Fritz Pape // Ouroboros Patching Tape

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Ohio's synth ambient writer Fritz Pape's new workLimited release of 2020 copies from Whited Sepulchre Records in November 11.Includes 100 expressive synth sounds such as arpeggios and drones.

Whited Sepulchre Records Other worksplease use this form. ///Click here to see more WHITED SEPULCHRE RECORDS RELEASES AVAILABLE at tobira.

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Edition of 100.

The trajectory of Fritz Pape's music is a constant embrace of extremity in musical expression. Under Zijnzijn Zijnzijn! Pape created impenetrable walls of swelling guitar noise that recalled the minimalist sonic attacks of Swans or The Boredoms, organized large guitar ensembles and explored the limits of collective. Volume and repetition and is known for playing marathon drone sets. With a CV of limit-testing experiments, the Cincinnati-based artist has created a gorgeously executed and fully realized album that explores carefully constructed chance connections.

According to Fritz, "Most of this music happened on it's own accord, after some careful (and some not so careful) construction of circular connections between sound-making and sound-altering systems, with some gentle human coercing along the way. These recordings are observations of those systems getting to know themselves. "
--Whited Sepulchre Records

Artist: Fritz Pape

Label: Whited Sepulchre Records

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Ohio's synth ambient writer Fritz Pape's new workLimited release of 2020 copies from Whited Sepulchre Records in November 11.Includes 100 expressive synth sounds such as arpeggios and drones.

Whited Sepulchre Records Other worksplease use this form. ///Click here to see more WHITED SEPULCHRE RECORDS RELEASES AVAILABLE at tobira.

-----------------------

Edition of 100.

