Gacha Bakradze // Obscure Languages LP
Gacha Bakradze // Obscure Languages LP
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A new record released by Tbilisi track maker Gacha Bakradze on Lapsus in January 2021.Includes a wide range of 1 songs such as dreamy IDM and ambient.The publisher is out of print. DL code included.
"Hailing from Georgia's capital Tbilisi, Gacha Bakradze is one of the national scene's leading electronic music exponents. He returns to Lapsus Records with his new album'Obscure Languages', his second release for the Barcelona label.
Following the superb LP'Word Color' [Lapsus Records, 2018], which appeared in several'album of the year' lists for publications such as Pitchfork and XLR8R, the prolific producer now presents' Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
'Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. "
--Lapsus
Artist: Gacha Bakradze
Label: Lapsus
A new record released by Tbilisi track maker Gacha Bakradze on Lapsus in January 2021.Includes a wide range of 1 songs such as dreamy IDM and ambient.The publisher is out of print. DL code included.
"Hailing from Georgia's capital Tbilisi, Gacha Bakradze is one of the national scene's leading electronic music exponents. He returns to Lapsus Records with his new album'Obscure Languages', his second release for the Barcelona label.
Following the superb LP'Word Color' [Lapsus Records, 2018], which appeared in several'album of the year' lists for publications such as Pitchfork and XLR8R, the prolific producer now presents' Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
'Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. "
--Lapsus
Artist: Gacha Bakradze
Label: Lapsus
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{"id":8115371344122,"title":"Anagrams \/\/ Blue Voices LP","handle":"anagrams-blue-voices-lp","description":"\u003cp\u003eアメリカ・アトランタのマルチ奏者\u003cmeta charset=\"utf-8\"\u003eShy Layers（JD Walsh）と\u003cmeta charset=\"utf-8\"\u003eJeff CromptonによるデュオAnagramsが、2023年11月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオ・ジャズ〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Balmatの共同設立者である\u003cmeta charset=\"utf-8\"\u003ePhilip SherburneとAlbert SalinasはShy Layersの軽快なバレアリック・ポップの長年のファンだった。だから\u003cmeta charset=\"utf-8\"\u003eShy Layersの\u003cmeta charset=\"utf-8\"\u003eJD Walshが、同じアトランタのマルチインストゥルメンタリストJeff Cromptonと一緒に作っているデモを聴いてほしいと依頼してきたとき、私たちはそのチャンスに飛びついた。そして、彼らの制作中の作品を聴いたとたん、決断はほぼ即決だった。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWalshとCromptonの2人はAnagramsであり、彼らのデビューアルバム『Blue Voices』は、Balmatのエレクトロニックミュージックとは一線を画している。アンビエントミュージックではないが、完全にアンビエントミュージックではないというわけでもない。2016年にWalshがブルックリンからアトランタに引っ越したときに出会い、数年後にコラボレーションを始めた2人のミュージシャンは、この音楽を同じように曖昧な言葉で捉えている。「ジャズじゃないから好きなんだ」と、ベテランでジャズ奏者としての資格もあるCromptonは冗談めかして言う。そしてJDは「ジャズだから好きなんだ」と言う。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCromptonは、ジョージア州の即興・実験音楽シーンに深く根ざしたミュージシャン（元高校バンド教師）であり、ユージーン・チャドボーンとの共演、ゴッドスピード・ユー．ユージン・チャドボーンとの共演、ゴッドスピード・ユー！ブラック・エンペラーへのゲスト出演、ノックスビルのビッグ・イヤーズでのテルミンとラップ・スティールのデュエットによる12時間に及ぶドローン演奏など。Blue Voicesでは、アルトサックス、テナーサックス、クラリネット、エレクトリックピアノ、オルガンを演奏している。Walshは2015年にBandcampでセルフリリースを始めて以来、Shy Layersとして音楽をリリースしてきた。翌年、ドイツのGrowing Binが彼の最初のEP2枚をセルフタイトルのアルバムとしてパッケージし、2018年にはティム・スウィーニーのレーベルBeats in SpaceがShy Layersの2ndアルバム『Midnight Marker』をリリースした。これらのアルバムでは、Walshの遊び心に満ちたハーモニーの本能が、トロピカルな含みを持つ切ない曲作りに活かされていたが、『Blue Voices』では、実験的な傾向を主役に据えている。アコースティックギター、エレクトリックギター、エレクトリックラップ・スティール、ベース、ムーグマトリアーク、モジュラーシンセ、そしてプログラムされたドラムを演奏し、豊かな質感のレイヤーと抽象的な音色の集合体に力を注いでいる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全11曲の中には、ダニエル・ラノワのペダルスティールが奏でる「アポロ」のような雰囲気たっぷりの響きや、エチオジャズのような情緒的なモード、風物詩のような晩夏の静けさ、Patrick Shiroishiのような多才なプレイヤーや作曲家など、おなじみの試みがかすかに感じられる。