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{"id":8232107901178,"title":"Giacinto Scelsi \/\/ Scelsi Edition 6: The Orchestral Works II CD","handle":"giacinto-scelsi-scelsi-edition-6-the-orchestral-works-ii-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2006年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eオーケストラのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1335861216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 1st Movement 02:56\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 2nd Movement 04:49\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 3rd Movement 04:26\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 4th Movement 04:40\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 1st Movement 06:13\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 2nd Movement 03:58\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 3rd Movement 03:42\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 4th Movement 03:12\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 5th Movement 04:06\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 1st Movement 06:34\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 2nd Movement 05:59\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 3rd Movement 08:09\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 4th Movement 11:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first recording of his 32-minute grand cantata La nascita del Verbo. Steeped in chromaticism, with hints of Scriabin and a sea of percussion, Nascita boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, “truly written in blood,” left Scelsi “in a deplorable state,” afterwards he stopped composing for several years.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of Scelsi’s infamous pieces is the Quattro Pezzi (su una nota sola). Each piece is limited to one pitch with micro-fluctuations of sound (vibratos, slurs, spectral changes, tremolos…). Because of the nearly total abandonment of harmonics, the listener concentrates on new sonorous subtleties, on the orchestra’s timbre as a whole.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1966, he completed the ferocious, tormented, complex Uaxuctum. The myths and mysteries of this Mayan city is reflected in Scelsi’s compositional process: new instrumental and vocal techniques (breathing noises, nasal sounds, muted or inhaled gutturals…), rhythmic incantations, a petrified flow of time. Few woodwinds, a string section consisting of six double basses, lots of brass, and, in addition to a timpanist, no less than seven percussionists!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode176\u003c\/p\u003e","published_at":"2024-03-21T19:48:04+09:00","created_at":"2024-03-21T16:10:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","mode","new"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380131848442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 6: The Orchestral Works II CD","public_title":null,"options":["Default Title"],"price":1795,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056","options":["Title"],"media":[{"alt":null,"id":33425992384762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2006年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eオーケストラのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1335861216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 1st Movement 02:56\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 2nd Movement 04:49\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 3rd Movement 04:26\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 4th Movement 04:40\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 1st Movement 06:13\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 2nd Movement 03:58\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 3rd Movement 03:42\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 4th Movement 03:12\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 5th Movement 04:06\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 1st Movement 06:34\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 2nd Movement 05:59\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 3rd Movement 08:09\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 4th Movement 11:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first recording of his 32-minute grand cantata La nascita del Verbo. Steeped in chromaticism, with hints of Scriabin and a sea of percussion, Nascita boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, “truly written in blood,” left Scelsi “in a deplorable state,” afterwards he stopped composing for several years.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of Scelsi’s infamous pieces is the Quattro Pezzi (su una nota sola). Each piece is limited to one pitch with micro-fluctuations of sound (vibratos, slurs, spectral changes, tremolos…). Because of the nearly total abandonment of harmonics, the listener concentrates on new sonorous subtleties, on the orchestra’s timbre as a whole.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1966, he completed the ferocious, tormented, complex Uaxuctum. The myths and mysteries of this Mayan city is reflected in Scelsi’s compositional process: new instrumental and vocal techniques (breathing noises, nasal sounds, muted or inhaled gutturals…), rhythmic incantations, a petrified flow of time. Few woodwinds, a string section consisting of six double basses, lots of brass, and, in addition to a timpanist, no less than seven percussionists!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode176\u003c\/p\u003e"}
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This is a CD released by Italian composer Giacinto Scelsi (1905-1988) in 2006 from the American/New York classical label Mode. Contains 13 pieces for orchestra. Jewel case, shrink specification. Click here to see more Mode releases available at Tobira. ------------------------------- ---------- CD...
€17,95
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{"id":8232105804026,"title":"Giacinto Scelsi \/\/ Scelsi Edition 7 - The Works for Double Bass CD","handle":"giacinto-scelsi-scelsi-edition-7-the-works-for-double-bass-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2007年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eコントラバスのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1428415109\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNuits - I. C'Est Bien La Nuit 02:49\u003c\/li\u003e\n\u003cli\u003eNuits - II. Le Reveil Profond 06:02\u003c\/li\u003e\n\u003cli\u003eEt Maintenant C'Est À Vous De Jouer... 06:21\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - I. 08:14\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - II. 02:19\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - III. 03:38\u003c\/li\u003e\n\u003cli\u003eDharana 08:54\u003c\/li\u003e\n\u003cli\u003eMaknongon 04:29\u003c\/li\u003e\n\u003cli\u003eKshara - I. 02:53\u003c\/li\u003e\n\u003cli\u003eKshara - II. 05:35\u003c\/li\u003e\n\u003cli\u003eKshara - III. 05:08\u003c\/li\u003e\n\u003cli\u003eOkanagon 09:07\u003c\/li\u003e\n\u003cli\u003eMantram 04:47\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis disc contains the first complete recordings of Scelsi’s music for doublebass.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eThis is volume 7 in Mode’s acclaimed Scelsi Edition.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eScelsi’s infamous KO-THA I, II, III – for string instrument played lying on its back in a percussive manner – is presented for the first time in an adaptation from the original for guitar by legendary bassist Fernando Grillo.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobert Black, internationally known as one of the leading bassist of our time, has also collaborated or performed with a diverse number of musicians from D.J. Spooky to Meridth Monk to Cecil Taylor, and is \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ea regular member of the Bang on a Can All-Stars.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode188\u003c\/p\u003e","published_at":"2024-03-21T19:49:41+09:00","created_at":"2024-03-21T16:08:30+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380127719674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 7 - The Works for Double Bass CD","public_title":null,"options":["Default Title"],"price":1795,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sev.jpg?v=1711004912"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sev.jpg?v=1711004912","options":["Title"],"media":[{"alt":null,"id":33425976099066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sev.jpg?v=1711004912"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sev.jpg?v=1711004912","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2007年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eコントラバスのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1428415109\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNuits - I. C'Est Bien La Nuit 02:49\u003c\/li\u003e\n\u003cli\u003eNuits - II. Le Reveil Profond 06:02\u003c\/li\u003e\n\u003cli\u003eEt Maintenant C'Est À Vous De Jouer... 06:21\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - I. 08:14\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - II. 02:19\u003c\/li\u003e\n\u003cli\u003eKo-Tha \"Three Dances Of Shiva\" - III. 03:38\u003c\/li\u003e\n\u003cli\u003eDharana 08:54\u003c\/li\u003e\n\u003cli\u003eMaknongon 04:29\u003c\/li\u003e\n\u003cli\u003eKshara - I. 02:53\u003c\/li\u003e\n\u003cli\u003eKshara - II. 05:35\u003c\/li\u003e\n\u003cli\u003eKshara - III. 05:08\u003c\/li\u003e\n\u003cli\u003eOkanagon 09:07\u003c\/li\u003e\n\u003cli\u003eMantram 04:47\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis disc contains the first complete recordings of Scelsi’s music for doublebass.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eThis is volume 7 in Mode’s acclaimed Scelsi Edition.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eScelsi’s infamous KO-THA I, II, III – for string instrument played lying on its back in a percussive manner – is presented for the first time in an adaptation from the original for guitar by legendary bassist Fernando Grillo.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobert Black, internationally known as one of the leading bassist of our time, has also collaborated or performed with a diverse number of musicians from D.J. Spooky to Meridth Monk to Cecil Taylor, and is \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ea regular member of the Bang on a Can All-Stars.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode188\u003c\/p\u003e"}
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This is a CD released in 1905 by Italian composer Giacinto Scelsi (1988-2007) from the American/New York classical label Mode. Contains 13 pieces for double bass. Jewel case, shrink specification. Click here to see more Mode releases available at Tobira. ------------------------------- ---------- CD...
