Rrill Bell // Vagabond Laws TAPE
Rrill Bell // Vagabond Laws TAPE
¥1,490
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A debut cassette released by Berlin's new sound artist Rrill Bell from Gertrude, limited to 75 pieces.Includes two 16-minute collage journeys improvised. DL code included.
Edition of 75.
From the label:
Rrill Bell makes both composed / assembled and improvised music with a wide variety of approaches. This particular record was completely free improvised / orchestrated using original material.
For drifters and brooders, after the fact.
"I work like a deep diver, eighteen minutes a day."
Artist: Rrill Bell
Label: Gertrude Tapes
A debut cassette released by Berlin's new sound artist Rrill Bell from Gertrude, limited to 75 pieces.Includes two 16-minute collage journeys improvised. DL code included.
Edition of 75.
From the label:
Rrill Bell makes both composed / assembled and improvised music with a wide variety of approaches. This particular record was completely free improvised / orchestrated using original material.
For drifters and brooders, after the fact.
"I work like a deep diver, eighteen minutes a day."
Artist: Rrill Bell
Label: Gertrude Tapes
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{"id":8017031102714,"title":"Zach Rowden \/\/ When the Gloss is Removed LP","handle":"zach-rowden-when-the-gloss-is-removed-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・フォークバンドOld SawやTongue Depressorとしても活動しているアメリカのドローン作家Zach Rowdenが\u003c\/span\u003e、2022年7月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコントラバスとテープを用いた退廃ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ジャケット右上に若干の角打ちがございます\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3746407504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTo the Height of a Cathedral 18:17\u003c\/li\u003e\n\u003cli\u003eDon't Use Up All Your Good Ones 19:52\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eGertrude Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eWhen The Gloss is Removed,” Zach Rowden’s first solo LP, exemplifies Rowden’s exploratory and ever-expanding sonic palette. Decaying loops, oscillating drones, spectral cries that emerge and puncture the static, wavering textures. Seemingly disparate materials coalesce to conjure a trance-like apparitional space, a defining characteristic of both his solo music and his work alongside Henry Birdsey in Tongue Depressor.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eThe tracks enclosed within not only cultivate this aforementioned external space, but strive to initiate a sonic excavation of one’s own interiority, exhuming that which is concealed in silence.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Zach Rowden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Gertrude Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-13T08:18:17+09:00","created_at":"2023-09-12T11:57:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","Gertrude Tapes","lp","new"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556304187642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zach Rowden \/\/ When the Gloss is Removed LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1_f8c15da0-7640-4897-947b-e0d5128594f8.jpg?v=1694487435","\/\/tobirarecords.com\/cdn\/shop\/files\/re2_5f8747b5-2917-42e0-b318-12f6a6930e29.jpg?v=1694487434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_f8c15da0-7640-4897-947b-e0d5128594f8.jpg?v=1694487435","options":["Title"],"media":[{"alt":null,"id":32436725219578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_f8c15da0-7640-4897-947b-e0d5128594f8.jpg?v=1694487435"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_f8c15da0-7640-4897-947b-e0d5128594f8.jpg?v=1694487435","width":700},{"alt":null,"id":32436725252346,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_5f8747b5-2917-42e0-b318-12f6a6930e29.jpg?v=1694487434"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_5f8747b5-2917-42e0-b318-12f6a6930e29.jpg?v=1694487434","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・フォークバンドOld SawやTongue Depressorとしても活動しているアメリカのドローン作家Zach Rowdenが\u003c\/span\u003e、2022年7月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコントラバスとテープを用いた退廃ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ジャケット右上に若干の角打ちがございます\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3746407504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTo the Height of a Cathedral 18:17\u003c\/li\u003e\n\u003cli\u003eDon't Use Up All Your Good Ones 19:52\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eGertrude Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eWhen The Gloss is Removed,” Zach Rowden’s first solo LP, exemplifies Rowden’s exploratory and ever-expanding sonic palette. Decaying loops, oscillating drones, spectral cries that emerge and puncture the static, wavering textures. Seemingly disparate materials coalesce to conjure a trance-like apparitional space, a defining characteristic of both his solo music and his work alongside Henry Birdsey in Tongue Depressor.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eThe tracks enclosed within not only cultivate this aforementioned external space, but strive to initiate a sonic excavation of one’s own interiority, exhuming that which is concealed in silence.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Zach Rowden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Gertrude Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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American drone artist Zach Rowden, who is also active in the ambient folk band Old Saw and Tongue Depressor, released this record in July 2022 on the country's experimental label Gertrude Tapes in a limited edition of 7 copies.Contains two decadent drone songs using double bass and tape. DL code included. *There is a slight corner mark on the upper right corner of the jacket Click here for other works from the label /// Click here to see more Gertrude Tapes releases available...
