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{"id":8114136645882,"title":"KOU \/\/ KOU LP","handle":"kou-kou-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスのアヴァンフォークデュオKOUが、2023年11月にリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eシュールな世界観で展開する中毒性の高いアヴァンフォーク〜アンビエント・フォーク14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"ApollineとThomasは、2022年からKOUの名で24台の電子ハーモニウムを使って演奏している。濃密な音色と倍音の層を生み出している。デビューアルバムでは、KOUは別の方向に舵を切った。ハルモニウムは時折登場するが、それよりも目立つのは繊細なギターの弾き語り、遠くのヴォーカルエフェクト、シンセ、フルート、ピアノのストローク、音楽の魔法、そして\u003cmeta charset=\"utf-8\"\u003eApollineのジャズならぬジャズヴォーカルだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e針が落ちるやいなや、鏡の向こう側へジャンプカットされるのは明らかだ。猫は鳴き、女性は眠るように歌い、ドラムマシンは吃音とワープを繰り返し、アルヴィン・ルシエは「今いない部屋と変わらない部屋に座っている」わけではない。すでに混乱しているなら、クラブに入ろう。ファウスト・テープスを初めて聴いたときや、インランド・エンパイアを初めて観たときのような戸惑いだ。ハトが鳴き、テープマシンがカランカランと鳴ると、ロジャー＆ハートの『ブルー・ムーン』のゴージャスな変人ヴァージョンが現れ、これが単なるダダの浪費ではないことを教えてくれる。サイド2では、哀愁を帯びたデチューンブラス、石を投げつけたようなジョーン・ラ・バーバラ風のヴォーカル、ドローンのようなファルフィサ賛歌など、さらに泥沼へと我々を引き込んでいく。いくつかの引用はわかる。初期のバッティアート、ピエロ・ルネールの『グドラン』、ルチア・ボッセとグレゴリオ・パニアグアの『イオ・ポモドーロ』などなど。Bongwater、Siltbreeze、Royal TruxのTwin infinitives、Alastair Galbraithのダメージを受けたフォークの側面、Half-Japanese、初期のBeckなど、90年代のおふざけシュールレアリズムの匂いも強い。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e偶然出会って、何日も一緒にいることになる奇妙な友人グループのように、この美味しく奇妙な音楽の背後にある精神は、あなたが彼らの奇妙なサブカルチャーの世界にしばらくの間滞在することを許す。ずっとここに住みたいとは思わないかもしれないが、短い旅が続く間に、あなたの脳はより良い方向へと生まれ変わるだろう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1968939743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1263376803\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1968939743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eありがとう 00:14\u003c\/li\u003e\n\u003cli\u003eLa Tempesta 02:42\u003c\/li\u003e\n\u003cli\u003eBiquetto Flûte 01:27\u003c\/li\u003e\n\u003cli\u003eGartenschläfer 03:12\u003c\/li\u003e\n\u003cli\u003eI Am Not Sitting In A Room 05:34\u003c\/li\u003e\n\u003cli\u003eBlue Moon 04:16\u003c\/li\u003e\n\u003cli\u003eKedith Shea 01:40\u003c\/li\u003e\n\u003cli\u003eLe Dà Loro Tutto 01:18\u003c\/li\u003e\n\u003cli\u003eLa Lumaca 02:24\u003c\/li\u003e\n\u003cli\u003eDébut 06:53\u003c\/li\u003e\n\u003cli\u003eIl Vento 02:29\u003c\/li\u003e\n\u003cli\u003eKing Of Detachement 04:44\u003c\/li\u003e\n\u003cli\u003eIl Bagno 03:54\u003c\/li\u003e\n\u003cli\u003eSpinett 01:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eApolline \u0026amp; Thomas have been performing since 2022 under the KOU guise with 24 electronic harmoniums. Producing dense layers of tones \u0026amp; overtones. On their debut album KOU steers in another direction. The harmonium appears occasionally, but more prominent are delicate guitar pluckings, distant vocal effects, synths, flutes, piano strokes, a touch of musical magic and Apolline’s jazz not jazz vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs soon as the needle drops it’s clear we are jump-cutting straight to the other side of the mirror. Cats purr, a woman sings as if asleep, drum machines stutter and warp and Alvin Lucier is not 'sitting in a room that is not different to the one you are not in now’. If you’re already confused, join the club. But, it’s the good kind of confused, a bewildering experience akin to the first time hearing the Faust Tapes or watching Inland Empire. Wait though, as pigeons coo and the tape machine clunk-clicks a gorgeous weirdo version of Roger's and Hart’s Blue Moon emerges to let you know this isn’t just dada splurge, there’s a genius pop sensibility at work here too. Side two takes us further into the murk with mournful detuned brass, stoned Joan La Barbara-esque vocalese and a droning Farfisa hymn\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, before ending with another too-tempting snatch of DIY pop. Some of the references are recognisable. All kinds of 70s\/80s European art prog - think early Battiato, Pierot Lunaire’s Gudrun, Lucia Bosè and Gregorio Paniagua's Io Pomodoro etc etc. There’s a strong whiff of 90s us goof-off surrealism too- Bongwater, Siltbreeze, Royal Trux’s Twin infinitives, the damaged folkier side of Alastair Galbraith, Half-Japanese, early Beck even all feel relevant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike an oddball group of friends you might meet by chance and end up weirding-out with for days, the minds behind this deliciously odd music allow you to stay for a while in their strange subcultural world. You might not want to live here forever but a short trip, while it lasts, rewires your brain for the better.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KOU\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-12-16T14:24:03+09:00","created_at":"2023-12-16T13:50:28+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44894928306426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KOU \/\/ KOU LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kou1.jpg?v=1702702230","\/\/tobirarecords.com\/cdn\/shop\/files\/kou2.webp?v=1702702229","\/\/tobirarecords.com\/cdn\/shop\/files\/kou3.webp?v=1702702229"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou1.jpg?v=1702702230","options":["Title"],"media":[{"alt":null,"id":32843063165178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou1.jpg?v=1702702230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou1.jpg?v=1702702230","width":700},{"alt":null,"id":32843063197946,"position":2,"preview_image":{"aspect_ratio":0.991,"height":444,"width":440,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou2.webp?v=1702702229"},"aspect_ratio":0.991,"height":444,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou2.webp?v=1702702229","width":440},{"alt":null,"id":32843063230714,"position":3,"preview_image":{"aspect_ratio":0.991,"height":444,"width":440,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou3.webp?v=1702702229"},"aspect_ratio":0.991,"height":444,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kou3.webp?v=1702702229","width":440}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスのアヴァンフォークデュオKOUが、2023年11月にリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eシュールな世界観で展開する中毒性の高いアヴァンフォーク〜アンビエント・フォーク14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"ApollineとThomasは、2022年からKOUの名で24台の電子ハーモニウムを使って演奏している。濃密な音色と倍音の層を生み出している。デビューアルバムでは、KOUは別の方向に舵を切った。ハルモニウムは時折登場するが、それよりも目立つのは繊細なギターの弾き語り、遠くのヴォーカルエフェクト、シンセ、フルート、ピアノのストローク、音楽の魔法、そして\u003cmeta charset=\"utf-8\"\u003eApollineのジャズならぬジャズヴォーカルだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e針が落ちるやいなや、鏡の向こう側へジャンプカットされるのは明らかだ。猫は鳴き、女性は眠るように歌い、ドラムマシンは吃音とワープを繰り返し、アルヴィン・ルシエは「今いない部屋と変わらない部屋に座っている」わけではない。すでに混乱しているなら、クラブに入ろう。ファウスト・テープスを初めて聴いたときや、インランド・エンパイアを初めて観たときのような戸惑いだ。ハトが鳴き、テープマシンがカランカランと鳴ると、ロジャー＆ハートの『ブルー・ムーン』のゴージャスな変人ヴァージョンが現れ、これが単なるダダの浪費ではないことを教えてくれる。サイド2では、哀愁を帯びたデチューンブラス、石を投げつけたようなジョーン・ラ・バーバラ風のヴォーカル、ドローンのようなファルフィサ賛歌など、さらに泥沼へと我々を引き込んでいく。いくつかの引用はわかる。初期のバッティアート、ピエロ・ルネールの『グドラン』、ルチア・ボッセとグレゴリオ・パニアグアの『イオ・ポモドーロ』などなど。Bongwater、Siltbreeze、Royal TruxのTwin infinitives、Alastair Galbraithのダメージを受けたフォークの側面、Half-Japanese、初期のBeckなど、90年代のおふざけシュールレアリズムの匂いも強い。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e偶然出会って、何日も一緒にいることになる奇妙な友人グループのように、この美味しく奇妙な音楽の背後にある精神は、あなたが彼らの奇妙なサブカルチャーの世界にしばらくの間滞在することを許す。ずっとここに住みたいとは思わないかもしれないが、短い旅が続く間に、あなたの脳はより良い方向へと生まれ変わるだろう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1968939743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1263376803\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1968939743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eありがとう 00:14\u003c\/li\u003e\n\u003cli\u003eLa Tempesta 02:42\u003c\/li\u003e\n\u003cli\u003eBiquetto Flûte 01:27\u003c\/li\u003e\n\u003cli\u003eGartenschläfer 03:12\u003c\/li\u003e\n\u003cli\u003eI Am Not Sitting In A Room 05:34\u003c\/li\u003e\n\u003cli\u003eBlue Moon 04:16\u003c\/li\u003e\n\u003cli\u003eKedith Shea 01:40\u003c\/li\u003e\n\u003cli\u003eLe Dà Loro Tutto 01:18\u003c\/li\u003e\n\u003cli\u003eLa Lumaca 02:24\u003c\/li\u003e\n\u003cli\u003eDébut 06:53\u003c\/li\u003e\n\u003cli\u003eIl Vento 02:29\u003c\/li\u003e\n\u003cli\u003eKing Of Detachement 04:44\u003c\/li\u003e\n\u003cli\u003eIl Bagno 03:54\u003c\/li\u003e\n\u003cli\u003eSpinett 01:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eApolline \u0026amp; Thomas have been performing since 2022 under the KOU guise with 24 electronic harmoniums. Producing dense layers of tones \u0026amp; overtones. On their debut album KOU steers in another direction. The harmonium appears occasionally, but more prominent are delicate guitar pluckings, distant vocal effects, synths, flutes, piano strokes, a touch of musical magic and Apolline’s jazz not jazz vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs soon as the needle drops it’s clear we are jump-cutting straight to the other side of the mirror. Cats purr, a woman sings as if asleep, drum machines stutter and warp and Alvin Lucier is not 'sitting in a room that is not different to the one you are not in now’. If you’re already confused, join the club. But, it’s the good kind of confused, a bewildering experience akin to the first time hearing the Faust Tapes or watching Inland Empire. Wait though, as pigeons coo and the tape machine clunk-clicks a gorgeous weirdo version of Roger's and Hart’s Blue Moon emerges to let you know this isn’t just dada splurge, there’s a genius pop sensibility at work here too. Side two takes us further into the murk with mournful detuned brass, stoned Joan La Barbara-esque vocalese and a droning Farfisa hymn\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, before ending with another too-tempting snatch of DIY pop. Some of the references are recognisable. All kinds of 70s\/80s European art prog - think early Battiato, Pierot Lunaire’s Gudrun, Lucia Bosè and Gregorio Paniagua's Io Pomodoro etc etc. There’s a strong whiff of 90s us goof-off surrealism too- Bongwater, Siltbreeze, Royal Trux’s Twin infinitives, the damaged folkier side of Alastair Galbraith, Half-Japanese, early Beck even all feel relevant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike an oddball group of friends you might meet by chance and end up weirding-out with for days, the minds behind this deliciously odd music allow you to stay for a while in their strange subcultural world. You might not want to live here forever but a short trip, while it lasts, rewires your brain for the better.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KOU\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is the debut record released by French avant-folk duo KOU in November 2023. Contains 11 highly addictive avant-folk to ambient folk songs that unfold in a surreal worldview. *If you would like a digital sound source, please feel free to contact us. Below is an explanation by the label. "Apolline and Thomas have been playing with 14 electronic harmoniums under the name KOU since 2022, creating dense tones and layers of harmonics. For their debut album, KOU takes a different direction. The harmonium makes an occasional appearance, but what's more noticeable are delicate guitar plucks, distant vocal effects, synths, flutes, piano strokes, musical wizardry, and Apolline's not-so-jazz jazz vocals. As soon as it falls, it's obvious that there's a jump cut to the other side of the mirror. The cat meows, the woman sings sleepily, the drum machine stutters and warps, and Alvin Lucier says, ``A room just like the one I'm in now.'' It's not like "I'm sitting there." If you're already confused, join the club. It's as bewildering as when I first heard the Faust Tapes or saw Inland Empire for the first time. As the pigeons chirp and the tape machine clangs, a gorgeously eccentric version of Roger & Hart's Blue Moon emerges, reminding us that this is no mere Dada extravagance. Side two draws us deeper into the quagmire, with melancholy detuned brass, stoned Joan La Barbara-esque vocals, and a droning Farfisa anthem. I understand some of the quotes. Early Battiato, Piero Renaire's "Gudran", Lucia Bosse and Gregorio Paniagua's "Io Pomodoro", etc. There's also a strong whiff of 24's playful surrealism: Bongwater, Siltbreeze, Royal Trux's Twin infinitives, the distressed folk side of Alastair Galbraith, Half-Japanese, and early Beck. Like a strange group of friends who meet by chance and end up staying together for days, the spirit behind this deliciously strange music is to make you stay in their strange subcultural world for a while. forgive. You may not want to live here forever, but your brain will be reborn for the better during your short trip. "Click here to see more Aguirre...
