PAN
![Honor // Àlááfíà LP [COLOR - PICTURE DISC]](https://tobirarecords.com/cdn/shop/files/hon1_medium.jpg?v=1726455562)
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{"id":8622239613178,"title":"Honour \/\/ Àlááfíà LP [COLOR - PICTURE DISC]","handle":"honour-alaafia-lp-color-picture-disc","description":"\u003cp\u003eアメリカ・シカゴの実験ビートメイカーHonourが、2024年9月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクト・ヒップホップ〜コラージュ・アンビエント14曲を収録。スプラッター・ピクチャー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1715724906\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PAN\" href=\"https:\/\/soundcloud.com\/pan_hq\" target=\"_blank\"\u003ePAN\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Honour - Àlááfíà (PAN 121)\" href=\"https:\/\/soundcloud.com\/pan_hq\/sets\/honour-alaafia-pan-122\" target=\"_blank\"\u003eHonour - Àlááfíà (PAN 121)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" white and red blood spatter vinyl picture disc (photo unavailable). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hosanna (Greeting2MYPPL) (Meridian) 01:36\u003cbr\u003e2. First Born (Redeemed) 01:15\u003cbr\u003e3. When Angels Speak of Love 02:32\u003cbr\u003e4. dubbleUpptown (La Rocque) 01:24\u003cbr\u003e5. W-I-S (Above Every Other) 01:15\u003cbr\u003e6. Pistol Poem (Lead Belly) 01:56\u003cbr\u003e7. Whip Appeal V6 (PIPN8EZ) 02:04\u003cbr\u003e8. Seven Trumpets 04:14\u003cbr\u003e9. Giz'aard ($uckets) 03:48\u003cbr\u003e10. Helpmeet (Iyadunni) 00:42\u003cbr\u003e11. FLIR2A 05:50\u003cbr\u003e12. U\u0026amp;Me (decemberseventeen) 03:57\u003cbr\u003e13. ICANTBETHEONE 03:06\u003cbr\u003e14. Àlàáfía (Cita's World) 13:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eH\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eonour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The result is an impressionistic vision in Black and Blur that both exhausts and implicates language and that sublimates boundaries between everywhere and nowhere; history and the present; the individual and the universal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÀlàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear-splitting fuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began to take form after their last embrace. It remains steeped in her influence and spirit—a tape-saturated composition that starts in Lagos and ends later in London's smoke-stained cityscape two years and three months later. The piece, dream-like in quality, developed out of the artist’s grief, created as a coping mechanism for these losses. Beneath the\u003cspan class=\"bcTruncateMore\"\u003e stretched guitar drones and stuttering loops, their grandmother's shared faith bubbles to the surface.\u003cbr\u003e\u003cbr\u003e“When Angels Speak of Love,” borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoes of praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters of melancholic guitar, “When Angels Speak of Love” engages a conceptual dialogue with the spirits of both late thinkers, folding them into Honour’s pantheon of ancestral guides. The album’s ninth track, “Giz’Aard ($uckets),” is a dirge of regimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequence will be untimely death or lifelong love.\u003cbr\u003e\u003cbr\u003eThe album’s sole lyrical offering, “Pistol Poem (Lead Belly),” begins with a darkly humorous bar, “He went thru hell and back\/ came back\/ 2 get the strap,” that swells into a haunting allegory inspired by legend of Philip “Hot Sauce” Champion. A modern take on the Blues, Honour’s lyrics reify the artist’s status as a student of both literature and popular culture, crossbreeding the artist’s clever wordplay with additional references to Richard Pryor, Robert Johnson, DMX, Kelly Rowland \u0026amp; Bryon Gysin.\u003cbr\u003e\u003cbr\u003eSetting core principles of hip-hop, R\u0026amp;B, jazz and gospel music to atemporal soundscapes and compositions, Honour crafts a record that marinates in its own knotty contradictions. The ghosts that sit on the artist’s shoulders have never been more tangible than with this emotive debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honour\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT no : PAN121\u003c\/p\u003e","published_at":"2024-09-18T09:21:46+09:00","created_at":"2024-09-16T11:59:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","lp","new","PAN"],"price":3400,"price_min":3400,"price_max":3400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46660551704826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Honour \/\/ Àlááfíà LP [COLOR - PICTURE DISC]","public_title":null,"options":["Default Title"],"price":3400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562","options":["Title"],"media":[{"alt":null,"id":34887387414778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験ビートメイカーHonourが、2024年9月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクト・ヒップホップ〜コラージュ・アンビエント14曲を収録。