Henry Birdsey // Laments for Just Intonation Harpsichord TAPE
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Henry Birdsey // Laments for Just Intonation Harpsichord TAPE
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The duo Tongue Depressor related works by American Connecticut pedas steel player Henry Birdsey and contrabass player Zach Rowden who also participates in Crazy Doberman have arrived directly from two people.
This work is a limited edition of 100 albums produced by Henry Birdsey using only harpsichord.Contains 11 songs, 1 hour and 13 minutes. DL code included.
------------------------------------
Edition of 100.
Total running time: 1:13:10
Composed and recorded January --March 2020
Artist: Henry Birdsey
Label: Self released
The duo Tongue Depressor related works by American Connecticut pedas steel player Henry Birdsey and contrabass player Zach Rowden who also participates in Crazy Doberman have arrived directly from two people.
This work is a limited edition of 100 albums produced by Henry Birdsey using only harpsichord.Contains 11 songs, 1 hour and 13 minutes. DL code included.
------------------------------------
Edition of 100.
Total running time: 1:13:10
Composed and recorded January --March 2020
Artist: Henry Birdsey
Label: Self released
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{"id":8340032913658,"title":"Duffy x Uhlmann \/\/ Doubles LP [BLACK \/ COLOR] \/ TAPE","handle":"duffy-x-uhlmann-doubles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T17:51:14+09:00","created_at":"2024-04-18T17:49:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45721565036794,"title":"Black LP","option1":"Black 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charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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This is a collaborative album released by American guitarists Duffy x Uhlmann, who have played together as backing band members of Perfume Genius and Hand Habits, on the Chicago indie label Orindal Record in September 2023. Contains 9 songs from ambient folk to ambient jazz improvised by two guitars. DL code included. The LP is available in black and marble versions. Below is an explanation by Rosie Stockton. "Duffy x Uhlmann communicate with speed, blurring the lines between speed and slow, taking on each other's peaks and flurries as they aim for each other's horizons. Their constant motif is a constant return, knowing that if one wanders off, the other will follow or be called home. It's a steady, committed pulse. Here, fluidity prevails over order, each note passing by like an initial carved into the bark of a tree.
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{"id":8339953484026,"title":"Gia Margaret \/\/ Mia Gargaret LP [COLOR] \/ TAPE","handle":"gia-margaret-mia-gargaret","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・シカゴのインディーポップ〜フォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレコードはクリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T17:43:27+09:00","created_at":"2024-04-18T17:42:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field 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style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・シカゴのインディーポップ〜フォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレコードはクリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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A large quantity has arrived from Orindal Record, an indie pop-folk label based in Chicago, USA. This is an album released in 2020 by Chicago multi-instrumentalist Gia Margaret, who produced it during a period when she was unable to sing due to illness. Contains 11 dreamy ambient folk songs. DL code included. The record is a clear green edition. Below is an explanation by the artist himself and the label. "After canceling my tour due to illness, I couldn't sing for nearly half a year, so I felt like I was stuck in my shell and turned to synthesizers for solace. Writing has helped me maintain my identity as a music maker. Sometimes this music has relieved my anxiety more than therapy or anything else.'' Without a doubt, Mia Gargaret's instrumental tracks highlight Gia Margaret's skills as a musician, composer, and producer. The understated yet immersive arrangement of synthesizers, piano, and acoustic guitar creates an emotional landscape that is at once painful and soothing, much like the view from a car window. “I wanted to create a hopeful sound. I was making music to soothe myself. I would play synth loops as I walked around my apartment, forming my own daily soundtrack. ” Mia Gargaret documents Gia Margaret's self-healing. The album's opener, apathy, includes excerpts from vocal therapy exercises she did. Body samples lectures by British philosopher Alan Watts. (The use of this sample was personally granted by Mark Watts, the late lecturer's son, in exchange for the use of "body" in a documentary film about his father). Other tracks feature Gia's daily field recordings, including footsteps, church bells, a crackling bonfire, and lake waves. "I wanted to capture the feeling of having a really magical time in my life, even though I wanted to forget it completely. This process helped me understand something about myself. "Mia...