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{"id":8114135793914,"title":"Ordeal \/\/ Vätterns Pärla LP","handle":"ordeal-vatterns-parla-lp","description":"\u003cp\u003eスウェーデン・ヨーテボリの実験音楽家Ordeal aka Sewer Election aka Dan Johanssonが、2023年11月にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e終始低空飛行のドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ヨーテボリのアンダーグラウンドシーンの重要なエージェントとして、ダン・ヨハンソンは、Sewer Electionのような実験的なハーシュノイズプロジェクトや、Enhet För Fri MusikやAmateur HourのようなLo-Fiインディーフォークバンドのメンバーとして活動してきた。Ordealは彼の最新のソロ作品であり、彼の最後の悲願であったキャリアの溶鉱炉の縁にこびりついた灰のようなものかもしれない。ジャンルを総括するのでもなく、彼の音楽的発展の集大成でもなく、彼自身の家庭で紡がれた深遠な音楽作品として。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシンセサイザーのみで構成されたVätterns Pärlaは、フィードバックと残響に彩られた震えるような不協和音のドローンによって構築され、レコーディングのノーファイ・クオリティによって分厚い質感を帯び、重苦しいガスに充満した脅威的な雰囲気を描き出している。ヨハンソンの言葉を借りれば、『Ordeal』は「80年代初期のマウリツィオ・ビアンキのアルバムからインスピレーションを受け、ヨーテボリのノーファイ的な荒涼としたフィルターを通している」。このアルバムは、内なる旅、幼少期の思い出、そして今では目的も意味も失った場所のためのアルバムだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそこには確かに親密さとノスタルジアがあるが、閉所恐怖症的で催眠術のような雰囲気が、封じ込められた狭い空間にすべてを包み込んでいる。細部よりも質感、進行よりも色彩、結論よりもサスペンスに重点が置かれている。緊張感は変化し、時にはドローンのレイヤーが解体してムードにフィルターがかかるようだが、ぼろぼろのエッジが磨かれることはない。私たちは壁や空気を感じることができ、その空気は汚れてはいるが、なんとなく吸い込むことができる。まるで暗い部屋で目覚め、耳と触覚でそれを認識し、その寸法と表面を試しているかのようだ。部屋の中の静けさは、嵐のあえぎ声の間の静けさのようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e目に見える星はなく、閉ざされた夜空の一角が、水中に大量の産業残骸を隠している。これらの残骸は、もしかしたらアルバムタイトルの真珠かもしれない。すべてが夢のようであり、重く、しかし散発的な風に耳を塞がれる重苦しい機械的なサウンドスケープである。土は何かを成長させようと努力するが、芽吹きは宙吊りにされたまま、悲惨な予感に捕らわれている。地面の長い影は、闇が訪れようとしていることを証明している。そして、この影が伸びて、今にも大音響で打ち砕かれそうになると、音は白っぽくなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1751057299\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1751057299\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=730115665\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHuggormen 09:03\u003c\/li\u003e\n\u003cli\u003eFalks Grav 08:12\u003c\/li\u003e\n\u003cli\u003eVist 17:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs an important agent of Gothenburg’s underground scene, \u003cstrong data-mce-fragment=\"1\"\u003eDan Johansson\u003c\/strong\u003e has been a member of several experimental harsh noise projects such as \u003cstrong data-mce-fragment=\"1\"\u003eSewer Election\u003c\/strong\u003e, and lo-fi indie folk bands like \u003cstrong data-mce-fragment=\"1\"\u003eEnhet För Fri Musik\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eAmateur Hour\u003c\/strong\u003e. \u003cstrong data-mce-fragment=\"1\"\u003eOrdeal\u003c\/strong\u003e is his latest solo output, and might as well be ashes stuck in the blast furnace's edges of his last longing career. Not by means of summing up genres or as a culmination of his musical development, but as a profound music piece weaved in his own household.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith not much more than a synthesizer, Vätterns Pärla is built by trembling, dissonant drones stained in feedback and reverberation, thickly textured by the no-fi quality of the recording, depicting a menacing atmosphere congested with heavy fumes. In Johansson's words, Ordeal \"takes inspiration from the early 80’s albums of \u003cstrong data-mce-fragment=\"1\"\u003eMaurizio Bianchi\u003c\/strong\u003e, filtered through a Gothenburgian no-fi bleakness. It’s an album for inner voyage, childhood memories, and places that now lost purpose and meaning”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere's certainly intimacy and nostalgia, yet a claustrophobic, hypnotic ambiance wraps it all up in a contained and narrow space. Emphasis is put on texture rather than on detail, on color rather than on progression, on suspense rather than on conclusion. Tension varies stiffly, sometimes a drone layer dismantles and the mood seems to filter, but ragged edges are never polished. We can feel the walls and the air, which although tarnished, can be breathed in somehow. It's as if waking up in a dark room and having to recognize it with our ears and tact, testing its dimensions and its surface. The stillness in the chamber is like the stillness between gasps of storms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithout visible stars, an enclosed share of night sky hides a heavy load of industrial debris underwater. These remnants are maybe the pearl regarding the album's title. It all can seem like a dream, a grim mechanical soundscape deafened by hefty, yet sporadic winds. Soil strives to make something grow, but sprouting is kept suspended, held by a dismal presentiment. Long shadows on the ground prove that darkness is about to befall. And as these shadows stretch, almost about to break up in a loud strike, the noise turns white.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ordeal\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-12-16T14:11:53+09:00","created_at":"2023-12-16T13:47:46+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","drone","lp","new"],"price":379400,"price_min":379400,"price_max":379400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44894921064698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ordeal \/\/ Vätterns Pärla LP","public_title":null,"options":["Default Title"],"price":379400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/or1.webp?v=1702702068","\/\/tobirarecords.com\/cdn\/shop\/files\/or2.webp?v=1702702068"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.webp?v=1702702068","options":["Title"],"media":[{"alt":null,"id":32843057692922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.webp?v=1702702068"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.webp?v=1702702068","width":540},{"alt":null,"id":32843057725690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or2.webp?v=1702702068"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or2.webp?v=1702702068","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ヨーテボリの実験音楽家Ordeal aka Sewer Election aka Dan Johanssonが、2023年11月にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e終始低空飛行のドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ヨーテボリのアンダーグラウンドシーンの重要なエージェントとして、ダン・ヨハンソンは、Sewer Electionのような実験的なハーシュノイズプロジェクトや、Enhet För Fri MusikやAmateur HourのようなLo-Fiインディーフォークバンドのメンバーとして活動してきた。Ordealは彼の最新のソロ作品であり、彼の最後の悲願であったキャリアの溶鉱炉の縁にこびりついた灰のようなものかもしれない。ジャンルを総括するのでもなく、彼の音楽的発展の集大成でもなく、彼自身の家庭で紡がれた深遠な音楽作品として。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシンセサイザーのみで構成されたVätterns Pärlaは、フィードバックと残響に彩られた震えるような不協和音のドローンによって構築され、レコーディングのノーファイ・クオリティによって分厚い質感を帯び、重苦しいガスに充満した脅威的な雰囲気を描き出している。ヨハンソンの言葉を借りれば、『Ordeal』は「80年代初期のマウリツィオ・ビアンキのアルバムからインスピレーションを受け、ヨーテボリのノーファイ的な荒涼としたフィルターを通している」。このアルバムは、内なる旅、幼少期の思い出、そして今では目的も意味も失った場所のためのアルバムだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそこには確かに親密さとノスタルジアがあるが、閉所恐怖症的で催眠術のような雰囲気が、封じ込められた狭い空間にすべてを包み込んでいる。細部よりも質感、進行よりも色彩、結論よりもサスペンスに重点が置かれている。緊張感は変化し、時にはドローンのレイヤーが解体してムードにフィルターがかかるようだが、ぼろぼろのエッジが磨かれることはない。私たちは壁や空気を感じることができ、その空気は汚れてはいるが、なんとなく吸い込むことができる。まるで暗い部屋で目覚め、耳と触覚でそれを認識し、その寸法と表面を試しているかのようだ。部屋の中の静けさは、嵐のあえぎ声の間の静けさのようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e目に見える星はなく、閉ざされた夜空の一角が、水中に大量の産業残骸を隠している。これらの残骸は、もしかしたらアルバムタイトルの真珠かもしれない。すべてが夢のようであり、重く、しかし散発的な風に耳を塞がれる重苦しい機械的なサウンドスケープである。土は何かを成長させようと努力するが、芽吹きは宙吊りにされたまま、悲惨な予感に捕らわれている。地面の長い影は、闇が訪れようとしていることを証明している。そして、この影が伸びて、今にも大音響で打ち砕かれそうになると、音は白っぽくなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1751057299\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1751057299\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=730115665\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHuggormen 09:03\u003c\/li\u003e\n\u003cli\u003eFalks Grav 08:12\u003c\/li\u003e\n\u003cli\u003eVist 17:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs an important agent of Gothenburg’s underground scene, \u003cstrong data-mce-fragment=\"1\"\u003eDan Johansson\u003c\/strong\u003e has been a member of several experimental harsh noise projects such as \u003cstrong data-mce-fragment=\"1\"\u003eSewer Election\u003c\/strong\u003e, and lo-fi indie folk bands like \u003cstrong data-mce-fragment=\"1\"\u003eEnhet För Fri Musik\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eAmateur Hour\u003c\/strong\u003e. \u003cstrong data-mce-fragment=\"1\"\u003eOrdeal\u003c\/strong\u003e is his latest solo output, and might as well be ashes stuck in the blast furnace's edges of his last longing career. Not by means of summing up genres or as a culmination of his musical development, but as a profound music piece weaved in his own household.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith not much more than a synthesizer, Vätterns Pärla is built by trembling, dissonant drones stained in feedback and reverberation, thickly textured by the no-fi quality of the recording, depicting a menacing atmosphere congested with heavy fumes. In Johansson's words, Ordeal \"takes inspiration from the early 80’s albums of \u003cstrong data-mce-fragment=\"1\"\u003eMaurizio Bianchi\u003c\/strong\u003e, filtered through a Gothenburgian no-fi bleakness. It’s an album for inner voyage, childhood memories, and places that now lost purpose and meaning”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere's certainly intimacy and nostalgia, yet a claustrophobic, hypnotic ambiance wraps it all up in a contained and narrow space. Emphasis is put on texture rather than on detail, on color rather than on progression, on suspense rather than on conclusion. Tension varies stiffly, sometimes a drone layer dismantles and the mood seems to filter, but ragged edges are never polished. We can feel the walls and the air, which although tarnished, can be breathed in somehow. It's as if waking up in a dark room and having to recognize it with our ears and tact, testing its dimensions and its surface. The stillness in the chamber is like the stillness between gasps of storms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithout visible stars, an enclosed share of night sky hides a heavy load of industrial debris underwater. These remnants are maybe the pearl regarding the album's title. It all can seem like a dream, a grim mechanical soundscape deafened by hefty, yet sporadic winds. Soil strives to make something grow, but sprouting is kept suspended, held by a dismal presentiment. Long shadows on the ground prove that darkness is about to befall. And as these shadows stretch, almost about to break up in a loud strike, the noise turns white.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ordeal\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a record released by experimental musician Ordeal aka Sewer Election aka Dan Johansson from Gothenburg, Sweden, on Belgian experimental label Aguirre in November 2023.Contains 11 songs with drones flying low from beginning to end.Below is an explanation by the label. "As an important agent of Gothenburg's underground scene, Dan Johansson is known for his experimental harsh noise projects like Sewer Election, Enhet För Fri Musik and Amateur...
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{"id":8114101387514,"title":"Khan Jamal's Creative Arts Ensemble \/\/ Drum Dance To The Motherland LP","handle":"khan-jamals-creative-arts-ensemble-drum-dance-to-the-motherland-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e※4月下旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのビブラフォン奏者Khan Jamalが、1972年にひっそりと録音した幻の作品がこの度レコードで再発。50年前とは思えない程に新鮮なダブ・ジャズ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ビブラフォン奏者カーン・ジャマールの奇抜で唯一無二の傑作『Drum Dance To The Motherland』のようなサウンドのアルバムは、地球上に他に存在しない。リリースから30年、このアルバムの音のタペストリー、大胆不敵な抽象表現、容赦ないグルーヴ、クールなスイング、エクスタシーの閃光、汎文化の抱擁は、パワフルでカテゴリーを超えている。フィラデルフィアのレーベルDogtownからリリースされた3枚のアルバムのうちの1枚で、70年代初頭にリリースされたときはほとんど市外に流通しなかった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、音楽的な探求の実に見事な記録であり名セッションである。フリー・ジャズの表現主義、ブラック・サイケデリア、そして完全なダブ・プロダクションのテクニックのありえないほどの融合において、Drum Danceは、1972年にフィラデルフィアのカタコンブ・クラブでライブ録音されてから50年経っても、勇敢で力強いアウトサイダーの声明であり続けている。サン・ラー、キング・タビー、フィル・コーラン、BYG\/アクチュエルとの比較は、カーン・ジャマール・クリエイティブ・アーツ・アンサンブルとサウンドエンジニアのマリオ・ファラーナのリアルタイムエンハンスメントによって呼び起こされた宇宙的な異質さを示唆するに過ぎない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhan Jamal's Creative Arts Ensembleのメンバーは、アフリカン・アメリカン・ミュージックを祖国からブルース、R\u0026amp;B、ジャズ、フリー・ジャズを経て連続したものとして捉え、その連続性を極めることに誇りをもっていたことは明らかである。70年代初頭、これらはかなり新しい考えだったが、フィラデルフィアではしっかりと根付いていた。現代的で文化的に進歩的でありながら、アフリカの伝統に根差したアフリカ系アメリカ人の音楽を追求することが、この音楽の心と魂なのです。フィラデルフィアの特定のアフリカ系アメリカ人コミュニティとのつながりが、その直接的なインスピレーションとなっている。「私の祖先は、私が演奏するたびに私の音楽の中に現れるのです。\"俺の裏庭はアフリカだ \"っていつも言っているんだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrum Dance To The Motherlandは、1973年にジャマールがDogtownレコードから300枚限定でリリースしたもので、2005年にエレマイトからCDで再発されるまで、事実上神話と化していた。マスターテープが失われて久しい中、ソニーミュージックの54thストリートスタジオで、オリジナルLPのミントなコピーから音声を移し替えました。エド・ヘイゼルがドラム・ダンスの歴史を詳細に語ったインサート付き。Eremite Recordsのライセンスに基づく。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QoYQn86CL9I\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThere’s not another album on the planet that sounds even remotely like vibraphonist \u003cstrong data-mce-fragment=\"1\"\u003eKhan Jamal\u003c\/strong\u003e’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, \u0026amp; pan cultural embrace remain powerful \u0026amp; beyond category. One of only three albums released on the Philadelphia-based \u003cstrong data-mce-fragment=\"1\"\u003eDogtown\u003c\/strong\u003e label, it was barely distributed beyond the city’s limits when it came out in the early ‘70s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFinally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, \u0026amp; full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to \u003cstrong data-mce-fragment=\"1\"\u003eSun Ra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eKing Tubby\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003ePhil Cohran\u003c\/strong\u003e \u0026amp; \u003cstrong data-mce-fragment=\"1\"\u003eBYG\/Actuel\u003c\/strong\u003e merely hint at the cosmic otherness conjured by \u003cstrong data-mce-fragment=\"1\"\u003eThe Khan Jamal Creative Arts Ensemble\u003c\/strong\u003e \u0026amp; by sound engineer \u003cstrong data-mce-fragment=\"1\"\u003eMario Falana\u003c\/strong\u003e's real-time enhancements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly, the members of the \u003cstrong data-mce-fragment=\"1\"\u003eKhan Jamal Creative Arts Ensemble\u003c\/strong\u003e saw African American music as a continuum that stretched from the Motherland through the blues, R\u0026amp;B, jazz, \u0026amp; free jazz, \u0026amp; they prided themselves on mastering the continuum. In the early ‘70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern \u0026amp; culturally progressive but rooted in an African tradition is the music’s heart \u0026amp; soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. “My ancestors eventually show up in my music every time i play,” Jamal says. “I’ve always said that my backyard is Africa.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally issued by Jamal in 1973 in an edition of three hundred copies on ‘Dogtown’ records, Drum Dance To The Motherland was effectively a myth until eremite’s 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License From Eremite Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Khan Jamal's Creative Arts Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e","published_at":"2023-12-16T10:06:08+09:00","created_at":"2023-12-16T10:05:37+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44894336090362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Khan Jamal's Creative Arts Ensemble \/\/ Drum Dance To The Motherland LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kh1_82de1507-cee9-4e9f-83ac-e3410201292a.jpg?v=1702688741","\/\/tobirarecords.com\/cdn\/shop\/files\/kh2_41caaaae-8d5c-485e-af3b-e44d91482084.jpg?v=1702688741"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kh1_82de1507-cee9-4e9f-83ac-e3410201292a.jpg?v=1702688741","options":["Title"],"media":[{"alt":null,"id":32842751705338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kh1_82de1507-cee9-4e9f-83ac-e3410201292a.jpg?v=1702688741"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kh1_82de1507-cee9-4e9f-83ac-e3410201292a.jpg?v=1702688741","width":599},{"alt":null,"id":32842751738106,"position":2,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kh2_41caaaae-8d5c-485e-af3b-e44d91482084.jpg?v=1702688741"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kh2_41caaaae-8d5c-485e-af3b-e44d91482084.jpg?v=1702688741","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e※4月下旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのビブラフォン奏者Khan Jamalが、1972年にひっそりと録音した幻の作品がこの度レコードで再発。50年前とは思えない程に新鮮なダブ・ジャズ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ビブラフォン奏者カーン・ジャマールの奇抜で唯一無二の傑作『Drum Dance To The Motherland』のようなサウンドのアルバムは、地球上に他に存在しない。リリースから30年、このアルバムの音のタペストリー、大胆不敵な抽象表現、容赦ないグルーヴ、クールなスイング、エクスタシーの閃光、汎文化の抱擁は、パワフルでカテゴリーを超えている。フィラデルフィアのレーベルDogtownからリリースされた3枚のアルバムのうちの1枚で、70年代初頭にリリースされたときはほとんど市外に流通しなかった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、音楽的な探求の実に見事な記録であり名セッションである。フリー・ジャズの表現主義、ブラック・サイケデリア、そして完全なダブ・プロダクションのテクニックのありえないほどの融合において、Drum Danceは、1972年にフィラデルフィアのカタコンブ・クラブでライブ録音されてから50年経っても、勇敢で力強いアウトサイダーの声明であり続けている。サン・ラー、キング・タビー、フィル・コーラン、BYG\/アクチュエルとの比較は、カーン・ジャマール・クリエイティブ・アーツ・アンサンブルとサウンドエンジニアのマリオ・ファラーナのリアルタイムエンハンスメントによって呼び起こされた宇宙的な異質さを示唆するに過ぎない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhan Jamal's Creative Arts Ensembleのメンバーは、アフリカン・アメリカン・ミュージックを祖国からブルース、R\u0026amp;B、ジャズ、フリー・ジャズを経て連続したものとして捉え、その連続性を極めることに誇りをもっていたことは明らかである。70年代初頭、これらはかなり新しい考えだったが、フィラデルフィアではしっかりと根付いていた。現代的で文化的に進歩的でありながら、アフリカの伝統に根差したアフリカ系アメリカ人の音楽を追求することが、この音楽の心と魂なのです。フィラデルフィアの特定のアフリカ系アメリカ人コミュニティとのつながりが、その直接的なインスピレーションとなっている。「私の祖先は、私が演奏するたびに私の音楽の中に現れるのです。\"俺の裏庭はアフリカだ \"っていつも言っているんだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrum Dance To The Motherlandは、1973年にジャマールがDogtownレコードから300枚限定でリリースしたもので、2005年にエレマイトからCDで再発されるまで、事実上神話と化していた。マスターテープが失われて久しい中、ソニーミュージックの54thストリートスタジオで、オリジナルLPのミントなコピーから音声を移し替えました。エド・ヘイゼルがドラム・ダンスの歴史を詳細に語ったインサート付き。Eremite Recordsのライセンスに基づく。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QoYQn86CL9I\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThere’s not another album on the planet that sounds even remotely like vibraphonist \u003cstrong data-mce-fragment=\"1\"\u003eKhan Jamal\u003c\/strong\u003e’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, \u0026amp; pan cultural embrace remain powerful \u0026amp; beyond category. One of only three albums released on the Philadelphia-based \u003cstrong data-mce-fragment=\"1\"\u003eDogtown\u003c\/strong\u003e label, it was barely distributed beyond the city’s limits when it came out in the early ‘70s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFinally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, \u0026amp; full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to \u003cstrong data-mce-fragment=\"1\"\u003eSun Ra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eKing Tubby\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003ePhil Cohran\u003c\/strong\u003e \u0026amp; \u003cstrong data-mce-fragment=\"1\"\u003eBYG\/Actuel\u003c\/strong\u003e merely hint at the cosmic otherness conjured by \u003cstrong data-mce-fragment=\"1\"\u003eThe Khan Jamal Creative Arts Ensemble\u003c\/strong\u003e \u0026amp; by sound engineer \u003cstrong data-mce-fragment=\"1\"\u003eMario Falana\u003c\/strong\u003e's real-time enhancements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly, the members of the \u003cstrong data-mce-fragment=\"1\"\u003eKhan Jamal Creative Arts Ensemble\u003c\/strong\u003e saw African American music as a continuum that stretched from the Motherland through the blues, R\u0026amp;B, jazz, \u0026amp; free jazz, \u0026amp; they prided themselves on mastering the continuum. In the early ‘70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern \u0026amp; culturally progressive but rooted in an African tradition is the music’s heart \u0026amp; soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. “My ancestors eventually show up in my music every time i play,” Jamal says. “I’ve always said that my backyard is Africa.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally issued by Jamal in 1973 in an edition of three hundred copies on ‘Dogtown’ records, Drum Dance To The Motherland was effectively a myth until eremite’s 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License From Eremite Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Khan Jamal's Creative Arts Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e"}
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*Will be shipped after restocking in late April. The phantom work that American vibraphonist Khan Jamal recorded quietly in 4 has been reissued on record. Contains four dub jazz songs that are so fresh it's hard to believe they were made 1972 years ago. Below is the label explanation. "No other album on earth sounds quite like vibraphonist Khan Jamal's eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, this album's sonic tapestry, its daring... A fearless abstraction, relentless groove, cool swing, flashes of ecstasy, and pancultural embrace, this is one of three albums released by Philadelphia label Dogtown. When it was released in the early 50s, it was hardly distributed outside the city.This album is a truly wonderful record of musical exploration and a masterpiece of free jazz expressionism and black psychedelia. , and in its improbable fusion of perfect dub production techniques, Drum Dance remains a brave and powerful outsider statement 4 years after it was recorded live at Philadelphia's Catacomb Club in 30. Comparisons with Sun Ra, King Tubby, Phil Colan, and BYG/Actuelle have been drawn to the cosmic sound evoked by the Khan Jamal Creative Arts Ensemble and sound engineer Mario Falana's real-time enhancements. The members of Khan Jamal's Creative Arts Ensemble view African American music as a continuum from their homeland through blues, R&B, jazz, and free jazz, and they aim to master that continuity. In the early '3s, these were fairly new ideas, but they were modern and culturally progressive, yet rooted in African traditions. Exploring African-American music is the heart and soul of this music, which is directly inspired by my connection to Philadelphia's particular African-American community. appears in my music every time I play. "My backyard is Africa..."
