Line Gate // Apex TAPE
Line Gate // Apex TAPE
¥ 1,518
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A new cassette from Czech hurdy-gurdy player Line Gate released by Mappa in Slovakia in December 2020.Includes a 12-minute transcendental psychedelic drone on both sides. Recommended for those who like La Monte Young.Another good work came out from mappa, which has the momentum to drop flying birds.
artist: Line Gate
label: Mappa
A new cassette from Czech hurdy-gurdy player Line Gate released by Mappa in Slovakia in December 2020.Includes a 12-minute transcendental psychedelic drone on both sides. Recommended for those who like La Monte Young.Another good work came out from mappa, which has the momentum to drop flying birds.
artist: Line Gate label: MappaRelated Products

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{"id":6648474239141,"title":"Tasting Menu \/\/ Stand closer when you have something to say TAPE","handle":"tasting-menu-stand-closer-when-you-have-something-to-say-tape","description":"\u003cp\u003e過去にFull Spectrumなどから発表しているLAの物音バンドTasting Menuの新作がスロバキアMappaからリリース。物音スケープ2曲、約1時間を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4018811947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStand closer when you have something to say documents two separate elaborations upon a single physical space: a studio in Los Angeles, California with concrete floors and large, wooden firehouse-style doors that face a moderately busy street. Tasting Menu—a trio of multi-instrumentalists Tim Feeney, Cody Putman, and Cassia Streb—give attention to the room by rubbing its surfaces; opening and closing its portals; allowing its natural resonances; and moving about it spatially, left to right and front to back. These two\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollective improvisations—“While shaking the box” and “I heard glass breaking,” recorded April 3 rd and 18 th of 2020, respectively—are full of texture, haze, sadness, motion, color, mischief, disjuncture, and gel, while leaving little trace of the slightly less welcome substance that is performer ego.\u003cbr\u003e\u003cbr\u003eThe ensemble took the album’s titular phrase as a sort of text score, a prompt inspired by the common bluegrass one-mic recording technique where an instrumentalist or vocalist in an ensemble positions their body closer to the room’s mic as they begin to take the lead line in a song. In this case, however, the performers do not have their mind towards a lead\/rhythm ensemble relationship, but instead towards the establishment and curation of a gestalt texture, welcoming and incorporating all other sound present within the room and hearing it as a singular whole. In such a setup, each performer projects their listening, playing to the imagined ears of a future listener as represented by a stereo recording device. With each performer effectively playing producer on the spot, the recording has more in common with a collage work than a more typical documentation of a group improvisation might.\u003cbr\u003e\u003cbr\u003eBy nature of their site-engaging performances Tasting Menu’s slight oeuvre emphasizes the scenes and sounds of Los Angeles and the areas immediately surrounding. For instance, the ensemble’s 2020 release for Full Spectrum, Mueller Tunnel is “a site-specific performance that was recorded on-location within” its namesake tunnel, “located in the Angeles Mountains, roughly 20 miles north of Pasadena, California.” Accompanied by a beautiful book featuring photo documentation by Eric Basta and graphic transcriptions by the ensemble’s own Cassia Streb, the project carries a distinctive dry and rocky spaciousness unique to the Southern California landscape.\u003cbr\u003e\u003cbr\u003eFollowing that, the first track on Stand closer when you have something to say was recorded during a rare Los Angeles thunderstorm. Rain in L.A. has a somewhat intoxicating effect. As the city’s toxic layer reaches land via precipitation, the city’s streets slicken with built up auto oil, trash makes its way to the shoreline, and recently scorched hillsides fall prey to floods and mudslides. These are the odd symptoms of a drought-stricken city at last finding long overdue nourishment and coming to life, like a body rejecting water after becoming dehydrated. Luckily, the city is already a slow wash of tan and gray hues with little organizing structure, so its inhabitants aren’t oblivious to the noisy static affect that a storm might bring. The trio engages in an Angeleno way, opening doors and letting the storm’s roar sweep the structure, not giving space for it and not competing with it, but playing within it, playing rough around it.\u003cbr\u003e\u003cbr\u003eIt’s only within the album’s final quarter that any ensemble member plays a pitched instrument. The eventual appearance of tone is somewhat startling following nearly an hour of noise-based textures, but the sudden harmony lends a proper cadence, an uncanny resolution which allows the listener’s own space to speak. For this listener—who does most of her work out of a garage in Los Angeles, CA—, that space happens to also be a small room with concrete floors and a large door which is often open to whatever weather the city might bring.