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{"id":8333628506362,"title":"H.R. Giger's Studiolo (Spencer Clark) \/\/ Vol.1 \u0026 Vol.2 2xLP","handle":"h-r-gigers-studiolo-vol-1-vol-2-2xlp","description":"\u003cp\u003e当店おなじみギリシャ・アテネのサイケデリック作家H.R. Giger's Studiolo aka Spencer Clarkが、2024年4月にポルトガル・ポルトの密林系音楽大巣窟Discrepantからリリースした再発2枚組レコードです。（オリジナル2014年カセットリリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックな\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ〜実験ポストニューエイジ・アンビエント8\u003c\/span\u003e曲を収録。DLリンク付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2014年にTyphonian Highlife名義でリリースされたこの巨大なダブルカセットのエディットリイシューである「H.R. Giger's Studiolo」は、冥界の航海者であるスペンサー・クラークが、迷宮のような音世界で特に魅惑的な接続点を発見する。直線的な時間軸や軌跡を完全に無視した「H.R. Giger's Studiolo」は、スイスの巨匠のヴィジョンと、以前クラークがフォースワールドマガジンの「ピンヘッド・イン・ファンタジア」で探求したセノバイトの図像の両方からインスピレーションを得ている。ジャケットを飾るCDヘッドのセノバイトの絵が、そのつながりをより明白にしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテープバージョンでは2時間半の大旅行だったが、ここではワックスコンテナにきちんと編集されている。「H.R.ギーガーのステュディオロ」の最初の2巻は、クラークの最も神秘的な録音のひとつである。異質な声、歪んだ効果音、異様なキーボード、空間とダイナミクスの準オーケストラ的感覚など、密閉された迷路を行くバロック的なオデッセイである「H.R. Giger's Studiolo」は、それ以前とも以後とも違う、幻覚的な熱の夢のように感じられる。いずれにせよ、ここでは時間は関係ない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516261436\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590664259\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516261436\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Flesh Ribbons Streaming Water Spiders\u003cbr\u003e2. Solo French Horn in Stuffetta \u003cbr\u003e3. Giger’s Bust of Mantegna\u003cbr\u003e4. Grotesqueries Metallic Wallpaper\u003cbr\u003e5. Giger’s Venusian Chestburster\u003cbr\u003e6. A Movement in the Cenobytes Journey to 15th Century Verona\u003cbr\u003e7. Giger’s Balinese Green Vaults 05:00\u003cbr\u003e8. (Salla D'Arco, Mantua) On Automated Feather in Salla Zodiaco\u003cbr\u003e9. (Salla D'Arco, Mantua) Giger’s Zodiac Fountains\u003cbr\u003e10. (Salla D'Arco, Mantua) A Nymphs Posture in Azzure \u003cbr\u003e11. (Salla D'Arco, Mantua) Zodiac Sign Fish 03:48\u003cbr\u003e12. Salla D'Arco, Mantua) Aquatic Flush of Harpishord Vacui\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAn edit-reissue of this gargantuan double cassette released back in 2014 under the Typhonian Highlife moniker, 'H.R. Giger's Studiolo' finds netherworld voyager Spencer Clark at a particularly beguiling conjunction of his labyrinthine-esque soundworld. With complete disregard for linear timelines and trajectories, 'H.R. Giger's Studiolo' finds both inspiration in the swiss master's vision and the Cenobite iconography previously explored by Clark on Fourth World Magazine's 'Pinhead in Fantasia'. The CD Head Cenobite picture adorning the cover makes the connection more than apparent. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA sprawling, two and half hour excursion on the tape version, here properly edited down to the wax container, the first two volumes of 'H.R. Giger's Studiolo' are some of Clark's most mystifying recordings. A baroque odyssey through an hermetic maze of alien voices, warping sound effects, oneiric keyboards and a quasi-orchestral sense of space and dynamics, 'H.R. Giger's Studiolo' feels like an hallucinatory fever dream still unlike everything else, either from before or after. Time doesn't apply here, anyway. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : H.R. Giger's Studiolo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2024-04-17T14:52:15+09:00","created_at":"2024-04-17T14:46:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","lp","new","post newage","strange beats"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45704578826490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"H.R. Giger's Studiolo (Spencer Clark) \/\/ Vol.1 \u0026 Vol.2 2xLP","public_title":null,"options":["Default Title"],"price":598000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1690805380_16.jpg?v=1713333100","\/\/tobirarecords.com\/cdn\/shop\/files\/0035004896_10.jpg?v=1713333122"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1690805380_16.jpg?v=1713333100","options":["Title"],"media":[{"alt":null,"id":33763060285690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1690805380_16.jpg?v=1713333100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1690805380_16.jpg?v=1713333100","width":700},{"alt":null,"id":33763066183930,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035004896_10.jpg?v=1713333122"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035004896_10.jpg?v=1713333122","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみギリシャ・アテネのサイケデリック作家H.R. Giger's Studiolo aka Spencer Clarkが、2024年4月にポルトガル・ポルトの密林系音楽大巣窟Discrepantからリリースした再発2枚組レコードです。