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{"id":8024608571642,"title":"Vicente Atria \/\/ Orlando Furioso LP","handle":"orlando-furioso-orlando-furioso-lp","description":"\u003cp\u003eチリ・サンティアゴ出身アメリカ・NY在住のパーカッショニスト／マルチ奏者Vicente Atriaが、2023年9月にベルギーの実験レーベルAguirreからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜フリージャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1曲目「En Tornasol」の冒頭のフレーズで、目に見えない障壁が溶けて異国の風景が現れる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e初期のヨーロッパの作曲家たちは、自分たちの作品が物質世界の神性をその構造に反映していると感じていた。調律、形式、そして対位法的な錬金術によって、これらの音楽家たちは存在の複雑で完璧な秩序を照らし出し、啓発しようと努めた。ここに収録された音楽もまた、秩序ある世界の輪郭を映し出しているが、それは私たちの誰も訪れたことのない場所である。21世紀の音楽用語の残骸から遠く離れた積み木を組み立てることで、『Orlando Furioso』は聴き手を奇妙な新しい宇宙へといざなう。その結果、語り手や回想録作家の声ではなく、地図製作者の声で語る、表現力豊かな音楽が生まれた。\u2028\u2028SFのダンテのように、聴き手は異世界の多様で色彩豊かな地方のツアーに連れて行かれる。各作品は、アンデス山脈からインドネシア、イタリア、ニューオリンズまで、現実世界の音楽的ロケ地をそれぞれ参照しているが、それらは一貫した連続的な地理へと文体の一貫性によって結びつけられている。この世界を貫いているのは、微分音ハーモニーへの妥協なきこだわり、リズムの激しさ、そして難解なもの（ニコラ・ヴィセンチーノの悪名高い31音律）と頭から離れないほど明白なもの（驚きのジェント・ブレイクダウン）を等しく説得力を持って展開する能力である。Vicenteの作曲が舵取りをしているとはいえ、このアルバムに参加したすべてのプレーヤーが、その能力を十分に発揮していることは高く評価されるべきだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e雑食性の音楽的食生活は、実に豊かだ。一生に何度も経験することができないほど多くの巨匠に学び、伝統を吸収し、テクニックを磨くことができる。また、影響力という重く、しばしば矛盾した重荷を負わせることもある。地図の隅々まで描き尽くされると、新たな方向性を見出すことが難しくなる。私がもっと頻繁に目にすることを望む解決策のひとつが、このアルバムで追求されたものである。精密に、そして手を抜かずに完成させれば、作品間の継ぎ目は消え去り、聴き手は美しくも奇妙などこかに預けられ、自分の感覚に自分なりの意味を割り当てることになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1522028653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Tornasol 04:17\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (I) 02:01\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (II) 02:19\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (III) 01:31\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (IV) 02:00\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (V) 01:36\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (VI) 01:40\u003c\/li\u003e\n\u003cli\u003eGalliard 06:50\u003c\/li\u003e\n\u003cli\u003eBootstrap Bernie 07:56\u003c\/li\u003e\n\u003cli\u003eAnticueca N.6 10:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Mat Muntz\u003c\/span\u003e via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWith the opening phrase of “En Tornasol,” an unseen barrier melts away to reveal an alien landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarly European composers felt that their work reflected in its structure the divine nature of the material world. Via tuning, form, and contrapuntal alchemy, these musicians sought to illuminate and edify the complex and perfect order of existence. The music recorded here also reflects the contours of an ordered world, but it is no place any of us has ever visited. By assembling far-flung building blocks from the detritus of a 21st-century musical vocabulary, Orlando Furioso brings the listener into a bizarre new cosmos. The result is deeply expressive music that speaks not with the voice of a narrator or memoirist, but with that of a cartographer.\u2028\u2028Like a science-fiction Dante, the listener is taken on a tour of many diverse and colorful provinces of an alien world. Though each composition references its own set of real-world musical locales (from the Andes to Indonesia to Italy to New Orleans), they are bound by stylistic consistency into a coherent, continuous geography. Permeating this world is an uncompromising commitment to microtonal harmony, rhythmic intensity, and an ability\u003cspan class=\"bcTruncateMore\"\u003e to deploy the esoteric (Nicola Vicentino's notorious 31-tone temperament) and the head-smackingly obvious (a surprise djent breakdown) with equal conviction. Though Vicente's compositions are steering the ship, serious recognition is due to all the players on the record for their ability to meet these demands. \u003cbr\u003e\u003cbr\u003eOur omnivorous musical diets offer real abundance. They enrich our craft by providing access to limitless approaches from which to choose - more masters to study, traditions to absorb, and techniques to hone than is possible in multiple lifetimes. They can also inflict heavy and often contradictory burdens of influence. When every corner of the map has been charted, it becomes difficult to find a new direction in which to travel. One solution I hope to see more often is the one pursued on this record: breaking down distinct musical worlds into component parts and reassembling them into a language. When completed with precision and with no stone left unturned, the seams between the pieces vanish and the listener is deposited somewhere beautiful and strange, left to assign their sensations meanings of their own.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orlando Furioso\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-09-27T18:47:22+09:00","created_at":"2023-09-26T16:21:49+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new","strange beats"],"price":384800,"price_min":384800,"price_max":384800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44587329978618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vicente Atria \/\/ Orlando Furioso LP","public_title":null,"options":["Default Title"],"price":384800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fu1_47946b6c-9a2e-46d0-af7a-6fac32dc65d4.jpg?v=1695712911","\/\/tobirarecords.com\/cdn\/shop\/files\/fu2_3733f67e-f49e-4441-bcdc-0e7f89d8a215.jpg?v=1695712963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1_47946b6c-9a2e-46d0-af7a-6fac32dc65d4.jpg?v=1695712911","options":["Title"],"media":[{"alt":null,"id":32497878106362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1_47946b6c-9a2e-46d0-af7a-6fac32dc65d4.jpg?v=1695712911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1_47946b6c-9a2e-46d0-af7a-6fac32dc65d4.jpg?v=1695712911","width":700},{"alt":null,"id":32497879384314,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu2_3733f67e-f49e-4441-bcdc-0e7f89d8a215.jpg?v=1695712963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu2_3733f67e-f49e-4441-bcdc-0e7f89d8a215.jpg?v=1695712963","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリ・サンティアゴ出身アメリカ・NY在住のパーカッショニスト／マルチ奏者Vicente Atriaが、2023年9月にベルギーの実験レーベルAguirreからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜フリージャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1曲目「En Tornasol」の冒頭のフレーズで、目に見えない障壁が溶けて異国の風景が現れる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e初期のヨーロッパの作曲家たちは、自分たちの作品が物質世界の神性をその構造に反映していると感じていた。調律、形式、そして対位法的な錬金術によって、これらの音楽家たちは存在の複雑で完璧な秩序を照らし出し、啓発しようと努めた。ここに収録された音楽もまた、秩序ある世界の輪郭を映し出しているが、それは私たちの誰も訪れたことのない場所である。21世紀の音楽用語の残骸から遠く離れた積み木を組み立てることで、『Orlando Furioso』は聴き手を奇妙な新しい宇宙へといざなう。その結果、語り手や回想録作家の声ではなく、地図製作者の声で語る、表現力豊かな音楽が生まれた。\u2028\u2028SFのダンテのように、聴き手は異世界の多様で色彩豊かな地方のツアーに連れて行かれる。各作品は、アンデス山脈からインドネシア、イタリア、ニューオリンズまで、現実世界の音楽的ロケ地をそれぞれ参照しているが、それらは一貫した連続的な地理へと文体の一貫性によって結びつけられている。この世界を貫いているのは、微分音ハーモニーへの妥協なきこだわり、リズムの激しさ、そして難解なもの（ニコラ・ヴィセンチーノの悪名高い31音律）と頭から離れないほど明白なもの（驚きのジェント・ブレイクダウン）を等しく説得力を持って展開する能力である。Vicenteの作曲が舵取りをしているとはいえ、このアルバムに参加したすべてのプレーヤーが、その能力を十分に発揮していることは高く評価されるべきだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e雑食性の音楽的食生活は、実に豊かだ。一生に何度も経験することができないほど多くの巨匠に学び、伝統を吸収し、テクニックを磨くことができる。また、影響力という重く、しばしば矛盾した重荷を負わせることもある。地図の隅々まで描き尽くされると、新たな方向性を見出すことが難しくなる。私がもっと頻繁に目にすることを望む解決策のひとつが、このアルバムで追求されたものである。精密に、そして手を抜かずに完成させれば、作品間の継ぎ目は消え去り、聴き手は美しくも奇妙などこかに預けられ、自分の感覚に自分なりの意味を割り当てることになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1522028653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Tornasol 04:17\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (I) 02:01\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (II) 02:19\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (III) 01:31\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (IV) 02:00\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (V) 01:36\u003c\/li\u003e\n\u003cli\u003eRaso, Sarga, Tafetán (VI) 01:40\u003c\/li\u003e\n\u003cli\u003eGalliard 06:50\u003c\/li\u003e\n\u003cli\u003eBootstrap Bernie 07:56\u003c\/li\u003e\n\u003cli\u003eAnticueca N.6 10:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Mat Muntz\u003c\/span\u003e via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWith the opening phrase of “En Tornasol,” an unseen barrier melts away to reveal an alien landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarly European composers felt that their work reflected in its structure the divine nature of the material world. Via tuning, form, and contrapuntal alchemy, these musicians sought to illuminate and edify the complex and perfect order of existence. The music recorded here also reflects the contours of an ordered world, but it is no place any of us has ever visited. By assembling far-flung building blocks from the detritus of a 21st-century musical vocabulary, Orlando Furioso brings the listener into a bizarre new cosmos. The result is deeply expressive music that speaks not with the voice of a narrator or memoirist, but with that of a cartographer.\u2028\u2028Like a science-fiction Dante, the listener is taken on a tour of many diverse and colorful provinces of an alien world. Though each composition references its own set of real-world musical locales (from the Andes to Indonesia to Italy to New Orleans), they are bound by stylistic consistency into a coherent, continuous geography. Permeating this world is an uncompromising commitment to microtonal harmony, rhythmic intensity, and an ability\u003cspan class=\"bcTruncateMore\"\u003e to deploy the esoteric (Nicola Vicentino's notorious 31-tone temperament) and the head-smackingly obvious (a surprise djent breakdown) with equal conviction. Though Vicente's compositions are steering the ship, serious recognition is due to all the players on the record for their ability to meet these demands. \u003cbr\u003e\u003cbr\u003eOur omnivorous musical diets offer real abundance. They enrich our craft by providing access to limitless approaches from which to choose - more masters to study, traditions to absorb, and techniques to hone than is possible in multiple lifetimes. They can also inflict heavy and often contradictory burdens of influence. When every corner of the map has been charted, it becomes difficult to find a new direction in which to travel. One solution I hope to see more often is the one pursued on this record: breaking down distinct musical worlds into component parts and reassembling them into a language. When completed with precision and with no stone left unturned, the seams between the pieces vanish and the listener is deposited somewhere beautiful and strange, left to assign their sensations meanings of their own.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orlando Furioso\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a review record released by Vicente Atria, a percussionist/multi-instrumentalist born in Santiago, Chile and currently living in New York, USA, on Belgian experimental label Aguirre in September 2023.Contains 9 songs from spiritual jazz to free jazz.Below is an explanation by the label. "With the opening phrase of the first song, ``En Tornasol," an invisible barrier dissolves and an exotic landscape appears.Early European composers felt that their works reflected the divinity of the material world in their structure.Through tuning, form, and contrapuntal alchemy, these musicians sought to illuminate and enlighten the complex and perfect order of existence.The music here also reflects the contours of an orderly world, a place none of us have ever been. By assembling building blocks far removed from the detritus of 10st century musical terminology, Orlando Furioso transports listeners to a strange new universe.The result is expressive music that speaks not in the voice of a storyteller or memoirist, but in the voice of a cartographer. Like the Dante of science fiction, the listener is taken on a tour of the diverse and colorful regions of another world.Each piece references a real-world musical location, from the Andes to Indonesia to Italy to New Orleans, but they are tied together by stylistic coherence into a coherent, continuous geography.What runs through this world is an uncompromising commitment to microtonal harmony, rhythmic intensity, both the esoteric (Nicola Vicentino's infamous 1-tone temperament) and the hauntingly obvious (the astonishing Gento・Breakdown) is the ability to deploy them equally convincingly. Although Vicente's songwriting is at the helm, all the players on this album deserve praise for their ability to perform to the fullest.The omnivorous musical diet is truly rich.You will be able to learn from so many great masters, absorb their traditions, and hone your techniques in a way that you will never experience again in your lifetime.It can also impose a heavy and often contradictory burden of influence.Once every corner of the map has been drawn, it becomes difficult to find a new direction.One of the solutions I hope to see more often is the one explored on this album.When completed with precision and without cutting corners, the seams between pieces disappear, leaving the listener somewhere beautiful and strange, assigning their own meaning to their own sensations. " Click here to see more Aguirre releases available...
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{"id":7964284715258,"title":"Black Artists Group \/\/ In Paris, Aries 1973 12\"","handle":"black-artists-group-in-paris-aries-1973-12","description":"\u003cp\u003eアメリカのジャズバンドBlack Artists Groupが、1973年に自主リリースした最初で最後のアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eフリージャズ4曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wSKYb2hA27s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PsgzUcf4OK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wSKYb2hA27s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded live in Paris - Aries 1973. \u003c\/span\u003e\u003cspan\u003e2023 repress, originally reissued by Aguirre Records in 2018. Black 12\" vinyl i\u003c\/span\u003e\u003cspan\u003encludes an insert with liner notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Echos\u003cbr\u003eA2 Something To Play On\u003cbr\u003eB1 Re-Cre-A-Tion\u003cbr\u003eB2 OLCSJBFLBC Bag\u003c\/p\u003e\n\u003cp\u003eArtist : Black Artists Group\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-01T14:26:02+09:00","created_at":"2023-04-26T10:21:44+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44193391182074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Black Artists Group \/\/ In Paris, Aries 1973 12\"","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1.jpg?v=1682472106","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2.jpg?v=1682472106","\/\/tobirarecords.com\/cdn\/shop\/files\/bl3.jpg?v=1682472106"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1.jpg?v=1682472106","options":["Title"],"media":[{"alt":null,"id":31880756035834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1.jpg?v=1682472106"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1.jpg?v=1682472106","width":600},{"alt":null,"id":31880756068602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2.jpg?v=1682472106"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2.jpg?v=1682472106","width":600},{"alt":null,"id":31880756101370,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3.jpg?v=1682472106"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3.jpg?v=1682472106","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズバンドBlack Artists Groupが、1973年に自主リリースした最初で最後のアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eフリージャズ4曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wSKYb2hA27s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PsgzUcf4OK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wSKYb2hA27s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded live in Paris - Aries 1973. \u003c\/span\u003e\u003cspan\u003e2023 repress, originally reissued by Aguirre Records in 2018. Black 12\" vinyl i\u003c\/span\u003e\u003cspan\u003encludes an insert with liner notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Echos\u003cbr\u003eA2 Something To Play On\u003cbr\u003eB1 Re-Cre-A-Tion\u003cbr\u003eB2 OLCSJBFLBC Bag\u003c\/p\u003e\n\u003cp\u003eArtist : Black Artists Group\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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American jazz band Black Artists Group's reissue of the first and last self-released album in 1973.Contains 4 free jazz songs.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. ...
