Basic House // Crown Ever Remain 12 "

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Basic House, presided over by British leftfield dance label Opal Tapes, from Sahko Recordings, Finland in August 2021This is the released record.

Contains 3 post-industrial drone techno songs.

Labels and other worksplease use this form. ///Click here to see more Sahko Recordings releases available at Tobira.

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Written and produced by Stephen Bishop
Recorded in Her Presence, Newcastle upon Tyne
Mastered and cut by Helmut Erler at D & M
Cover photo by LNA and Lumiere Noire
Label drawing by Albrect Dürer and TG
Graphic design by TG

Artist: Basic House

Label: Sahko Recordings

Quantity

+ -

Basic House, presided over by British leftfield dance label Opal Tapes, from Sahko Recordings, Finland in August 2021This is the released record.

Contains 3 post-industrial drone techno songs.

Labels and other worksplease use this form. ///Click here to see more Sahko Recordings releases available at Tobira.

-------------------------------------

Artist: Basic House

Label: Sahko Recordings

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And art is an essential part of the life we live.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEventually, I faced the same problems in electronic music composition\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethan when composing orchestral music.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Osmo Lindeman\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2024-01-19T17:15:21+09:00","created_at":"2024-01-19T12:35:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","sahko recordings","strange beats"],"price":544800,"price_min":544800,"price_max":544800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45045844803834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Osmo Lindeman \/\/ Electronic Works 2xLP+CD","public_title":null,"options":["Default Title"],"price":544800,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_397a3252-ee91-4eac-88b0-12f8df22f9bb.jpg?v=1705635318","\/\/tobirarecords.com\/cdn\/shop\/files\/os2_b57966a9-e96c-4453-997f-79cf1f38a421.jpg?v=1705635318","\/\/tobirarecords.com\/cdn\/shop\/files\/os3_56ed23a0-3092-4800-b187-0ae563e0b936.jpg?v=1705635318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_397a3252-ee91-4eac-88b0-12f8df22f9bb.jpg?v=1705635318","options":["Title"],"media":[{"alt":null,"id":33007437349114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_397a3252-ee91-4eac-88b0-12f8df22f9bb.jpg?v=1705635318"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_397a3252-ee91-4eac-88b0-12f8df22f9bb.jpg?v=1705635318","width":700},{"alt":null,"id":33007437381882,"position":2,"preview_image":{"aspect_ratio":1.018,"height":1179,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/os2_b57966a9-e96c-4453-997f-79cf1f38a421.jpg?v=1705635318"},"aspect_ratio":1.018,"height":1179,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/os2_b57966a9-e96c-4453-997f-79cf1f38a421.jpg?v=1705635318","width":1200},{"alt":null,"id":33007437414650,"position":3,"preview_image":{"aspect_ratio":1.935,"height":620,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/os3_56ed23a0-3092-4800-b187-0ae563e0b936.jpg?v=1705635318"},"aspect_ratio":1.935,"height":620,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/os3_56ed23a0-3092-4800-b187-0ae563e0b936.jpg?v=1705635318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの作曲家／ピアニストOsmo Lindemanが、2023年11月に同国実験／ダンスレーベルSahko Recordingsからリリースした2枚組レコード＋CDです。