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{"id":8017029497082,"title":"Staubitz and Waterhouse \/\/ Out and About LP","handle":"staubitz-and-waterhouse-out-and-about-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ロードアイランドの物音デュオStaubitz and Waterhouseが\u003c\/span\u003e、2023年5月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから125部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eA面は2年かけて収集した様々な音をコラージュして制作した架空の「平均的なある1日」を、B面はNYのハドソン渓谷を訪れた際の旅の音記録を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/staubitz-and-waterhouse-deluxe-romantic-suite-accessible-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarrett Clark\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"これらの「ありふれたもの」について、私たちはどのように語ればいいのだろうか。どのようにすれば、むしろどのようにすれば、それらを探し出すことができるのだろうか。- Georges Perec - The Infra-Ordinary (1973)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStaubitz and Waterhouseが新譜を持って帰ってきた！\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2022年のフルレングス・デビュー作『コモン・メタルズ』、『リージョナル・ベアーズ』のミニ・アルバム、『チョコレート・モンク』のシェイマス・ウィリアムズとのコラボEPに続き、オーシャン・ステートのリュックとブリュンヒルド・フェラーリが、これまでで最も魅力的で万華鏡のようなアルバム『 Out and About』を携えてGertrude Tapesに戻ってきた。アメリカ産業革命とウェンディ・カルロスの生まれ故郷であるロードアイランド州ポータケットを拠点とするStaubitz and Waterhouseは、勤勉さと繊細さ、そしてユーモアをもって自分たちの人生を記録し続けている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドAは、2年間にわたって録音されたもので、数十に及ぶ個別の現場を、デュオにとっての架空の \"平均的な1日 \"に凝縮している。このアルバムは、夜明けに彼らの家の階段で始まり、早朝の屋外アンティークマーケットを散策し、ジェームズ・タレルのスカイスペースやホテルのプールに立ち寄る。ホット・スタンパーは、私たちが毎日遭遇するさまざまなテクノフォニーの源をモンタージュした作品である。食料品の買い物中、洗車場、工場の建物内、家具店のトイレ。その日の夜、勇敢なオーラル探検家たちは、30年前に2人が出会いかけた「グレート・ウッズ」での「ピットブル」のコンサートを楽しんでいる。当然のように、2人は帰りにラファイエットに立ち寄ってナイトキャップを楽しみ、そこでジャズ全般についての刺激的な会話を耳にする。バケツの下に閉じ込められた猛烈な虫のベリンバウ風の抗議にもかかわらず、夜は至福の眠りで締めくくられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBは、2022年初頭の週末に録音された旅行記で、伝説的なタビーズのパティオで演奏するためにニューヨークのハドソン渓谷を訪れた旅の記録である。このサイドの曲調は、よりルーズでのびのびとしており、Staubitz and Waterhouseにとって、生きることと演奏することに違いはなく、それは連続したものであることを示している。それは、端々に滲み出るキングストンの音や、セット全体に流れる狂気の鳥のテープに聴こえ、何が本物で何が作為なのかの境界を濁している。アルバムの最後を飾るのは、ダイアビーコンの洞窟のような空間で、幽霊のような幻影がちらちらと見え隠れし、空間全体を浮遊している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e言っておくが、彼らは常に行動を求めているのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2994206290\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 125. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMorning Chorus 03:16\u003c\/li\u003e\n\u003cli\u003eHeart of the Mart 02:35\u003c\/li\u003e\n\u003cli\u003eVocaloids 02:20\u003c\/li\u003e\n\u003cli\u003eNo Recess 01:11\u003c\/li\u003e\n\u003cli\u003eHot Stamper 03:39\u003c\/li\u003e\n\u003cli\u003eDale 00:33\u003c\/li\u003e\n\u003cli\u003eJazz Conversation 04:13\u003c\/li\u003e\n\u003cli\u003eNight Sweats 02:21\u003c\/li\u003e\n\u003cli\u003eI Am Sitting in a Car 02:04\u003c\/li\u003e\n\u003cli\u003eNo Coffee at the Rodeway 01:33\u003c\/li\u003e\n\u003cli\u003eLive at Tubby's 10:11\u003c\/li\u003e\n\u003cli\u003eLouise's Attic 06:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Barrett Clark, Record Producer\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Following 2022's full-length debut Common Metals, a mini-album for Regional Bears, and a collaborative EP with Seamus Williams for Chocolate Monk, the Luc and Brunhild Ferrari of the Ocean State have returned to Gertrude Tapes with Out and About, their most engaging and kaleidoscopic album to date. Based in Pawtucket, Rhode Island, the birthplace of the American Industrial Revolution and Wendy Carlos, Staubitz and Waterhouse continue to document their lives with diligence, sensitivity, and humor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A, recorded over two years, distills dozens of discrete sites into an imaginary \"average day\" for the duo. The album begins at dawn on their stoop, proceeds to an early morning stroll at an\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor antique market, makes a pit stop at a James Turrell Skyspace and a hotel\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epool - all before a chaotic lunch at a woefully beleaguered charter school. Moving on, through, and out of the halls of education, \"Hot Stamper\" is a montage of the many sources of technophony we encounter every day: while grocery shopping, at a car wash, inside mill buildings, or in the bathroom at a furniture store. Later that evening our intrepid aural explorers find themselves at a lively \"Pitbull\" concert at \"Great Woods,\" where the two nearly met three decades prior. Par for the course, they stop in for a nightcap at the Lafayette on their way home, where they overhear a scintillating conversation about all things jazz. The night concludes with blissful slumber, despite the berimbau-esque protestations of a furious bug trapped under a bucket.