Mariachi Azteca Principal // The National Anthem of Elgaland-Vargaland # 2 7 "
Mariachi Azteca Principal // The National Anthem of Elgaland-Vargaland # 2 7 "
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The sixth national anthem series of Ash International under Touch.
Hand-numbered 7 ″ LP. Edition of 500.
The Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands.
These recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.
- THE KINGDOMS OF ELGALAND-VARGALAND
Artist: Mariachi Azteca Principal
Label: Ash International
The sixth national anthem series of Ash International under Touch.
Hand-numbered 7 ″ LP. Edition of 500.
The Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands.
These recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.
- THE KINGDOMS OF ELGALAND-VARGALAND
Artist: Mariachi Azteca Principal
Label: Ash International
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Still Life - Requiem l\u003cbr\u003e2. Still Life - Requiem ll\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTouch:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Still Life - Requiem' consists of one piece with the same title and is divided up into two to fit the LP format. 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The Kabbalah, the Indian mystics, the Christian church…the moods of these belief systems and more, and their sounds as well, are sampled and referenced throughout these 10 tracks. With a mix of real instrumentation, including the violin playing of Zachary Paul and the cello, bass and viola played by guest musicians on some of the tracks, and the many electronic treatments created by Mark Van Hoen including the sounds of insects, African drumming, liturgical droning, and classical and operatic samples…this portentous and mysterious, at times dark, but overall spiritually absorbing album is an imaginary voyage into the realms of Agnosticism, and it’s insinuations into the other major religions of the world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZachary’s violin is multi layered and processed, often rendered unrecognizable – with minimal ghostly and decayed electronics added by Mark. Most of the tracks were recorded in an improvisation session at Mark’s studio in Los Angeles. Two of the pieces “Black Angels” and “Sister Ferdinande (Kolkata)” were recorded at film sound maestro Charlie Campagne’s studio – and feature him on double bass as well as Katt Newlon of LA’s Sonic Open Orchestra on cello.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : IHVH\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e","published_at":"2022-02-20T16:37:01+09:00","created_at":"2022-02-20T10:32:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","sale22","touch"],"price":179000,"price_min":179000,"price_max":179000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42445791625466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"IHVH \/\/ The Agnostic CD","public_title":null,"options":["Default Title"],"price":179000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722","\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","options":["Title"],"media":[{"alt":null,"id":29179745763578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag1_8f10c796-259b-4ab6-bf4d-01bb7105ca0e.jpg?v=1645320722","width":700},{"alt":null,"id":29179745796346,"position":2,"preview_image":{"aspect_ratio":1.455,"height":825,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722"},"aspect_ratio":1.455,"height":825,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag2_0be604fe-0d47-4078-9785-0d5e856d4607.jpg?v=1645320722","width":1200},{"alt":null,"id":29179745829114,"position":3,"preview_image":{"aspect_ratio":1.434,"height":837,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722"},"aspect_ratio":1.434,"height":837,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ag3_78d84541-9931-4592-9c37-1d5190b5be10.jpg?v=1645320722","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions MegoやTouchなどから発表している\u003cmeta charset=\"utf-8\"\u003eMark Van Hoenとバイオリン奏者Zachary PaulによるデュオIHVHが、2022年3月にTouch傘下Ash InternationalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントアプローチのエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2391627737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsh International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIHVH are a duo composed of Touch artists Mark Van Hoen of Locust fame, and violinist Zachary Paul.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is an electro-acoustic excursion of sorts into the often obscure worlds of mystical religions of our times. The Kabbalah, the Indian mystics, the Christian church…the moods of these belief systems and more, and their sounds as well, are sampled and referenced throughout these 10 tracks. With a mix of real instrumentation, including the violin playing of Zachary Paul and the cello, bass and viola played by guest musicians on some of the tracks, and the many electronic treatments created by Mark Van Hoen including the sounds of insects, African drumming, liturgical droning, and classical and operatic samples…this portentous and mysterious, at times dark, but overall spiritually absorbing album is an imaginary voyage into the realms of Agnosticism, and it’s insinuations into the other major religions of the world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZachary’s violin is multi layered and processed, often rendered unrecognizable – with minimal ghostly and decayed electronics added by Mark. Most of the tracks were recorded in an improvisation session at Mark’s studio in Los Angeles. Two of the pieces “Black Angels” and “Sister Ferdinande (Kolkata)” were recorded at film sound maestro Charlie Campagne’s studio – and feature him on double bass as well as Katt Newlon of LA’s Sonic Open Orchestra on cello.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : IHVH\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e"}
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IHVH, a duo of Mark Van Hoen and violinist Zachary Paul, who have released on Editions Mego and Touch in the past, released a CD in March 2022 from Ash International under Touch.Contains 3 electro-acoustic songs with an ambient approach.Digipak, shrink specification. ---------------------------------- Ash International: "IHVH are a duo...
