日に至るまで、2つのバラックと壁の一部が、一部の移民によって不法に使用されている。バラックの1つには、録音で聴くことができる間に合わせの自動車修理工場がある。バラックを取り壊し、その場所に巨大なショッピングモールとオフィスビルを建設しようとしていた地元で最も裕福な実業家の一人に関する論争の後、この場所に最初の記念プレートが設置されたのは2005年のことだった。2017年にはプレートが盗まれ、再び記念碑は忘れ去られた。新しいプレートが設置されたのは、私たちが録音に訪れるわずか2週間前のことだった。市当局もロマ人団体も、この場所を取り壊すことに同意した。おそらく2019年8月以降になるだろう。\u003cbr\u003e\u003cbr\u003e05. モスラヴィナ市民の革命記念碑は、ドゥサン・ザモニャのプロジェクトにより、1967年にポドガリッチに建てられた。1941年のクロアチア蜂起の犠牲者に捧げられ、記念碑の近くに埋葬された900人の兵士を記念している。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1894972041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJasenovac Concentration Camp 14:31\u003c\/li\u003e\n\u003cli\u003eMemorial Park Jajinci 11:28\u003c\/li\u003e\n\u003cli\u003eSajmiste Concentration Camp 13:07\u003c\/li\u003e\n\u003cli\u003eTopovske Supe Concentration Camp 10:12\u003c\/li\u003e\n\u003cli\u003eMonument of the Revolution of the People of Moslavina 03:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTrack information \/ accompanying text :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e01. The Jasenovac concentration camp (often referred to as 'The Yugoslavian Auschwitz') was established in 1941 by The Independent State of Croatia and was solely operated by the governing Ustase regime. Inmates of the camp were mostly slaughtered by so-called „srbosjek” (Serbcutter) – a provisional tool made from a leather glove and an agricultural knife. Until now we are not sure how many people were killed in the camp - during the years an estimated count has varied from 30,000 to 1.4 million of victims. The most often estimation is 100 000 people, mostly Serbs. The Memorial Site was established in 1990, shortly before the first democratic election in Croatia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e02. Memorial Park Jajinci was established in 1960 and was proclaimed as a cultural monument in 1986. It is one of the biggest public parks in Belgrade, serving currently as a place designated for field trips, enjoying family time as well as huge space for children to ride bicycles or scooters. The park was built in the location of Military Shooting Ranged of the Yugoslavian Armed Forces. Every single day starting from 15 July 1941 till the end of 1943, the Nazi forces conducted executions of people brought daily from the concentration camps located in Belgrade. The estimates of people killed during that period varies from 65 to 80\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e thousand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e03. The Sajmiste concentration camp, known also as the Jewish camp in Zemun (Judenlager Semlin) was run by SS Einsatzgruppen units from October 1941 till July 1943. After the World War II the Yugoslavian government claimed that during those years 100 000 people had passed through the camp and half of them were killed. Currently, the Helsinki Committee for Human Rights in Serbia claims that the death toll has been exaggerated for political purposes and a real number is approx. 50 000 prisoners and 20 000 exterminated. Besides the monument and the small memorial, all buildings that were left or rebuilt after the war are still exploited. In 1948 that place was transformed into a youth workers headquarters and barracks. Currently all of the buildings left are inhibited by immigrants, most probably illegally.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e04. The Topovske Supe concentration camp was established on 20 August 1941 and was operated till the end of that year. During that time from 5000 to 6500 people were inmates there and approximately 4300 of them were killed. Since the most of the victims were Jews or Romani people and they were not communist or anti-fascist fighters, the camp was neglected by the communist regime for many years because of political reasons. Till nowadays, two barracks and pieces of a wall are still existing, illegally inhibited by some immigrants. There is some kind of makeshift auto-repair parlour, which is heard on the recording, in one of the barracks. The first memorial plaque at the site was established in 2005 after the controversy regarding one of the wealthiest local businessmen who had wanted to demolish the barracks and start a construction site of a giant mall and office buildings at that place. In 2017 the plaque was stolen and once again the memorial site was forgotten. The new plaque had been placed at the site just two weeks before we came to make recordings there. Both the city authorities and Romany organizations agreed to demolishe the site; it will probably happen after August 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e05. Monument to the Revolution of the people of Moslavina was erected in Podgarić in 1967, by the project of Dusan Dzamonja. It is dedicated to victims of 1941 uprising in Croatia and commemorates 900 soldiers who had been buried near the monument.