スプラッター・ピクチャー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1715724906\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PAN\" href=\"https:\/\/soundcloud.com\/pan_hq\" target=\"_blank\"\u003ePAN\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Honour - Àlááfíà (PAN 121)\" href=\"https:\/\/soundcloud.com\/pan_hq\/sets\/honour-alaafia-pan-122\" target=\"_blank\"\u003eHonour - Àlááfíà (PAN 121)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" white and red blood spatter vinyl picture disc (photo unavailable). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hosanna (Greeting2MYPPL) (Meridian) 01:36\u003cbr\u003e2. First Born (Redeemed) 01:15\u003cbr\u003e3. When Angels Speak of Love 02:32\u003cbr\u003e4. dubbleUpptown (La Rocque) 01:24\u003cbr\u003e5. W-I-S (Above Every Other) 01:15\u003cbr\u003e6. Pistol Poem (Lead Belly) 01:56\u003cbr\u003e7. Whip Appeal V6 (PIPN8EZ) 02:04\u003cbr\u003e8. Seven Trumpets 04:14\u003cbr\u003e9. Giz'aard ($uckets) 03:48\u003cbr\u003e10. Helpmeet (Iyadunni) 00:42\u003cbr\u003e11. FLIR2A 05:50\u003cbr\u003e12. U\u0026amp;Me (decemberseventeen) 03:57\u003cbr\u003e13. ICANTBETHEONE 03:06\u003cbr\u003e14. Àlàáfía (Cita's World) 13:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eH\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eonour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The result is an impressionistic vision in Black and Blur that both exhausts and implicates language and that sublimates boundaries between everywhere and nowhere; history and the present; the individual and the universal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÀlàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear-splitting fuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began to take form after their last embrace. It remains steeped in her influence and spirit—a tape-saturated composition that starts in Lagos and ends later in London's smoke-stained cityscape two years and three months later. The piece, dream-like in quality, developed out of the artist’s grief, created as a coping mechanism for these losses. Beneath the\u003cspan class=\"bcTruncateMore\"\u003e stretched guitar drones and stuttering loops, their grandmother's shared faith bubbles to the surface.\u003cbr\u003e\u003cbr\u003e“When Angels Speak of Love,” borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoes of praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters of melancholic guitar, “When Angels Speak of Love” engages a conceptual dialogue with the spirits of both late thinkers, folding them into Honour’s pantheon of ancestral guides. The album’s ninth track, “Giz’Aard ($uckets),” is a dirge of regimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequence will be untimely death or lifelong love.\u003cbr\u003e\u003cbr\u003eThe album’s sole lyrical offering, “Pistol Poem (Lead Belly),” begins with a darkly humorous bar, “He went thru hell and back\/ came back\/ 2 get the strap,” that swells into a haunting allegory inspired by legend of Philip “Hot Sauce” Champion. A modern take on the Blues, Honour’s lyrics reify the artist’s status as a student of both literature and popular culture, crossbreeding the artist’s clever wordplay with additional references to Richard Pryor, Robert Johnson, DMX, Kelly Rowland \u0026amp; Bryon Gysin.\u003cbr\u003e\u003cbr\u003eSetting core principles of hip-hop, R\u0026amp;B, jazz and gospel music to atemporal soundscapes and compositions, Honour crafts a record that marinates in its own knotty contradictions. The ghosts that sit on the artist’s shoulders have never been more tangible than with this emotive debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honour\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT no : PAN121\u003c\/p\u003e"}
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Honour, an experimental beatmaker from Chicago, USA, released this record in September 2024 from PAN in Berlin, Germany. Contains 9 tracks of abstract hip-hop and collage ambient. Splatter picture disc. PAN · Honour - Àlááfíà (PAN 14) Other works from the label are here /// Click here to...