ブルー・ヴォイセズ』が捉えているのは、2人の落ち着きのない音楽的イマジネーションが織り成す奇想天外なサウンドである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732040501\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black 140gram vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBirds on Clifton 04:32\u003c\/li\u003e\n\u003cli\u003eBlue Voices 03:57\u003c\/li\u003e\n\u003cli\u003eHymn No. 2 03:30\u003c\/li\u003e\n\u003cli\u003eCatch It 03:05\u003c\/li\u003e\n\u003cli\u003eEx Uno Plures 04:36\u003c\/li\u003e\n\u003cli\u003eHidden Hearts 02:50\u003c\/li\u003e\n\u003cli\u003eAnother Cloud 03:59\u003c\/li\u003e\n\u003cli\u003eSong in Six 03:50\u003c\/li\u003e\n\u003cli\u003eInteresting Times 03:02\u003c\/li\u003e\n\u003cli\u003eLet Us Sing Sad Songs Together 03:37\u003c\/li\u003e\n\u003cli\u003eWhat Is Left Is Music 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eBalmat:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eBalmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTogether, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Anagrams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Balmat\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-19T16:43:19+09:00","created_at":"2023-12-19T15:27:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","jazz","lapsus","lp","new"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44903064207610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anagrams \/\/ Blue Voices LP","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","options":["Title"],"media":[{"alt":null,"id":32852811022586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","width":700},{"alt":null,"id":32852811055354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アトランタのマルチ奏者\u003cmeta charset=\"utf-8\"\u003eShy Layers（JD Walsh）と\u003cmeta charset=\"utf-8\"\u003eJeff CromptonによるデュオAnagramsが、2023年11月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオ・ジャズ〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Balmatの共同設立者である\u003cmeta charset=\"utf-8\"\u003ePhilip SherburneとAlbert SalinasはShy Layersの軽快なバレアリック・ポップの長年のファンだった。だから\u003cmeta charset=\"utf-8\"\u003eShy Layersの\u003cmeta charset=\"utf-8\"\u003eJD Walshが、同じアトランタのマルチインストゥルメンタリストJeff Cromptonと一緒に作っているデモを聴いてほしいと依頼してきたとき、私たちはそのチャンスに飛びついた。そして、彼らの制作中の作品を聴いたとたん、決断はほぼ即決だった。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWalshとCromptonの2人はAnagramsであり、彼らのデビューアルバム『Blue Voices』は、Balmatのエレクトロニックミュージックとは一線を画している。アンビエントミュージックではないが、完全にアンビエントミュージックではないというわけでもない。2016年にWalshがブルックリンからアトランタに引っ越したときに出会い、数年後にコラボレーションを始めた2人のミュージシャンは、この音楽を同じように曖昧な言葉で捉えている。「ジャズじゃないから好きなんだ」と、ベテランでジャズ奏者としての資格もあるCromptonは冗談めかして言う。そしてJDは「ジャズだから好きなんだ」と言う。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCromptonは、ジョージア州の即興・実験音楽シーンに深く根ざしたミュージシャン（元高校バンド教師）であり、ユージーン・チャドボーンとの共演、ゴッドスピード・ユー．ユージン・チャドボーンとの共演、ゴッドスピード・ユー！ブラック・エンペラーへのゲスト出演、ノックスビルのビッグ・イヤーズでのテルミンとラップ・スティールのデュエットによる12時間に及ぶドローン演奏など。Blue Voicesでは、アルトサックス、テナーサックス、クラリネット、エレクトリックピアノ、オルガンを演奏している。Walshは2015年にBandcampでセルフリリースを始めて以来、Shy Layersとして音楽をリリースしてきた。翌年、ドイツのGrowing Binが彼の最初のEP2枚をセルフタイトルのアルバムとしてパッケージし、2018年にはティム・スウィーニーのレーベルBeats in SpaceがShy Layersの2ndアルバム『Midnight Marker』をリリースした。これらのアルバムでは、Walshの遊び心に満ちたハーモニーの本能が、トロピカルな含みを持つ切ない曲作りに活かされていたが、『Blue Voices』では、実験的な傾向を主役に据えている。アコースティックギター、エレクトリックギター、エレクトリックラップ・スティール、ベース、ムーグマトリアーク、モジュラーシンセ、そしてプログラムされたドラムを演奏し、豊かな質感のレイヤーと抽象的な音色の集合体に力を注いでいる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全11曲の中には、ダニエル・ラノワのペダルスティールが奏でる「アポロ」のような雰囲気たっぷりの響きや、エチオジャズのような情緒的なモード、風物詩のような晩夏の静けさ、Patrick Shiroishiのような多才なプレイヤーや作曲家など、おなじみの試みがかすかに感じられる。ブルー・ヴォイセズ』が捉えているのは、2人の落ち着きのない音楽的イマジネーションが織り成す奇想天外なサウンドである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732040501\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black 140gram vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBirds on Clifton 04:32\u003c\/li\u003e\n\u003cli\u003eBlue Voices 03:57\u003c\/li\u003e\n\u003cli\u003eHymn No. 2 03:30\u003c\/li\u003e\n\u003cli\u003eCatch It 03:05\u003c\/li\u003e\n\u003cli\u003eEx Uno Plures 04:36\u003c\/li\u003e\n\u003cli\u003eHidden Hearts 02:50\u003c\/li\u003e\n\u003cli\u003eAnother Cloud 03:59\u003c\/li\u003e\n\u003cli\u003eSong in Six 03:50\u003c\/li\u003e\n\u003cli\u003eInteresting Times 03:02\u003c\/li\u003e\n\u003cli\u003eLet Us Sing Sad Songs Together 03:37\u003c\/li\u003e\n\u003cli\u003eWhat Is Left Is Music 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eBalmat:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eBalmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTogether, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Anagrams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Balmat\u003c\/span\u003e\u003c\/p\u003e"}