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eartist : Tasting Menu\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003elabel : Mappa\u003c\/div\u003e","published_at":"2021-04-12T12:44:26+09:00","created_at":"2021-04-12T12:44:26+09:00","vendor":"Tobira Records","type":"","tags":["Mappa","monooto","new","strange beats","tape"],"price":151800,"price_min":151800,"price_max":151800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39613764862117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tasting Menu \/\/ Stand closer when you have something to say TAPE","public_title":null,"options":["Default Title"],"price":151800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1985683353_16.jpg?v=1618199145"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1985683353_16.jpg?v=1618199145","options":["Title"],"media":[{"alt":null,"id":21247409455269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1985683353_16.jpg?v=1618199145"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1985683353_16.jpg?v=1618199145","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にFull Spectrumなどから発表しているLAの物音バンドTasting Menuの新作がスロバキアMappaからリリース。物音スケープ2曲、約1時間を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4018811947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStand closer when you have something to say documents two separate elaborations upon a single physical space: a studio in Los Angeles, California with concrete floors and large, wooden firehouse-style doors that face a moderately busy street. Tasting Menu—a trio of multi-instrumentalists Tim Feeney, Cody Putman, and Cassia Streb—give attention to the room by rubbing its surfaces; opening and closing its portals; allowing its natural resonances; and moving about it spatially, left to right and front to back. These two\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollective improvisations—“While shaking the box” and “I heard glass breaking,” recorded April 3 rd and 18 th of 2020, respectively—are full of texture, haze, sadness, motion, color, mischief, disjuncture, and gel, while leaving little trace of the slightly less welcome substance that is performer ego.\u003cbr\u003e\u003cbr\u003eThe ensemble took the album’s titular phrase as a sort of text score, a prompt inspired by the common bluegrass one-mic recording technique where an instrumentalist or vocalist in an ensemble positions their body closer to the room’s mic as they begin to take the lead line in a song. In this case, however, the performers do not have their mind towards a lead\/rhythm ensemble relationship, but instead towards the establishment and curation of a gestalt texture, welcoming and incorporating all other sound present within the room and hearing it as a singular whole. In such a setup, each performer projects their listening, playing to the imagined ears of a future listener as represented by a stereo recording device. With each performer effectively playing producer on the spot, the recording has more in common with a collage work than a more typical documentation of a group improvisation might.\u003cbr\u003e\u003cbr\u003eBy nature of their site-engaging performances Tasting Menu’s slight oeuvre emphasizes the scenes and sounds of Los Angeles and the areas immediately surrounding. For instance, the ensemble’s 2020 release for Full Spectrum, Mueller Tunnel is “a site-specific performance that was recorded on-location within” its namesake tunnel, “located in the Angeles Mountains, roughly 20 miles north of Pasadena, California.” Accompanied by a beautiful book featuring photo documentation by Eric Basta and graphic transcriptions by the ensemble’s own Cassia Streb, the project carries a distinctive dry and rocky spaciousness unique to the Southern California landscape.\u003cbr\u003e\u003cbr\u003eFollowing that, the first track on Stand closer when you have something to say was recorded during a rare Los Angeles thunderstorm. Rain in L.A. has a somewhat intoxicating effect. As the city’s toxic layer reaches land via precipitation, the city’s streets slicken with built up auto oil, trash makes its way to the shoreline, and recently scorched hillsides fall prey to floods and mudslides. These are the odd symptoms of a drought-stricken city at last finding long overdue nourishment and coming to life, like a body rejecting water after becoming dehydrated. Luckily, the city is already a slow wash of tan and gray hues with little organizing structure, so its inhabitants aren’t oblivious to the noisy static affect that a storm might bring. The trio engages in an Angeleno way, opening doors and letting the storm’s roar sweep the structure, not giving space for it and not competing with it, but playing within it, playing rough around it.\u003cbr\u003e\u003cbr\u003eIt’s only within the album’s final quarter that any ensemble member plays a pitched instrument. The eventual appearance of tone is somewhat startling following nearly an hour of noise-based textures, but the sudden harmony lends a proper cadence, an uncanny resolution which allows the listener’s own space to speak. For this listener—who does most of her work out of a garage in Los Angeles, CA—, that space happens to also be a small room with concrete floors and a large door which is often open to whatever weather the city might bring.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eartist : Tasting Menu\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003elabel : Mappa\u003c\/div\u003e"}
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A new work of LA's noise band Tasting Menu, which has been announced from Full Spectrum etc. in the past, has been released from Slovakia Mappa.Includes 2 songs of noise scape, about 1 hour. Stand closer when you have something to say documents two separate ...