¥3,840
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{"id":7666933432570,"title":"Blod \/\/ Leendet Från Helvetet LP","handle":"blod-leendet-fran-helvetet-lp","description":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2017年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eインプロ〜フリージャズ〜アヴァンフォーク8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3378537585\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on \u003cstrong data-mce-fragment=\"1\"\u003eFörlag För Fri Musik\u003c\/strong\u003e) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes\/audial voyeurism and brutish stop\/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cem\u003eThe record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D\u0026amp;D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp \u0026amp; Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eA couple of years has passed since it's initial release back in 2017 and I think it's safe to say that Leendet Från Helvetet is by far the most overlooked album in the Blod discography (well, if you can say that about a record that was only pressed in a mere 100 copies to begin with!). The blueprint to what would later evolve into the bombastic Knuta Nävar, the intimate Tusen Bitar, the highly confusing medieval masterpiece Missväxt, not to mention all the self-released cassettes and CD-rs.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-07-05T15:17:33+09:00","created_at":"2022-07-05T14:43:14+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","jazz","lp"],"price":377000,"price_min":377000,"price_max":377000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954905256186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Blod \/\/ Leendet Från Helvetet LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1.webp?v=1656999795"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1.webp?v=1656999795","options":["Title"],"media":[{"alt":null,"id":30061636354298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1.webp?v=1656999795"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1.webp?v=1656999795","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2017年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eインプロ〜フリージャズ〜アヴァンフォーク8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3378537585\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on \u003cstrong data-mce-fragment=\"1\"\u003eFörlag För Fri Musik\u003c\/strong\u003e) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes\/audial voyeurism and brutish stop\/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cem\u003eThe record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D\u0026amp;D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp \u0026amp; Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eA couple of years has passed since it's initial release back in 2017 and I think it's safe to say that Leendet Från Helvetet is by far the most overlooked album in the Blod discography (well, if you can say that about a record that was only pressed in a mere 100 copies to begin with!). The blueprint to what would later evolve into the bombastic Knuta Nävar, the intimate Tusen Bitar, the highly confusing medieval masterpiece Missväxt, not to mention all the self-released cassettes and CD-rs.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the album released in 2017 by Swedish experimental musician Blood.Includes 8 improvisational-free jazz-avantfolk songs.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 500 ....
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{"id":7618280358138,"title":"Ignatz \/\/ I Live In A Utopia 2xLP","handle":"ignatz-i-live-in-a-utopia-2xlp","description":"\u003cp\u003eベルギーのアウトサイダーブルース作家Ignatzが、2022年5月に同国Aguirreからリリースした再発盤です。（オリジナルは2015年Goaty Tapesリリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックなLo-Fiアウトサイダーブルース〜アメリカンプリミティブ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894248614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAquirre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs always, Deven’s playing is deceptively elegant, raw but precise, attuned to resonance, radiance, and negative space. Echoes of Fahey and Jandek reverberate in certain moments but ultimately the world Ignatz maps is one incomparably his own. A landscape both doomed and dawning, weary but undefeated, tracing outlines of lengthening shadows. “I walk in the sunshine,” he sings, uneasily. This is music of a rare inner wilderness, poised at cryptic crossroads, devoted to its ghosts. I Live In A Utopia stands as an apex work by one of the underground’s most veiled and visionary talents.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1 I Live In A Utopia 4:10\u003cbr\u003eA2 I Have Found True Love 10:44\u003cbr\u003eA3 Time Does Not Bring Relief 4:54\u003cbr\u003eB1 Warm Memories 7:31\u003cbr\u003eB2 Bright Future 12:00\u003cbr\u003eC1 We Used To Smoke Inside 9:58\u003cbr\u003eC2 I Live In A Utopia (2) 4:12\u003cbr\u003eD1 The Upside Down World 9:12\u003cbr\u003eD2 Waiting For The Taxi 8:18\u003c\/p\u003e\n\u003cp\u003eArtist : Ignatz\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:45:13+09:00","created_at":"2022-05-25T14:11:02+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp"],"price":425000,"price_min":425000,"price_max":425000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793269854458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ignatz \/\/ I Live In A Utopia 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","\/\/tobirarecords.com\/cdn\/shop\/products\/li2.webp?v=1653455465"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","options":["Title"],"media":[{"alt":null,"id":29759282446586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_bfdb4cf6-f6ba-49be-81d7-ba57f56706e6.jpg?v=1653455465","width":700},{"alt":null,"id":29759282479354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2.webp?v=1653455465"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2.webp?v=1653455465","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのアウトサイダーブルース作家Ignatzが、2022年5月に同国Aguirreからリリースした再発盤です。（オリジナルは2015年Goaty Tapesリリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックなLo-Fiアウトサイダーブルース〜アメリカンプリミティブ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894248614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAquirre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs always, Deven’s playing is deceptively elegant, raw but precise, attuned to resonance, radiance, and negative space. Echoes of Fahey and Jandek reverberate in certain moments but ultimately the world Ignatz maps is one incomparably his own. A landscape both doomed and dawning, weary but undefeated, tracing outlines of lengthening shadows. “I walk in the sunshine,” he sings, uneasily. This is music of a rare inner wilderness, poised at cryptic crossroads, devoted to its ghosts. I Live In A Utopia stands as an apex work by one of the underground’s most veiled and visionary talents.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1 I Live In A Utopia 4:10\u003cbr\u003eA2 I Have Found True Love 10:44\u003cbr\u003eA3 Time Does Not Bring Relief 4:54\u003cbr\u003eB1 Warm Memories 7:31\u003cbr\u003eB2 Bright Future 12:00\u003cbr\u003eC1 We Used To Smoke Inside 9:58\u003cbr\u003eC2 I Live In A Utopia (2) 4:12\u003cbr\u003eD1 The Upside Down World 9:12\u003cbr\u003eD2 Waiting For The Taxi 8:18\u003c\/p\u003e\n\u003cp\u003eArtist : Ignatz\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue released by Belgian outsider blues writer Ignatz on Aguirre in May 2022. (Original released in 5 Goaty Tapes) Includes 2015 psychedelic Lo-Fi outsider blues-American primitive songs.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aquirre : "This ...
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{"id":6779461042341,"title":"Tuluum Shimmering \/\/ Ulau Tau \/ Spirit Of Sun LP","handle":"tuluum-shimmering-ulau-tau-spirit-of-sun-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの民族アンビエントドローン作家Tuluum Shimmeringのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011132554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eO\u003cmeta charset=\"utf-8\"\u003ene of the most magical recordings you’ll hear this year is the first LP by Uk-based one-man trancedental-drone band Tuluum Shimmering. The sound of Tuluum Shimmering is like a sort of loop driven, timeless ethnic music without a region or a tradition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe recordings on the LP were made on a 4-track cassette recorder. On the A side there's: homemade bamboo xylophone, homemade flute, acoustic guitar customised with buzz bridge, Roland digital piano, vietnamese gong, cymbal, rattle. On the B side: homemade tamboura, various flutes, Roland digital piano, hand drums, vocals, tibetan singing bowl, snake charmer, rattle, saxophone.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tuluum Shimmering\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:22:24+09:00","created_at":"2021-05-24T13:02:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","monooto","post newage","strange beats"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954732548261,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tuluum Shimmering \/\/ Ulau Tau \/ Spirit Of Sun LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937","options":["Title"],"media":[{"alt":null,"id":22250211213477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/u1_c275513c-882b-4244-bd33-4b33b8b38ecd.jpg?v=1621828937","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの民族アンビエントドローン作家Tuluum Shimmeringのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011132554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eO\u003cmeta charset=\"utf-8\"\u003ene of the most magical recordings you’ll hear this year is the first LP by Uk-based one-man trancedental-drone band Tuluum Shimmering. The sound of Tuluum Shimmering is like a sort of loop driven, timeless ethnic music without a region or a tradition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe recordings on the LP were made on a 4-track cassette recorder. On the A side there's: homemade bamboo xylophone, homemade flute, acoustic guitar customised with buzz bridge, Roland digital piano, vietnamese gong, cymbal, rattle. On the B side: homemade tamboura, various flutes, Roland digital piano, hand drums, vocals, tibetan singing bowl, snake charmer, rattle, saxophone.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tuluum Shimmering\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of British folk ambient drone writer Tuluum Shimmering.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
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{"id":6779456225445,"title":"Xiphiidae \/\/ Pass Hidingly Seek LP","handle":"xiphiidae-pass-hidingly-seek-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3478549820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:23:46+09:00","created_at":"2021-05-24T13:00:41+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","monooto"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954725077157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xiphiidae \/\/ Pass Hidingly Seek LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843","options":["Title"],"media":[{"alt":null,"id":22250199351461,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_f9d8a2cd-e8de-4f1a-9f77-9cc0a97ad0a3.jpg?v=1621828843","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3478549820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of Xiphiidae, the president of the American experimental tape label Housecraft. Description by Aguirre: "Long-running solo project by Jeffry Astin. Label head ...
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{"id":6779451867301,"title":"Xiphiidae \/\/ Quaking Myth LP","handle":"xiphiidae-quaking-myth-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241180374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:24:20+09:00","created_at":"2021-05-24T12:59:17+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954715803813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xiphiidae \/\/ Quaking Myth LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759","options":["Title"],"media":[{"alt":null,"id":22250186211493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_15f04bd2-a6dc-4c9e-b481-152b25c8bcb6.jpg?v=1621828759","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ実験テープレーベルHousecraft主宰Xiphiidaeのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241180374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLong-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Xiphiidae\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of Xiphiidae, the president of the American experimental tape label Housecraft. Description by Aguirre: "Long-running solo project by Jeffry Astin. Label head ...
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{"id":6779441348773,"title":"Ian William Craig \/\/ Meaning Turns to Whispers LP","handle":"ian-william-craig-meaning-turns-to-whispers-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Recitalなどから発表しているカナダ・バンクーバーのアンビエント作家Ian William Craigが2012年にリリースしたレコードです。ピアノインプロをオープンリールに流し込んで融解した6曲を収録。マスタリングはSean McCannが担当。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367140562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMeaning Turns to Whispers is a combination of piano improvisations and FM feedback loops, recorded over various winters in the last three years or so, and edited down\/manipulated\/degraded to reveal some of their hidden spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ian William Craig\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-24T14:55:45+09:00","created_at":"2021-05-24T12:56:00+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","neo classical"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954701975717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ian William Craig \/\/ Meaning Turns to Whispers LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562","options":["Title"],"media":[{"alt":null,"id":22250159046821,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_01caa79f-9c4a-4922-ae96-a99ca88d159e.jpg?v=1621828562","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Recitalなどから発表しているカナダ・バンクーバーのアンビエント作家Ian William Craigが2012年にリリースしたレコードです。ピアノインプロをオープンリールに流し込んで融解した6曲を収録。マスタリングはSean McCannが担当。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367140562\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMeaning Turns to Whispers is a combination of piano improvisations and FM feedback loops, recorded over various winters in the last three years or so, and edited down\/manipulated\/degraded to reveal some of their hidden spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ian William Craig\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record released in 2012 by ambient writer Ian William Craig of Vancouver, Canada, which has been released by Recital and others.Includes 6 songs that are melted by pouring a piano improvisation into an open reel.Sean McCann is in charge of mastering.Click here to see more Aguirre releases available at Tobira ....
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{"id":6779423162533,"title":"Taj Mahal Travellers \/\/ August 1974 2xLP","handle":"taj-mahal-travellers-august-1974-2lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 日本のサイケバンドTaj Mahal Travellersが1974年にリリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jspt_dj3uX8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHigh quality reissue of the monumental work August 1974 by Japanese experimental music ensemble Taj Mahal Travellers. Pressed on 180gr. vinyl with extensive liner notes by Julian Cowley.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the changing scene and to differing ways of life. Midway through May they reached their destination, the iconic Taj Mahal on the bank of the Yamuna river in Agra, India. \u003cstrong data-mce-fragment=\"1\"\u003eThe Taj Mahal Travellers\u003c\/strong\u003e had fulfilled physically the promise of the name they adopted when they formed in 1969. But their music had always been a journey, a sonic adventure designed to lead any listener’s imagination into unfamiliar territory.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe double album August 1974 was their second official release. The first July 15, 1972 is a live concert recording, but on 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e August 1974 the Taj Mahal Travellers entered the Tokyo studios of \u003cstrong data-mce-fragment=\"1\"\u003eNippon Columbia\u003c\/strong\u003e and produced what is arguably their definitive statement. The electronic dimension of their collective improvising was coordinated, as usual, by Kinji Hayashi. Guest percussionist Hirokazu Sato joined long-term group members Ryo Koike, Seiji Nagai, Yukio Tsuchiya, Michihiro Kimura, Tokio Hasegawa and Takehisa Kosugi. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe enigmatic \u003cstrong data-mce-fragment=\"1\"\u003eTakehisa Kosugi\u003c\/strong\u003e, whose soaring electric violin was such a vital element in their music, had been a pioneer of free improvisation and intermedia performance art with Group Ongaku at the start of the 60s. Later in that decade, before launching the Taj Mahal Travellers, he had become known internationally through his association with the \u003cstrong data-mce-fragment=\"1\"\u003eFluxus art movement\u003c\/strong\u003e. During the mid-70s the Travellers disbanded and while his colleagues more or less stopped performing as musicians Kosugi continued to reach new audiences across the course of several decades as a composer, regular performer and musical director for the acclaimed \u003cstrong data-mce-fragment=\"1\"\u003eMerce Cunningham Dance Company.\u003c\/strong\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAugust 1974 captures vividly the characteristic sound of the Taj Mahal Travellers, haunting tones from an unusual combination of instruments, filtered through multiple layers of reverb and delay. Their music has strong stylistic affinities with the trippy ambience of cosmic and psychedelic rock, but the Taj Mahal Travellers were tuning in to other vibrations, drawing inspiration from the energies and rhythms of the world around them rather than projecting some alternative reality. Films of rolling ocean waves often provided a highly appropriate backdrop for their lengthy improvised concerts. This is truly electric music for the mind and body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Taj Mahal Travellers \u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:30:22+09:00","created_at":"2021-05-24T12:49:55+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","asia","lp","monooto","strange beats"],"price":425000,"price_min":425000,"price_max":425000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954674352293,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Taj Mahal Travellers \/\/ August 1974 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197","options":["Title"],"media":[{"alt":null,"id":22250111369381,"position":1,"preview_image":{"aspect_ratio":1.004,"height":538,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197"},"aspect_ratio":1.004,"height":538,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_8439d1a4-273d-4b9d-89b4-313624edd40c.jpg?v=1621828197","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 日本のサイケバンドTaj Mahal Travellersが1974年にリリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jspt_dj3uX8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHigh quality reissue of the monumental work August 1974 by Japanese experimental music ensemble Taj Mahal Travellers. Pressed on 180gr. vinyl with extensive liner notes by Julian Cowley.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the changing scene and to differing ways of life. Midway through May they reached their destination, the iconic Taj Mahal on the bank of the Yamuna river in Agra, India. \u003cstrong data-mce-fragment=\"1\"\u003eThe Taj Mahal Travellers\u003c\/strong\u003e had fulfilled physically the promise of the name they adopted when they formed in 1969. But their music had always been a journey, a sonic adventure designed to lead any listener’s imagination into unfamiliar territory.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe double album August 1974 was their second official release. The first July 15, 1972 is a live concert recording, but on 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e August 1974 the Taj Mahal Travellers entered the Tokyo studios of \u003cstrong data-mce-fragment=\"1\"\u003eNippon Columbia\u003c\/strong\u003e and produced what is arguably their definitive statement. The electronic dimension of their collective improvising was coordinated, as usual, by Kinji Hayashi. Guest percussionist Hirokazu Sato joined long-term group members Ryo Koike, Seiji Nagai, Yukio Tsuchiya, Michihiro Kimura, Tokio Hasegawa and Takehisa Kosugi. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe enigmatic \u003cstrong data-mce-fragment=\"1\"\u003eTakehisa Kosugi\u003c\/strong\u003e, whose soaring electric violin was such a vital element in their music, had been a pioneer of free improvisation and intermedia performance art with Group Ongaku at the start of the 60s. Later in that decade, before launching the Taj Mahal Travellers, he had become known internationally through his association with the \u003cstrong data-mce-fragment=\"1\"\u003eFluxus art movement\u003c\/strong\u003e. During the mid-70s the Travellers disbanded and while his colleagues more or less stopped performing as musicians Kosugi continued to reach new audiences across the course of several decades as a composer, regular performer and musical director for the acclaimed \u003cstrong data-mce-fragment=\"1\"\u003eMerce Cunningham Dance Company.\u003c\/strong\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAugust 1974 captures vividly the characteristic sound of the Taj Mahal Travellers, haunting tones from an unusual combination of instruments, filtered through multiple layers of reverb and delay. Their music has strong stylistic affinities with the trippy ambience of cosmic and psychedelic rock, but the Taj Mahal Travellers were tuning in to other vibrations, drawing inspiration from the energies and rhythms of the world around them rather than projecting some alternative reality. Films of rolling ocean waves often provided a highly appropriate backdrop for their lengthy improvised concerts. This is truly electric music for the mind and body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Taj Mahal Travellers \u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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A large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium, has arrived.This work is a reissue of the work released in 1974 by the Japanese psychedelic band Taj Mahal Travelers. Description by Aguirre: "High quality reissue of the ...