€17,95
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{"id":8232103182586,"title":"Giacinto Scelsi \/\/ Scelsi Edition 8: The Piano Works 4 CD","handle":"giacinto-scelsi-scelsi-edition-8-the-piano-works-4-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1627843779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHispania - I. 07:11\u003c\/li\u003e\n\u003cli\u003eHispania - II. 10:33\u003c\/li\u003e\n\u003cli\u003eHispania - III. 06:17\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - I. Deciso 02:10\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - II. \"Quarter Note\" = 120 01:40\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - III. Grazioso 01:48\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IV. \"Quarter Note\" = 108 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - V. Spigliato 01:22\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VI. \"Quarter Note\" = 100 02:20\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VII. Iniziando A \"Dotted Quarter Note\" = 132 E Subito Movendo 02:03\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VIII. Con Grazia 02:38\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IX. Giocoso 01:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - X. Molto Ritmato 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - I. Vivace 01:44\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - II. Agitato 01:30\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - III. Quarter Note = 80 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IV. Quarter Note - 66 02:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - V. Mosso 01:41\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VI. Grazioso 00:59\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VII. \"Quarter Note\" = 63 02:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VIII. Energico 01:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IX. Agitato 01:12\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - X. \"Quarter Note\" = 108 01:00\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XI. Capriccioso 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XII. Energico 01:37\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIII. Vivace 00:56\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIV. Vivacissimo 00:45\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XV. Scorrevole 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works. The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHispania is a fascinating work, where passages show some signs of Scelsi’s later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi’s work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of predominantly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome’s Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi’s later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi’s nickname for his wife, Dorothy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis audiophile quality recording was made using high-resolution 96khz\/24-bit technology.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode227\u003c\/p\u003e","published_at":"2024-03-21T19:48:58+09:00","created_at":"2024-03-21T16:05:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380121329914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 8: The Piano Works 4 CD","public_title":null,"options":["Default Title"],"price":1795,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738","options":["Title"],"media":[{"alt":null,"id":33425957060858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1627843779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHispania - I. 07:11\u003c\/li\u003e\n\u003cli\u003eHispania - II. 10:33\u003c\/li\u003e\n\u003cli\u003eHispania - III. 06:17\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - I. Deciso 02:10\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - II. \"Quarter Note\" = 120 01:40\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - III. Grazioso 01:48\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IV. \"Quarter Note\" = 108 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - V. Spigliato 01:22\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VI. \"Quarter Note\" = 100 02:20\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VII. Iniziando A \"Dotted Quarter Note\" = 132 E Subito Movendo 02:03\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VIII. Con Grazia 02:38\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IX. Giocoso 01:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - X. Molto Ritmato 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - I. Vivace 01:44\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - II. Agitato 01:30\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - III. Quarter Note = 80 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IV. Quarter Note - 66 02:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - V. Mosso 01:41\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VI. Grazioso 00:59\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VII. \"Quarter Note\" = 63 02:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VIII. Energico 01:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IX. Agitato 01:12\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - X. \"Quarter Note\" = 108 01:00\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XI. Capriccioso 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XII. Energico 01:37\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIII. Vivace 00:56\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIV. Vivacissimo 00:45\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XV. Scorrevole 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works. The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHispania is a fascinating work, where passages show some signs of Scelsi’s later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi’s work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of predominantly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome’s Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi’s later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi’s nickname for his wife, Dorothy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis audiophile quality recording was made using high-resolution 96khz\/24-bit technology.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode227\u003c\/p\u003e"}
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This is a CD released by Italian composer Giacinto Scelsi (1905-1988) from the US/NY classical label Mode in 2020. Contains 28 pieces for piano. Jewel case, shrink specification. Click here to see more Mode releases available at Tobira. ------------------------------- ---------- CD...