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Anagrams, a duo from Atlanta, USA, consisting of multi-instrumentalists Shy Layers (JD Walsh) and Jeff Crompton, released their debut record in November 2023 on the IDM label Balmat in Barcelona, Spain. Contains 11 songs from etho-jazz to ambient jazz. *If you would like a digital sound source, please feel free to contact us.The following is an explanation by the label. "Balmat co-founders Philip Sherburne and Albert Salinas have been long-time fans of Shy Layers' lilting Balearic pop, which is why Shy Layers' JD Walsh, along with fellow Atlanta multi-instrumentalist Jeff Crompton, When they asked us to listen to a demo they were working on, we jumped at the chance, and as soon as we heard what they were working on, the decision was almost instantaneous. Anagrams and their debut album "Blue...
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{"id":8115371081978,"title":"CoLD SToRAGE \/\/ wipE'out'' - The Zero Gravity Soundtrack 3xLP","handle":"cold-storage-wipeout-the-zero-gravity-soundtrack-3xlp","description":"\u003cp\u003eウェールズのダンス作家CoLD SToRAGEが、2023年11月にスペイン・バルセロナのエレクトロニックレーベルLapsusからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1995年に発売されたプレイステーション用レーシングゲームWipEoutのサウンドトラック28曲を収録。\u003c\/p\u003e\n\u003cp\u003eKode9、μ-Ziq、Brainwaltzera、Simo Cell、Wordcolour、James Shinra、Surgeons Girl、Dattassetteがリミックスで参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1990年代当時、ビデオゲームといえば、確かに楽しいが、基本的にはすぐに飽きてしまうような後ろめたいオタク向けというイメージが強かった。1995年に発売された「ワイプアウト」は、電光石火の速さ、カミソリのような切れ味、未来的なレーシングゲームで、ヨーロッパと北米でのプレイステーションの発売を後押しした。これは、見た目も音も大人っぽくてクールなゲームであり、ベッドの下に隠すのではなく、リビングルームに飾っておきたいようなゲームだった。その鍵となったのは、90年代半ばの先進的なカルチャーの中心に据える形で、クラブでの体験やエレクトロニックミュージックを恥ずかしげもなく借用したという事実だった。それはすぐに現象化した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'は、90年代初頭のレイブやクラブのチラシの鮮やかな色彩と興奮を誘う幾何学的な形を多用し、ワープの仕事で知られるシェフィールドのエージェンシー、ザ・デザイナーズ・リパブリックがゲームのビジュアル、パッケージ、マニュアルを手がけ、センセーショナルな印象を与えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipeE'out'もまた、新しいレイヴの夢のように聞こえた。このゲームのヨーロッパ版には、ケミカルブラザーズ、レフトフィールド、オービタルなどの音楽が収録されており、当時としてはほとんど前代未聞のファッショナブルなゲームシンクだった。この時点ですでにビデオゲーム界ではベテランで、『レミングス』や『シャドウ・オブ・ザ・ビースト2』といったAmigaタイトルの音楽を手掛けていた。 彼の『wipE'out』の音楽は、どちらかと言えば、有名なシンクよりも過激で、ドラムンベースの加速するビートとトランスのピュアなシンセサイザーをミックスし、ゲームをプレイしている感覚と同じくらい息もつかせぬほどエキサイティングなサウンドを作り出していた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのトラックは、何百万人ものゲーマーの脳裏に焼き付けられた。カーテンの向こうに太陽がそっと昇る中、深夜の反重力レースを楽しむ世代のサウンドトラックだったのだ。しかし、彼らはおそらく、それにふさわしい敬意を払われてこなかった。Kode9、μ-Ziq、Brainwaltzera、Simo Cell、Wordcolour、James Shinra、Surgeons Girl、Dattassetteといった最先端のプロデューサーたちによってリミックスされ、リマスター、リパッケージされたこの作品には、ゲーム音楽史上最も重要で、スリリングで、革新的で、楽しい楽曲の数々が収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=164744978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2920841511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=164744978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=152756340\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 3 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ewipE'out'' Intro (2023 Remaster) 01:10\u003c\/li\u003e\n\u003cli\u003eHakapik Murder (2023 Remaster) 04:06\u003c\/li\u003e\n\u003cli\u003eMessij (2023 Remaster) 05:16\u003c\/li\u003e\n\u003cli\u003eCanada (2023 Remaster) 06:12\u003c\/li\u003e\n\u003cli\u003eTenation (2023 Remaster) 02:40\u003c\/li\u003e\n\u003cli\u003eDOH-T (2023 Remaster) 05:15\u003c\/li\u003e\n\u003cli\u003eTrancevaal (2023 Remaster) 05:18\u003c\/li\u003e\n\u003cli\u003eSurgeon (2023 Remaster) 04:05\u003c\/li\u003e\n\u003cli\u003eCairodrome (2023 Remaster) 05:17\u003c\/li\u003e\n\u003cli\u003eBody in Motion (2023 Remaster) 05:13\u003c\/li\u003e\n\u003cli\u003eCardinal Dancer (2023 Remaster) 05:21\u003c\/li\u003e\n\u003cli\u003eCold Comfort (2023 Remaster) 05:05\u003c\/li\u003e\n\u003cli\u003eKinkong (2023 Remaster) 04:32\u003c\/li\u003e\n\u003cli\u003eOperatique (2023 Remaster) 05:18\u003c\/li\u003e\n\u003cli\u003ePlasticity (2023 Remaster) 03:54\u003c\/li\u003e\n\u003cli\u003eMessij Extended (2023 Remaster) 09:20\u003c\/li\u003e\n\u003cli\u003eArgon (2023 Remaster) 00:29\u003c\/li\u003e\n\u003cli\u003ePhloem (2023 Remaster) 00:24\u003c\/li\u003e\n\u003cli\u003eXenon (2023 Remaster) 00:36\u003c\/li\u003e\n\u003cli\u003eXylem (2023 Remaster) 00:25\u003c\/li\u003e\n\u003cli\u003ewipE'out'' Intro (µ-Ziq Remix) 03:38\u003c\/li\u003e\n\u003cli\u003eDOH-T (Wordcolour Remix) 06:06\u003c\/li\u003e\n\u003cli\u003eXylem (Brainwaltzera Remix) 04:48\u003c\/li\u003e\n\u003cli\u003eCanada (James Shinra Remix) 07:01\u003c\/li\u003e\n\u003cli\u003eMessij (Kode9 Remix) 03:58\u003c\/li\u003e\n\u003cli\u003eTrancevaal (Simo Cell Remix) 04:49\u003c\/li\u003e\n\u003cli\u003eCairodrome (Surgeons Girl Remix) 04:20\u003c\/li\u003e\n\u003cli\u003eMessij (Datassette Remix) 05:11\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLapsus:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum \u0026amp; bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CoLD SToRAGE\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e","published_at":"2023-12-19T18:52:39+09:00","created_at":"2023-12-19T15:25:40+09:00","vendor":"Tobira Records","type":"","tags":["house","lapsus","lp","new","techno \/ house"],"price":688000,"price_min":688000,"price_max":688000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44903062995194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CoLD SToRAGE \/\/ wipE'out'' - The Zero Gravity Soundtrack 3xLP","public_title":null,"options":["Default Title"],"price":688000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wip1.jpg?v=1702967142","\/\/tobirarecords.com\/cdn\/shop\/files\/wip2.jpg?v=1702967142"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wip1.jpg?v=1702967142","options":["Title"],"media":[{"alt":null,"id":32852803027194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wip1.jpg?v=1702967142"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wip1.jpg?v=1702967142","width":700},{"alt":null,"id":32852803059962,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wip2.jpg?v=1702967142"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wip2.jpg?v=1702967142","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズのダンス作家CoLD SToRAGEが、2023年11月にスペイン・バルセロナのエレクトロニックレーベルLapsusからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1995年に発売されたプレイステーション用レーシングゲームWipEoutのサウンドトラック28曲を収録。\u003c\/p\u003e\n\u003cp\u003eKode9、μ-Ziq、Brainwaltzera、Simo Cell、Wordcolour、James Shinra、Surgeons Girl、Dattassetteがリミックスで参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1990年代当時、ビデオゲームといえば、確かに楽しいが、基本的にはすぐに飽きてしまうような後ろめたいオタク向けというイメージが強かった。1995年に発売された「ワイプアウト」は、電光石火の速さ、カミソリのような切れ味、未来的なレーシングゲームで、ヨーロッパと北米でのプレイステーションの発売を後押しした。これは、見た目も音も大人っぽくてクールなゲームであり、ベッドの下に隠すのではなく、リビングルームに飾っておきたいようなゲームだった。その鍵となったのは、90年代半ばの先進的なカルチャーの中心に据える形で、クラブでの体験やエレクトロニックミュージックを恥ずかしげもなく借用したという事実だった。それはすぐに現象化した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'は、90年代初頭のレイブやクラブのチラシの鮮やかな色彩と興奮を誘う幾何学的な形を多用し、ワープの仕事で知られるシェフィールドのエージェンシー、ザ・デザイナーズ・リパブリックがゲームのビジュアル、パッケージ、マニュアルを手がけ、センセーショナルな印象を与えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipeE'out'もまた、新しいレイヴの夢のように聞こえた。このゲームのヨーロッパ版には、ケミカルブラザーズ、レフトフィールド、オービタルなどの音楽が収録されており、当時としてはほとんど前代未聞のファッショナブルなゲームシンクだった。この時点ですでにビデオゲーム界ではベテランで、『レミングス』や『シャドウ・オブ・ザ・ビースト2』といったAmigaタイトルの音楽を手掛けていた。 彼の『wipE'out』の音楽は、どちらかと言えば、有名なシンクよりも過激で、ドラムンベースの加速するビートとトランスのピュアなシンセサイザーをミックスし、ゲームをプレイしている感覚と同じくらい息もつかせぬほどエキサイティングなサウンドを作り出していた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのトラックは、何百万人ものゲーマーの脳裏に焼き付けられた。カーテンの向こうに太陽がそっと昇る中、深夜の反重力レースを楽しむ世代のサウンドトラックだったのだ。しかし、彼らはおそらく、それにふさわしい敬意を払われてこなかった。Kode9、μ-Ziq、Brainwaltzera、Simo Cell、Wordcolour、James Shinra、Surgeons Girl、Dattassetteといった最先端のプロデューサーたちによってリミックスされ、リマスター、リパッケージされたこの作品には、ゲーム音楽史上最も重要で、スリリングで、革新的で、楽しい楽曲の数々が収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=164744978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2920841511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=164744978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=152756340\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 3 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ewipE'out'' Intro (2023 Remaster) 01:10\u003c\/li\u003e\n\u003cli\u003eHakapik Murder (2023 Remaster) 04:06\u003c\/li\u003e\n\u003cli\u003eMessij (2023 Remaster) 05:16\u003c\/li\u003e\n\u003cli\u003eCanada (2023 Remaster) 06:12\u003c\/li\u003e\n\u003cli\u003eTenation (2023 Remaster) 02:40\u003c\/li\u003e\n\u003cli\u003eDOH-T (2023 Remaster) 05:15\u003c\/li\u003e\n\u003cli\u003eTrancevaal (2023 Remaster) 05:18\u003c\/li\u003e\n\u003cli\u003eSurgeon (2023 Remaster) 04:05\u003c\/li\u003e\n\u003cli\u003eCairodrome (2023 Remaster) 05:17\u003c\/li\u003e\n\u003cli\u003eBody in Motion (2023 Remaster) 05:13\u003c\/li\u003e\n\u003cli\u003eCardinal Dancer (2023 Remaster) 