（オリジナル2014年カセットリリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックな\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ〜実験ポストニューエイジ・アンビエント8\u003c\/span\u003e曲を収録。DLリンク付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2014年にTyphonian Highlife名義でリリースされたこの巨大なダブルカセットのエディットリイシューである「H.R. Giger's Studiolo」は、冥界の航海者であるスペンサー・クラークが、迷宮のような音世界で特に魅惑的な接続点を発見する。直線的な時間軸や軌跡を完全に無視した「H.R. Giger's Studiolo」は、スイスの巨匠のヴィジョンと、以前クラークがフォースワールドマガジンの「ピンヘッド・イン・ファンタジア」で探求したセノバイトの図像の両方からインスピレーションを得ている。ジャケットを飾るCDヘッドのセノバイトの絵が、そのつながりをより明白にしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテープバージョンでは2時間半の大旅行だったが、ここではワックスコンテナにきちんと編集されている。「H.R.ギーガーのステュディオロ」の最初の2巻は、クラークの最も神秘的な録音のひとつである。異質な声、歪んだ効果音、異様なキーボード、空間とダイナミクスの準オーケストラ的感覚など、密閉された迷路を行くバロック的なオデッセイである「H.R. Giger's Studiolo」は、それ以前とも以後とも違う、幻覚的な熱の夢のように感じられる。いずれにせよ、ここでは時間は関係ない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516261436\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590664259\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516261436\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Flesh Ribbons Streaming Water Spiders\u003cbr\u003e2. Solo French Horn in Stuffetta \u003cbr\u003e3. Giger’s Bust of Mantegna\u003cbr\u003e4. Grotesqueries Metallic Wallpaper\u003cbr\u003e5. Giger’s Venusian Chestburster\u003cbr\u003e6. A Movement in the Cenobytes Journey to 15th Century Verona\u003cbr\u003e7. Giger’s Balinese Green Vaults 05:00\u003cbr\u003e8. (Salla D'Arco, Mantua) On Automated Feather in Salla Zodiaco\u003cbr\u003e9. (Salla D'Arco, Mantua) Giger’s Zodiac Fountains\u003cbr\u003e10. (Salla D'Arco, Mantua) A Nymphs Posture in Azzure \u003cbr\u003e11. (Salla D'Arco, Mantua) Zodiac Sign Fish 03:48\u003cbr\u003e12. Salla D'Arco, Mantua) Aquatic Flush of Harpishord Vacui\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAn edit-reissue of this gargantuan double cassette released back in 2014 under the Typhonian Highlife moniker, 'H.R. Giger's Studiolo' finds netherworld voyager Spencer Clark at a particularly beguiling conjunction of his labyrinthine-esque soundworld. With complete disregard for linear timelines and trajectories, 'H.R. Giger's Studiolo' finds both inspiration in the swiss master's vision and the Cenobite iconography previously explored by Clark on Fourth World Magazine's 'Pinhead in Fantasia'. The CD Head Cenobite picture adorning the cover makes the connection more than apparent. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA sprawling, two and half hour excursion on the tape version, here properly edited down to the wax container, the first two volumes of 'H.R. Giger's Studiolo' are some of Clark's most mystifying recordings. A baroque odyssey through an hermetic maze of alien voices, warping sound effects, oneiric keyboards and a quasi-orchestral sense of space and dynamics, 'H.R. Giger's Studiolo' feels like an hallucinatory fever dream still unlike everything else, either from before or after. Time doesn't apply here, anyway. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : H.R. Giger's Studiolo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}