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{"id":8232100233466,"title":"Giacinto Scelsi \/\/ Scelsi Edition 10: The Violin Works CD","handle":"giacinto-scelsi-scelsi-edition-10-the-violin-works-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eバイオリンのための作品17曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2637955316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDivertimento No. 4 - I. 03:48\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - II. 03:28\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - III. 03:20\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - IV. 05:15\u003c\/li\u003e\n\u003cli\u003eL'Âme Ailée 04:20\u003c\/li\u003e\n\u003cli\u003eL'Âme Ouverte 03:12\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - I. 02:57\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - II. 03:36\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - III. 02:04\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - IV. 03:37\u003c\/li\u003e\n\u003cli\u003eXnoybis - I. 03:38\u003c\/li\u003e\n\u003cli\u003eXnoybis - II. 03:10\u003c\/li\u003e\n\u003cli\u003eXnoybis - III. 03:14\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - I. 03:04\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - II. 02:47\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - III. 02:23\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - IV. 02:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis is the first complete recording of Scelsi’s works for solo violin. They span from the earlier “Divertimenti,” in his more traditional virtuoso style, to the two later works which find Scelsi exploring the sound “inside of the note.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDivertimento No. 2 receives its first recording here (Divertimento No. 1 has never been found).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaiwanese born violinst Weiping Lin is Assistant Concertmaster of the Austrian Broadcasting Corporation Radio Symphony Orchestra Vienna (RSO-Wien) and a well-respected violinist for contemporary music. Ms. Lin has performed numerous premieres. As a chamber musician and soloist Ms. Lin has performed numerous concerts in countries throughout Europe and Asia, playing with ensembles such as Ensemble Modern, Ensemble die reihe, Ensemble 20. Jahrhundert, Ensemble EIS and Zur Eisernen Zeit.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode 256\u003c\/p\u003e","published_at":"2024-03-21T19:46:52+09:00","created_at":"2024-03-21T16:02:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380115398906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 10: The Violin Works CD","public_title":null,"options":["Default Title"],"price":1795,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/scel2.jpg?v=1711004560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/scel2.jpg?v=1711004560","options":["Title"],"media":[{"alt":null,"id":33425937924346,"position":1,"preview_image":{"aspect_ratio":1.008,"height":1190,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/scel2.jpg?v=1711004560"},"aspect_ratio":1.008,"height":1190,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/scel2.jpg?v=1711004560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eバイオリンのための作品17曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2637955316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDivertimento No. 4 - I. 03:48\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - II. 03:28\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - III. 03:20\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 4 - IV. 05:15\u003c\/li\u003e\n\u003cli\u003eL'Âme Ailée 04:20\u003c\/li\u003e\n\u003cli\u003eL'Âme Ouverte 03:12\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - I. 02:57\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - II. 03:36\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - III. 02:04\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 2 - IV. 03:37\u003c\/li\u003e\n\u003cli\u003eXnoybis - I. 03:38\u003c\/li\u003e\n\u003cli\u003eXnoybis - II. 03:10\u003c\/li\u003e\n\u003cli\u003eXnoybis - III. 03:14\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - I. 03:04\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - II. 02:47\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - III. 02:23\u003c\/li\u003e\n\u003cli\u003eDivertimento No. 3 - IV. 02:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis is the first complete recording of Scelsi’s works for solo violin. They span from the earlier “Divertimenti,” in his more traditional virtuoso style, to the two later works which find Scelsi exploring the sound “inside of the note.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDivertimento No. 2 receives its first recording here (Divertimento No. 1 has never been found).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaiwanese born violinst Weiping Lin is Assistant Concertmaster of the Austrian Broadcasting Corporation Radio Symphony Orchestra Vienna (RSO-Wien) and a well-respected violinist for contemporary music. Ms. Lin has performed numerous premieres. As a chamber musician and soloist Ms. Lin has performed numerous concerts in countries throughout Europe and Asia, playing with ensembles such as Ensemble Modern, Ensemble die reihe, Ensemble 20. Jahrhundert, Ensemble EIS and Zur Eisernen Zeit.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode 256\u003c\/p\u003e"}
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This is a CD released by Italian composer Giacinto Scelsi (1905-1988) from the US/NY classical label Mode in 2020. Contains 17 pieces for violin. Jewel case, shrink specification. Click here to see more Mode releases available at Tobira. ------------------------------- ---------- CD...
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{"id":7947717738746,"title":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","handle":"alvin-lucier-swing-bridge-sizzles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2023-04-01T14:19:48+09:00","created_at":"2023-04-01T12:27:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","mode","new"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139589632250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","public_title":null,"options":["Default Title"],"price":1495,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","options":["Title"],"media":[{"alt":null,"id":31764050706682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","width":700},{"alt":null,"id":31764050739450,"position":2,"preview_image":{"aspect_ratio":1.124,"height":1068,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"},"aspect_ratio":1.124,"height":1068,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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American influential experimental musician Alvin Lucier released this CD in January 2023 from Mode in NY.Includes 1 minimal drone songs by pipe organ.Digipak, shrink specification.Below is an explanation by the label.This release features two works by Alvin Lucier centered around the pipe organ, the instrument of choice for Lucier's composing practice.Both are first recordings. 'Swing Bridge' was commissioned by the Australian Art Orchestra, the ensemble on this record, for the Melbourne Town Hall Grand Organ.The score calls for removing certain pipes from the organ and running them through three specially constructed offset chests, each holding two pipes (six pitches total).These pipes are operated by three or more players called "pipe wavers".The music explores the phenomenon of the organ making its operation performative and visceral.You can hear how the energy produced by the organ "sounds" the space in which it was played and recorded. I was able to experience the physicality of the air moving inside.This is a conceptual work of the highest order, but it is also sensual, beautiful, and immersive, with the pulsation of the organ and the resonance of the room interwoven with the texture of the ensemble.The organ and pipe swinging are joined by an ensemble that produces long tones that are microtonically related to the organ. In Sizzles the composer writes: “Drums of various sizes are randomly placed around the playing space. The drumheads are sprinkled with fine substances such as lentils, chickpeas and candy hearts. The drum skin resonates and vibrates, the drums sound and the material moves.Each drum is individually amplified with a contact or air mic and an independent amplifier.Alvin Russier featured in this release We made the final selection for our version of "Sizzles."Click here for labels and other works /// Click here to see more Mode releases available at Tobira. ---------------------------- Includes.. .
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{"id":6961050157221,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2021-08-08T17:20:12+09:00","created_at":"2021-08-08T12:09:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","monooto","sale22","strange beats"],"price":1895,"price_min":1895,"price_max":1895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528789438629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":1895,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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This is a recorded sound source / video of a research project developed to investigate how a percussionist remembers the movement of music in an ensemble.In the video, you can enjoy playing with a multi-camera. Also includes 24-bit, 96khz PCM stereo audio version. Includes a booklet with liner notes directed by Aiyun Huang.Tracks: Iannis Xenakis Persephassa (1969) for six percussionits 28:10 Zihua TanSorites (2015) for ...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":1495,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Mode releases available at Tobira. ---------------------------- Description by Mode : ...
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{"id":6961048420517,"title":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","handle":"jc54","description":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-08T17:52:49+09:00","created_at":"2021-08-08T12:05:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new","recommended"],"price":1595,"price_min":1595,"price_max":1595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528778231973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","public_title":null,"options":["Default Title"],"price":1595,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","options":["Title"],"media":[{"alt":null,"id":23256461672613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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Morton Feldman arranged the work "Cheap Imitation" produced by John Cage in 1969 under the influence of Erik Satie's "Socrate" in 1980, and presented the score to Aki Takahashi, which led to the release. It is a work that called for a connection. Includes liner notes by Cage's friend pianist James Pritchett.Below is a description of the label. "Cage was supposed to transcrib Erik Satie's" Socrate "on two pianos for the choreography of Merce Cunningham, but couldn't get permission from the publisher and had the right to play. I couldn't even get it.The solution Cage took was to keep the melody and phrase composition of "Socrate" and create a piano piece with different notes to avoid copyright issues.Cage named this song "Cheap Imitaion".Cunningham, on the other hand, called his dance a "second hand."The recital concludes with three short films under the influence of Saty. "Perpetual Tango" is derived from the movement of "Tango" in Saty's "Sports et Divertissements", which takes the original tango rhythm and erases a part of it.The cage does not specify the pitch, but gives the range of the original song.The pianist chooses which pitch to play in a given rhythm. In 2, "Sports et ...