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B is a travelogue recorded over one weekend in early 2022, which documents their journey to the Hudson Valley in New York to play on the patio of the legendary Tubby's. The tone of this side is more loose and sprawling, and demonstrates that for Staubitz and Waterhouse there is no difference between living and performing - it exists on a continuum. You can hear it in the sounds of Kingston that bleed in around the edges, and in the tapes of insane birds that run\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethroughout their set, muddying the boundaries between what is real and what is artifice. The album concludes with a trip to the cavernous confines of Dia Beacon, where ghostly apparitions flicker in and out of focus and float throughout the space.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staubitz and Waterhouse\u003c\/p\u003e\n\u003cp\u003eLabel : Gertrude Tapes\u003c\/p\u003e","published_at":"2023-09-12T18:48:02+09:00","created_at":"2023-09-12T11:54:34+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Gertrude Tapes","monooto","new","tape"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556302188794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Staubitz and Waterhouse \/\/ Out and About LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","options":["Title"],"media":[{"alt":null,"id":32436718534906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","width":700},{"alt":null,"id":32436718567674,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ロードアイランドの物音デュオStaubitz and Waterhouseが\u003c\/span\u003e、2023年5月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから125部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eA面は2年かけて収集した様々な音をコラージュして制作した架空の「平均的なある1日」を、B面はNYのハドソン渓谷を訪れた際の旅の音記録を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/staubitz-and-waterhouse-deluxe-romantic-suite-accessible-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarrett Clark\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"これらの「ありふれたもの」について、私たちはどのように語ればいいのだろうか。どのようにすれば、むしろどのようにすれば、それらを探し出すことができるのだろうか。- Georges Perec - The Infra-Ordinary (1973)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStaubitz and Waterhouseが新譜を持って帰ってきた！\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2022年のフルレングス・デビュー作『コモン・メタルズ』、『リージョナル・ベアーズ』のミニ・アルバム、『チョコレート・モンク』のシェイマス・ウィリアムズとのコラボEPに続き、オーシャン・ステートのリュックとブリュンヒルド・フェラーリが、これまでで最も魅力的で万華鏡のようなアルバム『 Out and About』を携えてGertrude Tapesに戻ってきた。アメリカ産業革命とウェンディ・カルロスの生まれ故郷であるロードアイランド州ポータケットを拠点とするStaubitz and Waterhouseは、勤勉さと繊細さ、そしてユーモアをもって自分たちの人生を記録し続けている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドAは、2年間にわたって録音されたもので、数十に及ぶ個別の現場を、デュオにとっての架空の \"平均的な1日 \"に凝縮している。このアルバムは、夜明けに彼らの家の階段で始まり、早朝の屋外アンティークマーケットを散策し、ジェームズ・タレルのスカイスペースやホテルのプールに立ち寄る。ホット・スタンパーは、私たちが毎日遭遇するさまざまなテクノフォニーの源をモンタージュした作品である。食料品の買い物中、洗車場、工場の建物内、家具店のトイレ。その日の夜、勇敢なオーラル探検家たちは、30年前に2人が出会いかけた「グレート・ウッズ」での「ピットブル」のコンサートを楽しんでいる。当然のように、2人は帰りにラファイエットに立ち寄ってナイトキャップを楽しみ、そこでジャズ全般についての刺激的な会話を耳にする。バケツの下に閉じ込められた猛烈な虫のベリンバウ風の抗議にもかかわらず、夜は至福の眠りで締めくくられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBは、2022年初頭の週末に録音された旅行記で、伝説的なタビーズのパティオで演奏するためにニューヨークのハドソン渓谷を訪れた旅の記録である。このサイドの曲調は、よりルーズでのびのびとしており、Staubitz and Waterhouseにとって、生きることと演奏することに違いはなく、それは連続したものであることを示している。それは、端々に滲み出るキングストンの音や、セット全体に流れる狂気の鳥のテープに聴こえ、何が本物で何が作為なのかの境界を濁している。アルバムの最後を飾るのは、ダイアビーコンの洞窟のような空間で、幽霊のような幻影がちらちらと見え隠れし、空間全体を浮遊している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e言っておくが、彼らは常に行動を求めているのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2994206290\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 125. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMorning Chorus 03:16\u003c\/li\u003e\n\u003cli\u003eHeart of the Mart 02:35\u003c\/li\u003e\n\u003cli\u003eVocaloids 02:20\u003c\/li\u003e\n\u003cli\u003eNo Recess 01:11\u003c\/li\u003e\n\u003cli\u003eHot Stamper 03:39\u003c\/li\u003e\n\u003cli\u003eDale 00:33\u003c\/li\u003e\n\u003cli\u003eJazz Conversation 04:13\u003c\/li\u003e\n\u003cli\u003eNight Sweats 02:21\u003c\/li\u003e\n\u003cli\u003eI Am Sitting in a Car 02:04\u003c\/li\u003e\n\u003cli\u003eNo Coffee at the Rodeway 01:33\u003c\/li\u003e\n\u003cli\u003eLive at Tubby's 10:11\u003c\/li\u003e\n\u003cli\u003eLouise's Attic 06:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Barrett Clark, Record Producer\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Following 2022's full-length debut Common Metals, a mini-album for Regional Bears, and a collaborative EP with Seamus Williams for Chocolate Monk, the Luc and Brunhild Ferrari of the Ocean State have returned to Gertrude Tapes with Out and About, their most engaging and kaleidoscopic album to date. Based in Pawtucket, Rhode Island, the birthplace of the American Industrial Revolution and Wendy Carlos, Staubitz and Waterhouse continue to document their lives with diligence, sensitivity, and humor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A, recorded over two years, distills dozens of discrete sites into an imaginary \"average day\" for the duo. The album begins at dawn on their stoop, proceeds to an early morning stroll at an\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor antique market, makes a pit stop at a James Turrell Skyspace and a hotel\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epool - all before a chaotic lunch at a woefully beleaguered charter school. Moving on, through, and out of the halls of education, \"Hot Stamper\" is a montage of the many sources of technophony we encounter every day: while grocery shopping, at a car wash, inside mill buildings, or in the bathroom at a furniture store. Later that evening our intrepid aural explorers find themselves at a lively \"Pitbull\" concert at \"Great Woods,\" where the two nearly met three decades prior. Par for the course, they stop in for a nightcap at the Lafayette on their way home, where they overhear a scintillating conversation about all things jazz. The night concludes with blissful slumber, despite the berimbau-esque protestations of a furious bug trapped under a bucket.