¥ 1,518

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{"id":6545055514789,"title":"Infant \/\/ face first in the entangled TAPE","handle":"infant-face-first-in-the-entangled-tape","description":"\u003cp\u003e飛ぶ鳥落とす勢いで良作を連発するスロバキアのレーベルmappaの2021年3月最新リリースを爆速で本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、デトロイトの美術家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePatrick MillerのInfant名義での新作です。Max\/MSPコラージュ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526406453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1075689329\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526406453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=972018359\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘face first in the entangled’ is Infant’s illustration of the “organic internet” between different lifeforms built by mushrooms. These mycological structures see wild fungi coordinating and operating in a decentralized yet organized fashion, leading to dramatic ‘social changes’ without the need for leaders. The music follows a similar path, with Detroit-based Patrick Miller working over a year-and-a-half to forge a mimic of such systems, eschewing lead elements in favor of co-mingling patches of sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe role of composer is reframed here, Infant regressing to a more passive position as listener within the chain that led to the dense and untamed beauty of ‘face first in the entangled’. The process turned crude granular synth freeware into showering spores, vocal improvisations into near-unrecognisable murmurs, and field recordings and drum programmes into a distant pulse. The sonic elements at play swim around one and other and freely-associate, forming “micro-dramas” as the artist puts it, with each element playing a different, mutating part. The networked tangle of sounds adheres to its own inner-logic, pricking the sonic field, turning composted samples into a blooming forest floor littered with unexpected moments of shimmering\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edenouement.\u003cbr\u003e\u003cbr\u003eThe work was inspired by writers like Ursula K. Le Guin or Anna Tsing, both of whom sought to reject traditional hero narratives. The latter’s “The Mushroom at the end of the World” describes the foraging of prized matsutake mushrooms on forest floors worldwide, untamable by humans, and reliant on its symbiotic relationship with tree roots. The symbiosis of sounds Infant captures on ‘face first in the entangled’ reflects such organic structures, where the world is forged by an unknowable network of biological processes, rather than any one being.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eartist : Infant\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003elabel : Mappa\u003c\/div\u003e","published_at":"2021-02-27T10:29:18+09:00","created_at":"2021-02-27T10:29:18+09:00","vendor":"Tobira Records","type":"","tags":["Mappa","monooto","new","strange beats","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39275932811429,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Infant \/\/ face first in the entangled TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0671377728_16.jpg?v=1614390240","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023726988_10.jpg?v=1614390240"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0671377728_16.jpg?v=1614390240","options":["Title"],"media":[{"alt":null,"id":20330047242405,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0671377728_16.jpg?v=1614389831"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0671377728_16.jpg?v=1614389831","width":700},{"alt":null,"id":20330047209637,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023726988_10.jpg?v=1614389831"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023726988_10.jpg?v=1614389831","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e飛ぶ鳥落とす勢いで良作を連発するスロバキアのレーベルmappaの2021年3月最新リリースを爆速で本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、デトロイトの美術家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePatrick MillerのInfant名義での新作です。Max\/MSPコラージュ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526406453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1075689329\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526406453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=972018359\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘face first in the entangled’ is Infant’s illustration of the “organic internet” between different lifeforms built by mushrooms. These mycological structures see wild fungi coordinating and operating in a decentralized yet organized fashion, leading to dramatic ‘social changes’ without the need for leaders. The music follows a similar path, with Detroit-based Patrick Miller working over a year-and-a-half to forge a mimic of such systems, eschewing lead elements in favor of co-mingling patches of sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe role of composer is reframed here, Infant