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{"id":8584636236026,"title":"Billy Bultheel \/\/ Two Cycles LP","handle":"billy-bultheel-two-cycles-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eベルギー・ブリュッセルのエレクトロニック作家Billy Bultheelが、2024年7月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Billy Bultheelのソロデビューアルバムは、彼が影響を受けた作曲家の数々や、サイトスペシフィックな作曲へのユニークなアプローチを野心的に抽出したものだ。2016年から2023年にかけて制作された作品をコンパイルしたこのアルバムは、Bultheelの幅広いパフォーマンス活動と、アン・イムホフやジェームズ・リチャーズといった最先端のヴィジュアル・アーティストとのコラボレーションを力強く物語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eインダストリアル・ミュージックやメタル、中世やバロックのポリフォニーからインスピレーションを得たBultheelは、この作品集を並べて発表する方法を考案した。このレコードは、Bultheelのエレクトロアコースティック作品を集めた「スノー・サイクル」と、エレクトロニック作品を集めた「ゲーム・サイクル」の2つのサイクルに分かれている。この2つの組曲は、紛れもない対称性を持っている。Bultheelの伝統的な作曲は、エレクトロニック・プロダクションへの理解によって強化され、一方、彼のエレクトロニック作品は、クラシック音楽と伝統音楽の知識によって形成されている。「Two Cycles』は二重性を示すアルバムであり、アンサンブル作曲家とエレクトロニック・プロデューサーとしてのBultheelの役割の二面性を体現している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2423057822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Arcades Project - Snow Cycle 04:36\u003cbr\u003e2. Mt. Analogue - Snow Cycle 03:47\u003cbr\u003e3. Empire of the Senseless - Snow Cycle 01:37\u003cbr\u003e4. The Man without Content - Snow Cycle 02:01\u003cbr\u003e5. Snows of Venice - Snow Cycle 02:31\u003cbr\u003e6. Serpent Song - Snow Cycle 05:11\u003cbr\u003e7. Foot Soldiers of the Fold - Snow Cycle 02:13\u003cbr\u003e8. Game Theory - Game Cycle 04:52\u003cbr\u003e9. Decreation - Game Cycle 03:21\u003cbr\u003e10. 5SSP - Game Cycle 01:34\u003cbr\u003e11. The Thief's Journal - Game Cycle 03:59\u003cbr\u003e12. 9ssp - Game Cycle 02:07\u003cbr\u003e13. Gigue - Game Cycle 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBilly Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. \"Two Cycles\" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Billy Bultheel\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN138lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-04T08:09:25+09:00","created_at":"2024-08-03T12:15:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","PAN"],"price":3200,"price_min":3200,"price_max":3200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46510323695866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Billy Bultheel \/\/ Two Cycles LP","public_title":null,"options":["Default Title"],"price":3200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","options":["Title"],"media":[{"alt":null,"id":34652138111226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","width":700},{"alt":null,"id":34652138143994,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eベルギー・ブリュッセルのエレクトロニック作家Billy Bultheelが、2024年7月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Billy Bultheelのソロデビューアルバムは、彼が影響を受けた作曲家の数々や、サイトスペシフィックな作曲へのユニークなアプローチを野心的に抽出したものだ。2016年から2023年にかけて制作された作品をコンパイルしたこのアルバムは、Bultheelの幅広いパフォーマンス活動と、アン・イムホフやジェームズ・リチャーズといった最先端のヴィジュアル・アーティストとのコラボレーションを力強く物語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eインダストリアル・ミュージックやメタル、中世やバロックのポリフォニーからインスピレーションを得たBultheelは、この作品集を並べて発表する方法を考案した。このレコードは、Bultheelのエレクトロアコースティック作品を集めた「スノー・サイクル」と、エレクトロニック作品を集めた「ゲーム・サイクル」の2つのサイクルに分かれている。この2つの組曲は、紛れもない対称性を持っている。Bultheelの伝統的な作曲は、エレクトロニック・プロダクションへの理解によって強化され、一方、彼のエレクトロニック作品は、クラシック音楽と伝統音楽の知識によって形成されている。「Two Cycles』は二重性を示すアルバムであり、アンサンブル作曲家とエレクトロニック・プロデューサーとしてのBultheelの役割の二面性を体現している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2423057822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Arcades Project - Snow Cycle 04:36\u003cbr\u003e2. Mt. Analogue - Snow Cycle 03:47\u003cbr\u003e3. Empire of the Senseless - Snow Cycle 01:37\u003cbr\u003e4. The Man without Content - Snow Cycle 02:01\u003cbr\u003e5. Snows of Venice - Snow Cycle 02:31\u003cbr\u003e6. Serpent Song - Snow Cycle 05:11\u003cbr\u003e7. Foot Soldiers of the Fold - Snow Cycle 02:13\u003cbr\u003e8. Game Theory - Game Cycle 04:52\u003cbr\u003e9. Decreation - Game Cycle 03:21\u003cbr\u003e10. 5SSP - Game Cycle 01:34\u003cbr\u003e11. The Thief's Journal - Game Cycle 03:59\u003cbr\u003e12. 9ssp - Game Cycle 02:07\u003cbr\u003e13. Gigue - Game Cycle 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBilly Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. \"Two Cycles\" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Billy Bultheel\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN138lp\u003c\/span\u003e\u003c\/p\u003e"}