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B is a travelogue recorded over one weekend in early 2022, which documents their journey to the Hudson Valley in New York to play on the patio of the legendary Tubby's. The tone of this side is more loose and sprawling, and demonstrates that for Staubitz and Waterhouse there is no difference between living and performing - it exists on a continuum. You can hear it in the sounds of Kingston that bleed in around the edges, and in the tapes of insane birds that run\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethroughout their set, muddying the boundaries between what is real and what is artifice. The album concludes with a trip to the cavernous confines of Dia Beacon, where ghostly apparitions flicker in and out of focus and float throughout the space.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staubitz and Waterhouse\u003c\/p\u003e\n\u003cp\u003eLabel : Gertrude Tapes\u003c\/p\u003e"}
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This is a record that was released in May 2023 by the American Rhode Island noise duo Staubitz and Waterhouse on the country's experimental label Gertrude Tapes in a limited edition of 5 copies. Side A is a fictional ``average day'' created by collaging various sounds collected over two years, and side B is a sound recording of a trip to New York's Hudson Valley. DL code included.The previous work is also recommended.The following is an explanation by Barrett Clark: ``How should we talk about these ``common things''?How, or rather, how can we find them? - Georges Perec - The Infra-Ordinary (125)Staubitz...
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{"id":7056879321253,"title":"A.F. Jones \/\/ A Jurist For Nothing LP","handle":"a-f-jones-a-jurist-for-nothing-lp","description":"\u003cp\u003e過去にNo RentやSedimental、Glistering Examplesなどから発表しているアメリカ・サンディエゴのギタリストA.F. Jonesが、2020年3月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなギター・ドローン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698299853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eSean Jewell (American Standard Time):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA Jurist For Nothing is a complex, illusory docket of the life experiences of its progenitor, AF Jones. Jones is an audio engineer, former submariner, and creator of weapons grade acousmatic listening experiences. His sound collages plasticize into probing questions that \u003c\/em\u003e\u003cem\u003eseem to hint at dangerous, secret answers. He comes to his sounds via close investigation of the natural world, the guts of electronics, and mundane public spaces. Jones is the architect behind Laminal Audio, a mastering studio in Washington state that appeals to his bent for the archiving and modulation of sound. Laminal Audio’s quality control lends to his carefully curated small batch label Marginal Frequency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJones' own latest release is, to date, the most comprehensive montage of his own tendencies as an artist. A Jurist For Nothing was recorded, composed, performed, and engineered entirely by him, with the exception of one song, which features cello contributions from \u003c\/em\u003e\u003cem\u003efrequent collaborators Judith Hamann (Argonaut String Quartet, Golden Fur) and Lori Goldston (Nirvana, Earth).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Renouncer\" opens the album with a whoosh of liquid, and a zap of electronics. For anyone with oceangoing experience, an\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e inrush of water is a hackle-raising sound that represents a breach of vessel integrity. So begins Jones' investigations below the surface of things on A Jurist For Nothing. Jones’ extensive experience with underwater acoustics, guitar music, and recording techniques are the principle methods his songs arise from. As with most polymaths, there are themes unseen that drive Jones' creative process. Here, primarily, they seem to be evaluations of institutions, secrecy, and the systemic breakdown of social contracts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe waves of \"Renouncer\" give way to near inaudible ticking, and quiet field recordings; a strawberry spring of silence that sets the tone for \"Anna Politkovskaya\", named for the Russian journalist assassinated for her work reporting the Chechen war. Politkovskaya's \u003c\/em\u003e\u003cem\u003ededication to secrecy with her sources gained her a constant flow of information she fearlessly reported. Jones represents this arc of her career faithfully. Opening on a field recording of a faint drip, the track gains a sustained tension via rhythmic signal pulse before fading to silence. It's a tense, cinematic piece that bends the arc of time with its gravity, stretching two and a half minutes into what plays like a two and a half hour thriller of political intrigue.