regressing to a more passive position as listener within the chain that led to the dense and untamed beauty of ‘face first in the entangled’. The process turned crude granular synth freeware into showering spores, vocal improvisations into near-unrecognisable murmurs, and field recordings and drum programmes into a distant pulse. The sonic elements at play swim around one and other and freely-associate, forming “micro-dramas” as the artist puts it, with each element playing a different, mutating part. The networked tangle of sounds adheres to its own inner-logic, pricking the sonic field, turning composted samples into a blooming forest floor littered with unexpected moments of shimmering\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edenouement.\u003cbr\u003e\u003cbr\u003eThe work was inspired by writers like Ursula K. Le Guin or Anna Tsing, both of whom sought to reject traditional hero narratives. The latter’s “The Mushroom at the end of the World” describes the foraging of prized matsutake mushrooms on forest floors worldwide, untamable by humans, and reliant on its symbiotic relationship with tree roots. The symbiosis of sounds Infant captures on ‘face first in the entangled’ reflects such organic structures, where the world is forged by an unknowable network of biological processes, rather than any one being.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eartist : Infant\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003elabel : Mappa\u003c\/div\u003e"}
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The latest release of the Slovak label mappa, which produces good works with the momentum of dropping flying birds, in March 2021 has arrived for the first time in Japan at explosive speed.This work is a new work under the name of Infant by Detroit artist Patrick Miller. Contains 3 Max / MSP collage songs. 'face first in the entangled' is Infant's illustration of the “organic ...
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{"id":6023100268709,"title":"IQ+1 \/\/ Conversaphone Plus LP","handle":"iq-1-conversaphone-plus-12lp","description":"\u003cp\u003e※2月下旬再入荷します\u003c\/p\u003e\n\u003cp\u003eチェコの即興グループIQ+1の3作目となるアルバムがスロバキアMappaよりリリース。ターンテーブルや吹奏楽器、アナログシンセ、パーカッションなど総勢7名のバンドながら、即興とは思えないほど調和された楽曲ばかりです。6曲を収録。廃盤間近です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1345749348\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3996198151\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mappa.bandcamp.com\/album\/conversaphone-plus\"\u003eConversaphone Plus by IQ+1\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003eMappa editions presents IQ+1’s third album, titled Conversaphone Plus, as the result of several séances recorded at the end of 2017. Every submersion in its depths is an unrepeatable experience. The organic sonic material is constantly contracting and\u003cspan class=\"bcTruncateMore\"\u003e expanding, adapting itself to the listener’s context, escaping beyond the horizon, creating mimicries, and enticing us to bubbling, popping, and jingling polyrhythms to then release its protective toxins. All six pieces boil on the narrow edge of chaotic decomposition and celestial order in which every sonic detail has its precisely determined position. Field recordings permeate the instruments on an equal footing, making it difficult to identify the sound, instrument, or player, so that each time the record is turned over, a new adventure begins. Federsel (B4, Handa Gote, Gurun Gurun) took care of the connective tissue between the pieces and the balanced post-production architecture.\u003cbr\u003e\u003cbr\u003eAvoiding irritating instrumental exhibitionism, and egocentric deafness, Conversaphone Plus is nothing less than an uncompromising electro-acoustic testimony to the vitality of the Czech improvising scene. And it is nothing more than an attempt to connect sonic geology with astral listening.\u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eMappa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IQ+1\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e","published_at":"2020-12-24T12:23:21+09:00","created_at":"2020-12-21T15:13:56+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","Mappa","monooto","new","strange beats"],"price":261800,"price_min":261800,"price_max":261800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37492901347493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"IQ+1 \/\/ Conversaphone Plus LP","public_title":null,"options":["Default Title"],"price":261800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con1.jpg?v=1608531239","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con2.jpg?v=1608531239"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con1.jpg?v=1608531239","options":["Title"],"media":[{"alt":null,"id":15296698777765,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con1.jpg?v=1608531239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con1.jpg?v=1608531239","width":700},{"alt":null,"id":15296698810533,"position":2,"preview_image":{"aspect_ratio":1.345,"height":892,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con2.jpg?v=1608531239"},"aspect_ratio":1.345,"height":892,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/con2.jpg?v=1608531239","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※2月下旬再入荷します\u003c\/p\u003e\n\u003cp\u003eチェコの即興グループIQ+1の3作目となるアルバムがスロバキアMappaよりリリース。