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This record was released by Brussels-based electronic composer Billy Bultheel in July 2024 by PAN, Berlin, Germany. The following is a description from the label: "Billy Bultheel's solo debut album is an ambitious distillation of the many composers who influenced him and his unique approach to site-specific composition. A compilation of works created between 7 and 2016, the album powerfully speaks to Bultheel's wide-ranging performance practice and collaborations with cutting-edge visual artists such as Anne Imhof and James Richards. Inspired by industrial music, metal, medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is divided into two cycles: "Snow Cycle", a collection of Bultheel's electroacoustic works, and "Game Cycle", a collection of his electronic works. The two suites have an unmistakable symmetry. Bultheel's traditional compositions are enhanced by his understanding of electronic production, while his electronic works are shaped by his knowledge of classical and traditional music. "Two Cycles is an album of duality, embodying the duality of Bultheel's role as an ensemble composer and electronic producer..." ---------------------------------------------- 2023" black vinyl. Tracklist: 2. The...
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{"id":8586361045242,"title":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","handle":"asma-maroof-patrick-belaga-tapiwa-svosve-the-sport-of-love-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e","published_at":"2024-08-06T12:20:27+09:00","created_at":"2024-08-05T18:10:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","PAN"],"price":2300,"price_min":2300,"price_max":2300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46518361096442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","public_title":null,"options":["Default Title"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","options":["Title"],"media":[{"alt":null,"id":34662008226042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","width":700},{"alt":null,"id":34662008258810,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e"}
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This is a collaborative record released in July 2024 by improvisers Asma Maroof, Patrick Belaga, and Tapiwa Svosve on the experimental label PAN in Berlin, Germany. It contains five ambient jazz and improvisational tracks. Other works on the label are available here /// Click here to see more PAN releases...
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{"id":8505584615674,"title":"upsammy \/\/ Germ in a Population of Buildings LP","handle":"upsammy-germ-in-a-population-of-buildings-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオランダ・アムステルダムのエレクトロニック・ポップ作家upsammyが、2024年6月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDMリスナーにもアプローチするエレクトロニック・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_z_A5rm5NUo?si=6dKLbobpOlsMMd0t\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SGOionFfPmA?si=cR_vlZ6Gn70VeMHV\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3llCzT3w3uc?si=Zs8Expei9vQ0ZRtM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EPV8MGfK5do?si=GVEBToL0HRKGFi2R\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5lQHoqCEOvQ?si=4QKEQKwVHsRf0C3m\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J31JLF2JioM?si=pJ4CUId6uK3R1I4E\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WbWz7K28WVk?si=PkVXDN0qtUYSkBvD\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Being is a Stone 03:24\u003cbr\u003e2. Constructing 03:02\u003cbr\u003e3. Ergo Dynamic Tree 02:58\u003cbr\u003e4. Green Lung 03:11\u003cbr\u003e5. Germ in a Population of Buildings 01:33\u003cbr\u003e6. Patterning 03:54\u003cbr\u003e7. Asphalt Flows 04:24\u003cbr\u003e8. Soft Sand 02:48\u003cbr\u003e9. Square to Sphere 03:08\u003cbr\u003e10. Metro Snake Whispers 04:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her sophomore album \"Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eupsammy's debut album, 2020's critically-acclaimed \"Zoom\", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On \"Germ in a Population of Buildings\" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from\u003cspan class=\"bcTruncateMore\"\u003e - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.\u003cbr\u003e\u003cbr\u003eOn the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : upsammy\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN132\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-10T12:05:26+09:00","created_at":"2024-06-10T11:53:33+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","house","lp","new","PAN"],"price":2900,"price_min":2900,"price_max":2900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46208529334522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"upsammy \/\/ Germ in a Population of Buildings LP","public_title":null,"options":["Default