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album's codae, \"explicate order\", and \"we will embrace the singularity\" are shimmering reflections of Jones' improvisational style, and his live performances. Pitched field recordings, weather band VHF, and guitars --electric, acoustic, and pedal steel-- all figure here in \u003c\/em\u003e\u003cem\u003ecompositions right for film as they are for casual listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a youth Jones played rock guitar, but its restrictiveness led to discrete searches for household timbres, experimenting with recording techniques, and deeper sonic waters. Like the founders of musique concrete, Pierre Henry and Pierre Schaeffer, he's interested in the \u003c\/em\u003e\u003cem\u003eeveryday, scouring the air for inspiration. He'll stop mid conversation to investigate the source of a sound, and record it -- or later miking objects to gain their secrets. Space and propagation are his tools, and he's not limited to typical studios and concert halls. Jones makes \u003c\/em\u003e\u003cem\u003ecathedrals and studios out of the inlets and waterways of the Puget Sound, as much as public spaces and public transportation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMidway through the album, a rhythm begins to take place. Dissonant acoustic melody and chords join a transposed field recording and an electronic drone. It's an aperitif to whet the appetite of the ears before Jones strikes with his title track, and centerpiece. “A Jurist For Nothing” is an arrhythmia shot through with electronics. Piercing waves and quaking drones swell in volume, accompanying Jones' guitar on a trip into the album's crest.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the backside of the wave, the sounds become harmonious, and one might notice then that the ride has been a bloom of recording techniques, beginning with lo-fi, on into the cinematic. The guitar has come into tune, leading us to a faithful rendition of Townes Van Zandt's \"Rake\". Jones sings blood analogue to the Texas mystic, just above a fingerpicked guitar and Goldston’s and Hamann’s moving cellos. Van Zandt's lyrical mysticism sits in for Jones’ experiments -- both of them meant to honor the power and mystery of relationships and the natural world. A fitting closer, a humble instance of two Texas con-conformists using music as an investigative tool, asking us to evaluate and dislodge our own secrets.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : A.F. Jones\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-23T10:49:33+09:00","created_at":"2021-09-21T10:14:00+09:00","vendor":"Tobira Records","type":"","tags":["drone","Gertrude Tapes","lp"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40849117085861,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A.F. Jones \/\/ A Jurist For Nothing LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_821f4ca9-007e-4ded-8bea-710c9d6498b8.jpg?v=1632186842","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_c4aa22f8-4f80-459b-bdaf-2f97c3f97e49.jpg?v=1632186842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_821f4ca9-007e-4ded-8bea-710c9d6498b8.jpg?v=1632186842","options":["Title"],"media":[{"alt":null,"id":23777162952869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_821f4ca9-007e-4ded-8bea-710c9d6498b8.jpg?v=1632186842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_821f4ca9-007e-4ded-8bea-710c9d6498b8.jpg?v=1632186842","width":700},{"alt":null,"id":23777162985637,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_c4aa22f8-4f80-459b-bdaf-2f97c3f97e49.jpg?v=1632186842"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_c4aa22f8-4f80-459b-bdaf-2f97c3f97e49.jpg?v=1632186842","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNo RentやSedimental、Glistering Examplesなどから発表しているアメリカ・サンディエゴのギタリストA.F. Jonesが、2020年3月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなギター・ドローン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698299853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eSean Jewell (American Standard Time):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA Jurist For Nothing is a complex, illusory docket of the life experiences of its progenitor, AF Jones. Jones is an audio engineer, former submariner, and creator of weapons grade acousmatic listening experiences. His sound collages plasticize into probing questions that \u003c\/em\u003e\u003cem\u003eseem to hint at dangerous, secret answers. He comes to his sounds via close investigation of the natural world, the guts of electronics, and mundane public spaces. Jones is the architect behind Laminal Audio, a mastering studio in Washington state that appeals to his bent for the archiving and modulation of sound. Laminal Audio’s quality control lends to his carefully curated small batch label Marginal Frequency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJones' own latest release is, to date, the most comprehensive montage of his own tendencies as an artist. A Jurist For Nothing was recorded, composed, performed, and engineered entirely by him, with the exception of one song, which features cello contributions from \u003c\/em\u003e\u003cem\u003efrequent collaborators Judith Hamann (Argonaut String Quartet, Golden Fur) and Lori Goldston (Nirvana, Earth).