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This is a 2024-disc reissue record released by HR Giger's Studiolo aka Spencer Clark, a well-known psychedelic artist from Athens, Greece, in April 4 from Discrepant, a jungle music cave in Porto, Portugal. (Original 2 cassette release) Contains 2014 psychedelic strange beats ~ experimental post-new age ambient songs. DL link included. Below is an explanation by the label. "HR Giger's Studiolo," a giant double-cassette editorial reissue released under the name Typhonian Highlife in 8, features underworld voyager Spencer Clarke's labyrinthine sonic worlds set in a particularly enchanting world. Discover connection points. Completely ignoring linear timelines and trajectories, HR Giger's Studiolo draws inspiration from both the Swiss master's vision and the Cenobite iconography Clark previously explored in Fourth World Magazine's Pinhead in Phantasia. are getting rations. The picture of the Cenobite on the CD head that adorns the jacket makes this connection even more obvious. The two-and-a-half hour long trip in the tape version is here neatly edited into a wax container. The first two volumes of HR Giger's Studiolo are among Clark's most mysterious recordings. "HR...
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{"id":8327858651386,"title":"Danny Clay \/\/ No More Darkness, No More Night LP [COLOR] \/ CD","handle":"danny-clay-no-more-darkness-no-more-night-lp-color-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのアンビエント作家Danny Clayが\u003c\/span\u003e、2024年4月に同国アンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eストリングスとピアノによるシネマティックな涙腺崩壊系ネオクラシカル・アンビエント6曲を収録。DLコード付属。レコードはクリアブルー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/danny-clay-ocean-park-lp-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=65207764\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3312415385\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Opening 03:22\u003cbr\u003e2. Part 1 05:33\u003cbr\u003e3. Part 2 03:10\u003cbr\u003e4. Part 3 05:32\u003cbr\u003e5. Part 4 04:04\u003cbr\u003e6. Part 5 21:11\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 12’’ blue transparent vinyl\u003cbr data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003cbr data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper\u003cbr data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e• Glass mastered CD, pantone\u003cbr data-mce-fragment=\"1\"\u003e• Digisleeve : white cardboard 300 gm\u003cbr data-mce-fragment=\"1\"\u003e• Outside : x 2 adhesive glossy paper\u003cbr data-mce-fragment=\"1\"\u003e• Inside : thick paper card + x 2 stickers\u003cbr data-mce-fragment=\"1\"\u003e• Hand numbered Limited edition to 150 copies, sealed (like old book)\u003cbr\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLaaps:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003e\"After a first release in 2019 on IIKKI (\"All Other Voices Gone, Only Yours Remains\"), a second one in 2020 on LAAPS (\"We Were The Hum Of Dreams\"), Craig Tattersall (The Humble Bee) and Jason Corder (Offthesky) come back with a third stunning out-of-time beauty, paired with the Mikael Siirilä\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e photography works. \"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Danny Clay\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eLaaps\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-04-16T14:48:29+09:00","created_at":"2024-04-16T14:41:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","Laaps","lp","neo classical","new","recommended"],"price":228000,"price_min":228000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45685654847738,"title":"LP [COLOR]","option1":"LP [COLOR]","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41037298368762,"product_id":8327858651386,"position":2,"created_at":"2024-04-16T14:41:53+09:00","updated_at":"2024-04-16T14:41:57+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250560_10.jpg?v=1713246117","variant_ids":[45685654847738]},"available":true,"name":"Danny Clay \/\/ No More Darkness, No More Night LP [COLOR] \/ CD - LP [COLOR]","public_title":"LP [COLOR]","options":["LP [COLOR]"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33746230116602,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250560_10.jpg?v=1713246117"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45685654880506,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41037310165242,"product_id":8327858651386,"position":4,"created_at":"2024-04-16T14:44:30+09:00","updated_at":"2024-04-16T14:44:31+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250530_10.jpg?v=1713246271","variant_ids":[45685654880506]},"available":true,"name":"Danny Clay \/\/ No More