¥1,790
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{"id":7518173561082,"title":"Tears|Ov \/\/ A Hopeless Place LP","handle":"tears-ov-a-hopeless-place-lp","description":"\u003cp\u003eコラージュバンドTears|Ovが、2019年にイギリスの実験レーベルTapewormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ〜ドローンなどカテゴライズが難しい8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1306833354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Tapeworm:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2015, Tears|Ov are sound artist\/self-taught musician Lori E Allen, classically trained cellist\/mixed media artist Katie Spafford and illustrator\/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day\/performance. Because of this, the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘A Hopeless Place’ was initiated by a commission from Wolfgang Tillmans to perform at the Tate Modern’s South Tanks, part of a concert series curated by the artist in parallel to his 2017 retrospective at the gallery. ‘We were asked to play a gig at the Tate in March 2017’ recalls Lori. ‘I’d already started on some of the tracks, but it gave us an opportunity to present them as a composition around their connected themes. Sometime after the gig we decided to capture the work and turn it in to an album.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Lori, the album is about loss, ‘especially grief around the edges of growing out of something in order to move toward something else. It’s about transformation through love, not knowing how to hold on to everything while wanting desperately to let go of all of it, craving new shapes but feeling warped in the process of shapeshifting. It’s also about how love changes you, if you allow it to. It can’t be apportioned. And this is the biggest mistake of all – which we all joke about in vain grasping for control over the pleasure of losing control – that’s what the gameshow track represents – the compulsion to break taboo.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTears|Ov’s debut is presented as a continuous journey, devised to be heard as a whole. ‘Though I’m interested in attaining a peaceful hold on mixing emotions on a personal level, the compositions seem to come out all sideways, morose and capricious,’ Lori says. ‘I like to change the mood slowly and sometimes suddenly – like how it happens in your heart.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDebbie notes how the albums’ different movements work for or against each other. ‘“Dancing Without” is about finding a book about nothingness, just lying there on the street, and having gratitude for nothing being nothing yet still somehow falling out of the sky as an object – not just a concept. For “Overstimulated Arcade Rat”, the inspiration was about the feeling of being on a new psychotic substance, endlessly playing video games – a metaphor for being forced into addiction by society, for getting lost in the pressure of finding your way. “Trapdoor Ant” is about the protective survival mechanism of the trapdoor ant. They have the fastest moving predatory appendages within the animal kingdom, used as a catapult to eject intruders or ping themselves backwards to escape threat. The peak force is 300 times the body weight of the ant…’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Katie’s opinion the album represents an emotional journey, ‘often one started by Lori and shaped by the band. Through my cello melodies, I seek to create a story throughout the album, like a voice. The way the tracks are stitched together is akin to how a symphony is structured, with its different movements; each one with its own story, building to a greater whole. The emotions that Lori describes – of loss, grief and love – are echoed in the romantic and often heart-rending cello melodies. As I am not the one who creates the initial concepts or ideas, for me it’s much more about how I absorb and feel the raw emotion of each track, then voicing and interpreting what I feel through the cello.’