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Renouncer\" opens the album with a whoosh of liquid, and a zap of electronics. For anyone with oceangoing experience, an\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e inrush of water is a hackle-raising sound that represents a breach of vessel integrity. So begins Jones' investigations below the surface of things on A Jurist For Nothing. Jones’ extensive experience with underwater acoustics, guitar music, and recording techniques are the principle methods his songs arise from. As with most polymaths, there are themes unseen that drive Jones' creative process. Here, primarily, they seem to be evaluations of institutions, secrecy, and the systemic breakdown of social contracts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe waves of \"Renouncer\" give way to near inaudible ticking, and quiet field recordings; a strawberry spring of silence that sets the tone for \"Anna Politkovskaya\", named for the Russian journalist assassinated for her work reporting the Chechen war. Politkovskaya's \u003c\/em\u003e\u003cem\u003ededication to secrecy with her sources gained her a constant flow of information she fearlessly reported. Jones represents this arc of her career faithfully. Opening on a field recording of a faint drip, the track gains a sustained tension via rhythmic signal pulse before fading to silence. It's a tense, cinematic piece that bends the arc of time with its gravity, stretching two and a half minutes into what plays like a two and a half hour thriller of political intrigue.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album's codae, \"explicate order\", and \"we will embrace the singularity\" are shimmering reflections of Jones' improvisational style, and his live performances. Pitched field recordings, weather band VHF, and guitars --electric, acoustic, and pedal steel-- all figure here in \u003c\/em\u003e\u003cem\u003ecompositions right for film as they are for casual listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a youth Jones played rock guitar, but its restrictiveness led to discrete searches for household timbres, experimenting with recording techniques, and deeper sonic waters. Like the founders of musique concrete, Pierre Henry and Pierre Schaeffer, he's interested in the \u003c\/em\u003e\u003cem\u003eeveryday, scouring the air for inspiration. He'll stop mid conversation to investigate the source of a sound, and record it -- or later miking objects to gain their secrets. Space and propagation are his tools, and he's not limited to typical studios and concert halls. Jones makes \u003c\/em\u003e\u003cem\u003ecathedrals and studios out of the inlets and waterways of the Puget Sound, as much as public spaces and public transportation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMidway through the album, a rhythm begins to take place. Dissonant acoustic melody and chords join a transposed field recording and an electronic drone. It's an aperitif to whet the appetite of the ears before Jones strikes with his title track, and centerpiece. “A Jurist For Nothing” is an arrhythmia shot through with electronics. Piercing waves and quaking drones swell in volume, accompanying Jones' guitar on a trip into the album's crest.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the backside of the wave, the sounds become harmonious, and one might notice then that the ride has been a bloom of recording techniques, beginning with lo-fi, on into the cinematic. The guitar has come into tune, leading us to a faithful rendition of Townes Van Zandt's \"Rake\". Jones sings blood analogue to the Texas mystic, just above a fingerpicked guitar and Goldston’s and Hamann’s moving cellos. Van Zandt's lyrical mysticism sits in for Jones’ experiments -- both of them meant to honor the power and mystery of relationships and the natural world. A fitting closer, a humble instance of two Texas con-conformists using music as an investigative tool, asking us to evaluate and dislodge our own secrets.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : A.F. Jones\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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Guitarist AF Jones from San Diego, USA, who has released records in the past on No Rent, Sedimental, Glistering Examples, etc., released this record in March 2020 on the country's experimental label Gertrude Tapes in a limited edition of 3 copies.Contains 150 psychedelic guitar drone songs. DL code included.Click here to see more Gertrude Tapes releases available at...