05:21\u003c\/li\u003e\n\u003cli\u003eCold Comfort (2023 Remaster) 05:05\u003c\/li\u003e\n\u003cli\u003eKinkong (2023 Remaster) 04:32\u003c\/li\u003e\n\u003cli\u003eOperatique (2023 Remaster) 05:18\u003c\/li\u003e\n\u003cli\u003ePlasticity (2023 Remaster) 03:54\u003c\/li\u003e\n\u003cli\u003eMessij Extended (2023 Remaster) 09:20\u003c\/li\u003e\n\u003cli\u003eArgon (2023 Remaster) 00:29\u003c\/li\u003e\n\u003cli\u003ePhloem (2023 Remaster) 00:24\u003c\/li\u003e\n\u003cli\u003eXenon (2023 Remaster) 00:36\u003c\/li\u003e\n\u003cli\u003eXylem (2023 Remaster) 00:25\u003c\/li\u003e\n\u003cli\u003ewipE'out'' Intro (µ-Ziq Remix) 03:38\u003c\/li\u003e\n\u003cli\u003eDOH-T (Wordcolour Remix) 06:06\u003c\/li\u003e\n\u003cli\u003eXylem (Brainwaltzera Remix) 04:48\u003c\/li\u003e\n\u003cli\u003eCanada (James Shinra Remix) 07:01\u003c\/li\u003e\n\u003cli\u003eMessij (Kode9 Remix) 03:58\u003c\/li\u003e\n\u003cli\u003eTrancevaal (Simo Cell Remix) 04:49\u003c\/li\u003e\n\u003cli\u003eCairodrome (Surgeons Girl Remix) 04:20\u003c\/li\u003e\n\u003cli\u003eMessij (Datassette Remix) 05:11\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLapsus:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum \u0026amp; bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CoLD SToRAGE\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e"}
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This is a 2023-disc record set released by Welsh dance artist CoLD SToRAGE on the electronic label Lapsus in Barcelona, Spain in November 11. Contains 3 songs from the soundtrack of the PlayStation racing game WipEout released in 1995. Kode28, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl, and Dattassette are participating in the remix. *If you would like a digital sound source, please feel free to contact us.The following is an explanation by the label. "In the 9s, video games were certainly fun, but they were generally for guilty nerds who got bored easily."Wipeout," released in 1990, was a lightning-fast game. It was a razor-sharp, futuristic racing game that helped launch the PlayStation in Europe and North America. It looked and sounded mature and cool, the kind of game you'd want hanging in your living room instead of hiding under your bed. Key to this was the fact that it unashamedly borrowed from the club experience and electronic music, placing it at the heart of the forward-thinking culture of the mid-'1995s. It quickly became a phenomenon. wipE'out' draws heavily on the bright colors and exciting geometric shapes of early 90s rave and club flyers, and was created by Sheffield agency The Designers Republic, known for its warp work. He created a sensational impression by creating the visuals, packaging, and manuals for the company. wipeE'out' also sounded like a new rave dream. The European version of the game featured music by the likes of The Chemical Brothers, Leftfield, and Orbital, a fashionable game synch that was almost unheard of at the time. By this point, he was already a veteran of the video game world, having composed music for Amiga titles such as Lemmings and Shadow of the Beast 90. His music for wipE'out is, if anything, more extreme than his famous sync, mixing the accelerating beats of drum'n'bass with the pure synthesizers of trance, making it feel as much like playing a game. They created a sound that was breathtakingly exciting. These tracks were burned into the minds of millions of gamers. It was the soundtrack for a generation that enjoyed late-night anti-gravity races as the sun gently rose behind the curtains. But perhaps they haven't been given the respect they deserve. Kode2, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons...