¥4,250
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{"id":6779378434213,"title":"The Begotten \/\/ Temidden Laaghangende Wolken LP","handle":"the-begotten-temidden-laaghangende-wolken-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 ベルギーの大御所作家KohnとRazenによるデュオThe Begottenのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910881218\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Aguirre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Begotten is the brainchild of Jürgen De Blonde (Köhn\/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn their debut LP \"Temidden Laaghangende Wolken\" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye\/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels. In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums. Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; \"Temidden Laaghangende Wolken\" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Begotten\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:41:40+09:00","created_at":"2021-05-24T12:35:21+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","post newage","strange beats"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954594037925,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Begotten \/\/ Temidden Laaghangende Wolken LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322","options":["Title"],"media":[{"alt":null,"id":22249975185573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_b07a7db5-9f61-4a85-a454-9671f32eb2e5.jpg?v=1621827322","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 ベルギーの大御所作家KohnとRazenによるデュオThe Begottenのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910881218\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Aguirre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Begotten is the brainchild of Jürgen De Blonde (Köhn\/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn their debut LP \"Temidden Laaghangende Wolken\" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye\/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels. In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums. Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; \"Temidden Laaghangende Wolken\" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Begotten\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This is a record of the duo The Begotten by Belgian authors Kohn and Razen.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
¥2,680
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{"id":6726947012773,"title":"Timelash \/\/ A Morphology Of Wonders 2xLP","handle":"timelash-a-morphology-of-wonders-2lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEMBASSADOR DULGOONとGRANT CORUMによるデュオTimelashが2021年1月にAguirreよりリリースした2枚組レコード。トライバルなパーカッションが響く土着ニューエイジ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3360917297\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimelash is the freshly erupted synthesizer \u0026amp; SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds \/ Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-15T05:21:03+09:00","created_at":"2021-05-06T17:56:45+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","lp","post newage","strange beats"],"price":372000,"price_min":372000,"price_max":372000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39814479806629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Timelash \/\/ A Morphology Of Wonders 2xLP","public_title":null,"options":["Default Title"],"price":372000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407","options":["Title"],"media":[{"alt":null,"id":22033201561765,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c2b4f08-f895-4e30-87d2-4d779fd909b1.jpg?v=1620291407","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEMBASSADOR DULGOONとGRANT CORUMによるデュオTimelashが2021年1月にAguirreよりリリースした2枚組レコード。トライバルなパーカッションが響く土着ニューエイジ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3360917297\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1346002467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimelash is the freshly erupted synthesizer \u0026amp; SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds \/ Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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A 2021-disc set released by Aguirre in January 1 by the duo Timelash by EMBASSADOR DULGOON and GRANT CORUM.Includes 2 indigenous New Age songs with tribal percussion. <Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre ...
¥3,720
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{"id":8114137334010,"title":"Timelash \/\/ Feral Lands \u0026 Forbidden Cities LP","handle":"timelash-feral-lands-forbidden-cities-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eチリの\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonlore\"\u003eNonlocal Resea\u003c\/a\u003erchとアメリカの\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003ePsychic Sounds\u003c\/a\u003eサイケデリックレーベルオーナー2名によるレトロフューチャリスティックデュオTimelashが、2023年11月にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなポストニューエイジ・ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年にブリュッセルで録音された『Feral Lands and Forbidden Cities』は、Timelashが4枚のアルバムをプロジェクションしたシリーズの2作目である。デビュー作『A Morphology of Wonders』（Aguirre Records、2021年）で、Embassador Dulgoon（Nonlocal Society、Archimboldos）とCorum（Psychic Sounds）によって結成されたデュオは、虹色の蛍光に照らされた有機的な事柄と機械的な対話の集まりのように展開し、広がるユニークな音楽の旅を明らかにした。Timelashの音楽的提案は、レトロフューチャリズムにしっかりと根ざしており、Martin Denny、Egisto Macchi、Bernard Fèvre、Eric Vannといったエキゾチックでライブラリーミュージックなアーティストを思い起こさせ、Mark Dwaneのシネマティック・サウンドスケープやConstance DembyのNovus Magnificatまで到達する。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Feral Lands and Forbidden Cities』は、タイトルが示す通り、未踏の文明、追跡不可能な遺跡、未知の世界を掘り下げる。デジタルシンセサイザー、サンプラー、フルート、パーカッションパッド、エフェクトが、生命と進化の夢のサイクルをかき立てるように組み合わされている。宇宙船の喧騒、奇妙なボディノイズ、鳴り響く鐘の音、塑像のつぶやき、沸騰するポーションが、ハーモニックシンセのソウルフルなクレッシェンドの下で鳴り響き、機械と驚異の両方の感覚を構築する。\u003cbr\u003e\u003cbr\u003eアウトサイド・グロットス・オブ・タイム」のように、ディテールの手触りの良さと華やかなモチーフは、痛烈で壮大な様式にさえ加わり、開花する。サンドランナーズ・パス」では、より目まぐるしくサスペンスフルなムードが加速し、不可解なエンディング・トラック「シャドウズ・オブ・ザ・スカイフィッシュ」がすべてを包み込む。クロマティックな輝き、機械的な抽象画、色とりどりの幻影が、電気的な夢から放射される煙のように浮かび上がり、メロディーの層は漂い、盛り上がり、そして最後には繊細に横たわる。これは首尾一貫した音楽物語であるため、いくつかの方向、時には同時進行的でさえあるが、そのすべてが等しく意味にあふれている。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアンドロメダ大星雲は、燐光を放つアメーバのように泳いでいる。はるか彼方の禁断の都市では、私たちが眠っている間に不吉な生き物が私たちの誘拐を企てている。暗闇の中、私たちはマカロニを茹で、ランタンの明かりで食事をする。星が蛍のように食卓に群がる。小さな望遠鏡で月の満ち欠けを眺める。消えゆく焚き火のまわりで、未知なるものがよろめく。呼吸が整うと、オーロラの染みが再び空を照らす。幾何学的な冬の星座が、しなやかなリトマスの輝きの上に浮かび上がる。私たちは星空の下を歩き、未知の丸い大地に足をつける。深く光る宇宙船の灯りを目で追う。エンジンの音が高まり、けたたましく、かすれ、ついには聞こえなくなり、オリオン座の足下の南東の靄の中でその灯は消える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3580207334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Stranger In Time 06:04\u003c\/li\u003e\n\u003cli\u003ePrimal Plateau 05:46\u003c\/li\u003e\n\u003cli\u003eOutside Grottos Of Time 09:19\u003c\/li\u003e\n\u003cli\u003eSandrunner's Pass 08:49\u003c\/li\u003e\n\u003cli\u003eChalkwing's Floating Pagoda 04:36\u003c\/li\u003e\n\u003cli\u003eShadows Of The Skyfish 07:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Brussels in 2019, Feral Lands and Forbidden Cities is Timelash's second delivery of a 4 album projected series. In their debut, A Morphology of Wonders (Aguirre Records, 2021), the duet formed by Embassador Dulgoon (Nonlocal Society, Archimboldos) and Corum (Psychic Sounds) revealed a unique musical journey that unfolds and expands like a cluster of organic matters and mechanical dialogues lit by iridescent fluorescences. Timelash's musical proposal is firmly rooted in retrofuturism, reminding us of exotic and library music artists such as Martin Denny, Egisto Macchi, Bernard Fèvre, and Eric Vann, reaching up to Mark Dwane's cinematic soundscapes, or Constance Demby's Novus Magnificat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeral Lands and Forbidden Cities digs precisely into what the title indicates: civilizations not yet explored, untraceable ruins, and the unknown. Digital synthesizers, samplers, flutes, percussion pads, and effects are assembled as stirring sprouts of life and evolutionary dream cycles. Spacecraft bustles, strange body noises, tolling bells, plasticine murmurs, and boiling potions ring under harmonic synth soulful crescendos, building up a sense of both machinery and wonder; the emotional significance that the mechanical contains.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tactile quality of detail and the flourishing motifs\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e join and bloom in poignant, even epic manners, as in \"Outside Grottos of Time\". A mood more dizzying and suspenseful speeds up \"Sandrunner's Pass\" until the puzzling closing track \"Shadows of the Skyfish\" wraps it all up. Chromatic glares, mechanical abstractions, and multicolored visions emerge like fumes radiating from electric dreams; melodic layers drift, rise, and finally lay down subtly. There's a feeling of mystery and motion in several directions, sometimes even simultaneous, although limited, all of them equally full of meaning, since this is a coherent musical tale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Great Nebula of Andromeda swims like a phosphorescent amoeba. Far away yonder in forbidden cities, foreboding creatures are planning to abduct us while we sleep. In the dark, we cook our macaroni and eat by lantern light. Stars cluster all over our table like fireflies. We watch the turning moon through our little telescope. The unknown stumbles around the dying campfire. As breaths gather firm, an auroral stain illuminates the sky once again. Great geometrical winter constellations lift up over sinuous litmus gleams. We walk under the stars, our feet on the unknown round earth. Our eyes follow the lights of a deep glowing spaceship. Engine tones rise, shrill, faint, finally inaudible, and its lights go out in the southeast haze beneath the feet of Orion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-12-16T14:40:24+09:00","created_at":"2023-12-16T13:52:30+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","new","post newage","strange beats"],"price":379600,"price_min":379600,"price_max":379600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44894935449850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Timelash \/\/ Feral Lands \u0026 Forbidden Cities LP","public_title":null,"options":["Default Title"],"price":379600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fe1_145f66e5-f9ba-41ea-8a80-128c9c51e6e3.jpg?v=1702702353","\/\/tobirarecords.com\/cdn\/shop\/files\/fe2.webp?v=1702702352"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fe1_145f66e5-f9ba-41ea-8a80-128c9c51e6e3.jpg?v=1702702353","options":["Title"],"media":[{"alt":null,"id":32843067523322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fe1_145f66e5-f9ba-41ea-8a80-128c9c51e6e3.jpg?v=1702702353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fe1_145f66e5-f9ba-41ea-8a80-128c9c51e6e3.jpg?v=1702702353","width":700},{"alt":null,"id":32843067556090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fe2.webp?v=1702702352"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fe2.webp?v=1702702352","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eチリの\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonlore\"\u003eNonlocal Resea\u003c\/a\u003erchとアメリカの\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psso\"\u003ePsychic Sounds\u003c\/a\u003eサイケデリックレーベルオーナー2名によるレトロフューチャリスティックデュオTimelashが、2023年11月にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなポストニューエイジ・ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年にブリュッセルで録音された『Feral Lands and Forbidden Cities』は、Timelashが4枚のアルバムをプロジェクションしたシリーズの2作目である。デビュー作『A Morphology of Wonders』（Aguirre Records、2021年）で、Embassador Dulgoon（Nonlocal Society、Archimboldos）とCorum（Psychic Sounds）によって結成されたデュオは、虹色の蛍光に照らされた有機的な事柄と機械的な対話の集まりのように展開し、広がるユニークな音楽の旅を明らかにした。Timelashの音楽的提案は、レトロフューチャリズムにしっかりと根ざしており、Martin Denny、Egisto Macchi、Bernard Fèvre、Eric Vannといったエキゾチックでライブラリーミュージックなアーティストを思い起こさせ、Mark Dwaneのシネマティック・サウンドスケープやConstance DembyのNovus Magnificatまで到達する。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Feral Lands and Forbidden Cities』は、タイトルが示す通り、未踏の文明、追跡不可能な遺跡、未知の世界を掘り下げる。デジタルシンセサイザー、サンプラー、フルート、パーカッションパッド、エフェクトが、生命と進化の夢のサイクルをかき立てるように組み合わされている。宇宙船の喧騒、奇妙なボディノイズ、鳴り響く鐘の音、塑像のつぶやき、沸騰するポーションが、ハーモニックシンセのソウルフルなクレッシェンドの下で鳴り響き、機械と驚異の両方の感覚を構築する。\u003cbr\u003e\u003cbr\u003eアウトサイド・グロットス・オブ・タイム」のように、ディテールの手触りの良さと華やかなモチーフは、痛烈で壮大な様式にさえ加わり、開花する。サンドランナーズ・パス」では、より目まぐるしくサスペンスフルなムードが加速し、不可解なエンディング・トラック「シャドウズ・オブ・ザ・スカイフィッシュ」がすべてを包み込む。クロマティックな輝き、機械的な抽象画、色とりどりの幻影が、電気的な夢から放射される煙のように浮かび上がり、メロディーの層は漂い、盛り上がり、そして最後には繊細に横たわる。これは首尾一貫した音楽物語であるため、いくつかの方向、時には同時進行的でさえあるが、そのすべてが等しく意味にあふれている。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアンドロメダ大星雲は、燐光を放つアメーバのように泳いでいる。はるか彼方の禁断の都市では、私たちが眠っている間に不吉な生き物が私たちの誘拐を企てている。暗闇の中、私たちはマカロニを茹で、ランタンの明かりで食事をする。星が蛍のように食卓に群がる。小さな望遠鏡で月の満ち欠けを眺める。消えゆく焚き火のまわりで、未知なるものがよろめく。呼吸が整うと、オーロラの染みが再び空を照らす。幾何学的な冬の星座が、しなやかなリトマスの輝きの上に浮かび上がる。私たちは星空の下を歩き、未知の丸い大地に足をつける。深く光る宇宙船の灯りを目で追う。エンジンの音が高まり、けたたましく、かすれ、ついには聞こえなくなり、オリオン座の足下の南東の靄の中でその灯は消える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3580207334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Stranger In Time 06:04\u003c\/li\u003e\n\u003cli\u003ePrimal Plateau 05:46\u003c\/li\u003e\n\u003cli\u003eOutside Grottos Of Time 09:19\u003c\/li\u003e\n\u003cli\u003eSandrunner's Pass 08:49\u003c\/li\u003e\n\u003cli\u003eChalkwing's Floating Pagoda 04:36\u003c\/li\u003e\n\u003cli\u003eShadows Of The Skyfish 07:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Brussels in 2019, Feral Lands and Forbidden Cities is Timelash's second delivery of a 4 album projected series. In their debut, A Morphology of Wonders (Aguirre Records, 2021), the duet formed by Embassador Dulgoon (Nonlocal Society, Archimboldos) and Corum (Psychic Sounds) revealed a unique musical journey that unfolds and expands like a cluster of organic matters and mechanical dialogues lit by iridescent fluorescences. Timelash's musical proposal is firmly rooted in retrofuturism, reminding us of exotic and library music artists such as Martin Denny, Egisto Macchi, Bernard Fèvre, and Eric Vann, reaching up to Mark Dwane's cinematic soundscapes, or Constance Demby's Novus Magnificat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeral Lands and Forbidden Cities digs precisely into what the title indicates: civilizations not yet explored, untraceable ruins, and the unknown. Digital synthesizers, samplers, flutes, percussion pads, and effects are assembled as stirring sprouts of life and evolutionary dream cycles. Spacecraft bustles, strange body noises, tolling bells, plasticine murmurs, and boiling potions ring under harmonic synth soulful crescendos, building up a sense of both machinery and wonder; the emotional significance that the mechanical contains.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tactile quality of detail and the flourishing motifs\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e join and bloom in poignant, even epic manners, as in \"Outside Grottos of Time\". A mood more dizzying and suspenseful speeds up \"Sandrunner's Pass\" until the puzzling closing track \"Shadows of the Skyfish\" wraps it all up. Chromatic glares, mechanical abstractions, and multicolored visions emerge like fumes radiating from electric dreams; melodic layers drift, rise, and finally lay down subtly. There's a feeling of mystery and motion in several directions, sometimes even simultaneous, although limited, all of them equally full of meaning, since this is a coherent musical tale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Great Nebula of Andromeda swims like a phosphorescent amoeba. Far away yonder in forbidden cities, foreboding creatures are planning to abduct us while we sleep. In the dark, we cook our macaroni and eat by lantern light. Stars cluster all over our table like fireflies. We watch the turning moon through our little telescope. The unknown stumbles around the dying campfire. As breaths gather firm, an auroral stain illuminates the sky once again. Great geometrical winter constellations lift up over sinuous litmus gleams. We walk under the stars, our feet on the unknown round earth. Our eyes follow the lights of a deep glowing spaceship. Engine tones rise, shrill, faint, finally inaudible, and its lights go out in the southeast haze beneath the feet of Orion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timelash\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a record released by Timelash, a retro-futuristic duo made up of Chile's Nonlocal Research and the American psychedelic label owners Psychic Sounds, on Belgian experimental label Aguirre in November 2. Contains 2023 psychedelic post-new age strange beats songs. Below is an explanation by the label. "Feral Lands and Forbidden Cities, recorded in Brussels in 11, is the second in a series of four albums by Timelash. Their debut, A Morphology of Wonders (Aguirre Records, 6) So, Ambassador...