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{"id":7056875323557,"title":"Naturaliste \/\/ Temporary Presence LP","handle":"naturaliste-temporary-presence-lp","description":"\u003cp\u003e1990年代後期から活動しているアメリカ・ネブラスカの即興コラージュグループNaturalisteが、同州Gertrude Tapesから2021年1月に100部限定でリリースしたレコード。中国・上海で行った即興演奏6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=234596977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"15 years after the last Naturaliste release, a CD on the now defunct Belgian label Imvated, the group reunited in Shanghai in January 2019 to rent an entire instrument shop for a night of improvisational recordings and evocative mic placement. Past recordings and live performance utilized thrift store electronics, box fans, amplified\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ephone books (being torn apart), garbage bags of broken wine bottles and a fair amount of audience provocation; Temporary Presence manages to find atonal clamor, buzz and contemporary madness in elegant sources like upright and baby grand pianos, the Erhu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand Guzheng.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdditional individual recordings (some instrumental passages, some vocal ramblings, \u0026amp; some street scenes) from Beijing, Oakland, Omaha, Pittsburgh \u0026amp; Shanghai were swapped by the quartet and spliced into the mix along with a hefty amount of audio manipulation. The shadow it leaves is an industrial howl and whine, a pulsing temporary presence. It could be the air conditioner or a man on the street buying cabbage, a head filled with ideas and the feet always out of step.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNaturaliste (pronounced Naturalist) formed in 1998 in Omaha as a minimalist, almost academic drone band, but also a hyper\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e reaction to a local music scene packed with emo and bar bands. Outside elements and influences prevailed, the line-up shifted and personal deconstructions were soon reflected in countless live fiascos and non-performances in Omaha and around the United States. Light bulbs were busted out while rabid noise freaks rolled around in the broken glass. Fiery arguments with sound engineers often made up entire performances. Hasty exits were made from the stage - if\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethere was one. Friends and family asked: \"You travelled several hundred miles to play for three minutes?\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike many sub-underground bands from the aughts, Naturaliste's discography of cassettes, CDRs, and compilation appearances was prolific and scattered across several dozen labels, but releases mostly served as blown out documents of shows or happenings, recorded with a walkman indiscriminately placed by an amp or bottle of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebeer. They passed time in the ghost streets of Omaha, until 2005 when all members disappeared elsewhere.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo some they were always just tumbleweeds, a temporary presence.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~~\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eReview by Mark Pino, Disaster Amnesiac:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"This quartet, made up of Bryan Day, Christopher Fischer, Charles LaReau and L. Eugene Methe, seems to have, in whole or in part, convened in Shanghai a couple of years ago, borrowed some instruments from a shop there (presumably to be paired with whatever unique rigs these guys were able to get past customs), and laid down some heavy sounds. These sounds were then augmented with sounds from the group members' various studios, and the whole thing pressed up onto a nice, thick, black slab of vinyl for the public's consumption.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat public should be very damn glad to have access to Temporary Presence, too. Well, at least those members of the public that enjoy improvised Electro-Acoustic and Noise sounds whirling about their senses. See, this work fires on all cylinders within those aesthetics. Within its mix of strange piano chords, percussive clatter, keening feedback, and disembodied voices, the album treats the listener to two sides of consistently gooey and downright deep sonic exploration. Each piece is paced in such a way as to hook your senses in. Once this happens, their effect burrows down further and further, taking your mind with it. Disaster Amnesiac has been particularly enamored with It's Just the Air Conditioner, side two's longer track. This piece lowers a sonic boom that is consistently mind altering. Seriously, when that track has played in my house, things have just stopped and I've been frozen into a state of pure, immersive bliss. It's here wherein all of the various elements just combine into a very compelling whole, one which is just so consistently pyschoid and downright deep as to be a mind blower with every single hearing. Elsewhere, you have the mysteriously titled The Swallows Have Returned with its ominous thrumming electrics and warped piano, Vitals which features some cool, by turns glassy and popping percussion, and At the Worst Of It, which concludes things with a nice, thick atmosphere. All the tracks on Temporary Presence just exude this undeniable mood; clearly something special transpired at Sandy Music in Shanghai.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with the great sounds, Temporary Presence benefits from a rich and sumptuous package that has some great Bryan Day asemic writing and cool type face. Dunno if the inner sleeve insert is just a blur by design, but that's kind of cool in its own way as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs usual, Disaster Amnesiac is chuffed to be on the receiving end of another package from the House of Day. Temporary Presence checks all of the boxes for me. Seek this one out, as it probably will for you if you're at all inclined to dig the kind of psychedelia that Naturaliste are so adept at dishing up.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Naturaliste\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T11:10:57+09:00","created_at":"2021-09-21T10:11:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","Gertrude Tapes","lp","monooto"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40849108566181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Naturaliste \/\/ Temporary Presence LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_fb88bb33-e1af-4546-aae0-a67b1a8447e2.jpg?v=1632186693","\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_a921d0f4-f551-4e5a-803d-5d9b037a2b9f.jpg?v=1632186693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_fb88bb33-e1af-4546-aae0-a67b1a8447e2.jpg?v=1632186693","options":["Title"],"media":[{"alt":null,"id":23777139032229,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_fb88bb33-e1af-4546-aae0-a67b1a8447e2.jpg?v=1632186693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_fb88bb33-e1af-4546-aae0-a67b1a8447e2.jpg?v=1632186693","width":700},{"alt":null,"id":23777139064997,"position":2,"preview_image":{"aspect_ratio":1.813,"height":662,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_a921d0f4-f551-4e5a-803d-5d9b037a2b9f.jpg?v=1632186693"},"aspect_ratio":1.813,"height":662,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_a921d0f4-f551-4e5a-803d-5d9b037a2b9f.jpg?v=1632186693","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990年代後期から活動しているアメリカ・ネブラスカの即興コラージュグループNaturalisteが、同州Gertrude Tapesから2021年1月に100部限定でリリースしたレコード。