Artist: Fritz Pape

Label: Whited Sepulchre Records

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Quickview {"id":8094494195962,"title":"Lake Mary \/\/ Slow Grass LP","handle":"lake-mary-slow-grass-lp","description":"\u003cp\u003e当店でおなじみのアンビエント・フォークバンドFuubutsushiのギター担当しても活動しているアメリカ・ミズーリ州のアンビエント作家Lake Maryが、2022年12月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜アメリカンプリミティブ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushiメンバーも参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChaz Prymek - guitars\u003cbr\u003ePatrick Shiroishi - Saxaphones, Clarinets, Vocals, Percussion\u003cbr\u003eChris Jusell - Violins\u003cbr\u003ePaul DeHaven - Synths\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=61872181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 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The fact that Prymek plays so often and so generously with so many different players is itself a framework for hearing the music. This music is nothing if not generous, open, and warm. It is music that proceeds from and returns to tenderness. In fact, it is an elegy. Prymek wrote Slow Grass while his beloved dog Favorite’s health was declining throughout 2019 and 2020, and the work is named for the moments toward the very end of Favorite’s life when she became immobile, and Prymek and she would simply lay and watch the grass grow. “Life is full of pain,” says the late John Berger. “Tenderness is in part a response to that. But it is also something else. In the face of what is so often surrounding us, tenderness is an almost defiant act of freedom.” Slow Grass is like this. It is tender to the extent that it feels defiant, like shelter is defiant. Prymek says that his playing on the second movement is “an older style of playing,” similar to how he played guitar at that time, 14 years ago, when he first got Favorite. “It's important,” he says, “to remember your origin stories.” This is perhaps the key to Slow Grass. Though we cannot undo the pain of loss, we can defy it by sheltering what and how we have loved. Slow Grass may be born of heartache, but it is not mourning music. To treat memories –– even painful ones –– with tenderness; to treat collaborators with tenderness; to treat instruments with tenderness is to defy callousness. Slow Grass does all of this to a staggering effect.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lake Mary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-26T06:04:55+09:00","created_at":"2023-11-26T06:04:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","recommended","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44811553177850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lake Mary \/\/ Slow Grass LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","options":["Title"],"media":[{"alt":null,"id":32746670817530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","width":700},{"alt":null,"id":32746670850298,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店でおなじみのアンビエント・フォークバンドFuubutsushiのギター担当しても活動しているアメリカ・ミズーリ州のアンビエント作家Lake Maryが、2022年12月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜アメリカンプリミティブ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushiメンバーも参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChaz Prymek - guitars\u003cbr\u003ePatrick Shiroishi - Saxaphones, Clarinets, Vocals, Percussion\u003cbr\u003eChris Jusell - Violins\u003cbr\u003ePaul DeHaven - Synths\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=61872181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eChaz Prymek’s oeuvre is staggering. At the age of 35, the Missouri-based guitarist \/ multi-instrumentalist, composer and improvisor has released nearly two dozen recordings under the name Lake Mary, either solo or in collaboration. And over the course of 2020 and 2021, as part of the Fuubutsushi quartet, he released an acclaimed suite of four seasonal ambient jazz records. There is a spectrum of styles, influences, and effects in the Lake Mary catalogue, but all of it can be characterized by patience and a kind of measured beauty. Often longform, the music of Lake Mary moves within the rather open bounds of what might be called organic ambient or extended studies of American Primitive music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so it is the case with the utterly graceful Slow Grass. Comprised of one long piece of music totaling 40 minutes, separated into a few movements and split over two sides, this latest offering under the Lake Mary banner prominently features Prymek’s often fingerpicked acoustic guitar. His playing is spare but not without energy, and it moves through billows of violin, saxophone, nearly-transparent synthesizers, field recordings and the sirenic singing of Patrick Shiroishi, who is best known as one of the busiest and most versatile saxophone players in the contemporary American\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e avant garde. (Indeed he also contributes saxophone here.) Somehow both modest and masterful, Shiroishi’s evocative singing calls out from and interweaves with a medium distance, not unlike Richard Youngs on his gentle epic, Sapphie or Sarah Davachi on “Play the Ghost.” Prymek meanwhile occasionally switches to playing with a slide or hammering his guitar like a dulcimer, experimenting, gently and masterfully, not only with the timbre of the guitar, but its narrative effect. The results are pastoral and achingly beautiful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFans of Bonnie “Prince” Billy and Mick Turner’s Get On Jolly or Kath Bloom’s work with Loren Connors will find much to love in this music. But Slow Grass is not merely a reflection of records that have come before it. Everything that happens on Slow Grass feels informed by relationships and vivid presence –– presence of mind, presence of memories, sonic presence. The fact that Prymek plays so often and so generously with so many different players is itself a framework for hearing the music. This music is nothing if not generous, open, and warm. It is music that proceeds from and returns to tenderness. In fact, it is an elegy. Prymek wrote Slow Grass while his beloved dog Favorite’s health was declining throughout 2019 and 2020, and the work is named for the moments toward the very end of Favorite’s life when she became immobile, and Prymek and she would simply lay and watch the grass grow. “Life is full of pain,” says the late John Berger. “Tenderness is in part a response to that. But it is also something else. In the face of what is so often surrounding us, tenderness is an almost defiant act of freedom.” Slow Grass is like this. It is tender to the extent that it feels defiant, like shelter is defiant. Prymek says that his playing on the second movement is “an older style of playing,” similar to how he played guitar at that time, 14 years ago, when he first got Favorite. “It's important,” he says, “to remember your origin stories.” This is perhaps the key to Slow Grass. Though we cannot undo the pain of loss, we can defy it by sheltering what and how we have loved. Slow Grass may be born of heartache, but it is not mourning music. To treat memories –– even painful ones –– with tenderness; to treat collaborators with tenderness; to treat instruments with tenderness is to defy callousness. Slow Grass does all of this to a staggering effect.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lake Mary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}

This is a record released in December 2022 from the ambient label Whited Sepulchre Records in the same country, with a limited edition of 12 copies, by Lake Mary, an ambient writer from Missouri, USA, who is also in charge of guitar for the familiar ambient folk band Fuubutsushi. .Contains 300 tracks of idyllic ambient folk and American primitives. Fuubusushi members are also participating. Comes with DL code. Chaz Prymek - guitarsPatrick Shiroishi - Saxaphones, Clarinets,...

¥3,780

Quickview {"id":7977791521018,"title":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","handle":"jason-doell-becoming-in-shadows-of-being-touched-lp","description":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-23T15:49:36+09:00","created_at":"2023-05-22T14:41:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247316300026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","options":["Title"],"media":[{"alt":null,"id":32002125824250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","width":700},{"alt":null,"id":32002125857018,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}

Experimental musician Jason Doell from Toronto, Canada released his debut record in April 2023 from Ohio's experimental/ambient label Whited Sepulchre Records in a limited edition of 4 copies.Includes 300 electro-acoustic and drone songs by piano and computer. Comes with DL code. Whited Sepulchre Records Click here to see more Whited Sepulchre Records releases...

¥3,780

Quickview {"id":7947706269946,"title":"Bailey Miller \/\/ love is a dying TAPE","handle":"bailey-miller-love-is-a-dying-tape","description":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-05T07:27:59+09:00","created_at":"2023-04-01T11:40:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","tape","Whited Sepulchre Records"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139530354938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bailey Miller \/\/ love is a dying TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","options":["Title"],"media":[{"alt":null,"id":31763900039418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","width":700},{"alt":null,"id":31763900072186,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}