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![Fifty Foot Hose // Cauldron LP [COLOR]](https://tobirarecords.com/cdn/shop/files/ca1_ab8cfee9-ec1f-4e5c-a2b0-9419fe2fb54d_medium.jpg?v=1697453025)
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{"id":8035072377082,"title":"Fifty Foot Hose \/\/ Cauldron LP [COLOR]","handle":"fifty-foot-hose-cauldron-lp-color","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカの実験サイケバンドFifty Foot Hose が、1967年にリリースしたレコードの再発盤です。サイケ渦巻カラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827557084\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Sundazed Music\/ Modern Harmonic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e1967 Electro-Psych Opus! \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTheir fusion of psychedelia and electronics resulted in a truly trailblazing sound. Cauldron stands as a signal achievement that laid the groundwork for genres that didn’t even exist when it was released.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fifty Foot Hose\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-10-16T19:44:42+09:00","created_at":"2023-10-16T19:43:41+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new","strange beats"],"price":313000,"price_min":313000,"price_max":313000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44640871153914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fifty Foot Hose \/\/ Cauldron LP [COLOR]","public_title":null,"options":["Default Title"],"price":313000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_ab8cfee9-ec1f-4e5c-a2b0-9419fe2fb54d.jpg?v=1697453025","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_7363268a-ffa5-4c87-8589-7246c9402f92.jpg?v=1697453025"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_ab8cfee9-ec1f-4e5c-a2b0-9419fe2fb54d.jpg?v=1697453025","options":["Title"],"media":[{"alt":null,"id":32565226209530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_ab8cfee9-ec1f-4e5c-a2b0-9419fe2fb54d.jpg?v=1697453025"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_ab8cfee9-ec1f-4e5c-a2b0-9419fe2fb54d.jpg?v=1697453025","width":700},{"alt":null,"id":32565226242298,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_7363268a-ffa5-4c87-8589-7246c9402f92.jpg?v=1697453025"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_7363268a-ffa5-4c87-8589-7246c9402f92.jpg?v=1697453025","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカの実験サイケバンドFifty Foot Hose が、1967年にリリースしたレコードの再発盤です。サイケ渦巻カラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827557084\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Sundazed Music\/ Modern Harmonic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e1967 Electro-Psych Opus! \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTheir fusion of psychedelia and electronics resulted in a truly trailblazing sound. Cauldron stands as a signal achievement that laid the groundwork for genres that didn’t even exist when it was released.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fifty Foot Hose\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label from Leuven, Belgium.This work is a reissue of a record released in 1967 by the American experimental psych band Fifty Foot Hose.This is a psychedelic color disc. Description by Sundazed Music/ Modern Harmonic: "1967...
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{"id":7981250511098,"title":"James Ferraro \/\/ Rerex 3xLP","handle":"james-ferraro-rerex-lp","description":"\u003cp\u003eアメリカ・NYの実験音楽家James Ferraroが、2018年にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fi実験アンビエント〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2697675072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Ferraro is an experimental musician, composer and virtual atmospherist born in Bronx, NY. Ferraro has released material under a wide array of aliases, and was a member of the Californian two-piece avant-garde project The Skaters. His album Far Side Virtual was chosen as Album of the Year by the UK's Wire Magazine in 2011.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerraro has been producing small runs of releases on cassette, CD-R, and VHS with a wide variety of styles all representing different dreams of a demonic mind tower spanning from freak flesh bodybuilder atmospheres to ambient modern world\/psych. First on New Age Tapes and later on MuscleWork Inc., self run cassette \/ CD-R labels primarily used for releasing small runs of his solo work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2009 Ferraro composed and recorded the Summer Headrush Series in Antwerp, Belgium for Musclework Inc. The series is loosely based on visualisations that came to mind while receiving self-induced hypocapnia (aka choking oneself) or as it’s commonly called 'free fall'. The albums being representatives of the free fall head space. Other albums from the Headrush Series are: Body Fusion 1 and 2, iAsia, Wild World, Son of Dracula and Hacker Track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Rerex album is vintage hypnagogic Ferraro and with it’s length (almost 3 hours) it may be considered as one of his Magnum\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Opuses. Using cheap casio keyboards, loops, effects and difficult to trace samples Ferraro creates a slightly haunting but oh so beautiful musical world which we’d like to visit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre:\u003c\/p\u003e","published_at":"2023-06-02T15:13:10+09:00","created_at":"2023-06-02T14:10:56+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","new","strange beats"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44263645610234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"James Ferraro \/\/ Rerex 3xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/james1.jpg?v=1685682658"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/james1.jpg?v=1685682658","options":["Title"],"media":[{"alt":null,"id":32055558799610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/james1.jpg?v=1685682658"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/james1.jpg?v=1685682658","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家James Ferraroが、2018年にベルギーの実験レーベルAguirreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fi実験アンビエント〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2697675072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Ferraro is an experimental musician, composer and virtual atmospherist born in Bronx, NY. Ferraro has released material under a wide array of aliases, and was a member of the Californian two-piece avant-garde project The Skaters. His album Far Side Virtual was chosen as Album of the Year by the UK's Wire Magazine in 2011.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerraro has been producing small runs of releases on cassette, CD-R, and VHS with a wide variety of styles all representing different dreams of a demonic mind tower spanning from freak flesh bodybuilder atmospheres to ambient modern world\/psych. First on New Age Tapes and later on MuscleWork Inc., self run cassette \/ CD-R labels primarily used for releasing small runs of his solo work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2009 Ferraro composed and recorded the Summer Headrush Series in Antwerp, Belgium for Musclework Inc. The series is loosely based on visualisations that came to mind while receiving self-induced hypocapnia (aka choking oneself) or as it’s commonly called 'free fall'. The albums being representatives of the free fall head space. Other albums from the Headrush Series are: Body Fusion 1 and 2, iAsia, Wild World, Son of Dracula and Hacker Track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Rerex album is vintage hypnagogic Ferraro and with it’s length (almost 3 hours) it may be considered as one of his Magnum\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Opuses. Using cheap casio keyboards, loops, effects and difficult to trace samples Ferraro creates a slightly haunting but oh so beautiful musical world which we’d like to visit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre:\u003c\/p\u003e"}
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A record released in 2018 by experimental musician James Ferraro from New York, USA, on the Belgian experimental label Aguirre. Includes 6 songs from Lo-Fi experimental ambient to strange beats.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. : "James...
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{"id":7980223037690,"title":"New Dreams Ltd. \/\/ Sleepline 2xLP","handle":"copy-of-new-dreams-ltd-sleepline-2xlp","description":"\u003cp\u003eアメリカのヴェーパーウェーブ作家Vektroid aka New Dreams Ltd.が、2016年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsから\u003c\/span\u003eリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3227489035\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrucial album by vaporwave pioneer Ramona Vektroid, here released under the moniker New Dreams Ltd. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : New Dreams Ltd.\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-06-02T08:27:23+09:00","created_at":"2023-05-30T15:07:05+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","hiphop \/ funk","lp","new"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259750183162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"New Dreams Ltd. \/\/ Sleepline 2xLP","public_title":null,"options":["Default Title"],"price":468000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sl1_d9cbd4db-8a4d-44e7-8d44-0592eb9c45f8.jpg?v=1685426827"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sl1_d9cbd4db-8a4d-44e7-8d44-0592eb9c45f8.jpg?v=1685426827","options":["Title"],"media":[{"alt":null,"id":32037447106810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sl1_d9cbd4db-8a4d-44e7-8d44-0592eb9c45f8.jpg?v=1685426827"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sl1_d9cbd4db-8a4d-44e7-8d44-0592eb9c45f8.jpg?v=1685426827","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのヴェーパーウェーブ作家Vektroid aka New Dreams Ltd.が、2016年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsから\u003c\/span\u003eリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3227489035\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969207627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrucial album by vaporwave pioneer Ramona Vektroid, here released under the moniker New Dreams Ltd. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : New Dreams Ltd.\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a 2016-disc record set released in 2 by American vaporwave artist Vektroid aka New Dreams Ltd. from Aguirre Records, a long-established experimental label in Leuven, Belgium.Contains 20 Vaporwave songs.See more Aguirre releases available at... /// Click here to see more Aguirre releases available at...
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{"id":7980221956346,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD","handle":"copy-of-jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp-2xcd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:50:00+09:00","created_at":"2023-05-30T15:02:59+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","cd","jazz","lp","new","recommended"],"price":348000,"price_min":348000,"price_max":528000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748872442,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - LP","public_title":"LP","options":["LP"],"price":528000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44259748905210,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - CD","public_title":"CD","options":["CD"],"price":348000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Format"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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American jazz player Jeff Parker, who was also a Tortoise guitarist, released an album in October 2022 from the Belgian experimental label Aguirre. Recorded live at a bar called ETA (named after David Foster Wallace) in LA's Highland Park, it features four long-form improvised jazz tracks performed with drummer Jay Bellerose, bassist Anna Butterss, and alto saxophonist Josh Johnson.It is out of print. Lee Morgan's "Live at the Lighthouse" and Miles Davis' "In...
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{"id":7980221825274,"title":"Le Diable Degoutant \/\/ Fleur De Chagrin LP","handle":"copy-of-le-diable-degoutant-fleur-de-chagrin-lp","description":"\u003cp\u003eフランスのアヴァンポップ作家Le Diable Degoutantが、2023年2月にベルギーのオールジャンルレーベルAguirreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e中毒性のあるアウトサイダーポップ17曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=171356071\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191350819\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Devil at the Crossroads\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Degoutant\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:51:04+09:00","created_at":"2023-05-30T15:01:41+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","new","strange beats"],"price":373000,"price_min":373000,"price_max":373000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748610298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Diable Degoutant \/\/ Fleur De Chagrin LP","public_title":null,"options":["Default Title"],"price":373000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503","options":["Title"],"media":[{"alt":null,"id":32037407260922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアヴァンポップ作家Le Diable Degoutantが、2023年2月にベルギーのオールジャンルレーベルAguirreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e中毒性のあるアウトサイダーポップ17曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=171356071\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191350819\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Devil at the Crossroads\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Degoutant\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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French avant-pop writer Le Diable Degoutant's debut record released in February 2023 on Belgian all-genre label Aguirre.Contains 2 addictive outsider pop songs.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. ...
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{"id":7964285239546,"title":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","handle":"natural-information-society-since-time-is-gravity-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e","published_at":"2023-05-01T14:32:04+09:00","created_at":"2023-04-26T10:30:30+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":499000,"price_min":499000,"price_max":499000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44193397473530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","public_title":null,"options":["Default Title"],"price":499000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","options":["Title"],"media":[{"alt":null,"id":31880778875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","width":700},{"alt":null,"id":31880778907898,"position":2,"preview_image":{"aspect_ratio":0.978,"height":552,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"},"aspect_ratio":0.978,"height":552,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e"}
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A two-disc record released by the American 11-piece band Natural Information Society in April 2023 from the Belgian experimental label Aguirre.Contains 4 tribal jazz songs using traditional Moroccan instruments such as genburi, harmonium, saxophone, clarinet, and drums.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. "...
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{"id":7923920044282,"title":"David Edren \u0026 H.Takahashi \/\/ Flow | 流れ LP","handle":"david-edren-h-takahashi-flow-流れ-lp","description":"\u003cp\u003eベルギーのDavid Edrenと東京のH.Takahashiアンビエント作家2名が、2023年2月にベルギーのAguirreからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3471681430\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnion of Antwerp synthesist David Edren and Tokyo minimalist Hiroki Takahashi is a fit so natural as to feel preordained. Both traffic in subtle shades of contemplative electronics, marked by patience, space, and poetic restraint. And both have rich histories of curation and collaboration – Edren in the duo Spirit \u0026amp; Form alongside Bent Von Bent, and Takahashi as proprietor of the Kankyō record shop, as well as one fourth of cosmic ambient quartet UNKNOWN ME. Mutual fans of one another’s work, they began sharing stems in the latter half of 2020, which slowly blossomed into a collection of multi-hued compositions inspired by notions of connectivity and impermanence, translated for east and west: Flow | 流れ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOpener “Dusk Decorum | 黄昏 礼節” maps the mood of what’s to come, elegantly pirouetting and percolating through an expanding vista of looming stars and half-light horizons. Takahashi describes Edren’s arrangements as evoking “a strange feel, something we haven't heard much of before.” The sensation is one of “in-betweenness,” a restless current whispering beneath the beauty, like seasons seen in time-lapse footage: flickering but infinite, transience turned permanent. Takahashi’s signature sculpture garden tones\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e plot spiral patterns over which Edren cascades dazzling pointillist synthesizer coloration. The pieces veer between delicate and dilated, micro and macro, their aperture forever softly in flux.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the oscillating orchestral lullaby of “Stalactime | 鍾乳石時計” to the sweeping, sparkling dream sequence closer, “Shift Register | シフトレジスタ,” the album achieves the elusive goal of being more than the sum of its parts. This is music of rare air, elevated and amorphous, shimmering just out of reach. Though Edren and Takahashi have yet to cohabitate the same room in person (a fact that should be rectified soon by an astute festival booker), their palettes and poise are perfectly paired, twin fragilities woven into seven radiant and regenerative vibrational states. The cover design of a beatific, beaded leaf rippling on the surface of a hidden pond aptly captures the record’s muted majesty. Takahashi’s quiet pride is justified: “We are very happy with this time-consuming and carefully crafted work.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Edren \u0026amp; H.Takahashi\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-02-24T17:46:11+09:00","created_at":"2023-02-23T14:56:52+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","post newage"],"price":379000,"price_min":379000,"price_max":379000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44016750395642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Edren \u0026 H.Takahashi \/\/ Flow | 流れ LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_4e40c604-115e-4fea-a89e-02b7f115102f.jpg?v=1677131813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_4e40c604-115e-4fea-a89e-02b7f115102f.jpg?v=1677131813","options":["Title"],"media":[{"alt":null,"id":31571755860218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_4e40c604-115e-4fea-a89e-02b7f115102f.jpg?v=1677131813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_4e40c604-115e-4fea-a89e-02b7f115102f.jpg?v=1677131813","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのDavid Edrenと東京のH.Takahashiアンビエント作家2名が、2023年2月にベルギーのAguirreからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3471681430\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnion of Antwerp synthesist David Edren and Tokyo minimalist Hiroki Takahashi is a fit so natural as to feel preordained. Both traffic in subtle shades of contemplative electronics, marked by patience, space, and poetic restraint. And both have rich histories of curation and collaboration – Edren in the duo Spirit \u0026amp; Form alongside Bent Von Bent, and Takahashi as proprietor of the Kankyō record shop, as well as one fourth of cosmic ambient quartet UNKNOWN ME. Mutual fans of one another’s work, they began sharing stems in the latter half of 2020, which slowly blossomed into a collection of multi-hued compositions inspired by notions of connectivity and impermanence, translated for east and west: Flow | 流れ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOpener “Dusk Decorum | 黄昏 礼節” maps the mood of what’s to come, elegantly pirouetting and percolating through an expanding vista of looming stars and half-light horizons. Takahashi describes Edren’s arrangements as evoking “a strange feel, something we haven't heard much of before.” The sensation is one of “in-betweenness,” a restless current whispering beneath the beauty, like seasons seen in time-lapse footage: flickering but infinite, transience turned permanent. Takahashi’s signature sculpture garden tones\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e plot spiral patterns over which Edren cascades dazzling pointillist synthesizer coloration. The pieces veer between delicate and dilated, micro and macro, their aperture forever softly in flux.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the oscillating orchestral lullaby of “Stalactime | 鍾乳石時計” to the sweeping, sparkling dream sequence closer, “Shift Register | シフトレジスタ,” the album achieves the elusive goal of being more than the sum of its parts. This is music of rare air, elevated and amorphous, shimmering just out of reach. Though Edren and Takahashi have yet to cohabitate the same room in person (a fact that should be rectified soon by an astute festival booker), their palettes and poise are perfectly paired, twin fragilities woven into seven radiant and regenerative vibrational states. The cover design of a beatific, beaded leaf rippling on the surface of a hidden pond aptly captures the record’s muted majesty. Takahashi’s quiet pride is justified: “We are very happy with this time-consuming and carefully crafted work.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Edren \u0026amp; H.Takahashi\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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David Edren from Belgium and H.Takahashi, an ambient artist from Tokyo, collaborated on a record released in February 2 from Aguirre in Belgium.Contains seven post-new age ambient songs.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. of...
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{"id":7666934350074,"title":"Blod \/\/ Knutna Nävar LP","handle":"blod-knutna-navar-lp","description":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2018年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eLo-Fiアヴァンフォーク7曲を収録。巨大ポスターが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1469857673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert and large poster.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Swedish progg is not to be confused with \"prog\" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. \u003cstrong\u003eBlod\u003c\/strong\u003e's Knutna Nävar, originally released in an edition of 150 copies on F\u003cstrong\u003eörlag För Fri Musik\u003c\/strong\u003e in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cem\u003eFurther developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack\/library music and Swedish composers like the late \u003cstrong\u003eBjörn Isfält\u003c\/strong\u003e when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the ABBA album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIt seems like everyone has their own favourite but Knutna Nävar is the \u003cstrong\u003eBlod\u003c\/strong\u003e album I have returned to the most. It has that extra something that sets it apart and if I would have to pick up a few records that sums up why Gothenburg has been a pretty damn awesome place to be in the last 10 years or so, this would definitely be one of the top picks. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-07-05T15:19:17+09:00","created_at":"2022-07-05T14:45:03+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp"],"price":377000,"price_min":377000,"price_max":377000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954911416570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Blod \/\/ Knutna Nävar LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/kn1.webp?v=1656999904"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1.webp?v=1656999904","options":["Title"],"media":[{"alt":null,"id":30061647593722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1.webp?v=1656999904"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kn1.webp?v=1656999904","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家Blodが、2018年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eLo-Fiアヴァンフォーク7曲を収録。巨大ポスターが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1469857673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes insert and large poster.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Matthias Andersson:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Swedish progg is not to be confused with \"prog\" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. \u003cstrong\u003eBlod\u003c\/strong\u003e's Knutna Nävar, originally released in an edition of 150 copies on F\u003cstrong\u003eörlag För Fri Musik\u003c\/strong\u003e in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cem\u003eFurther developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack\/library music and Swedish composers like the late \u003cstrong\u003eBjörn Isfält\u003c\/strong\u003e when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the ABBA album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else. \u003c\/em\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIt seems like everyone has their own favourite but Knutna Nävar is the \u003cstrong\u003eBlod\u003c\/strong\u003e album I have returned to the most. It has that extra something that sets it apart and if I would have to pick up a few records that sums up why Gothenburg has been a pretty damn awesome place to be in the last 10 years or so, this would definitely be one of the top picks. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Blod\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the album released in 2018 by Swedish experimental musician Blood. Contains 7 Lo-Fi Avant Folk songs.Comes with a huge poster.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 500 ....
