Dickie Landry // 4 Cuts Placed In "A First Quarter" LP

Dickie Landry // 4 Cuts Placed In "A First Quarter" LP

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This is a reissue record released in October 2022 by Unseen Worlds, a Louisiana mogul saxophonist from Louisiana, USA. (originally released in 10)

Contains 4 improvisational songs. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Unseen Worlds releases available at Tobira.

----------------------------

Includes DL code.

Unseen Worlds:

"'Cuts Placed In "A First Quarter",' the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, "I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked 'can you make a video for me?' So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. 'He said 'what do you mean?' I had recorded several pieces with Kurt Munkcasi and walked around the set playing the music on a boom box.”

The set features one solo each by Landry and contrabassist Rusty Gilder, a duo for the tenor saxophones of Landry and Richard Peck, and an ensemble piece for Landry, Peck, Gilder, trumpeter Robert Prado, and drummer David Lee, Jr. Starting the record off is “Requiem for Some,” inspired by Gil Evans' long, placid tones. The anchor is Lee's dry cymbal attack and fancy footwork, dancing around overlapping and recombining horns, chords held just shy of splintering. delayed solo tenor piece, presaging “Kitchen Solos” from Fifteen Saxophones by several years. “Piece for So” was, according to Landry, “a chance to give Rusty a solo”. Mostly known as an ensemble bassist, Gilder bounced between Lafayette, Charlotte, and New York, leaving a slim recorded legacy. Here, he stretches out for twelve minutes and change – with keen upper register detail and meaty up-tempo walk, he could have been mentioned in the same breath as players like Dave Holland and Barre Phillips. The closing “Duo Vivace” finds Landry and Peck sparring on tenors, the latter holding a melodic line while Landry leans into explosive glossolalia, until both become birds in flight.

Artist : Dickie Landry

Label: Unseen Worlds

Quantity

+ -

This is a reissue record released in October 2022 by Unseen Worlds, a Louisiana mogul saxophonist from Louisiana, USA. (originally released in 10)

Contains 4 improvisational songs. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Unseen Worlds releases available at Tobira.

----------------------------

Includes DL code.

Unseen Worlds:

Artist : Dickie Landry

Label: Unseen Worlds

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Quickview {"id":8001029964026,"title":"Carl Stone \/\/ Electronic Music from 1972-2022 3xLP","handle":"carl-stone-electronic-music-from-1972-2022-3x12","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカの実験音楽家／\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中京大学情報理工学部教授\u003c\/span\u003eCarl Stoneが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年8月に同国NYのアンビエント〜ネオクラシカルレーベルUnseen Worldsから\u003c\/span\u003eリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Electronic Music from 1972-2022』は、Carl Stoneの50年にわたる作曲活動を、1972年にStoneがプロとして発表した初期の作品（Three Confusongsと、後にZ'EVとして知られるステファン・ヴァイザーの歌声と詩をフィーチャーしたRyound Thygyzunz）から現在に至るまで、一挙に紹介するアーカイブ集である。このコレクションは、決定的な歴史としてではなく、むしろ前の2つのアーカイヴ盤と並べて使うための補足的なものである。これは同時に、\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの生誕70周年を記念するアーカイバル・リリースであり、アーカイバル・アートのドキュメントでもある。混乱させるような反復とレイヤリングの精神から、アーカイブのアーカイブと呼ぼう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの活動は、カルアーツの大学院でレコード盤をテープにダビングして保存するという、反復的なアーカイブ・プロセスから生まれた。ルネサンスやエレクトロニック作品から世界中の音楽まで、おそらく1万枚に及ぶアルバムの中から、彼は複数のディスクを同時に再録音しなければならず、偶然の衝突や偶然の一致を生み出した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそれ以来数十年間、彼はこのプロセスを作曲するさまざまな方法を探求し、既存のトラックやフィールド・レコーディングといったファウンド・サウンドが形になるような時間的エンベロープを作り出してきた。彼が使用するテクノロジーは変化し、サンプルは分類できないほど多様化しているが、一貫しているのは、既存の音の断片を使って時間的経験を整理することへの関心である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e時間から切り離された時間をコラージュのように構築する\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの作品は、アーカイヴの記録は、変化から保存された文書や、生きた記憶や使用の中にあるのではなく、それらの相互作用の中にあることを示唆している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=29633178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Confusongs (1972)\u003c\/li\u003e\n\u003cli\u003eRyouund Thygizunz (1972)\u003c\/li\u003e\n\u003cli\u003eVim (1987)\u003c\/li\u003e\n\u003cli\u003eNoor Mahal (1987)\u003c\/li\u003e\n\u003cli\u003eFlint's (1999) 08:43\u003c\/li\u003e\n\u003cli\u003eMorangak (2005) 06:29\u003c\/li\u003e\n\u003cli\u003eNgoc Suong (2003)\u003c\/li\u003e\n\u003cli\u003eL'Os à Moelle (2007)\u003c\/li\u003e\n\u003cli\u003eWalt's (2022)\u003c\/li\u003e\n\u003cli\u003eKustaa (2022) 03:17\u003c\/li\u003e\n\u003cli\u003eMerkato (2022)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 (\"Three Confusongs\" and \"Ryound Thygyzunz\", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Carl Stone’s evergreen 70th birthday and a document of archival art. In the spirit of disorienting repetition and layering, call it an archive of archiving.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStone’s practice emerged from the repetitive archival process of his graduate job at CalArts preserving vinyl recordings by dubbing them to tape. With perhaps 10,000 albums ranging from Renaissance and electronic works to music from across the globe, he had to re-record multiple discs concurrently, creating chance collisions and coincidences.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decades since, he’s explored various ways to compose this process, creating temporal envelopes in which found sounds – existing tracks or field recordings – can take\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e form. Whilst the technologies he’s used have changed and samples have varied beyond categorization, what’s remained consistent is his concern for organizing temporal experience using fragments of pre-existing sounding events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone's impish collage-like constructions of times cut from time suggest that archival records are neither wholly in documents preserved from change nor in living memories and use, but in their interaction.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-08-02T17:04:58+09:00","created_at":"2023-08-02T13:57:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","unseen worlds"],"price":697000,"price_min":697000,"price_max":697000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44413992534266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carl Stone \/\/ Electronic Music from 1972-2022 3xLP","public_title":null,"options":["Default Title"],"price":697000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","options":["Title"],"media":[{"alt":null,"id":32289221607674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","width":700},{"alt":null,"id":32289221640442,"position":2,"preview_image":{"aspect_ratio":1.855,"height":647,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242"},"aspect_ratio":1.855,"height":647,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカの実験音楽家／\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中京大学情報理工学部教授\u003c\/span\u003eCarl Stoneが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年8月に同国NYのアンビエント〜ネオクラシカルレーベルUnseen Worldsから\u003c\/span\u003eリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Electronic Music from 1972-2022』は、Carl Stoneの50年にわたる作曲活動を、1972年にStoneがプロとして発表した初期の作品（Three Confusongsと、後にZ'EVとして知られるステファン・ヴァイザーの歌声と詩をフィーチャーしたRyound Thygyzunz）から現在に至るまで、一挙に紹介するアーカイブ集である。このコレクションは、決定的な歴史としてではなく、むしろ前の2つのアーカイヴ盤と並べて使うための補足的なものである。これは同時に、\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの生誕70周年を記念するアーカイバル・リリースであり、アーカイバル・アートのドキュメントでもある。混乱させるような反復とレイヤリングの精神から、アーカイブのアーカイブと呼ぼう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの活動は、カルアーツの大学院でレコード盤をテープにダビングして保存するという、反復的なアーカイブ・プロセスから生まれた。ルネサンスやエレクトロニック作品から世界中の音楽まで、おそらく1万枚に及ぶアルバムの中から、彼は複数のディスクを同時に再録音しなければならず、偶然の衝突や偶然の一致を生み出した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそれ以来数十年間、彼はこのプロセスを作曲するさまざまな方法を探求し、既存のトラックやフィールド・レコーディングといったファウンド・サウンドが形になるような時間的エンベロープを作り出してきた。彼が使用するテクノロジーは変化し、サンプルは分類できないほど多様化しているが、一貫しているのは、既存の音の断片を使って時間的経験を整理することへの関心である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e時間から切り離された時間をコラージュのように構築する\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの作品は、アーカイヴの記録は、変化から保存された文書や、生きた記憶や使用の中にあるのではなく、それらの相互作用の中にあることを示唆している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=29633178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Confusongs (1972)\u003c\/li\u003e\n\u003cli\u003eRyouund Thygizunz (1972)\u003c\/li\u003e\n\u003cli\u003eVim (1987)\u003c\/li\u003e\n\u003cli\u003eNoor Mahal (1987)\u003c\/li\u003e\n\u003cli\u003eFlint's (1999) 08:43\u003c\/li\u003e\n\u003cli\u003eMorangak (2005) 06:29\u003c\/li\u003e\n\u003cli\u003eNgoc Suong (2003)\u003c\/li\u003e\n\u003cli\u003eL'Os à Moelle (2007)\u003c\/li\u003e\n\u003cli\u003eWalt's (2022)\u003c\/li\u003e\n\u003cli\u003eKustaa (2022) 03:17\u003c\/li\u003e\n\u003cli\u003eMerkato (2022)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 (\"Three Confusongs\" and \"Ryound Thygyzunz\", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Carl Stone’s evergreen 70th birthday and a document of archival art. In the spirit of disorienting repetition and layering, call it an archive of archiving.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStone’s practice emerged from the repetitive archival process of his graduate job at CalArts preserving vinyl recordings by dubbing them to tape. With perhaps 10,000 albums ranging from Renaissance and electronic works to music from across the globe, he had to re-record multiple discs concurrently, creating chance collisions and coincidences.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decades since, he’s explored various ways to compose this process, creating temporal envelopes in which found sounds – existing tracks or field recordings – can take\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e form. Whilst the technologies he’s used have changed and samples have varied beyond categorization, what’s remained consistent is his concern for organizing temporal experience using fragments of pre-existing sounding events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone's impish collage-like constructions of times cut from time suggest that archival records are neither wholly in documents preserved from change nor in living memories and use, but in their interaction.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}

