Quickview
{"id":7488435945722,"title":"Paradise Cinema \/\/ Paradise Cinema LP","handle":"paradise-cinema-paradise-cinema-lp","description":"\u003cp\u003eマルチ奏者Jack Wyllieが、2020年10月にイギリス・マンチェスターのレーベルGondwana Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eセンガルの打楽器奏者Khadim MbayeとTons Sambeのトライバルなパーカッションが相まったアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3244486111\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003ehere\u003c\/a\u003e to see more Gondwana Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Gondwana Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn October 9th the multi-instrumentalist Jack Wyllie (Portico Quartet\/Szun Waves) presents his new project Paradise Cinema. It was recorded in Dakar, Senegal in collaboration with mbalax percussionists Khadim Mbaye (saba drums) and Tons Sambe (tama drums).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impressionistic and dream-like quality of ‘Paradise Cinema’ is a stunningly effective realisation of Wyllie’s experience, in a hypnagogic state of aural consciousness:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I had a lot of nights in Dakar, when the music around the city would go on until 6am. I could hear this from my bed at night and it all blended together, in what felt like an early version of the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtmospherically ‘Paradise Cinema’ is vaporous and enigmatic, but also percussive; existing in a paradoxical sound-space that’s amorphous, yet still purposeful, serene, but propulsive and aesthetically sharp.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhadim Mbaye and Tons Sambe, provide the rhythmic backbone of the record. There are traditional elements of mbalax rhythm, but it is often deconstructed or played at tempos outside of the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tradition, so while it hints at a location it occupies a space outside of any specific region.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Paradise Cinema’ is also informed by notions of hauntology – a philosophical concept originating in the work of French philosopher Jacques Derrida – on possible futures that were never realised and how directions taken in the past can haunt the present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the album’s title Wyllie comments, “there are a handful of old cinemas in Dakar – these big modernist buildings dotted around the city built around independence. They’re old and derelict now, but feel to me like monuments to that period, when the city was flooded with utopian ideas about its potential futures.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs such it sits closely to 4th world music – situated in an imagined culture and time that never came to pass. And while it contains rhythmic references to Senegal it combines these elements with ambient and minimalist music to produce a sound that sits outside of any tradition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSetting the tone for the long-player’s themes is the optimism-driven, balmy beauty of ‘Possible Futures’, where rich-toned drums throb and levitate in a stratospheric ether.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a time-lapse video of plants in bloom, ‘It Will Be Summer Soon’ is the sound of anticipation and growth. Rhythmically it flickers and flutters, evoking rainfall, or the blurred wings of a bird in in flight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCasamance moves through field recordings drifting in and out of focus, beats pitched-down low and unfurling saxophone, whilst the ambient ‘Utopia’ was made mainly with processed saxophone and suggests a longing for a perfect world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGalloping percussion juxtaposes with a wistful mood on ‘Liberté’ – a title that references a derelict modernist cinema in Dakar of the same name – a hauntological landmark, made more poignant by the its name being part of the French national motto.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTying into the cover artwork, Jack explains, “the ‘Digital Palm is a telecommunications mast disguised as a palm tree in central Dakar. As a modern piece of technology that on first glance looks natural, it mirrors the combination of modern and acoustic elements.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerhaps eliciting a time that never came, or maybe still in hope of it yet to come, ‘Eternal Spring’ concludes the LP’s otherworldly beauty with hypnotic drums powering a subtly-building, sparkling and powerful crescendo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJack Wyllie is a musician, composer, electronic producer who draws on influences of jazz, ambient, and the trance-inducing repetition of minimalism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWyllie performs and records in Portico Quartet, Szun Waves (with Luke Abbott and Laurence Pike) and Xoros. He has also collaborated with Charles Hayward, Adrian Corker and Chris Sharkey and released on Ninja Tune, Babel, Leaf, Real World and Gondwana.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhadim Mbaye and Toms Sambe play in various mbalax groups in Dakar. Khadim has also toured internationally with Cheikh Lo.