中国・上海で行った即興演奏6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=234596977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"15 years after the last Naturaliste release, a CD on the now defunct Belgian label Imvated, the group reunited in Shanghai in January 2019 to rent an entire instrument shop for a night of improvisational recordings and evocative mic placement. Past recordings and live performance utilized thrift store electronics, box fans, amplified\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ephone books (being torn apart), garbage bags of broken wine bottles and a fair amount of audience provocation; Temporary Presence manages to find atonal clamor, buzz and contemporary madness in elegant sources like upright and baby grand pianos, the Erhu\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand Guzheng.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdditional individual recordings (some instrumental passages, some vocal ramblings, \u0026amp; some street scenes) from Beijing, Oakland, Omaha, Pittsburgh \u0026amp; Shanghai were swapped by the quartet and spliced into the mix along with a hefty amount of audio manipulation. The shadow it leaves is an industrial howl and whine, a pulsing temporary presence. It could be the air conditioner or a man on the street buying cabbage, a head filled with ideas and the feet always out of step.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNaturaliste (pronounced Naturalist) formed in 1998 in Omaha as a minimalist, almost academic drone band, but also a hyper\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e reaction to a local music scene packed with emo and bar bands. Outside elements and influences prevailed, the line-up shifted and personal deconstructions were soon reflected in countless live fiascos and non-performances in Omaha and around the United States. Light bulbs were busted out while rabid noise freaks rolled around in the broken glass. Fiery arguments with sound engineers often made up entire performances. Hasty exits were made from the stage - if\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethere was one. Friends and family asked: \"You travelled several hundred miles to play for three minutes?\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike many sub-underground bands from the aughts, Naturaliste's discography of cassettes, CDRs, and compilation appearances was prolific and scattered across several dozen labels, but releases mostly served as blown out documents of shows or happenings, recorded with a walkman indiscriminately placed by an amp or bottle of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebeer. They passed time in the ghost streets of Omaha, until 2005 when all members disappeared elsewhere.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo some they were always just tumbleweeds, a temporary presence.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~~\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eReview by Mark Pino, Disaster Amnesiac:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"This quartet, made up of Bryan Day, Christopher Fischer, Charles LaReau and L. Eugene Methe, seems to have, in whole or in part, convened in Shanghai a couple of years ago, borrowed some instruments from a shop there (presumably to be paired with whatever unique rigs these guys were able to get past customs), and laid down some heavy sounds. These sounds were then augmented with sounds from the group members' various studios, and the whole thing pressed up onto a nice, thick, black slab of vinyl for the public's consumption.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat public should be very damn glad to have access to Temporary Presence, too. Well, at least those members of the public that enjoy improvised Electro-Acoustic and Noise sounds whirling about their senses. See, this work fires on all cylinders within those aesthetics. Within its mix of strange piano chords, percussive clatter, keening feedback, and disembodied voices, the album treats the listener to two sides of consistently gooey and downright deep sonic exploration. Each piece is paced in such a way as to hook your senses in. Once this happens, their effect burrows down further and further, taking your mind with it. Disaster Amnesiac has been particularly enamored with It's Just the Air Conditioner, side two's longer track. This piece lowers a sonic boom that is consistently mind altering. Seriously, when that track has played in my house, things have just stopped and I've been frozen into a state of pure, immersive bliss. It's here wherein all of the various elements just combine into a very compelling whole, one which is just so consistently pyschoid and downright deep as to be a mind blower with every single hearing. Elsewhere, you have the mysteriously titled The Swallows Have Returned with its ominous thrumming electrics and warped piano, Vitals which features some cool, by turns glassy and popping percussion, and At the Worst Of It, which concludes things with a nice, thick atmosphere. All the tracks on Temporary Presence just exude this undeniable mood; clearly something special transpired at Sandy Music in Shanghai.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with the great sounds, Temporary Presence benefits from a rich and sumptuous package that has some great Bryan Day asemic writing and cool type face. Dunno if the inner sleeve insert is just a blur by design, but that's kind of cool in its own way as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs usual, Disaster Amnesiac is chuffed to be on the receiving end of another package from the House of Day. Temporary Presence checks all of the boxes for me. Seek this one out, as it probably will for you if you're at all inclined to dig the kind of psychedelia that Naturaliste are so adept at dishing up.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Naturaliste\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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Naturalist, an improvisational collage group in Nebraska, USA, which has been active since the late 1990s, released a limited edition of 2021 copies from Gertrude Tapes in January 1.Contains 100 improvisational songs performed in Shanghai, China. DL code included.It is out of print.Click here to see more Gertrude Tapes releases available at Tobira. --------------------- Edition ...
¥2,580