\u003c\/p\u003e\n\u003cp\u003eOsmoが1969-1974年に自宅スタジオで制作した電子音楽11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、1974年の作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \"「電子音楽は未来を象徴している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e現在では、利用可能な方法が複雑なため、その使用は限られている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eいずれ、電子音楽の技術的な制作がよりシンプルになれば、その利用は間違いなく増えるだろう。生演奏に取って代わることはないだろうが、それは分からない。 \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e電子音楽はある意味で冷たいものだが、今の世界は冷たくないだろうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e政治の世界では、一例を挙げれば「冷戦」について語られる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e確かに、電子音楽には本当に冷たいものがある、\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、どの時代も自分自身と関係のある芸術を創造する。そしてアートは、私たちが生きていく上で欠かせないものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e結局、私は電子音楽の作曲において、オーケストラの作曲時と同じ問題に直面した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオーケストラ音楽を作曲するときよりもね。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579362956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl with CD insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKinetic Forms (1969) 14:01\u003c\/li\u003e\n\u003cli\u003eVariabile (1967) 09:58\u003c\/li\u003e\n\u003cli\u003eMechanical Music for Stereophonic Tape (1969) 13:15\u003c\/li\u003e\n\u003cli\u003eIs This the World of Teddy? (1969) 09:49\u003c\/li\u003e\n\u003cli\u003eTropicana (1970) 08:23\u003c\/li\u003e\n\u003cli\u003eMidas (1970) 06:38\u003c\/li\u003e\n\u003cli\u003eSunkist (TV commercial) 00:17\u003c\/li\u003e\n\u003cli\u003eFin-Humus (TV commercial) 00:35\u003c\/li\u003e\n\u003cli\u003eTheme for the national TV news (4 drafts and the final broadcast version) 01:12\u003c\/li\u003e\n\u003cli\u003eRitual (1972) 06:32\u003c\/li\u003e\n\u003cli\u003eSpectacle (1974) 09:11\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSahko Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Electronic Works by Osmo Lindeman compiles electronic music works of a Finnish hybrid of Monty Norman, Krzysztof Penderecki and Edgar Varèse first time on an album. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLindeman composed these works in his private home studio during 1969–1974.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Osmo Lindeman 1959–1961 and 1974:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eElectronic music represents the future.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eToday, its use is limited due to the complexity of available methods.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEventually, when the technical production of electronic music becomes simpler, its use will undoubtedly increase. I doubt it will replace a live performance, but you never know. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElectronic music is in some way cold, but isn’t our current world cold?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn politics they talk about ”cold war”, to give an example.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUndoubtedly, there is something really cold about electronic music,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut every era creates art that is related to itself. And art is an essential part of the life we live.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEventually, I faced the same problems in electronic music composition\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethan when composing orchestral music.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Osmo Lindeman\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}