Title"],"price":2900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","options":["Title"],"media":[{"alt":null,"id":34290030412026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","width":700},{"alt":null,"id":34290030444794,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオランダ・アムステルダムのエレクトロニック・ポップ作家upsammyが、2024年6月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDMリスナーにもアプローチするエレクトロニック・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_z_A5rm5NUo?si=6dKLbobpOlsMMd0t\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SGOionFfPmA?si=cR_vlZ6Gn70VeMHV\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3llCzT3w3uc?si=Zs8Expei9vQ0ZRtM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EPV8MGfK5do?si=GVEBToL0HRKGFi2R\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5lQHoqCEOvQ?si=4QKEQKwVHsRf0C3m\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J31JLF2JioM?si=pJ4CUId6uK3R1I4E\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WbWz7K28WVk?si=PkVXDN0qtUYSkBvD\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Being is a Stone 03:24\u003cbr\u003e2. Constructing 03:02\u003cbr\u003e3. Ergo Dynamic Tree 02:58\u003cbr\u003e4. Green Lung 03:11\u003cbr\u003e5. Germ in a Population of Buildings 01:33\u003cbr\u003e6. Patterning 03:54\u003cbr\u003e7. Asphalt Flows 04:24\u003cbr\u003e8. Soft Sand 02:48\u003cbr\u003e9. Square to Sphere 03:08\u003cbr\u003e10. Metro Snake Whispers 04:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her sophomore album \"Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eupsammy's debut album, 2020's critically-acclaimed \"Zoom\", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On \"Germ in a Population of Buildings\" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from\u003cspan class=\"bcTruncateMore\"\u003e - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.\u003cbr\u003e\u003cbr\u003eOn the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : upsammy\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN132\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by upsammy, an electronic pop artist from Amsterdam, Netherlands, on PAN in Berlin, Germany in June 2024. Contains 6 electronic pop songs that appeal to IDM listeners. -------------------------------------- 10" black vinyl. Tracklist: 12. Being is a Stone 1:03. Constructing...
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{"id":8094826725626,"title":"Marina Herlop \/\/ Pripyat LP","handle":"marina-herlop-pripyat-lp","description":"\u003cp\u003eスペイン・バルセロナのエレクトロニック・ポップ作家Marina Herlopが、2023年11月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにした実験エレクトロニック・ポップ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2869592693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eabans abans 04:04\u003c\/li\u003e\n\u003cli\u003eshaolin mantis 04:10\u003c\/li\u003e\n\u003cli\u003elyssof 04:11\u003c\/li\u003e\n\u003cli\u003emiu 03:59\u003c\/li\u003e\n\u003cli\u003eubuntu 04:19\u003c\/li\u003e\n\u003cli\u003eKaddisch 05:02\u003c\/li\u003e\n\u003cli\u003emiu (Choir Version) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emiu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdded to this production expertise are songs of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e incredible grace and poise. Kaddisch is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubuntu has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e","published_at":"2023-12-05T14:36:13+09:00","created_at":"2023-11-26T12:45:49+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","PAN"],"price":2400,"price_min":2400,"price_max":2400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812301369594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marina Herlop \/\/ Pripyat LP","public_title":null,"options":["Default Title"],"price":2400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","options":["Title"],"media":[{"alt":null,"id":32747944607994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","width":700},{"alt":null,"id":32747944640762,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・バルセロナのエレクトロニック・ポップ作家Marina Herlopが、2023年11月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにした実験エレクトロニック・ポップ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2869592693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eabans abans 04:04\u003c\/li\u003e\n\u003cli\u003eshaolin mantis 04:10\u003c\/li\u003e\n\u003cli\u003elyssof 04:11\u003c\/li\u003e\n\u003cli\u003emiu 03:59\u003c\/li\u003e\n\u003cli\u003eubuntu 04:19\u003c\/li\u003e\n\u003cli\u003eKaddisch 05:02\u003c\/li\u003e\n\u003cli\u003emiu (Choir Version) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emiu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdded to this production expertise are songs of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e incredible grace and poise. Kaddisch is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubuntu has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e"}
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This is a record released by Marina Herlop, an electronic pop artist from Barcelona, Spain, from PAN in Berlin, Germany in November 2023.Contains 11 experimental electronic pop songs that use her voice as the main source. ----------------------------------------- 7" black vinyl. Tracklist: abans abans 12:04 shaolin mantis 04:04...
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