Crazy Doberman // Two Takes Of "Shapes In Shame" TAPE
![Duffy x Uhlmann // Doubles LP [BLACK / COLOR] / TAPE](https://tobirarecords.com/cdn/shop/files/do1_809e6cee-e70b-4c9e-9d29-9422c35c9a86_medium.jpg?v=1713430161)
Crazy Doberman // Two Takes Of "Shapes In Shame" TAPE
¥3,180
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* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
Dead stock of 70 limited cassettes from our popular American psychedelic jazz band Crazy Doberman has arrived.It is already out of print.
Labels and other worksplease use this form. ///Click here to see more No Basement Is Deep Enough releases available at Tobira.
artist: Crazy Doberman
label: No Basement Is Deep Enough
* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
Dead stock of 70 limited cassettes from our popular American psychedelic jazz band Crazy Doberman has arrived.It is already out of print.
Labels and other worksplease use this form. ///Click here to see more No Basement Is Deep Enough releases available at Tobira.
artist: Crazy Doberman
label: No Basement Is Deep Enough
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{"id":8340032913658,"title":"Duffy x Uhlmann \/\/ Doubles LP [BLACK \/ COLOR] \/ TAPE","handle":"duffy-x-uhlmann-doubles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T17:51:14+09:00","created_at":"2024-04-18T17:49:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45721565036794,"title":"Black LP","option1":"Black 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charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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This is a collaborative album released by American guitarists Duffy x Uhlmann, who have played together as backing band members of Perfume Genius and Hand Habits, on the Chicago indie label Orindal Record in September 2023. Contains 9 songs from ambient folk to ambient jazz improvised by two guitars. DL code included. The LP is available in black and marble versions. Below is an explanation by Rosie Stockton. "Duffy x Uhlmann communicate with speed, blurring the lines between speed and slow, taking on each other's peaks and flurries as they aim for each other's horizons. Their constant motif is a constant return, knowing that if one wanders off, the other will follow or be called home. It's a steady, committed pulse. Here, fluidity prevails over order, each note passing by like an initial carved into the bark of a tree.
¥1,980
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{"id":8325824119034,"title":"Hualun \/\/ The Minor Trio I TAPE","handle":"hualun-the-minor-trio-i-tape","description":"\u003cp\u003e中国のアンビエント作家Hualunが、2023年9月にアメリカ・CAのアンビエントレーベルKATUKTU COLLECTIVEから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eシンセやギター、ドラムによるスペースロック〜アンビエント・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3467043659\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2231221156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kaco\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kaco\"\u003ehere\u003c\/a\u003e to see more Katuktu Collective releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInner Vision 04:31\u003c\/li\u003e\n\u003cli\u003eDrops 06:42\u003c\/li\u003e\n\u003cli\u003eStranger Than Paradise 05:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKatuktu Collective:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHaving concluded their enduring Scene and wʌndərlænd series, Hualun (花伦) spent the next two years exploring the improvisation of trio forms and \"internalized rhythm music” utilizing sampling, drum machine, synthesizer, and minimalist piano. What emerged was The Minor Trio I, the first of a new series focusing on the texture of sound, furthering the Shenzhen-via-Wuhan three-piece’s oscillations between tradition and modernity, improvisation and structural clarity.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hualun\u003c\/p\u003e\n\u003cp\u003eLabel : Katuktu Collective\u003c\/p\u003e\n\u003cp\u003eCAT No.: KC-075\u003c\/p\u003e","published_at":"2024-04-17T07:39:31+09:00","created_at":"2024-04-15T21:59:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","katuktu collective","new","tape"],"price":179500,"price_min":179500,"price_max":179500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45682045878522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hualun \/\/ The Minor Trio I TAPE","public_title":null,"options":["Default Title"],"price":179500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hua1.jpg?v=1713185972","\/\/tobirarecords.com\/cdn\/shop\/files\/hua2.jpg?v=1713185973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hua1.jpg?v=1713185972","options":["Title"],"media":[{"alt":null,"id":33738879303930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hua1.jpg?v=1713185972"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hua1.jpg?v=1713185972","width":700},{"alt":null,"id":33738879336698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hua2.jpg?v=1713185973"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hua2.jpg?v=1713185973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国のアンビエント作家Hualunが、2023年9月にアメリカ・CAのアンビエントレーベルKATUKTU COLLECTIVEから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eシンセやギター、ドラムによるスペースロック〜アンビエント・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3467043659\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1106038794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2231221156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kaco\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kaco\"\u003ehere\u003c\/a\u003e to see more Katuktu Collective releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInner Vision 04:31\u003c\/li\u003e\n\u003cli\u003eDrops 06:42\u003c\/li\u003e\n\u003cli\u003eStranger Than Paradise 05:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKatuktu Collective:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHaving concluded their enduring Scene and wʌndərlænd series, Hualun (花伦) spent the next two years exploring the improvisation of trio forms and \"internalized rhythm music” utilizing sampling, drum machine, synthesizer, and minimalist piano. What emerged was The Minor Trio I, the first of a new series focusing on the texture of sound, furthering the Shenzhen-via-Wuhan three-piece’s oscillations between tradition and modernity, improvisation and structural clarity.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hualun\u003c\/p\u003e\n\u003cp\u003eLabel : Katuktu Collective\u003c\/p\u003e\n\u003cp\u003eCAT No.: KC-075\u003c\/p\u003e"}
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This cassette was released in September 2023 by Chinese ambient artist Hualun from the American CA ambient label KATUKTU COLLECTIVE in a limited edition of 9 pieces. Contains 100 space rock to ambient jazz songs with synths, guitars, and drums. *We will send you the digital sound source free of charge, so please feel free to contact us. Click here to see more Katuktu Collective releases...
¥1,795
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{"id":8291650175226,"title":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD","handle":"jeremiah-chiu-marta-sofia-honer-recordings-from-the-aland-islands","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-10T13:35:06+09:00","created_at":"2024-04-10T13:34:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":258000,"price_min":258000,"price_max":411000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45603070411002,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40960895680762,"product_id":8291650175226,"position":2,"created_at":"2024-04-10T13:34:37+09:00","updated_at":"2024-04-10T13:34:37+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","variant_ids":[45603070411002]},"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD - LP","public_title":"LP","options":["LP"],"price":411000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33656956420346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45603070443770,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40960895779066,"product_id":8291650175226,"position":5,"created_at":"2024-04-10T13:34:37+09:00","updated_at":"2024-04-10T13:34:37+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677","variant_ids":[45603070443770]},"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD - CD","public_title":"CD","options":["CD"],"price":258000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33656956518650,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","options":["Format"],"media":[{"alt":null,"id":33656956387578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","width":700},{"alt":null,"id":33656956420346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956453114,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956485882,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956518650,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-written album released by Jeremiah Chiu, a modular player in California, USA, and Marta Sofia Honer, a viola player, on the jazz label International Anthem in Chicago, USA in March 2022.Contains 3 post-new age ambient jazz songs.Click here to see more International Anthem releases available ...
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{"id":8291648930042,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-10T13:32:44+09:00","created_at":"2024-04-10T13:32:05+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45603052552442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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This is a 2021-disc record released by Irreversible Entanglements, a jazz band from Chicago, USA, on International Anthem in December 12. Contains 2 spiritual jazz songs, over 7 minutes. Click here to see more International Anthem releases available at Tobira. ...
¥5,480