This is a 2023-disc record + CD released by Finnish composer/pianist Osmo Lindeman from the country's experimental/dance label Sahko Recordings in November 11. Contains 2 pieces of electronic music created by Osmo in his home studio from 1969-1974. The following is an explanation by the author himself in 11. "Electronic music represents the future. Currently, its use is limited due to the complexity of available methods. In time, when the technical production of electronic music becomes simpler, its use It's definitely going to increase. It's not going to replace live music, but we don't know. Electronic music is cold in a way, but isn't the world cold now? In the world of politics, let's take an example. One example is the "Cold War." Sure, there's something really cold about electronic music, but every era creates art that is relevant to itself. And art is essential to our lives. In the end, I faced the same problems in composing electronic music as I did in composing for orchestra. Even more so than when composing orchestral music. "Click here to see more Sahko Recordings releases...

¥5,448

Quickview {"id":7975346438394,"title":"Piitu Lintunen presents \/\/ 7Ai9 LP","handle":"piitu-lintunen-presents-7ai9-lp","description":"\u003cp\u003eフィンランドのレコード蒐集家Piitu Lintunenコンパイルによる、80年代のデモテープを中心としたコンピレーションレコードです。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”このコンピレーションの最初のアイデアは、ある晩、私がライシオ生まれのパンク仲間と楽しく過ごしているときに、Tommiが私にメールを送ってきたことから生まれました。Tommiは、私の音楽の歴史からアルバムをコンパイルすることを提案しました。様々な方向性を検討した後、私は自分のアーカイブを調べ、1980年代のデモテープの箱を見つけました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその中には1981年と1982年に弟のサッケ・リントゥネンとパンク・ジンPölyを作った時のテープもありました。私はその多くをすっかり忘れていました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNurse With Woundのデモの中の美しいトラックは、2000年の初めにカナリア諸島のどこかに住んでいたNWWのスタジオ技術者が作ったものだと判明しました。彼は見つかりませんでした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e当初、このコレクションはデモ・トラックだけで構成されていました。でも、新しい曲も入れたいと思うようになりました。”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2365560283\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eSahko:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSome notes: tracks A1, A2, A3, A4, B2, B3 and B4 are mastered from 1980's demo tapes that Piitu got from the artists. Piitu exchanged letters and tapes actively with artists in punk, industrial and experimental scenes from all over the world. Some of the tapes we had to leave out from this compilation because we couldn't reach the artists. The three new tracks among the older ones underline the principle of infinity and immortality of music\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist statement by Piitu Lintunen:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The first idea for this compilation came one night when Tommi text messaged me while I was having a good time with my Raisio-born punk friends. Tommi suggested that I compile an album from my musical history. After considering different directions I went through my archives and found a box of 1980's demo tapes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSome of the tapes were from 1981 and 1982, when we did the punk zine Pöly with my brother Sakke Lintunen. I had totally forgotten about many of them.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA beautiful track from a Nurse with Wound demo turned out to be made by a NWW studio technician that lived somewhere in the Canarian Islands in early 2000. He couldn't be found.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAt first this collection consisted only of demo tracks\u003cspan class=\"bcTruncateMore\"\u003e. Then I got a feeling that I want to include some new tracks too.\u003cbr\u003e\u003cbr\u003eI asked for a track from Clair whose debut solo is one of my recent favorites.\u003cbr\u003eCorumn was another contemporary artist I thought should be there.\u003cbr\u003eJimi Tenor sent me some demos when he moved to NYC in early 1990's. I chose one of those tracks for the compilation.\u003cbr\u003e\u003cbr\u003eI learned to know Pekka Airaksinen in the early 1980's. He passed away in 2019. Pekka has a big archive of unfinished songs. His wife Maarit gave me some unfinished tracks and Jimi Tenor made a new track out of them.\u003cbr\u003e\u003cbr\u003eDDAA sent me a tape in the 1986's. After I asked one of the tracks for this compilation they wanted to re-record the track. And they did so in a very original style.\u003cbr\u003e\u003cbr\u003eKostruktivists sent me a tape in 1983 while they were recording Psykho Genetica.\u003cbr\u003eAll 4 tracks from the tape could have been suitable here, but Opening Signs was the one.\u003cbr\u003e\u003cbr\u003eRamleh's Black Ark is a unreleased chapter from the recording of Grazing on Fear in 1987.\u003cbr\u003e\u003cbr\u003eAll of the tracks are electronic experimentations. In early 80's I did a lot of cassette exchange. It was a way of communication in the punk spirit. Everybody knew each other. Tasaday, Odal and Neljän seinän jumalat (my own project) are examples of the active players of the time.