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolesław Wawrzyn \u0026amp; Paweł Starzec\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-04-04T10:00:48+09:00","created_at":"2024-04-03T10:34:11+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504730464506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bolesław Wawrzyn \u0026 Paweł Starzec \/\/ Spomeniks CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/spo1.jpg?v=1712108054","\/\/tobirarecords.com\/cdn\/shop\/files\/spo2.jpg?v=1712108053"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/spo1.jpg?v=1712108054","options":["Title"],"media":[{"alt":null,"id":33537666679034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spo1.jpg?v=1712108054"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spo1.jpg?v=1712108054","width":700},{"alt":null,"id":33537666711802,"position":2,"preview_image":{"aspect_ratio":1.525,"height":787,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spo2.jpg?v=1712108053"},"aspect_ratio":1.525,"height":787,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spo2.jpg?v=1712108053","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのフィールドレコーディング作家Bolesław WawrzynとPaweł Starzecが、2019年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eクロアチアで収集したフィールドレコーディング5曲を収録。ゲートフォルドデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e01. ヤセノヴァツ強制収容所（しばしば「ユーゴスラヴィアのアウシュヴィッツ」と呼ばれる）は、1941年にクロアチア独立国によって設立され、ウスターゼ政権が単独で運営していた。収容者のほとんどは、革手袋と農業用ナイフで作られた仮の道具、いわゆる「スルボシェク（セルブカッター）」によって屠殺された。何年もの間、推定被害者数は3万人から140万人まで様々であった。最も多く推定されているのは10万人で、そのほとんどがセルビア人である。メモリアルサイトは、クロアチアで最初の民主的選挙が行われる直前の1990年に設立された。\u003cbr\u003e\u003cbr\u003e02. ヤジンチ記念公園は1960年に設立され、1986年に文化遺産に指定された。ベオグラードで最も大きな公園の一つであり、現在は遠足や家族団らんの場として、また子供たちが自転車やスクーターに乗るための広大なスペースとして利用されている。この公園は、ユーゴスラビア軍の射撃場があった場所に造られた。1941年7月15日から1943年末まで毎日、ナチス軍はベオグラードの強制収容所から連行された人々を処刑した。その期間に殺された人の数は、6万5千人から8万人と推定されている。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e03. ゼムンのユダヤ人収容所（Judenlager Semlin）としても知られるサジミステ強制収容所は、1941年10月から1943年7月までSSアインザッツグルッペン部隊によって運営されていた。第二次世界大戦後、ユーゴスラビア政府はその間に10万人が収容所を通過し、その半数が殺されたと発表した。現在、セルビア人権ヘルシンキ委員会は、死者数は政治的目的のために誇張されたものであり、実際の数はおよそ5万人の囚人と2万人の抹殺者であると主張している。記念碑と小さな慰霊碑のほか、戦後に残された、あるいは再建されたすべての建物は今も利用されている。1948年、その場所は青年労働者の本部と兵舎に変わった。現在、残された建物はすべて移民によって、おそらく不法に使用されている。\u003c\/p\u003e\n\u003cp\u003e04. トポフスケ・シュペ強制収容所は1941年8月20日に設立され、その年の終わりまで運営された。その間、5000人から6500人が収容され、そのうち約4300人が殺された。犠牲者のほとんどはユダヤ人かロマ人であり、彼らは共産主義者や反ファシストの闘士ではなかったため、政治的な理由から、収容所は長年共産主義政権によって放置されていた。今日に至るまで、2つのバラックと壁の一部が、一部の移民によって不法に使用されている。バラックの1つには、録音で聴くことができる間に合わせの自動車修理工場がある。バラックを取り壊し、その場所に巨大なショッピングモールとオフィスビルを建設しようとしていた地元で最も裕福な実業家の一人に関する論争の後、この場所に最初の記念プレートが設置されたのは2005年のことだった。2017年にはプレートが盗まれ、再び記念碑は忘れ去られた。新しいプレートが設置されたのは、私たちが録音に訪れるわずか2週間前のことだった。市当局もロマ人団体も、この場所を取り壊すことに同意した。おそらく2019年8月以降になるだろう。\u003cbr\u003e\u003cbr\u003e05. モスラヴィナ市民の革命記念碑は、ドゥサン・ザモニャのプロジェクトにより、1967年にポドガリッチに建てられた。1941年のクロアチア蜂起の犠牲者に捧げられ、記念碑の近くに埋葬された900人の兵士を記念している。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1894972041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJasenovac Concentration Camp 14:31\u003c\/li\u003e\n\u003cli\u003eMemorial Park Jajinci 11:28\u003c\/li\u003e\n\u003cli\u003eSajmiste Concentration Camp 13:07\u003c\/li\u003e\n\u003cli\u003eTopovske Supe Concentration Camp 10:12\u003c\/li\u003e\n\u003cli\u003eMonument of the Revolution of the People of Moslavina 03:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTrack information \/ accompanying text :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e01. The Jasenovac concentration camp (often referred to as 'The Yugoslavian Auschwitz') was established in 1941 by The Independent State of Croatia and was solely operated by the governing Ustase regime. Inmates of the camp were mostly slaughtered by so-called „srbosjek” (Serbcutter) – a provisional tool made from a leather glove and an agricultural knife. Until now we are not sure how many people were killed in the camp - during the years an estimated count has varied from 30,000 to 1.4 million of victims. The most often estimation is 100 000 people, mostly Serbs. The Memorial Site was established in 1990, shortly before the first democratic election in Croatia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e02. Memorial Park Jajinci was established in 1960 and was proclaimed as a cultural monument in 1986. It is one of the biggest public parks in Belgrade, serving currently as a place designated for field trips, enjoying family time as well as huge space for children to ride bicycles or scooters. The park was built in the location of Military Shooting Ranged of the Yugoslavian Armed Forces. Every single day starting from 15 July 1941 till the end of 1943, the Nazi forces conducted executions of people brought daily from the concentration camps located in Belgrade. The estimates of people killed during that period varies from 65 to 80\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e thousand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e03. The Sajmiste concentration camp, known also as the Jewish camp in Zemun (Judenlager Semlin) was run by SS Einsatzgruppen units from October 1941 till July 1943. After the World War II the Yugoslavian government claimed that during those years 100 000 people had passed through the camp and half of them were killed. Currently, the Helsinki Committee for Human Rights in Serbia claims that the death toll has been exaggerated for political purposes and a real number is approx. 50 000 prisoners and 20 000 exterminated. Besides the monument and the small memorial, all buildings that were left or rebuilt after the war are still exploited. In 1948 that place was transformed into a youth workers headquarters and barracks. Currently all of the buildings left are inhibited by immigrants, most probably illegally.