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{"id":8115368919290,"title":"Minor Science \/\/ Absent Friends Vol. III LP","handle":"minor-science-absent-friends-vol-iii-lp","description":"\u003cp\u003eイギリス出身ドイツ在住のアンビエント作家Minor Scienceが、2023年9月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=512403711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 01:14\u003c\/li\u003e\n\u003cli\u003eDread the Evening 05:52\u003c\/li\u003e\n\u003cli\u003eSun Turn 04:04\u003c\/li\u003e\n\u003cli\u003eThe Dinas Walk 04:40\u003c\/li\u003e\n\u003cli\u003eSummer Diary 04:12\u003c\/li\u003e\n\u003cli\u003eLife Texture 05:26\u003c\/li\u003e\n\u003cli\u003eContingency 07:39 video\u003c\/li\u003e\n\u003cli\u003eGather Your Party (Dispersed Mix) 05:44\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Balmat:\u003c\/p\u003e\n\u003cp\u003e\"Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with 'Absent Friends Vol. III', the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms[...]\u003cbr\u003e\u003cbr\u003e[...] 'Absent Friends Vol. III' is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eopaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”\u003cbr\u003e\u003cbr\u003eThe album’s underlying themes—reflected in Witherden’s video for lead single “Dread the Evening”, as well as the print that accompanies the limited-edition version of the LP—include psychedelia and togetherness, universal cornerstones of virtually any experience of dance music. “Overall I see this record as almost like a photographic negative of the other release I did this year, 064 on AD93,” says Finlayson. That EP’s two fiercely peak-time-oriented tracks, “Workahol” and “Casheine,” offer 'a response, by way of caricature, to the time scarcity, precarity, and hypercompetitiveness that are features of my life right now (and I think many other people’s too),' he says. 'Absent Friends Vol. III responds to the same situation in a contrasting way. I like that both have a clock on the cover. Both invite you to consider the passage of time. On the club record, time is finite and ticking away fast. On this one, there are little moments where the secondhand seems to pause.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003eArtist : Minor Science\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e","published_at":"2023-12-19T16:54:47+09:00","created_at":"2023-12-19T15:21:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","house","lp","new"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44903058014458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Minor Science \/\/ Absent Friends Vol. III LP","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_0ec0af63-0c3d-48ca-b593-01916c74ea2d.jpg?v=1702966876","\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_bcb7c92e-a83b-4cbd-b4ea-a721a45e34d0.jpg?v=1702966876"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_0ec0af63-0c3d-48ca-b593-01916c74ea2d.jpg?v=1702966876","options":["Title"],"media":[{"alt":null,"id":32852783792378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_0ec0af63-0c3d-48ca-b593-01916c74ea2d.jpg?v=1702966876"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_0ec0af63-0c3d-48ca-b593-01916c74ea2d.jpg?v=1702966876","width":700},{"alt":null,"id":32852783825146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_bcb7c92e-a83b-4cbd-b4ea-a721a45e34d0.jpg?v=1702966876"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_bcb7c92e-a83b-4cbd-b4ea-a721a45e34d0.jpg?v=1702966876","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス出身ドイツ在住のアンビエント作家Minor Scienceが、2023年9月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=512403711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 01:14\u003c\/li\u003e\n\u003cli\u003eDread the Evening 05:52\u003c\/li\u003e\n\u003cli\u003eSun Turn 04:04\u003c\/li\u003e\n\u003cli\u003eThe Dinas Walk 04:40\u003c\/li\u003e\n\u003cli\u003eSummer Diary 04:12\u003c\/li\u003e\n\u003cli\u003eLife Texture 05:26\u003c\/li\u003e\n\u003cli\u003eContingency 07:39 video\u003c\/li\u003e\n\u003cli\u003eGather Your Party (Dispersed Mix) 05:44\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Balmat:\u003c\/p\u003e\n\u003cp\u003e\"Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with 'Absent Friends Vol. III', the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms[...]\u003cbr\u003e\u003cbr\u003e[...] 'Absent Friends Vol. III' is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eopaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”\u003cbr\u003e\u003cbr\u003eThe album’s underlying themes—reflected in Witherden’s video for lead single “Dread the Evening”, as well as the print that accompanies the limited-edition version of the LP—include psychedelia and togetherness, universal cornerstones of virtually any experience of dance music. “Overall I see this record as almost like a photographic negative of the other release I did this year, 064 on AD93,” says Finlayson. That EP’s two fiercely peak-time-oriented tracks, “Workahol” and “Casheine,” offer 'a response, by way of caricature, to the time scarcity, precarity, and hypercompetitiveness that are features of my life right now (and I think many other people’s too),' he says. 