ターンテーブルや吹奏楽器、アナログシンセ、パーカッションなど総勢7名のバンドながら、即興とは思えないほど調和された楽曲ばかりです。6曲を収録。廃盤間近です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1345749348\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3996198151\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mappa.bandcamp.com\/album\/conversaphone-plus\"\u003eConversaphone Plus by IQ+1\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003eMappa editions presents IQ+1’s third album, titled Conversaphone Plus, as the result of several séances recorded at the end of 2017. Every submersion in its depths is an unrepeatable experience. The organic sonic material is constantly contracting and\u003cspan class=\"bcTruncateMore\"\u003e expanding, adapting itself to the listener’s context, escaping beyond the horizon, creating mimicries, and enticing us to bubbling, popping, and jingling polyrhythms to then release its protective toxins. All six pieces boil on the narrow edge of chaotic decomposition and celestial order in which every sonic detail has its precisely determined position. Field recordings permeate the instruments on an equal footing, making it difficult to identify the sound, instrument, or player, so that each time the record is turned over, a new adventure begins. Federsel (B4, Handa Gote, Gurun Gurun) took care of the connective tissue between the pieces and the balanced post-production architecture.\u003cbr\u003e\u003cbr\u003eAvoiding irritating instrumental exhibitionism, and egocentric deafness, Conversaphone Plus is nothing less than an uncompromising electro-acoustic testimony to the vitality of the Czech improvising scene. And it is nothing more than an attempt to connect sonic geology with astral listening.\u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eMappa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IQ+1\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e"}
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* Restocked in late February The third album of the Czech improvisation group IQ + 2 has been released by Mappa, Slovakia.Although it is a band of 1 people including turntables, wind instruments, analog synths, and percussion, all the songs are in harmony that cannot be improvised. Contains 7 songs.It is about to be out of print. Conversaphone Plus by IQ + 6 Mappa editions presents IQ + 1's third album, titled Conversaphone Plus, ...
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{"id":5879909023909,"title":"Andrew Oda \/\/ SOTTO TAPE","handle":"andrew-oda-sotto-tape","description":"\u003cp\u003eアメリカ人の新人作家Andrew Odaのデビュー作品が2020年11月スロバキアmappaからリリース。ローラーコースターのように様々な情景が現れては消えていく34分間。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e勢いに乗る\u003c\/span\u003emappaからまたもや良作が出ました。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/922684762\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"mappa editions\" href=\"https:\/\/soundcloud.com\/user-795544044\" target=\"_blank\"\u003emappa editions\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"MAP021 \/ Andrew Oda - SOTTO\" href=\"https:\/\/soundcloud.com\/user-795544044\/map021-andrew-oda-sotto\" target=\"_blank\"\u003eMAP021 \/ Andrew Oda - SOTTO\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/md6kPU18r6g\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e‘Sotto’ is Andrew Oda’s attempt at world building in sound. Meshing method, mind, metaphysical and mundane into massive murals, its triptych of vivid compositions seem to wield electronic sound like a magic paintbrush. Inspired by the paintings of Otto Marseus van Schrieck, Ljubomir Popović, and Nicole Duennebier, ‘Sotto’’s three parts inhabit environments bursting with explosive internal ecologies of synthesized pulsations, yawning drones, tinkling imaginary chimes, and abstract noisy rumblings that flow, ebb and breathe with the infinite complexity cognition meshing with the chaotic order of natural greenery.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eSide A’s two pieces – ’Sotto’ and ‘Spirit’ – are both only made up of synthetic sound, created via computer and other synthesizing methods. The spark came from an attempt to show the process of creation, life and the final union through sonic means, spiralling into a dense lattice of lifeforms, spirits, and objects realised in sound. “The original goal of the project was to convey the idea of this sound visualization for creatures and textures that are fluid, tangled and morphing into and around each other,”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexplains Oda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile imagination and spirit are the subjects of the first two pieces, the final piece of the triptych, ‘Enfold’, emerges into a luscious and staggeringly beautiful material world. Oda turns here to acoustic recordings made in the field, as well as pianos, bells, and flute (performed by Susannah Oda), layering the results into the trembling organic soundscape suggested by Jonáš Gruska’s cover photography. The entirety of ‘Sotto’ is a living and vivid sound world of Oda’s creation – the first in a pegged trilogy of triptychs – brimming with beauty in which to wander and bask.