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{"id":5857629700261,"title":"Morton Feldman \/\/ Feldman Edition 6: String Quartet 2 DVD","handle":"morton-feldman-feldman-edition-6-string-quartet-2-dvd","description":"\u003cp\u003eMorton Feldman図形楽譜集第6弾。5時間30分のFeldmanワールドへ。\u003c\/p\u003e\n\u003cp\u003eDVDは音声のみですが、圧巻の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe FLUX Quartetのパフォーマンスを48 khz\/24-bit、ディスク変更無しでお楽しみいただけます。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221487302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-11-04T09:14:27+09:00","created_at":"2020-11-04T09:14:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","recommended"],"price":3395,"price_min":3395,"price_max":3395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36995120791717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman \/\/ Feldman Edition 6: String Quartet 2 DVD","public_title":null,"options":["Default Title"],"price":3395,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-1081565-1196388294_jpeg.jpg?v=1604449071"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-1081565-1196388294_jpeg.jpg?v=1604449071","options":["Title"],"media":[{"alt":null,"id":13062838485157,"position":1,"preview_image":{"aspect_ratio":1.134,"height":529,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-1081565-1196388294_jpeg.jpg?v=1604449071"},"aspect_ratio":1.134,"height":529,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-1081565-1196388294_jpeg.jpg?v=1604449071","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMorton Feldman図形楽譜集第6弾。5時間30分のFeldmanワールドへ。\u003c\/p\u003e\n\u003cp\u003eDVDは音声のみですが、圧巻の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe FLUX Quartetのパフォーマンスを48 khz\/24-bit、ディスク変更無しでお楽しみいただけます。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221487302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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Morton Feldman 6th graphic notation collection. 5 hours 30 minutes to Feldman World. The DVD is audio only, but you can enjoy the performance of the masterpiece The FLUX Quartet at 48 khz / 24-bit without changing the disc.Click here to see more Mode releases available at ...
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{"id":5848055840933,"title":"Walter Zimmermann \/\/ Schatten Der Ideen CD","handle":"walter-zimmermann-schatten-der-ideen-cd","description":"\u003cp\u003eJohn Cageの構成主義とMorton Feldmanの叙情主義の影響下、全く独自の音楽を生み出したドイツ人音楽家Walter Zimmermannによる2002年出版アルバム。全4曲入り。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/920173264\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe influence of two American composers - John Cage and Morton Feldman - has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties - works like the \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eString Quartet, the Suite for Toy Piano and the Six Melodies - that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann's lyrical impetus, and Cage to his constructivist urges. Yet the two do not always co-exist comfortably, and it is partly the constant conflict and confrontation of the two which ensures that, far from being a 'displaced American', he is a quintessentially mid-European creator. The result is a totally individual sound; 'detached' in tone, yet often strangely touching. Its sparse, yet highly precise notation actually makes great demands on the performer, and the resulting 'introverted virtuosity', as Zimmermann calls it, remains a hallmark of his music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFurther to Zimmermann's highly regarded reputation in Europe, John Cage recognized his unique voice and commissioned Zimmermann to compose scores to a number of dances for the Merce Cunningham Dance Company.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Walter Zimmermann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : mode\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-30T14:31:47+09:00","created_at":"2020-10-30T14:31:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36950113353893,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Walter Zimmermann \/\/ Schatten Der Ideen CD","public_title":null,"options":["Default Title"],"price":1495,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/111zimmermann.jpg?v=1604035907"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/111zimmermann.jpg?v=1604035907","options":["Title"],"media":[{"alt":null,"id":13010623365285,"position":1,"preview_image":{"aspect_ratio":1.012,"height":242,"width":245,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/111zimmermann.jpg?v=1604035907"},"aspect_ratio":1.012,"height":242,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/111zimmermann.jpg?v=1604035907","width":245}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageの構成主義とMorton Feldmanの叙情主義の影響下、全く独自の音楽を生み出したドイツ人音楽家Walter Zimmermannによる2002年出版アルバム。全4曲入り。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/920173264\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe influence of two American composers - John Cage and Morton Feldman - has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties - works like the \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eString Quartet, the Suite for Toy Piano and the Six Melodies - that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann's lyrical impetus, and Cage to his constructivist urges. Yet the two do not always co-exist comfortably, and it is partly the constant conflict and confrontation of the two which ensures that, far from being a 'displaced American', he is a quintessentially mid-European creator. The result is a totally individual sound; 'detached' in tone, yet often strangely touching. Its sparse, yet highly precise notation actually makes great demands on the performer, and the resulting 'introverted virtuosity', as Zimmermann calls it, remains a hallmark of his music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFurther to Zimmermann's highly regarded reputation in Europe, John Cage recognized his unique voice and commissioned Zimmermann to compose scores to a number of dances for the Merce Cunningham Dance Company.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Walter Zimmermann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : mode\u003c\/span\u003e\u003c\/p\u003e"}
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A 2002 album by German musician Walter Zimmermann, who created completely unique music under the influence of John Cage's constructivism and Morton Feldman's lyricism.Contains 4 songs.Click here to see more Mode releases available at Tobira. ----------------------------...
€14,95
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{"id":5848031887525,"title":"Morton Feldman \/\/ Feldman Edition 8: Triadic Memories DVD","handle":"morton-feldman-feldman-edition-8-triadic-memories-dvd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第８弾。Triadic Memories演奏映像作曲を収録。DVDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1214604003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Mode releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-10-30T14:07:28+09:00","created_at":"2020-10-30T14:07:26+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36950003220645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman \/\/ Feldman Edition 8: Triadic Memories DVD","public_title":null,"options":["Default Title"],"price":1995,"weight":110,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1499956340_16.jpg?v=1604034448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1499956340_16.jpg?v=1604034448","options":["Title"],"media":[{"alt":null,"id":13010562056357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1499956340_16.jpg?v=1604034448"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1499956340_16.jpg?v=1604034448","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第８弾。Triadic Memories演奏映像作曲を収録。DVDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1214604003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Mode releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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The XNUMXth collection of feldman graphic notation. Includes Triadic Memories performance video composition. It's a DVD.Click here to see more Mode releases available at Tobira. Artist: Morton Feldman ...