'Absent Friends Vol. III responds to the same situation in a contrasting way. I like that both have a clock on the cover. Both invite you to consider the passage of time. On the club record, time is finite and ticking away fast. On this one, there are little moments where the secondhand seems to pause.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003eArtist : Minor Science\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e"}
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This is the debut record by British-born German-based ambient artist Minor Science, released in September 2023 on the IDM label Balmat in Barcelona, Spain. Contains 9 dreamy ambient ~ IDM songs. *If you would like digital sound sources, please feel free to contact us. Click here to see more Lapsus / Balmat releases available at...
¥3,840
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{"id":8114938609914,"title":"Luke Sanger \/\/ Languid Gongue LP","handle":"luke-sanger-languid-gongue-lp","description":"\u003cp\u003e過去にFrequency DomainやQuiet Detailsなどから発表しているイギリスのアンビエント作家Luke Sangerが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年10月に\u003c\/span\u003eスペインのLapsus RecordsサブレーベルBalmatからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPやモジュラーによる実験的なIDM〜エレクトロニック・アンビエント〜ポストニューエイジ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2847678047\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3702264278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=381809801\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCranes and Ladders 02:08\u003c\/li\u003e\n\u003cli\u003eEfflorescence 05:30\u003c\/li\u003e\n\u003cli\u003ePhrygian Pan 04:48\u003c\/li\u003e\n\u003cli\u003eCoco n Plums 02:10\u003c\/li\u003e\n\u003cli\u003eMycelium Networks 03:00\u003c\/li\u003e\n\u003cli\u003eYoake 03:14\u003c\/li\u003e\n\u003cli\u003eAll Over the Shop 02:32\u003c\/li\u003e\n\u003cli\u003eArchaic Landscapes 03:12\u003c\/li\u003e\n\u003cli\u003eBasic Lurgy 02:48\u003c\/li\u003e\n\u003cli\u003eSearching for the Elusive Fungi 03:19\u003c\/li\u003e\n\u003cli\u003eFruity Textures 02:08\u003c\/li\u003e\n\u003cli\u003eYour Session Has Ended 03:17\u003c\/li\u003e\n\u003cli\u003eNot Quite Right 03:14\u003c\/li\u003e\n\u003cli\u003eOnly Casino for Miles 06:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by Balmat : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat’s first release comes from Luke Sanger, a Norwich, UK-based artist whose two decades of electronic music-making have encompassed a range of tools and techniques, from MaxMSP to modular synthesis. Along the way he has built an extensive catalog encompassing ambient atmospheres, abstract soundscaping, and more. With Languid Gongue, he puts multiple approaches into play. Experiments in microtonal composition balance out pieces in standard tunings, while esoteric electronic machines merge with familiar acoustic treatments and microphone techniques.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result is a constellation of his signature sounds: freeform new-age fantasia; spring-loaded toytronic arpeggios; quartz-driven braindance clockworks. Drifting between consonant, almost lyrical compositions and shape-shifting textural sketches, the album drifts with the nonchalance of a sky-high cirrus cloud, and it glows as if illuminated from within. When we heard the material, we knew that it was the perfect choice to launch the label. To us, it sounds like a roadmap for points unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Sanger\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat \/ Lapsus\u003c\/p\u003e","published_at":"2023-12-18T18:21:13+09:00","created_at":"2023-12-18T18:20:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lapsus","lp","new","post newage"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44901136630010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luke