\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tears|Ov\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Tapeworm\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-17T14:36:03+09:00","created_at":"2022-01-17T11:18:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","monooto","strange beats","the tapeworm"],"price":275000,"price_min":275000,"price_max":275000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42328508793082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tears|Ov \/\/ A Hopeless Place LP","public_title":null,"options":["Default Title"],"price":275000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898","options":["Title"],"media":[{"alt":null,"id":29017970868474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_6015172b-95f5-40c1-8e64-b14c78fa3f68.jpg?v=1642385898","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコラージュバンドTears|Ovが、2019年にイギリスの実験レーベルTapewormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ〜ドローンなどカテゴライズが難しい8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1306833354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Tapeworm:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2015, Tears|Ov are sound artist\/self-taught musician Lori E Allen, classically trained cellist\/mixed media artist Katie Spafford and illustrator\/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day\/performance. Because of this, the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘A Hopeless Place’ was initiated by a commission from Wolfgang Tillmans to perform at the Tate Modern’s South Tanks, part of a concert series curated by the artist in parallel to his 2017 retrospective at the gallery. ‘We were asked to play a gig at the Tate in March 2017’ recalls Lori. ‘I’d already started on some of the tracks, but it gave us an opportunity to present them as a composition around their connected themes. Sometime after the gig we decided to capture the work and turn it in to an album.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Lori, the album is about loss, ‘especially grief around the edges of growing out of something in order to move toward something else. It’s about transformation through love, not knowing how to hold on to everything while wanting desperately to let go of all of it, craving new shapes but feeling warped in the process of shapeshifting. It’s also about how love changes you, if you allow it to. It can’t be apportioned. And this is the biggest mistake of all – which we all joke about in vain grasping for control over the pleasure of losing control – that’s what the gameshow track represents – the compulsion to break taboo.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTears|Ov’s debut is presented as a continuous journey, devised to be heard as a whole. ‘Though I’m interested in attaining a peaceful hold on mixing emotions on a personal level, the compositions seem to come out all sideways, morose and capricious,’ Lori says. ‘I like to change the mood slowly and sometimes suddenly – like how it happens in your heart.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDebbie notes how the albums’ different movements work for or against each other. ‘“Dancing Without” is about finding a book about nothingness, just lying there on the street, and having gratitude for nothing being nothing yet still somehow falling out of the sky as an object – not just a concept. For “Overstimulated Arcade Rat”, the inspiration was about the feeling of being on a new psychotic substance, endlessly playing video games – a metaphor for being forced into addiction by society, for getting lost in the pressure of finding your way. “Trapdoor Ant” is about the protective survival mechanism of the trapdoor ant. They have the fastest moving predatory appendages within the animal kingdom, used as a catapult to eject intruders or ping themselves backwards to escape threat. The peak force is 300 times the body weight of the ant…’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Katie’s opinion the album represents an emotional journey, ‘often one started by Lori and shaped by the band. Through my cello melodies, I seek to create a story throughout the album, like a voice. The way the tracks are stitched together is akin to how a symphony is structured, with its different movements; each one with its own story, building to a greater whole. The emotions that Lori describes – of loss, grief and love – are echoed in the romantic and often heart-rending cello melodies. As I am not the one who creates the initial concepts or ideas, for me it’s much more about how I absorb and feel the raw emotion of each track, then voicing and interpreting what I feel through the cello.’\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tears|Ov\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Tapeworm\u003c\/span\u003e\u003c\/p\u003e"}
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Collage band Tears|Ov released a record in 2019 on the British experimental label Tapeworm.Includes 8 songs that are difficult to categorize, such as collage jazz and drones.Click here for labels and other works /// Click here to see more The Tapeworm releases available at Tobira. ---------------------- Edition of...
¥2,750