Carl Stone, an American experimental musician and professor at the Faculty of Information Science and Engineering at Chukyo University, released a three-disc record set in August 2023 from New York's ambient-neo-classical label Unseen Worlds.Contains 8 collage songs. Comes with DL code.Below is an explanation by the label. "Electronic Music from 3-11 draws on Carl Stone's 1972-year composing career with his early work published professionally in 2022 (Three Confusongs and Stefan Weisser, later known as Z'EV). This is an archive collection that introduces all at once from Ryoound Thygyzunz featuring poetry and poetry) to the present day.This collection is not a definitive history, but rather a supplement to be used side by side with the previous two archive discs. It is at once an archival release commemorating the 50th anniversary of Carl Stone's birth, and a document of archival art, dubbed an archive of archives in the spirit of confusing repetition and layering. B. Carl Stone's work was born out of an iterative archiving process in graduate school at CalArts, dubbing vinyl records to tape for preservation, perhaps 1972 copies ranging from Renaissance and electronic works to music from around the world. From a range of albums, he had to re-record multiple discs simultaneously, creating collisions and coincidences, and in the decades since, he has explored different ways of composing this process. He has created temporal envelopes that shape the found sounds of existing tracks and field recordings.The technology he uses has changed and his samples have become unclassifiably diverse, but he has remained consistent. What is there is an interest in organizing temporal experiences using existing sound fragments.Carl...

¥6,970

Jacqueline Humbert & David Rosenboom // Daytime Viewing 2xLP

Quickview {"id":7946470916346,"title":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","handle":"jacqueline-humbert-david-rosenboom-daytime-viewing-2xlp","description":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-03-30T13:55:31+09:00","created_at":"2023-03-30T11:59:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","unseen worlds"],"price":559000,"price_min":559000,"price_max":559000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134943424762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","public_title":null,"options":["Default Title"],"price":559000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","options":["Title"],"media":[{"alt":null,"id":31752861286650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","width":700},{"alt":null,"id":31752861319418,"position":2,"preview_image":{"aspect_ratio":1.626,"height":738,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"},"aspect_ratio":1.626,"height":738,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}