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e04. The Topovske Supe concentration camp was established on 20 August 1941 and was operated till the end of that year. During that time from 5000 to 6500 people were inmates there and approximately 4300 of them were killed. Since the most of the victims were Jews or Romani people and they were not communist or anti-fascist fighters, the camp was neglected by the communist regime for many years because of political reasons. Till nowadays, two barracks and pieces of a wall are still existing, illegally inhibited by some immigrants. There is some kind of makeshift auto-repair parlour, which is heard on the recording, in one of the barracks. The first memorial plaque at the site was established in 2005 after the controversy regarding one of the wealthiest local businessmen who had wanted to demolish the barracks and start a construction site of a giant mall and office buildings at that place. In 2017 the plaque was stolen and once again the memorial site was forgotten. The new plaque had been placed at the site just two weeks before we came to make recordings there. Both the city authorities and Romany organizations agreed to demolishe the site; it will probably happen after August 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e05. Monument to the Revolution of the people of Moslavina was erected in Podgarić in 1967, by the project of Dusan Dzamonja. It is dedicated to victims of 1941 uprising in Croatia and commemorates 900 soldiers who had been buried near the monument.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolesław Wawrzyn \u0026amp; Paweł Starzec\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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This is a CD released by Polish field recording artists Bolesław Wawrzyn and Paweł Starzec on the Polish field recording label saamleng in 2019. Contains 5 field recordings collected in Croatia. Gatefold digipak specification. Below is an explanation by the label. 01. The Jasenovac concentration camp (often referred to as the ``Yugoslav Auschwitz'') was established in 1941 by the Independent State of Croatia and was run solely by the Ustase government. Most of the prisoners were slaughtered using makeshift tools made from leather gloves and agricultural knives, known as ``srbošeks'' (serb cutters). Over the years, estimates of the number of victims have varied from 3 to 140 million. The highest estimate is 10 people, most of whom are Serbs. The memorial site was established in 1990, just before Croatia's first democratic elections. 02. Yajinci Memorial Park was established in 1960 and designated as a cultural heritage site in 1986. One of the largest parks in Belgrade, it is currently used as a place for excursions and family reunions, as well as a large space for children to ride bicycles and scooters. This park was built on the site of a former Yugoslav military firing range. Every day from July 1941, 7 until the end of 15, Nazi forces executed people taken from the Belgrade concentration camp. It is estimated that between 1943 and 6 people were killed during that period. 5. Sazimiste concentration camp, also known as Judenlager Semlin, was operated by the SS Einsatzgruppen unit from October 8 to July 03. After World War II, the Yugoslav government announced that 1941 people passed through the camps during that time, half of whom were killed. The Serbian Helsinki Commission for Human Rights now claims that the death toll was exaggerated for political purposes and that the real number is around 10 prisoners and 1943 exterminators. Besides the monument and small cenotaph, all the buildings left behind or rebuilt after the war are still in use. In 7, the site was transformed into the headquarters and barracks of the Youth Workers. All remaining buildings are now being used by immigrants, possibly illegally. 10. The Topovske Shpe concentration camp was established on August 5, 2 and operated until the end of that year. During that time, between 1948 and 04 people were interned, of whom approximately 1941 were killed. The camp was abandoned by the communist regime for many years for political reasons, as most of the victims were Jews or Roma, and they were not communists or anti-fascist fighters. To this day, two barracks and part of the wall are still used illegally by some migrants. One of the barracks has a makeshift auto repair shop that can be heard on the recording. The first commemorative plaque was erected at the site in 8, following a controversy involving one of the region's wealthiest businessmen, who wanted to demolish the barracks and build a huge shopping mall and office building in its place. was. In 20, the plaque was stolen and the monument was once again forgotten. The new plates were installed just two weeks before our recording visit. Both city officials and Romani groups agreed to demolish the site. Probably after August 5000. 6500. The Monument to the Revolution of the People of Moslavina was built in Podgaric in 4300 on the project of Dusan Zamonya. It is dedicated to the victims of the 2 Croatian uprising and commemorates the 1 soldiers buried near the monument. ...
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