Sanger \/\/ Languid Gongue LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_7dee6207-5e01-4ddf-ac43-0cda12525583.jpg?v=1702891224","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_7495a0b9-ca10-4360-a102-94a0bed45544.jpg?v=1702891225"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_7dee6207-5e01-4ddf-ac43-0cda12525583.jpg?v=1702891224","options":["Title"],"media":[{"alt":null,"id":32849619583226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_7dee6207-5e01-4ddf-ac43-0cda12525583.jpg?v=1702891224"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_7dee6207-5e01-4ddf-ac43-0cda12525583.jpg?v=1702891224","width":700},{"alt":null,"id":32849619615994,"position":2,"preview_image":{"aspect_ratio":1.392,"height":862,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_7495a0b9-ca10-4360-a102-94a0bed45544.jpg?v=1702891225"},"aspect_ratio":1.392,"height":862,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_7495a0b9-ca10-4360-a102-94a0bed45544.jpg?v=1702891225","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にFrequency DomainやQuiet Detailsなどから発表しているイギリスのアンビエント作家Luke Sangerが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年10月に\u003c\/span\u003eスペインのLapsus RecordsサブレーベルBalmatからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPやモジュラーによる実験的なIDM〜エレクトロニック・アンビエント〜ポストニューエイジ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2847678047\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3702264278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=381809801\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=519863847\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCranes and Ladders 02:08\u003c\/li\u003e\n\u003cli\u003eEfflorescence 05:30\u003c\/li\u003e\n\u003cli\u003ePhrygian Pan 04:48\u003c\/li\u003e\n\u003cli\u003eCoco n Plums 02:10\u003c\/li\u003e\n\u003cli\u003eMycelium Networks 03:00\u003c\/li\u003e\n\u003cli\u003eYoake 03:14\u003c\/li\u003e\n\u003cli\u003eAll Over the Shop 02:32\u003c\/li\u003e\n\u003cli\u003eArchaic Landscapes 03:12\u003c\/li\u003e\n\u003cli\u003eBasic Lurgy 02:48\u003c\/li\u003e\n\u003cli\u003eSearching for the Elusive Fungi 03:19\u003c\/li\u003e\n\u003cli\u003eFruity Textures 02:08\u003c\/li\u003e\n\u003cli\u003eYour Session Has Ended 03:17\u003c\/li\u003e\n\u003cli\u003eNot Quite Right 03:14\u003c\/li\u003e\n\u003cli\u003eOnly Casino for Miles 06:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by Balmat : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat’s first release comes from Luke Sanger, a Norwich, UK-based artist whose two decades of electronic music-making have encompassed a range of tools and techniques, from MaxMSP to modular synthesis. Along the way he has built an extensive catalog encompassing ambient atmospheres, abstract soundscaping, and more. With Languid Gongue, he puts multiple approaches into play. Experiments in microtonal composition balance out pieces in standard tunings, while esoteric electronic machines merge with familiar acoustic treatments and microphone techniques.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result is a constellation of his signature sounds: freeform new-age fantasia; spring-loaded toytronic arpeggios; quartz-driven braindance clockworks. Drifting between consonant, almost lyrical compositions and shape-shifting textural sketches, the album drifts with the nonchalance of a sky-high cirrus cloud, and it glows as if illuminated from within. When we heard the material, we knew that it was the perfect choice to launch the label. To us, it sounds like a roadmap for points unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Sanger\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat \/ Lapsus\u003c\/p\u003e"}
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British ambient artist Luke Sanger, who has released records on Frequency Domain and Quiet Details in the past, is a reissue record released by Spain's Lapsus Records sub-label Balmat in October 2023. Contains 10 experimental IDM ~ electronic ambient ~ post-new age songs by Max/MSP and modular. *If you would like digital sound sources, please feel free to contact us. Click here for labels and other works /// Click here to see more Lapsus / Balmat...
¥3,780