€19,95
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{"id":5848022122661,"title":"Morton Feldman \/\/ Feldman Edition 3: Complete Music For Violin \u0026 Piano 2xCD","handle":"morton-feldman-feldman-edition-3-complete-music-for-violin-piano-2xcd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efeldman図形楽譜集第3弾。1950 - 1982年に作曲された楽曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1140233603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-10-30T14:02:51+09:00","created_at":"2020-10-30T14:02:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":3295,"price_min":3295,"price_max":3295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36949987819685,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman \/\/ Feldman Edition 3: Complete Music For Violin \u0026 Piano 2xCD","public_title":null,"options":["Default Title"],"price":3295,"weight":140,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0357017358_16.jpg?v=1604034170"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0357017358_16.jpg?v=1604034170","options":["Title"],"media":[{"alt":null,"id":13010540101797,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0357017358_16.jpg?v=1604034170"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0357017358_16.jpg?v=1604034170","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efeldman図形楽譜集第3弾。1950 - 1982年に作曲された楽曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1140233603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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The third collection of feldman graphic notation. 3 --Contains songs composed in 1950.Click here to see more Mode releases available at Tobira. Artist: ...
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{"id":8229622612218,"title":"Morton Feldman \/\/ Feldman Edition 14: Complete Music for Cello \u0026 Piano 2xCD","handle":"morton-feldman-feldman-edition-14-complete-music-for-cello-piano-2xcd","description":"\u003cp\u003e\u003cspan\u003eアメリカの作曲家Morton Feldman（1926-1987年）が、2024年3月に同国NYのコンテンポラリーレーベルModeからリリースした2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼が35年間で制作したチェロとピアノのための作品を未発表曲含め\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e24曲全て収録。ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eSamuel Clay Birmaherによる解説です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースでは、フェルドマンが作曲したチェロとピアノのための作品を、未発表作品や初録音を含めてすべて収録している。\u003cbr\u003e\u003cbr\u003eこれらの作品を合わせると、フェルドマンの音楽の物語が見えてくる。フェルドマンが学生時代に自分の声を探していたときから、晩年に新しい扉を開くまでの35年間、つまり彼の生涯の半分以上にわたる作品である。\u003cbr\u003e\u003cbr\u003eこのアルバムは、図形楽譜の柔軟性が何をもたらすかを聴く機会を与える『デュレーションズ2』（1960年）の2つのリアリゼーションで締めくくられている。\u003cbr\u003e\u003cbr\u003e『ソナチネ』（1946年）は、最も初期の作品で、初録音。フェルドマンはベーラ・バルトークの影響を受け、楽器の演奏の現実を十分に理解することなく、彼が愛するチェロの音のために作曲した。その結果生まれたソロ・パートは素朴なヴィルトゥオーゾ的で、しばしば演奏不可能ですらある。この録音では、スティーヴン・マロットは可能な限り楽譜に忠実で、フェルドマンが心の耳で聴いたものを実現することを目指している。\u003cbr\u003e\u003cbr\u003e1948年まで、フェルドマンは作曲家シュテファン・ヴォルプに個人的に数年間師事していた。その年に発表された未発表の《2つの小品》は、論理によってではなく、慎重に構えられた身振りによって、揺れ動く音楽をつなぎとめている。この作品や他の初期の作品に見られる感情的なドラマは、やがてフェルドマンの音楽から消えていくことになるが、「形」という考え方は、何よりもフェルドマンの生涯に残るものであった。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1950年、フェルドマンはジョン・ケージと出会い、ニューヨークのアヴァンギャルドの世界へと導かれた。未発表のコンパクトな「チェロとピアノのためのコンポジション」（1951年）は、突如として発表されたが、そのミニマルな素材とぼやけた音の記憶の中に、すでに彼の最後の作品のDNAが含まれている。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「シュトックハウゼン、ケージ、ストラヴィンスキー、そしてメアリー・スプリンソンのために」（1972年）は、フェルドマンが当時制作していた主要な作品群から切り離された、儚い未発表作品である。同じ和音を2つの異なる方法で表現している。\u003cbr\u003e\u003cbr\u003e1時間29分近くある \"Patterns in a Chromatic Field\"(1981)は、フェルドマンの後期の長時間の作品であり、おそらくここに収録された作品の中で最もよく知られている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=812477012\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2026297168\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Durations 2 (1960) [Realization 1] 04:09\u003cbr\u003e2. Composition for cello \u0026amp; piano (1951) I. 00:29\u003cbr\u003e3. Composition for cello \u0026amp; piano (1951) II. 00:30\u003cbr\u003e4. Composition for cello \u0026amp; piano (1951) III. 00:21\u003cbr\u003e5. Composition for cello \u0026amp; piano (1951) IV. 00:28\u003cbr\u003e6. Composition for cello \u0026amp; piano (1951) V. 00:26\u003cbr\u003e7. Composition for cello \u0026amp; piano (1951) VI. 00:26\u003cbr\u003e8. Composition for cello \u0026amp; piano (1951) VII. 00:24\u003cbr\u003e9. Composition for cello \u0026amp; piano (1951) VIII. 01:31\u003cbr\u003e10. Sonatina (1946) I. Allegro 03:35\u003cbr\u003e11. Sonatina (1946) II. Larghetto cantabile e tranquillo 03:51\u003cbr\u003e12. Sonatina (1946) III. Allegro grazioso 02:09\u003cbr\u003e13. Two Pieces (1948) I. Allegro 00:34\u003cbr\u003e14. Two Pieces (1948) II. Intermezzo 01:09\u003cbr\u003e15. For Stockhausen, Cage, Stravinsky, and Mary Sprinson (1972) 00:46\u003cbr\u003e16. Patterns in a Chromatic Field (1981) mm. 1-387, page 1 14:19\u003cbr\u003e17. mm. 388-558 page 20 09:56\u003cbr\u003e18. mm 559-792, page 27 14:16\u003cbr\u003e19. mm. 793-864, page 35 13:20\u003cbr\u003e20. mm. 865-1045, page 46 08:13\u003cbr\u003e21. mm. 1046-1166, page 52 13:06\u003cbr\u003e22. mm. 1167-1426, page 64 07:49\u003cbr\u003e23. mm. 1427-end page 69 07:46\u003cbr\u003e24. Durations 2 (1960) [Realization 2] 03:52\u003c\/p\u003e\n\u003cp\u003eStephen Marotto, cello\u003cbr\u003eMarilyn Nonken, piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLiner notes by Samuel Clay Birmaher :\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This release brings together ALL of Morton Feldman’s compositions for cello and piano, including unpublished works and a first recording. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these works tell the story of Feldman’s music. They span 35 years — over half his lifetime — from when he was searching for his voice as a student to when he was opening new doors in the last years of his life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is bookended by two realizations the graphic score “Durations 2” (1960), giving an opportunity to hear what the flexibility of graphic notation can bring. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe “Sonatina” (1946) is earliest work here, and a first recording. Displaying the influence of Béla Bartók, Feldman wrote for the cello sound he loved without fully understanding the realities of playing the instrument. The resulting solo part is naively virtuosic and often even impossible to play. For this recording, Stephen Marotto keeps as close as possible to the written score, aiming to fulfill what Feldman heard in his mind’s ear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy 1948, Feldman had been studying privately with the composer Stefan Wolpe for several years. The unpublished “Two Pieces,” of that year is a fluctuating music held together not by logic, but\u003cspan class=\"bcTruncateMore\"\u003e through its carefully poised gestures — what Wolpe called “shape.” While the emotional drama of this and other early works would soon disappear from Feldman’s music, it was above all the idea of “shape” that remained with him for the rest of his life. \u003cbr\u003e\u003cbr\u003eIn 1950, Feldman met John Cage, who shepherded him into the world of the New York avant-garde. The unpublished, compact, “Composition for cello and piano” (1951) is a sudden breakthrough, yet it already contains the DNA of his very last works in its minimal material and blurred memories of sounds. \u003cbr\u003e\u003cbr\u003e“For Stockhausen, Cage, Stravinsky, and Mary Sprinson” (1972) is an ephemeral, unpublished piece, a shard of music broken off from the main body of work Feldman was producing at the time. It consists of just two musical moments separated by silence — the same chord expressed in two different ways. \u003cbr\u003e\u003cbr\u003eAt almost 1 hour 29 minutes, “Patterns in a Chromatic Field” (1981) is of Feldman’s late, long duration period of works and it perhaps the best known of the works recorded here. \u003c\/span\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2024-03-18T20:03:50+09:00","created_at":"2024-03-18T19:38:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new","recommended"],"price":3295,"price_min":3295,"price_max":3295,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45366200828154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 14: Complete Music for Cello \u0026 Piano 2xCD","public_title":null,"options":["Default Title"],"price":3295,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0684531994_16.jpg?v=1710758927","\/\/tobirarecords.com\/cdn\/shop\/files\/0035234291_10.jpg?v=1710758928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0684531994_16.jpg?v=1710758927","options":["Title"],"media":[{"alt":null,"id":33406841848058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0684531994_16.jpg?v=1710758927"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0684531994_16.jpg?v=1710758927","width":700},{"alt":null,"id":33406841946362,"position":2,"preview_image":{"aspect_ratio":1.268,"height":946,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035234291_10.jpg?v=1710758928"},"aspect_ratio":1.268,"height":946,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035234291_10.jpg?v=1710758928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカの作曲家Morton Feldman（1926-1987年）が、2024年3月に同国NYのコンテンポラリーレーベルModeからリリースした2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼が35年間で制作したチェロとピアノのための作品を未発表曲含め\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e24曲全て収録。ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eSamuel Clay Birmaherによる解説です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースでは、フェルドマンが作曲したチェロとピアノのための作品を、未発表作品や初録音を含めてすべて収録している。\u003cbr\u003e\u003cbr\u003eこれらの作品を合わせると、フェルドマンの音楽の物語が見えてくる。フェルドマンが学生時代に自分の声を探していたときから、晩年に新しい扉を開くまでの35年間、つまり彼の生涯の半分以上にわたる作品である。\u003cbr\u003e\u003cbr\u003eこのアルバムは、図形楽譜の柔軟性が何をもたらすかを聴く機会を与える『デュレーションズ2』（1960年）の2つのリアリゼーションで締めくくられている。\u003cbr\u003e\u003cbr\u003e『ソナチネ』（1946年）は、最も初期の作品で、初録音。フェルドマンはベーラ・バルトークの影響を受け、楽器の演奏の現実を十分に理解することなく、彼が愛するチェロの音のために作曲した。その結果生まれたソロ・パートは素朴なヴィルトゥオーゾ的で、しばしば演奏不可能ですらある。この録音では、スティーヴン・マロットは可能な限り楽譜に忠実で、フェルドマンが心の耳で聴いたものを実現することを目指している。\u003cbr\u003e\u003cbr\u003e1948年まで、フェルドマンは作曲家シュテファン・ヴォルプに個人的に数年間師事していた。その年に発表された未発表の《2つの小品》は、論理によってではなく、慎重に構えられた身振りによって、揺れ動く音楽をつなぎとめている。この作品や他の初期の作品に見られる感情的なドラマは、やがてフェルドマンの音楽から消えていくことになるが、「形」という考え方は、何よりもフェルドマンの生涯に残るものであった。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1950年、フェルドマンはジョン・ケージと出会い、ニューヨークのアヴァンギャルドの世界へと導かれた。未発表のコンパクトな「チェロとピアノのためのコンポジション」（1951年）は、突如として発表されたが、そのミニマルな素材とぼやけた音の記憶の中に、すでに彼の最後の作品のDNAが含まれている。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「シュトックハウゼン、ケージ、ストラヴィンスキー、そしてメアリー・スプリンソンのために」（1972年）は、フェルドマンが当時制作していた主要な作品群から切り離された、儚い未発表作品である。同じ和音を2つの異なる方法で表現している。\u003cbr\u003e\u003cbr\u003e1時間29分近くある \"Patterns in a Chromatic Field\"(1981)は、フェルドマンの後期の長時間の作品であり、おそらくここに収録された作品の中で最もよく知られている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=812477012\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3618169192\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2026297168\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Durations 2 (1960) [Realization 1] 04:09\u003cbr\u003e2. Composition for cello \u0026amp; piano (1951) I. 00:29\u003cbr\u003e3. Composition for cello \u0026amp; piano (1951) II. 00:30\u003cbr\u003e4. Composition for cello \u0026amp; piano (1951) III. 00:21\u003cbr\u003e5. Composition for cello \u0026amp; piano (1951) IV. 00:28\u003cbr\u003e6. Composition for cello \u0026amp; piano (1951) V. 00:26\u003cbr\u003e7. Composition for cello \u0026amp; piano (1951) VI. 00:26\u003cbr\u003e8. Composition for cello \u0026amp; piano (1951) VII. 00:24\u003cbr\u003e9. Composition for cello \u0026amp; piano (1951) VIII. 01:31\u003cbr\u003e10. Sonatina (1946) I. Allegro 03:35\u003cbr\u003e11. Sonatina (1946) II. Larghetto cantabile e tranquillo 03:51\u003cbr\u003e12. Sonatina (1946) III. Allegro grazioso 02:09\u003cbr\u003e13. Two Pieces (1948) I. Allegro 00:34\u003cbr\u003e14. Two Pieces (1948) II. Intermezzo 01:09\u003cbr\u003e15. For Stockhausen, Cage, Stravinsky, and Mary Sprinson (1972) 00:46\u003cbr\u003e16. Patterns in a Chromatic Field (1981) mm. 1-387, page 1 14:19\u003cbr\u003e17. mm. 388-558 page 20 09:56\u003cbr\u003e18. mm 559-792, page 27 14:16\u003cbr\u003e19. mm. 793-864, page 35 13:20\u003cbr\u003e20. mm. 865-1045, page 46 08:13\u003cbr\u003e21. mm. 1046-1166, page 52 13:06\u003cbr\u003e22. mm. 1167-1426, page 64 07:49\u003cbr\u003e23. mm. 1427-end page 69 07:46\u003cbr\u003e24. Durations 2 (1960) [Realization 2] 03:52\u003c\/p\u003e\n\u003cp\u003eStephen Marotto, cello\u003cbr\u003eMarilyn Nonken, piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLiner notes by Samuel Clay Birmaher :\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This release brings together ALL of Morton Feldman’s compositions for cello and piano, including unpublished works and a first recording. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these works tell the story of Feldman’s music. They span 35 years — over half his lifetime — from when he was searching for his voice as a student to when he was opening new doors in the last years of his life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is bookended by two realizations the graphic score “Durations 2” (1960), giving an opportunity to hear what the flexibility of graphic notation can bring. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe “Sonatina” (1946) is earliest work here, and a first recording. Displaying the influence of Béla Bartók, Feldman wrote for the cello sound he loved without fully understanding the realities of playing the instrument. The resulting solo part is naively virtuosic and often even impossible to play. For this recording, Stephen Marotto keeps as close as possible to the written score, aiming to fulfill what Feldman heard in his mind’s ear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy 1948, Feldman had been studying privately with the composer Stefan Wolpe for several years. The unpublished “Two Pieces,” of that year is a fluctuating music held together not by logic, but\u003cspan class=\"bcTruncateMore\"\u003e through its carefully poised gestures — what Wolpe called “shape.” While the emotional drama of this and other early works would soon disappear from Feldman’s music, it was above all the idea of “shape” that remained with him for the rest of his life. \u003cbr\u003e\u003cbr\u003eIn 1950, Feldman met John Cage, who shepherded him into the world of the New York avant-garde. The unpublished, compact, “Composition for cello and piano” (1951) is a sudden breakthrough, yet it already contains the DNA of his very last works in its minimal material and blurred memories of sounds. \u003cbr\u003e\u003cbr\u003e“For Stockhausen, Cage, Stravinsky, and Mary Sprinson” (1972) is an ephemeral, unpublished piece, a shard of music broken off from the main body of work Feldman was producing at the time. It consists of just two musical moments separated by silence — the same chord expressed in two different ways. \u003cbr\u003e\u003cbr\u003eAt almost 1 hour 29 minutes, “Patterns in a Chromatic Field” (1981) is of Feldman’s late, long duration period of works and it perhaps the best known of the works recorded here. \u003c\/span\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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This is a 1926-CD set released by American composer Morton Feldman (1987-2024) from New York's contemporary label Mode in March 3. Contains all 2 pieces, including previously unreleased pieces, for cello and piano that he created over the past 35 years. Comes with liner notes. Below is an explanation by Samuel Clay Birmaher. "This release includes all of Feldman's works for cello and piano, including unreleased works and first recordings. Taken together, these works tell the story of Feldman's music. The work spans 24 years, or more than half of Feldman's life, from when he was searching for his own voice as a student to when he opened new doors in his later years.This album explores the flexibility of graphic notation. It concludes with two realizations of ``Durations 35'' (2), which gives us the opportunity to hear the results. ``Sonatine'' (1960) is the earliest work and the first recording. He composed for the sound of the cello, which he loved, without fully understanding the realities of playing the instrument.The resulting solo parts were rustic, virtuoso, and often even unplayable. In this recording, Stephen Malott is as faithful as possible to the score, aiming to realize what Feldman heard with his mind's ear.By 2, Feldman had personally agreed to work with composer Stefan Wolpp. His unpublished Two Pieces, published that year, holds the wavering music together not by logic but by carefully posed gestures. Although the emotional drama seen in his works would eventually disappear from Feldman's music, the idea of ``form'' remained above all else throughout Feldman's life. In 1946, Feldman met John Cage, who introduced him to the world of the New York avant-garde. The unreleased and compact Composition for Cello and Piano (1948) was released suddenly, but the DNA of his last work is already present in the memory of its minimal materials and hazy sound. It is included. ``For Stockhausen, Cage, Stravinsky, and Mary Sprinson'' (2) is an ephemeral, unpublished work that was separated from the major body of work that Feldman was producing at the time. The same chord is expressed in two different ways. At nearly an hour and 1950 minutes, "Patterns in a Chromatic Field" (1951) is one of Feldman's later, longer works, and is perhaps the best known of the pieces included here. "Click here for label and other works ///...
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{"id":5857653162149,"title":"Morton Feldman \/\/ Feldman Edition 11 : Orchestra CD","handle":"morton-feldman-feldman-edition-11-orchestra-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efeldman図形楽譜集第11弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459975509\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIntersection 1 (1951): Realization of the graphic score for orchestra. First recording for large orchestra.\u003cbr\u003eStructures (1960-62): First recording.\u003cbr\u003eOn Time and the Instrumental Factor (1969): First recording.\u003cbr\u003eVoice and Instruments (1972): First recording.\u003cbr\u003eOrchestra (1979): First recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1 Intersection I\u003cbr\u003eAdapted By [For Orchestra] – Samuel Clay Birmaher\u003cbr\u003e13:22\u003cbr\u003e\u003cbr\u003e2 Structures 7:40\u003cbr\u003e\u003cbr\u003e3 On Time And The Instrumental Factor 8:33\u003cbr\u003e\u003cbr\u003e4 Voice And Instruments\u003cbr\u003eSoprano Vocals – Martha Cluver\u003cbr\u003e16:28\u003cbr\u003e\u003cbr\u003e5 Orchestra 17:40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-11-04T09:28:38+09:00","created_at":"2020-11-04T09:28:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":1295,"price_min":1295,"price_max":1295,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36995294134437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 11 : Orchestra CD","public_title":null,"options":["Default Title"],"price":1295,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0230827734_16.jpg?v=1604449717"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0230827734_16.jpg?v=1604449717","options":["Title"],"media":[{"alt":null,"id":13062917685413,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0230827734_16.jpg?v=1604449717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0230827734_16.jpg?v=1604449717","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efeldman図形楽譜集第11弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459975509\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIntersection 1 (1951): Realization of the graphic score for orchestra. First recording for large orchestra.\u003cbr\u003eStructures (1960-62): First recording.\u003cbr\u003eOn Time and the Instrumental Factor (1969): First recording.\u003cbr\u003eVoice and Instruments (1972): First recording.\u003cbr\u003eOrchestra (1979): First recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1 Intersection I\u003cbr\u003eAdapted By [For Orchestra] – Samuel Clay Birmaher\u003cbr\u003e13:22\u003cbr\u003e\u003cbr\u003e2 Structures 7:40\u003cbr\u003e\u003cbr\u003e3 On Time And The Instrumental Factor 8:33\u003cbr\u003e\u003cbr\u003e4 Voice And Instruments\u003cbr\u003eSoprano Vocals – Martha Cluver\u003cbr\u003e16:28\u003cbr\u003e\u003cbr\u003e5 Orchestra 17:40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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The 11th collection of feldman graphic notation.Click here to see more Mode releases available at Tobira. ---------------------------- Intersection 1. ..