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{"id":7666931859706,"title":"Kot Kot \/\/ i pni LP","handle":"kot-kot-i-pni-lp","description":"\u003cp\u003eロシア出身ドイツ在住のLo-Fiベッドルームフォーク作家Kot Kotが、2022年6月にベルギーの実験レーベルAguirreからリリースした最新レコードです。\u003c\/p\u003e\n\u003cp\u003eおとぎ話のようなアヴァンフォーク12曲を収録。インサート付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3255981640\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the old attic, among dust and dimness, I once found an old children's magazine, that opened itself on a photograph of three melancholic girls eating soup.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA distant voice, quietly singing ravels of poems from the 19th century, all gone and forgotten long ago, is accompanied by monotonous loops, played on toy keyboards, or are they maybe a rustling and hissing of twigs on the roof? repeating gusts of wind, slightly moving curtains over a flaking window frame? the pace of moonlight on the carpet? Do you also hear a horn, every now and then sounding from a frayed and yellowed picture of a castle on flower dotted wallpaper?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKot Kot’s \"i pni\" (\"and stumps\") LP brings another glimpse into Lena Filatova’s sound gathering \u0026amp; recording process and her unique sensibilities. Feeling as though born from some kind of advent calendar hiding forgotten sounds, neglected moments and haunting sentiments, waiting there for those inclined to have a look. Lena is curiously opening doors individually and in new unisons to arrive at sound collages \u0026amp; compositions born from both accident and design (see the 5\/4 odd time signature in „Ottepel“). Vocals that are fragile yet often laced with a feeling of determination and emotive persuasion. Lyrics pulled from old children’s books\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, juxtaposed with often dark and foreboding loops and samples that dance asynchronously around each other beneath Lena’s voice \u0026amp; piano\/toy keyboards. Often recognising and embracing the magic in imperfection and choosing to keep early takes \u0026amp; improvisations, capturing and treasuring what others might have failed to recognise and hold dear. Lena is always demonstrating an innate ability to sew all of these things together in such a way as to cast a spell on the listener from inside a zoetrope of curiously collected \u0026amp; curated frames.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e„i pni“ is a big and serious poetic work about the most hidden, almost lost and perished, but forever wandering between sleep and waking in an eternal hauntological dream of an old attic.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kot Kot\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e","published_at":"2022-07-05T15:13:35+09:00","created_at":"2022-07-05T14:38:08+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp"],"price":377000,"price_min":377000,"price_max":377000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954884874490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kot Kot \/\/ i pni LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pn1.jpg?v=1656999490"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pn1.jpg?v=1656999490","options":["Title"],"media":[{"alt":null,"id":30061608173818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pn1.jpg?v=1656999490"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pn1.jpg?v=1656999490","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシア出身ドイツ在住のLo-Fiベッドルームフォーク作家Kot Kotが、2022年6月にベルギーの実験レーベルAguirreからリリースした最新レコードです。\u003c\/p\u003e\n\u003cp\u003eおとぎ話のようなアヴァンフォーク12曲を収録。インサート付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3255981640\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3885009551\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the old attic, among dust and dimness, I once found an old children's magazine, that opened itself on a photograph of three melancholic girls eating soup.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA distant voice, quietly singing ravels of poems from the 19th century, all gone and forgotten long ago, is accompanied by monotonous loops, played on toy keyboards, or are they maybe a rustling and hissing of twigs on the roof? repeating gusts of wind, slightly moving curtains over a flaking window frame? the pace of moonlight on the carpet? Do you also hear a horn, every now and then sounding from a frayed and yellowed picture of a castle on flower dotted wallpaper?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKot Kot’s \"i pni\" (\"and stumps\") LP brings another glimpse into Lena Filatova’s sound gathering \u0026amp; recording process and her unique sensibilities. Feeling as though born from some kind of advent calendar hiding forgotten sounds, neglected moments and haunting sentiments, waiting there for those inclined to have a look. Lena is curiously opening doors individually and in new unisons to arrive at sound collages \u0026amp; compositions born from both accident and design (see the 5\/4 odd time signature in „Ottepel“). Vocals that are fragile yet often laced with a feeling of determination and emotive persuasion. Lyrics pulled from old children’s books\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, juxtaposed with often dark and foreboding loops and samples that dance asynchronously around each other beneath Lena’s voice \u0026amp; piano\/toy keyboards. Often recognising and embracing the magic in imperfection and choosing to keep early takes \u0026amp; improvisations, capturing and treasuring what others might have failed to recognise and hold dear. Lena is always demonstrating an innate ability to sew all of these things together in such a way as to cast a spell on the listener from inside a zoetrope of curiously collected \u0026amp; curated frames.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e„i pni“ is a big and serious poetic work about the most hidden, almost lost and perished, but forever wandering between sleep and waking in an eternal hauntological dream of an old attic.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kot Kot\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre Records\u003c\/p\u003e"}
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This is the latest record released by Lo-Fi bedroom folk writer Kot Kot from Russia and Germany in June 2022 on the Belgian experimental label Aguirre.Contains 6 fairy-tale Avant Folk songs.Includes insert.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre : "In ...
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{"id":7618283929850,"title":"Seikatsu Kōjyō Iinkai \/\/ Seikatsu Kōjyō Iinkai LP","handle":"seikatsu-kojyo-iinkai-seikatsu-kojyo-iinkai-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のジャズ奏者梅津和時と原田依幸、アメリカの\u003cmeta charset=\"utf-8\"\u003eWilliam Parker、\u003cmeta charset=\"utf-8\"\u003eAhmed Abdullah、Rashid Shinanが\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1974に録音した作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKv6bzGcnz4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFerocious JP \/ US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs \u0026amp; liner notes by Alan Cummings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eFollowing hot on the heels of the first, mid-sixties generation of Japanese free jazz players like \u003cstrong\u003eKaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa,\u003c\/strong\u003e etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist \u003cstrong\u003eKazutoki Umezu\u003c\/strong\u003e and multi-instrumentalist \u003cstrong\u003eYoriyuki Harada\u003c\/strong\u003e. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west. They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThese experiments eventually led to the creation of a trio, with a high-school student called Tetsuya Morimura on drums, that they decided to name \u003cstrong\u003eSeikatsu Kōjyō Iinkai\u003c\/strong\u003e (Lifestyle Improvement Committee) in joking reference to the Marxist discourse of the student radicals of the time. Around 1973, Umezu and Harada decided to call it a day and go their separate ways. Umezu began playing with the\u003cstrong\u003e Toshinori Kondo Unit\u003c\/strong\u003e and Harada with the \u003cstrong\u003eTadashi Yoshida Quintet.\u003c\/strong\u003e In 1974 Harada formed his own trio and began to play at jazz coffeehouses across Japan.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, in September 1974 Umezu travelled alone to New York, where he set about building connections with the loft jazz scene in the city. It was a fortuitous moment to arrive in New York. Rents were cheap in the Lower East Side, possibilities for squatting existed, so many musicians and artists had moved to the area. Umezu soon became known on the scene as Kappo and he started to make connections with some of the young musicians like \u003cstrong\u003eDavid Murray, Arthur Blythe\u003c\/strong\u003e, and \u003cstrong\u003eOliver Lake\u003c\/strong\u003e. He recalls making the rounds of the lofts every evening, checking out the performances, and getting the chance to sit in with many groups including Juma Sultan’s Aboriginal Music Society and trumpeter Ted Daniel’s orchestra. \u003cbr\u003e\u003cbr\u003eThings were going so well that Umezu wrote to Harada and invited him to come to New York. He accepted and arrived in the city in July 1975. Harada and Umezu took the opportunity to resume their artistic collaboration. Their first concert together in over two years took place on July 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e at another loft, Sunrise Studios at 122 2\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e Avenue. Umezu remembers Sunrise as an unusually sunny loft with the rarest of things, a grand piano. He invited along \u003cstrong\u003eAhmed Abdullah\u003c\/strong\u003e, a trumpeter he had got to know while playing with Ted Daniel. Abdullah led his own group and was a long-term \u003cstrong\u003eSun Ra\u003c\/strong\u003e sideman. \u003cstrong\u003eWilliam Parker\u003c\/strong\u003e, one of the key figures in the loft jazz scene of the period, was on bass. Abdullah also brought along \u003cstrong\u003eRashid Sinan\u003c\/strong\u003e on drums. Sinan drummed in Abdullah’s units throughout the seventies, but he had also played on \u003cstrong\u003eFrank Lowe\u003c\/strong\u003e’s immortal Black Beings album and collaborated with \u003cstrong\u003eArthur Doyle\u003c\/strong\u003e, playing on Doyle’s Alabama Feeling album. By all accounts the evening was a huge success, with speed and dynamism of Harada’s piano playing gaining him lots of support.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSince they had managed to save some money from their day jobs, Umezu and Harada decided to set up a recording session with the same line-up on August 11 at Studio We, where there was a well-equipped studio on the third floor. Umezu recalls the session as follows,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, we recorded our performances in one take, with zero retakes as far as I remember. On all the tracks we recorded, we moved as one unit, sharp and fast. That was the nature of Lifestyle Improvement Committee, New York Branch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eUmezu and Harada would later become known for the elements of parody and entertainment that they brought to their music, a freewheeling blend of pastiche, humour and on-stage performativity that paralleled the approaches of the\u003cstrong\u003e Art Ensemble, Sun Ra\u003c\/strong\u003e, and Holland’s \u003cstrong\u003eICP\u003c\/strong\u003e. But here, on their first recordings, the humour element is not yet present. Instead, there is a febrile sense of joy in creation and connection. On the Umezu-penned “Kim”, for example, Harada opens the piece with a speedy exploration of the full-range of the keyboard, hitting hard on the bass keys to create a rhythmic bed out of which patterns begin to emerge. Umezu enters at a much slower pace, longer held notes that at first float weightlessly over the urgency of the piano before they begin in splinter and accelerate. When Parker and Sinan kick in, it’s a rollicking tempo with Parker plucking deep and hard and the left-handed Sinan skittering hard across the topside of his kit. Abdullah kicks in a glorious solo twelve minutes in, bright and breathy at once. The piece slows and grows more spacious towards the end, giving Parker a chance to showcase some arco work that shades beautifully into the air against Abdullah’s trumpet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeikatsu Kōjyō Iinkai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:55:01+09:00","created_at":"2022-05-25T14:19:13+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793322053882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Seikatsu Kōjyō Iinkai \/\/ Seikatsu Kōjyō Iinkai LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se1.webp?v=1653455955","\/\/tobirarecords.com\/cdn\/shop\/products\/se2.webp?v=1653455955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1.webp?v=1653455955","options":["Title"],"media":[{"alt":null,"id":29759324586234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1.webp?v=1653455955"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1.webp?v=1653455955","width":540},{"alt":null,"id":29759324619002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2.webp?v=1653455955"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2.webp?v=1653455955","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のジャズ奏者梅津和時と原田依幸、アメリカの\u003cmeta charset=\"utf-8\"\u003eWilliam Parker、\u003cmeta charset=\"utf-8\"\u003eAhmed Abdullah、Rashid Shinanが\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1974に録音した作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKv6bzGcnz4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFerocious JP \/ US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs \u0026amp; liner notes by Alan Cummings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eFollowing hot on the heels of the first, mid-sixties generation of Japanese free jazz players like \u003cstrong\u003eKaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa,\u003c\/strong\u003e etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist \u003cstrong\u003eKazutoki Umezu\u003c\/strong\u003e and multi-instrumentalist \u003cstrong\u003eYoriyuki Harada\u003c\/strong\u003e. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west. They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThese experiments eventually led to the creation of a trio, with a high-school student called Tetsuya Morimura on drums, that they decided to name \u003cstrong\u003eSeikatsu Kōjyō Iinkai\u003c\/strong\u003e (Lifestyle Improvement Committee) in joking reference to the Marxist discourse of the student radicals of the time. Around 1973, Umezu and Harada decided to call it a day and go their separate ways. Umezu began playing with the\u003cstrong\u003e Toshinori Kondo Unit\u003c\/strong\u003e and Harada with the \u003cstrong\u003eTadashi Yoshida Quintet.\u003c\/strong\u003e In 1974 Harada formed his own trio and began to play at jazz coffeehouses across Japan.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, in September 1974 Umezu travelled alone to New York, where he set about building connections with the loft jazz scene in the city. It was a fortuitous moment to arrive in New York. Rents were cheap in the Lower East Side, possibilities for squatting existed, so many musicians and artists had moved to the area. Umezu soon became known on the scene as Kappo and he started to make connections with some of the young musicians like \u003cstrong\u003eDavid Murray, Arthur Blythe\u003c\/strong\u003e, and \u003cstrong\u003eOliver Lake\u003c\/strong\u003e. He recalls making the rounds of the lofts every evening, checking out the performances, and getting the chance to sit in with many groups including Juma Sultan’s Aboriginal Music Society and trumpeter Ted Daniel’s orchestra. \u003cbr\u003e\u003cbr\u003eThings were going so well that Umezu wrote to Harada and invited him to come to New York. He accepted and arrived in the city in July 1975. Harada and Umezu took the opportunity to resume their artistic collaboration. Their first concert together in over two years took place on July 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e at another loft, Sunrise Studios at 122 2\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e Avenue. Umezu remembers Sunrise as an unusually sunny loft with the rarest of things, a grand piano. He invited along \u003cstrong\u003eAhmed Abdullah\u003c\/strong\u003e, a trumpeter he had got to know while playing with Ted Daniel. Abdullah led his own group and was a long-term \u003cstrong\u003eSun Ra\u003c\/strong\u003e sideman. \u003cstrong\u003eWilliam Parker\u003c\/strong\u003e, one of the key figures in the loft jazz scene of the period, was on bass. Abdullah also brought along \u003cstrong\u003eRashid Sinan\u003c\/strong\u003e on drums. Sinan drummed in Abdullah’s units throughout the seventies, but he had also played on \u003cstrong\u003eFrank Lowe\u003c\/strong\u003e’s immortal Black Beings album and collaborated with \u003cstrong\u003eArthur Doyle\u003c\/strong\u003e, playing on Doyle’s Alabama Feeling album. By all accounts the evening was a huge success, with speed and dynamism of Harada’s piano playing gaining him lots of support.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSince they had managed to save some money from their day jobs, Umezu and Harada decided to set up a recording session with the same line-up on August 11 at Studio We, where there was a well-equipped studio on the third floor. Umezu recalls the session as follows,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, we recorded our performances in one take, with zero retakes as far as I remember. On all the tracks we recorded, we moved as one unit, sharp and fast. That was the nature of Lifestyle Improvement Committee, New York Branch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eUmezu and Harada would later become known for the elements of parody and entertainment that they brought to their music, a freewheeling blend of pastiche, humour and on-stage performativity that paralleled the approaches of the\u003cstrong\u003e Art Ensemble, Sun Ra\u003c\/strong\u003e, and Holland’s \u003cstrong\u003eICP\u003c\/strong\u003e. But here, on their first recordings, the humour element is not yet present. Instead, there is a febrile sense of joy in creation and connection. On the Umezu-penned “Kim”, for example, Harada opens the piece with a speedy exploration of the full-range of the keyboard, hitting hard on the bass keys to create a rhythmic bed out of which patterns begin to emerge. Umezu enters at a much slower pace, longer held notes that at first float weightlessly over the urgency of the piano before they begin in splinter and accelerate. When Parker and Sinan kick in, it’s a rollicking tempo with Parker plucking deep and hard and the left-handed Sinan skittering hard across the topside of his kit. Abdullah kicks in a glorious solo twelve minutes in, bright and breathy at once. The piece slows and grows more spacious towards the end, giving Parker a chance to showcase some arco work that shades beautifully into the air against Abdullah’s trumpet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeikatsu Kōjyō Iinkai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This work was recorded in 1974 by Japanese jazz players Kazutoki Umezu and Yoriyuki Harada, and American William Parker, Ahmed Abdullah, and Rashid Shinan.Includes liner notes and a booklet with photos.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