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piitu Lintunen presents\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2023-05-13T13:59:27+09:00","created_at":"2023-05-13T13:46:09+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","sahko recordings"],"price":322000,"price_min":322000,"price_max":322000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44232389886202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Piitu Lintunen presents \/\/ 7Ai9 LP","public_title":null,"options":["Default Title"],"price":322000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_99cdfc5d-e520-4273-8574-97a5b291c247.jpg?v=1683953171","\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_f3b079d0-4b67-4ddc-a598-09d5f2987df8.jpg?v=1683953171"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_99cdfc5d-e520-4273-8574-97a5b291c247.jpg?v=1683953171","options":["Title"],"media":[{"alt":null,"id":31965158047994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_99cdfc5d-e520-4273-8574-97a5b291c247.jpg?v=1683953171"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_99cdfc5d-e520-4273-8574-97a5b291c247.jpg?v=1683953171","width":700},{"alt":null,"id":31965158080762,"position":2,"preview_image":{"aspect_ratio":1.838,"height":653,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_f3b079d0-4b67-4ddc-a598-09d5f2987df8.jpg?v=1683953171"},"aspect_ratio":1.838,"height":653,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_f3b079d0-4b67-4ddc-a598-09d5f2987df8.jpg?v=1683953171","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのレコード蒐集家Piitu Lintunenコンパイルによる、80年代のデモテープを中心としたコンピレーションレコードです。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”このコンピレーションの最初のアイデアは、ある晩、私がライシオ生まれのパンク仲間と楽しく過ごしているときに、Tommiが私にメールを送ってきたことから生まれました。Tommiは、私の音楽の歴史からアルバムをコンパイルすることを提案しました。様々な方向性を検討した後、私は自分のアーカイブを調べ、1980年代のデモテープの箱を見つけました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその中には1981年と1982年に弟のサッケ・リントゥネンとパンク・ジンPölyを作った時のテープもありました。私はその多くをすっかり忘れていました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNurse With Woundのデモの中の美しいトラックは、2000年の初めにカナリア諸島のどこかに住んでいたNWWのスタジオ技術者が作ったものだと判明しました。彼は見つかりませんでした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e当初、このコレクションはデモ・トラックだけで構成されていました。でも、新しい曲も入れたいと思うようになりました。”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2365560283\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eSahko:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSome notes: tracks A1, A2, A3, A4, B2, B3 and B4 are mastered from 1980's demo tapes that Piitu got from the artists. Piitu exchanged letters and tapes actively with artists in punk, industrial and experimental scenes from all over the world. Some of the tapes we had to leave out from this compilation because we couldn't reach the artists. The three new tracks among the older ones underline the principle of infinity and immortality of music\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist statement by Piitu Lintunen:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The first idea for this compilation came one night when Tommi text messaged me while I was having a good time with my Raisio-born punk friends. Tommi suggested that I compile an album from my musical history. After considering different directions I went through my archives and found a box of 1980's demo tapes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSome of the tapes were from 1981 and 1982, when we did the punk zine Pöly with my brother Sakke Lintunen. I had totally forgotten about many of them.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA beautiful track from a Nurse with Wound demo turned out to be made by a NWW studio technician that lived somewhere in the Canarian Islands in early 2000. He couldn't be found.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAt first this collection consisted only of demo tracks\u003cspan class=\"bcTruncateMore\"\u003e. Then I got a feeling that I want to include some new tracks too.\u003cbr\u003e\u003cbr\u003eI asked for a track from Clair whose debut solo is one of my recent favorites.\u003cbr\u003eCorumn was another contemporary artist I thought should be there.\u003cbr\u003eJimi Tenor sent me some demos when he moved to NYC in early 1990's. I chose one of those tracks for the compilation.\u003cbr\u003e\u003cbr\u003eI learned to know Pekka Airaksinen in the early 1980's. He passed away in 2019. Pekka has a big archive of unfinished songs. His wife Maarit gave me some unfinished tracks and Jimi Tenor made a new track out of them.\u003cbr\u003e\u003cbr\u003eDDAA sent me a tape in the 1986's. After I asked one of the tracks for this compilation they wanted to re-record the track. And they did so in a very original style.\u003cbr\u003e\u003cbr\u003eKostruktivists sent me a tape in 1983 while they were recording Psykho Genetica.\u003cbr\u003eAll 4 tracks from the tape could have been suitable here, but Opening Signs was the one.\u003cbr\u003e\u003cbr\u003eRamleh's Black Ark is a unreleased chapter from the recording of Grazing on Fear in 1987.\u003cbr\u003e\u003cbr\u003eAll of the tracks are electronic experimentations. In early 80's I did a lot of cassette exchange. It was a way of communication in the punk spirit. Everybody knew each other. Tasaday, Odal and Neljän seinän jumalat (my own project) are examples of the active players of the time.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piitu Lintunen presents\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}