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eartist : Andrew Oda\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003elabel : Mappa\u003c\/div\u003e","published_at":"2020-11-12T12:24:17+09:00","created_at":"2020-11-12T12:24:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Mappa","monooto","new","tape"],"price":151800,"price_min":151800,"price_max":151800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37075609059493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Oda \/\/ SOTTO TAPE","public_title":null,"options":["Default Title"],"price":151800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1513350981_16.jpg?v=1605151458","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0022230349_10_1.jpg?v=1605151458"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1513350981_16.jpg?v=1605151458","options":["Title"],"media":[{"alt":null,"id":13196753502373,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1513350981_16.jpg?v=1605151458"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1513350981_16.jpg?v=1605151458","width":700},{"alt":null,"id":13196753535141,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0022230349_10_1.jpg?v=1605151458"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0022230349_10_1.jpg?v=1605151458","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ人の新人作家Andrew Odaのデビュー作品が2020年11月スロバキアmappaからリリース。ローラーコースターのように様々な情景が現れては消えていく34分間。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e勢いに乗る\u003c\/span\u003emappaからまたもや良作が出ました。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/922684762\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"mappa editions\" href=\"https:\/\/soundcloud.com\/user-795544044\" target=\"_blank\"\u003emappa editions\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"MAP021 \/ Andrew Oda - SOTTO\" href=\"https:\/\/soundcloud.com\/user-795544044\/map021-andrew-oda-sotto\" target=\"_blank\"\u003eMAP021 \/ Andrew Oda - SOTTO\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/md6kPU18r6g\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e‘Sotto’ is Andrew Oda’s attempt at world building in sound. Meshing method, mind, metaphysical and mundane into massive murals, its triptych of vivid compositions seem to wield electronic sound like a magic paintbrush. Inspired by the paintings of Otto Marseus van Schrieck, Ljubomir Popović, and Nicole Duennebier, ‘Sotto’’s three parts inhabit environments bursting with explosive internal ecologies of synthesized pulsations, yawning drones, tinkling imaginary chimes, and abstract noisy rumblings that flow, ebb and breathe with the infinite complexity cognition meshing with the chaotic order of natural greenery.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eSide A’s two pieces – ’Sotto’ and ‘Spirit’ – are both only made up of synthetic sound, created via computer and other synthesizing methods. The spark came from an attempt to show the process of creation, life and the final union through sonic means, spiralling into a dense lattice of lifeforms, spirits, and objects realised in sound. “The original goal of the project was to convey the idea of this sound visualization for creatures and textures that are fluid, tangled and morphing into and around each other,”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexplains Oda.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile imagination and spirit are the subjects of the first two pieces, the final piece of the triptych, ‘Enfold’, emerges into a luscious and staggeringly beautiful material world. Oda turns here to acoustic recordings made in the field, as well as pianos, bells, and flute (performed by Susannah Oda), layering the results into the trembling organic soundscape suggested by Jonáš Gruska’s cover photography. The entirety of ‘Sotto’ is a living and vivid sound world of Oda’s creation – the first in a pegged trilogy of triptychs – brimming with beauty in which to wander and bask.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eartist : Andrew Oda\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003elabel : Mappa\u003c\/div\u003e"}
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The debut work of new American writer Andrew Oda will be released on mappa in Slovakia in November 2020 minutes when various scenes appear and disappear like a roller coaster.Good work came out again from mappa which is gaining momentum. mappa editions · MAP11 / Andrew Oda --SOTTO'Sotto' is Andrew ...
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