Darkness, No More Night LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33746245320954,"position":4,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250530_10.jpg?v=1713246271"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1861547972_16.jpg?v=1713246114","\/\/tobirarecords.com\/cdn\/shop\/files\/0035250560_10.jpg?v=1713246117","\/\/tobirarecords.com\/cdn\/shop\/files\/0035250564_10.jpg?v=1713246116","\/\/tobirarecords.com\/cdn\/shop\/files\/0035250530_10.jpg?v=1713246271","\/\/tobirarecords.com\/cdn\/shop\/files\/0035250532_10.jpg?v=1713246272"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1861547972_16.jpg?v=1713246114","options":["Format"],"media":[{"alt":null,"id":33746230083834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1861547972_16.jpg?v=1713246114"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1861547972_16.jpg?v=1713246114","width":700},{"alt":null,"id":33746230116602,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250560_10.jpg?v=1713246117"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250560_10.jpg?v=1713246117","width":1200},{"alt":null,"id":33746230214906,"position":3,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250564_10.jpg?v=1713246116"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250564_10.jpg?v=1713246116","width":1200},{"alt":null,"id":33746245320954,"position":4,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250530_10.jpg?v=1713246271"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250530_10.jpg?v=1713246271","width":1200},{"alt":null,"id":33746245353722,"position":5,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250532_10.jpg?v=1713246272"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035250532_10.jpg?v=1713246272","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのアンビエント作家Danny Clayが\u003c\/span\u003e、2024年4月に同国アンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eストリングスとピアノによるシネマティックな涙腺崩壊系ネオクラシカル・アンビエント6曲を収録。DLコード付属。レコードはクリアブルー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/danny-clay-ocean-park-lp-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=65207764\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803207107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3312415385\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Opening 03:22\u003cbr\u003e2. Part 1 05:33\u003cbr\u003e3. Part 2 03:10\u003cbr\u003e4. Part 3 05:32\u003cbr\u003e5. Part 4 04:04\u003cbr\u003e6. Part 5 21:11\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 12’’ blue transparent vinyl\u003cbr data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003cbr data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper\u003cbr data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e• Glass mastered CD, pantone\u003cbr data-mce-fragment=\"1\"\u003e• Digisleeve : white cardboard 300 gm\u003cbr data-mce-fragment=\"1\"\u003e• Outside : x 2 adhesive glossy paper\u003cbr data-mce-fragment=\"1\"\u003e• Inside : thick paper card + x 2 stickers\u003cbr data-mce-fragment=\"1\"\u003e• Hand numbered Limited edition to 150 copies, sealed (like old book)\u003cbr\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLaaps:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003e\"After a first release in 2019 on IIKKI (\"All Other Voices Gone, Only Yours Remains\"), a second one in 2020 on LAAPS (\"We Were The Hum Of Dreams\"), Craig Tattersall (The Humble Bee) and Jason Corder (Offthesky) come back with a third stunning out-of-time beauty, paired with the Mikael Siirilä\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e photography works. \"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Danny Clay\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eLaaps\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e"}
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This is an album released by French ambient artist Danny Clay on the French ambient label laaps/IIKKI in April 2024. Contains 4 cinematic neoclassical ambient songs featuring strings and piano. DL code included. The record is a clear blue edition. The previous work is also recommended. Click here to see more Laaps / IIKKI releases...
¥2,280