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Paradise Cinema\u003c\/p\u003e\n\u003cp\u003eLabel : Gondwana Records\u003c\/p\u003e","published_at":"2021-12-31T19:18:43+09:00","created_at":"2021-12-10T11:24:24+09:00","vendor":"Tobira Records","type":"","tags":["gondwana records","jazz","lp","new"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42171035943162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Paradise Cinema \/\/ Paradise Cinema LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci1_9250988c-d16b-4e72-afd6-4a5ca3e4ff45.jpg?v=1639103065","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci2_cca442be-40b7-41d8-91db-8a76846b7e56.jpg?v=1639103066"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci1_9250988c-d16b-4e72-afd6-4a5ca3e4ff45.jpg?v=1639103065","options":["Title"],"media":[{"alt":null,"id":28845949157626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci1_9250988c-d16b-4e72-afd6-4a5ca3e4ff45.jpg?v=1639103065"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci1_9250988c-d16b-4e72-afd6-4a5ca3e4ff45.jpg?v=1639103065","width":700},{"alt":null,"id":28845949190394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci2_cca442be-40b7-41d8-91db-8a76846b7e56.jpg?v=1639103066"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ci2_cca442be-40b7-41d8-91db-8a76846b7e56.jpg?v=1639103066","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマルチ奏者Jack Wyllieが、2020年10月にイギリス・マンチェスターのレーベルGondwana Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eセンガルの打楽器奏者Khadim MbayeとTons Sambeのトライバルなパーカッションが相まったアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3244486111\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003ehere\u003c\/a\u003e to see more Gondwana Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Gondwana Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn October 9th the multi-instrumentalist Jack Wyllie (Portico Quartet\/Szun Waves) presents his new project Paradise Cinema. It was recorded in Dakar, Senegal in collaboration with mbalax percussionists Khadim Mbaye (saba drums) and Tons Sambe (tama drums).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impressionistic and dream-like quality of ‘Paradise Cinema’ is a stunningly effective realisation of Wyllie’s experience, in a hypnagogic state of aural consciousness:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I had a lot of nights in Dakar, when the music around the city would go on until 6am. I could hear this from my bed at night and it all blended together, in what felt like an early version of the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtmospherically ‘Paradise Cinema’ is vaporous and enigmatic, but also percussive; existing in a paradoxical sound-space that’s amorphous, yet still purposeful, serene, but propulsive and aesthetically sharp.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhadim Mbaye and Tons Sambe, provide the rhythmic backbone of the record. There are traditional elements of mbalax rhythm, but it is often deconstructed or played at tempos outside of the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tradition, so while it hints at a location it occupies a space outside of any specific region.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Paradise Cinema’ is also informed by notions of hauntology – a philosophical concept originating in the work of French philosopher Jacques Derrida – on possible futures that were never realised and how directions taken in the past can haunt the present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the album’s title Wyllie comments, “there are a handful of old cinemas in Dakar – these big modernist buildings dotted around the city built around independence. They’re old and derelict now, but feel to me like monuments to that period, when the city was flooded with utopian ideas about its potential futures.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs such it sits closely to 4th world music – situated in an imagined culture and time that never came to pass. And while it contains rhythmic references to Senegal it combines these elements with ambient and minimalist music to produce a sound that sits outside of any tradition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSetting the tone for the long-player’s themes is the optimism-driven, balmy beauty of ‘Possible Futures’, where rich-toned drums throb and levitate in a stratospheric ether.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a time-lapse video of plants in bloom, ‘It Will Be Summer Soon’ is the sound of anticipation and growth. Rhythmically it flickers and flutters, evoking rainfall, or the blurred wings of a bird in in flight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCasamance moves through field recordings drifting in and out of focus, beats pitched-down low and unfurling saxophone, whilst the ambient ‘Utopia’ was made mainly with processed saxophone and suggests a longing for a perfect world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGalloping percussion juxtaposes with a wistful mood on ‘Liberté’ – a title that references a derelict modernist cinema in Dakar of the same name – a hauntological landmark, made more poignant by the its name being part of the French national motto.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTying into the cover artwork, Jack explains, “the ‘Digital Palm is a telecommunications mast disguised as a palm tree in central Dakar. As a modern piece of technology that on first glance looks natural, it mirrors the combination of modern and acoustic elements.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerhaps eliciting a time that never came, or maybe still in hope of it yet to come, ‘Eternal Spring’ concludes the LP’s otherworldly beauty with hypnotic drums powering a subtly-building, sparkling and powerful crescendo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJack Wyllie is a musician, composer, electronic producer who draws on influences of jazz, ambient, and the trance-inducing repetition of minimalism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWyllie performs and records in Portico Quartet, Szun Waves (with Luke Abbott and Laurence Pike) and Xoros. He has also collaborated with Charles Hayward, Adrian Corker and Chris Sharkey and released on Ninja Tune, Babel, Leaf, Real World and Gondwana.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKhadim Mbaye and Toms Sambe play in various mbalax groups in Dakar. Khadim has also toured internationally with Cheikh Lo.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Paradise Cinema\u003c\/p\u003e\n\u003cp\u003eLabel : Gondwana Records\u003c\/p\u003e"}