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{"id":5848045748389,"title":"Morton Feldman \/\/ Feldman Edition 13: For Bunita Marcus CD","handle":"morton-feldman-feldman-edition-13-for-bunita-marcus-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第13弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741791470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-10-30T14:19:20+09:00","created_at":"2020-10-30T14:19:19+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":1595,"price_min":1595,"price_max":1595,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36950049292453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 13: For Bunita Marcus CD","public_title":null,"options":["Default Title"],"price":1595,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2480272835_16.jpg?v=1604035163"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2480272835_16.jpg?v=1604035163","options":["Title"],"media":[{"alt":null,"id":13010589909157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2480272835_16.jpg?v=1604035163"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2480272835_16.jpg?v=1604035163","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第13弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741791470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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This is the 13th edition of the feldman graphic score collection. artist : Morton Feldman label : mode
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{"id":5848038899877,"title":"Morton Feldman \/\/ Feldman Edition 10: Trio DVD","handle":"morton-feldman-feldman-edition-10-trio-dvd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第10弾。1980年制作Trio演奏映像を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1150338152\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-10-30T14:13:00+09:00","created_at":"2020-10-30T14:12:59+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode"],"price":1995,"price_min":1995,"price_max":1995,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36950022095013,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 10: Trio DVD","public_title":null,"options":["Default Title"],"price":1995,"weight":110,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0372406871_16.jpg?v=1604034783"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0372406871_16.jpg?v=1604034783","options":["Title"],"media":[{"alt":null,"id":13010576900261,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0372406871_16.jpg?v=1604034783"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0372406871_16.jpg?v=1604034783","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efeldman図形楽譜集第10弾。1980年制作Trio演奏映像を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1150338152\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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The 10th collection of feldman graphic notation. Includes Trio performance footage produced in 1980.Click here to see more Mode releases available at Tobira. Artist: Morton Feldman label ...
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{"id":5846813671589,"title":"Morton Feldman \/\/ Feldman Edition 6: String Quartet 2 5xCD","handle":"morton-feldman-feldman-edition-6-string-quartet-2-5xcd","description":"\u003cp\u003eMorton Feldman図形楽譜集第6弾。5時間30分のFeldmanワールドへ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221487302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e","published_at":"2020-10-30T04:53:12+09:00","created_at":"2020-10-30T04:53:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":4495,"price_min":4495,"price_max":4495,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36946344804517,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 6: String Quartet 2 5xCD","public_title":null,"options":["Default Title"],"price":4495,"weight":200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/A1caRNeEy9L._AC_SL1500.jpg?v=1604001191"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/A1caRNeEy9L._AC_SL1500.jpg?v=1604001191","options":["Title"],"media":[{"alt":null,"id":13003990728869,"position":1,"preview_image":{"aspect_ratio":1.106,"height":1356,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/A1caRNeEy9L._AC_SL1500.jpg?v=1604001191"},"aspect_ratio":1.106,"height":1356,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/A1caRNeEy9L._AC_SL1500.jpg?v=1604001191","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMorton Feldman図形楽譜集第6弾。5時間30分のFeldmanワールドへ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221487302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : mode\u003c\/p\u003e"}
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Morton Feldman 6th graphic notation collection. 5 hours 30 minutes to Feldman World.Click here to see more Mode releases available at Tobira. Artist: Morton Feldman ...
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{"id":5846762455205,"title":"Morton Feldman \/\/ Feldman Edition 2: First Recordings CD","handle":"morton-feldman-feldman-edition-2-first-recordings-cd","description":"\u003cp\u003efeldman図形楽譜集第2弾です。1950 - 1953年に作曲された楽曲を収録。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA remarkable discovery of over 75 minutes of Morton Feldman's music. This disc presents 13 unrecorded early works spanning 1950 to 1953, many previously unpublished.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHighlights:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. His only work for magnetic tape, Intersection, realized in 8-channels by Feldman with John Cage and Earle Brown. Considered lost, the work has been restored and presented here for the first time in 40 years.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. His score for 2 cellos to Hans Namuth's film of Jackson Pollock, presented in its entirety including narration by Pollock himself.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. The solo piano collection Nature Pieces, which combine elements of Feldman's youth with his mature style, and the Variations written for a dance by Merce Cunningham.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. Previously missing works from the Extensions and Intermission cycles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe performances are superbly played by pianist Philipp Vandré and the Turfan Ensemble from Frankfurt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Morton Feldman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Mode\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-30T04:31:14+09:00","created_at":"2020-10-30T04:31:13+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","monooto"],"price":1495,"price_min":1495,"price_max":1495,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36946062966949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ Feldman Edition 2: First Recordings CD","public_title":null,"options":["Default Title"],"price":1495,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3592293302_10.jpg?v=1603999876"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3592293302_10.jpg?v=1603999876","options":["Title"],"media":[{"alt":null,"id":13003770691749,"position":1,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3592293302_10.jpg?v=1603999876"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3592293302_10.jpg?v=1603999876","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003efeldman図形楽譜集第2弾です。1950 - 1953年に作曲された楽曲を収録。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA remarkable discovery of over 75 minutes of Morton Feldman's music. This disc presents 13 unrecorded early works spanning 1950 to 1953, many previously unpublished.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHighlights:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. His only work for magnetic tape, Intersection, realized in 8-channels by Feldman with John Cage and Earle Brown. Considered lost, the work has been restored and presented here for the first time in 40 years.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. His score for 2 cellos to Hans Namuth's film of Jackson Pollock, presented in its entirety including narration by Pollock himself.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. The solo piano collection Nature Pieces, which combine elements of Feldman's youth with his mature style, and the Variations written for a dance by Merce Cunningham.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e. Previously missing works from the Extensions and Intermission cycles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe performances are superbly played by pianist Philipp Vandré and the Turfan Ensemble from Frankfurt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Morton Feldman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Mode\u003c\/span\u003e\u003c\/p\u003e"}
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This is the 2nd edition of the feldman graphic score collection. Contains songs composed in 1950-1953. A remarkable discovery of over 75 minutes of Morton...
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