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{"id":7618283012346,"title":"Takayanagi Masayuki New Direction for the Art \/\/ La Grima LP","handle":"takayanagi-masayuki-new-direction-for-the-art-la-grima-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所ギタリスト\u003cmeta charset=\"utf-8\"\u003e高柳昌行が1971年8月14日に行ったライブの録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m-1kxWzgTEM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003c\/strong\u003eFamed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs \u0026amp; extensive liner notes by Alan Cummings.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe performance by \u003cstrong\u003eTakayanagi Masayuki New Direction for the Art\u003c\/strong\u003e at the Gen’yasai festival on August 14, 1971 was an intense, bruising collision between the radical, anti-establishment politics of the period in Japan and the febrile avant-garde music that had begun to emerge a few years before. The ferocious performance that you can hear here was received with outright hostility by the audience, who responded first with catcalls and later with showers of debris that were hurled at the performers. Takayanagi though described the group’s performance to jazz magazine Swing Journal as a success, “an authentic and realistic depiction of the situation”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1962, Takayanagi, bassist Kanai Hideto and painter Kageyama Isamu went on to form an AACM-style musicians’ collective called the \u003cstrong\u003eNew Century Music Research Institute.\u003c\/strong\u003e Every Friday, members gathered at Gin-Paris, a chanson bar in the fashionable Ginza district of Tokyo, to push the outer limits of jazz creativity. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut the pivotal moment for his music was the creation a new trio version of his New Directions group in August 1969, with the free bassist \u003cstrong\u003eYoshizawa Motoharu\u003c\/strong\u003e and a young drummer \u003cstrong\u003eToyozumi (Sabu) Yoshisaburō\u003c\/strong\u003e. Experiments eventually led to the creation of two basic frameworks for improvisation that Takayagi referred to as Mass Projection and Gradually Projection. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e “La Grima” (tears), the piece that was played at the Gen’yasai festival, is a mass projection and listening to it, you can get a clear sense of what Takayanagi was aiming at. Mass projection involves a dense, speedy and chaotic colouring in of space that destroys the listener’s perception of time, and thus of musical development.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ferocity of the performance of “La Grima” at the Gen’yasai Festival in Sanrizuka on August 14, 1971 was consciously grounded by Takayanagi in a particular historical moment, ripe with conflict and violence. A month after the festival, on September 16, three policemen would die during struggles at the site. This was the context that the three-day Gen’yasai Festival existed within. The line-up reflected the radical politics of the movement, with leading free jazz musicians like \u003cstrong\u003eTakayanagi, Abe Kaoru\u003c\/strong\u003e, and \u003cstrong\u003eTakagi Mototeru\u003c\/strong\u003e appearing alongside radical ur-punkers \u003cstrong\u003eZuno Keisatsu\u003c\/strong\u003e, heavy electric blues bands like \u003cstrong\u003eBlues Creation\u003c\/strong\u003e, and\u003cstrong\u003e Haino Keiji\u003c\/strong\u003e’s scream-jazz unit \u003cstrong\u003eLost Aaraaff\u003c\/strong\u003e.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNew Direction for the Arts\u003c\/strong\u003e trio topped the bill on the opening day, playing an aggressive, uncompromising “mass projection” set of polyphonic improvisation. Alongside drummer \u003cstrong\u003eHiroshi Yamazaki\u003c\/strong\u003e and saxophonist \u003cstrong\u003eKenji Mori\u003c\/strong\u003e, Takayanagi soloed hard and continuously for forty minutes. This was performance as precisely calibrated metaphor: three musicians responding to the demands of the moment with instinctive force and fury, untethered by rules, leaderless yet not rudderless (the direction part of the group’s name was no accident). The piece was entitled La Grima – tears - and the fusion between the palpable anger of the performance and hopeless sadness of its title were also perfectly apt for the situation. This was a fight that the state was always going to win. Yet, by all accounts, the band’s set went down like a fart at a funeral. The band were showered with catcalls and debris throughout, and by chants of “go home” when the music finally came to an end.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eHowever, looking back at the event in the year-end issue of Japan’s leading jazz magazine, Swing Journal, Takayanagi was surprisingly upbeat: New Directions brought a solid political consciousness to our performance and succeeded in an authentic and realistic depiction of the situation. But journalism revealed its superficiality in its inability to penetrate the core of the music. I don’t know much about anyone else, but we at least left behind a competent record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a fascinating statement in many ways. Perhaps on one-hand it can be read as stubborn, solipsistic and self-justifying, yet in conjunction with his statement in 1971 there are points that guide us towards an understanding of just what Takayanagi intended with his performance at the festival. As\u003cstrong\u003e Kitazato Yoshiyuki\u003c\/strong\u003e has argued, it becomes an almost religious act, directed at the earth deities of the land. A union of anger, sorrow and malevolence that can be placed nowhere effective, all it can do is find expression and channeling. The forcible land seizures at Narita, the eviction of farmers from land that had been in families for generations, the destruction of communities: none of this can be prevented, not least by an artistic action. All that can be done is an attempt to mark the land itself, to soak it with the combined force of emotions and the volume of the performances, to bury something there that cannot be drowned out, even by the coming roar of jet engines.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takayanagi Masayuki New Direction for the Art\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:51:27+09:00","created_at":"2022-05-25T14:17:01+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793311764730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takayanagi Masayuki New Direction for the Art \/\/ La Grima LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ta1.webp?v=1653455822","\/\/tobirarecords.com\/cdn\/shop\/products\/ta2.webp?v=1653455822"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1.webp?v=1653455822","options":["Title"],"media":[{"alt":null,"id":29759311380730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1.webp?v=1653455822"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1.webp?v=1653455822","width":540},{"alt":null,"id":29759311413498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":540,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2.webp?v=1653455822"},"aspect_ratio":1.0,"height":540,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2.webp?v=1653455822","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所ギタリスト\u003cmeta charset=\"utf-8\"\u003e高柳昌行が1971年8月14日に行ったライブの録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツと写真が掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m-1kxWzgTEM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003c\/strong\u003eFamed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs \u0026amp; extensive liner notes by Alan Cummings.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe performance by \u003cstrong\u003eTakayanagi Masayuki New Direction for the Art\u003c\/strong\u003e at the Gen’yasai festival on August 14, 1971 was an intense, bruising collision between the radical, anti-establishment politics of the period in Japan and the febrile avant-garde music that had begun to emerge a few years before. The ferocious performance that you can hear here was received with outright hostility by the audience, who responded first with catcalls and later with showers of debris that were hurled at the performers. Takayanagi though described the group’s performance to jazz magazine Swing Journal as a success, “an authentic and realistic depiction of the situation”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1962, Takayanagi, bassist Kanai Hideto and painter Kageyama Isamu went on to form an AACM-style musicians’ collective called the \u003cstrong\u003eNew Century Music Research Institute.\u003c\/strong\u003e Every Friday, members gathered at Gin-Paris, a chanson bar in the fashionable Ginza district of Tokyo, to push the outer limits of jazz creativity. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut the pivotal moment for his music was the creation a new trio version of his New Directions group in August 1969, with the free bassist \u003cstrong\u003eYoshizawa Motoharu\u003c\/strong\u003e and a young drummer \u003cstrong\u003eToyozumi (Sabu) Yoshisaburō\u003c\/strong\u003e. Experiments eventually led to the creation of two basic frameworks for improvisation that Takayagi referred to as Mass Projection and Gradually Projection. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e “La Grima” (tears), the piece that was played at the Gen’yasai festival, is a mass projection and listening to it, you can get a clear sense of what Takayanagi was aiming at. Mass projection involves a dense, speedy and chaotic colouring in of space that destroys the listener’s perception of time, and thus of musical development.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ferocity of the performance of “La Grima” at the Gen’yasai Festival in Sanrizuka on August 14, 1971 was consciously grounded by Takayanagi in a particular historical moment, ripe with conflict and violence. A month after the festival, on September 16, three policemen would die during struggles at the site. This was the context that the three-day Gen’yasai Festival existed within. The line-up reflected the radical politics of the movement, with leading free jazz musicians like \u003cstrong\u003eTakayanagi, Abe Kaoru\u003c\/strong\u003e, and \u003cstrong\u003eTakagi Mototeru\u003c\/strong\u003e appearing alongside radical ur-punkers \u003cstrong\u003eZuno Keisatsu\u003c\/strong\u003e, heavy electric blues bands like \u003cstrong\u003eBlues Creation\u003c\/strong\u003e, and\u003cstrong\u003e Haino Keiji\u003c\/strong\u003e’s scream-jazz unit \u003cstrong\u003eLost Aaraaff\u003c\/strong\u003e.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNew Direction for the Arts\u003c\/strong\u003e trio topped the bill on the opening day, playing an aggressive, uncompromising “mass projection” set of polyphonic improvisation. Alongside drummer \u003cstrong\u003eHiroshi Yamazaki\u003c\/strong\u003e and saxophonist \u003cstrong\u003eKenji Mori\u003c\/strong\u003e, Takayanagi soloed hard and continuously for forty minutes. This was performance as precisely calibrated metaphor: three musicians responding to the demands of the moment with instinctive force and fury, untethered by rules, leaderless yet not rudderless (the direction part of the group’s name was no accident). The piece was entitled La Grima – tears - and the fusion between the palpable anger of the performance and hopeless sadness of its title were also perfectly apt for the situation. This was a fight that the state was always going to win. Yet, by all accounts, the band’s set went down like a fart at a funeral. The band were showered with catcalls and debris throughout, and by chants of “go home” when the music finally came to an end.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eHowever, looking back at the event in the year-end issue of Japan’s leading jazz magazine, Swing Journal, Takayanagi was surprisingly upbeat: New Directions brought a solid political consciousness to our performance and succeeded in an authentic and realistic depiction of the situation. But journalism revealed its superficiality in its inability to penetrate the core of the music. I don’t know much about anyone else, but we at least left behind a competent record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a fascinating statement in many ways. Perhaps on one-hand it can be read as stubborn, solipsistic and self-justifying, yet in conjunction with his statement in 1971 there are points that guide us towards an understanding of just what Takayanagi intended with his performance at the festival. As\u003cstrong\u003e Kitazato Yoshiyuki\u003c\/strong\u003e has argued, it becomes an almost religious act, directed at the earth deities of the land. A union of anger, sorrow and malevolence that can be placed nowhere effective, all it can do is find expression and channeling. The forcible land seizures at Narita, the eviction of farmers from land that had been in families for generations, the destruction of communities: none of this can be prevented, not least by an artistic action. All that can be done is an attempt to mark the land itself, to soak it with the combined force of emotions and the volume of the performances, to bury something there that cannot be drowned out, even by the coming roar of jet engines.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takayanagi Masayuki New Direction for the Art\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a live recording of the live performance by the great guitarist Masayuki Takayanagi on August 1971, 8.Includes liner notes and a booklet with photos.Click here to see more Aguirre releases available at Tobira. ------------------------------ Essay by Aguirre: ...
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{"id":7618281406714,"title":"Jéricho \/\/ De Dreit Nien 2xLP","handle":"jericho-de-dreit-nien-2xlp","description":"\u003cp\u003eフランスのLa Noviaコレクティブに所属する4名からなる民謡ドローンバンドJérichoが、2022年5月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやバンジョー、バグパイプ、声によるサイケデリックな民謡ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1633195891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThey can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet’s banjo and Gauthier and Puech’s cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. Many of the songs slide into each other in long sequences, adding to the sense of disorientation; the one which runs from ‘Revenant Des Noces’ to ‘Trois Mariniers’ takes in both eerie, keening balladry and wild dances. When Jericho hit their stride at these\u003cspan class=\"bcTruncateMore\"\u003e moments – see also, especially, the glorious ‘Planh De la Madalena’ – they leave you feeling like you’re spinning forever, encircled by whirling bodies caught up in dancing mania.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\"L’Oreille Dauphine: An ambitious reinvention of Auvergne songs, where popular tradition mixes with a truly modern aesthetic, a mixture of contemporary folk and drone. The opportunity to discover the unfortunately declining Occitan language as well as unusual instruments such as the limousine bagpipes or the hurdy-gurdy, which by continuous and powerful \"drones\" ensure this continuity between ancestral heritage and avant-garde.\u003cbr\u003e\u003cbr\u003eThis album marks an astonishing symbiosis, where the joyful frenzy of a wedding song can mingle seamlessly with a hypnotic and transcendent yet profane mysticism, against a backdrop of deep roots in the earth, thereby consecrating a nobility of heart. which frankly conquered mine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jéricho\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T15:11:46+09:00","created_at":"2022-05-25T14:14:12+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","drone","lp","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793295184122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jéricho \/\/ De Dreit Nien 2xLP","public_title":null,"options":["Default Title"],"price":398000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653","options":["Title"],"media":[{"alt":null,"id":29759297454330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ni1_0e2f6e31-411a-49cc-8672-40cc63b19571.jpg?v=1653455653","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのLa Noviaコレクティブに所属する4名からなる民謡ドローンバンドJérichoが、2022年5月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやバンジョー、バグパイプ、声によるサイケデリックな民謡ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1633195891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThey can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet’s banjo and Gauthier and Puech’s cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. Many of the songs slide into each other in long sequences, adding to the sense of disorientation; the one which runs from ‘Revenant Des Noces’ to ‘Trois Mariniers’ takes in both eerie, keening balladry and wild dances. When Jericho hit their stride at these\u003cspan class=\"bcTruncateMore\"\u003e moments – see also, especially, the glorious ‘Planh De la Madalena’ – they leave you feeling like you’re spinning forever, encircled by whirling bodies caught up in dancing mania.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\"L’Oreille Dauphine: An ambitious reinvention of Auvergne songs, where popular tradition mixes with a truly modern aesthetic, a mixture of contemporary folk and drone. The opportunity to discover the unfortunately declining Occitan language as well as unusual instruments such as the limousine bagpipes or the hurdy-gurdy, which by continuous and powerful \"drones\" ensure this continuity between ancestral heritage and avant-garde.\u003cbr\u003e\u003cbr\u003eThis album marks an astonishing symbiosis, where the joyful frenzy of a wedding song can mingle seamlessly with a hypnotic and transcendent yet profane mysticism, against a backdrop of deep roots in the earth, thereby consecrating a nobility of heart. which frankly conquered mine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jéricho\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a two-disc set released on the Belgian experimental label Aguirre in May 4 by the four-member folk song drone band Jéricho, who belongs to the La Novia collective in France.Includes 2022 psychedelic folk song drones with hurdy-gurdy, banjo, bagpipes, and voice.Click here to see more Aguirre releases available at Tobira. ------------------------------ Aguirre : "The ...
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{"id":7618279571706,"title":"Terry Riley \/\/ Persian Surgery Dervishes 2xLP","handle":"terry-riley-persian-surgery-dervishes-2xlp","description":"\u003cp\u003eミニマルミュージックの巨匠Terry Rileyが、1972年にリリースしたライブ音源の再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/324064401\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e° Insert with liner notes by Julian Cowley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e° Lacquer cut by Rashad Becker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThis classic minimal music album is now available again on vinyl for the first time since the 70s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCalifornian composer\u003cb data-mce-fragment=\"1\"\u003e Terry Riley\u003c\/b\u003e’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIn recent decades Riley has composed a series of critically acclaimed pieces for string quartet. He has also written for full orchestra and explored a variety of instrumental combinations. But during the 1970s, he concentrated on solo keyboard performances, continuing to make music yet writing down almost nothing. Riley selected a mode, chose a few motifs or basic patterns and then, seated on the floor in front of his audience, improvised on electronic keyboard. That instrument became an essential part of his musical identity for a while, although it was chosen in part for practical reasons. The electric organ, superseded at later concerts by a synthesizer, was portable and consistent. This enabled him to avoid unreliable pianos in venues which were less formal and more variable than the standard concert hall circuit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eBy the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAt the start of that decade Riley became a dedicated student of the great Hindustani singer \u003cb data-mce-fragment=\"1\"\u003ePandit Pran Nath\u003c\/b\u003e. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as \u003cb data-mce-fragment=\"1\"\u003eBill Evans\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/b\u003e, is also present as an enduring source of inspiration. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEchoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Terry Riley\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2022-05-25T14:58:04+09:00","created_at":"2022-05-25T14:07:40+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp"],"price":425000,"price_min":425000,"price_max":425000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42793250980090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Terry Riley \/\/ Persian Surgery Dervishes 2xLP","public_title":null,"options":["Default Title"],"price":425000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1.webp?v=1653455262","\/\/tobirarecords.com\/cdn\/shop\/products\/te2.webp?v=1653455262"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1.webp?v=1653455262","options":["Title"],"media":[{"alt":null,"id":29759266750714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1.webp?v=1653455262"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1.webp?v=1653455262","width":500},{"alt":null,"id":29759266783482,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2.webp?v=1653455262"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2.webp?v=1653455262","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eミニマルミュージックの巨匠Terry Rileyが、1972年にリリースしたライブ音源の再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/324064401\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e° Insert with liner notes by Julian Cowley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e° Lacquer cut by Rashad Becker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEssay by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThis classic minimal music album is now available again on vinyl for the first time since the 70s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCalifornian composer\u003cb data-mce-fragment=\"1\"\u003e Terry Riley\u003c\/b\u003e’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIn recent decades Riley has composed a series of critically acclaimed pieces for string quartet. He has also written for full orchestra and explored a variety of instrumental combinations. But during the 1970s, he concentrated on solo keyboard performances, continuing to make music yet writing down almost nothing. Riley selected a mode, chose a few motifs or basic patterns and then, seated on the floor in front of his audience, improvised on electronic keyboard. That instrument became an essential part of his musical identity for a while, although it was chosen in part for practical reasons. The electric organ, superseded at later concerts by a synthesizer, was portable and consistent. This enabled him to avoid unreliable pianos in venues which were less formal and more variable than the standard concert hall circuit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eBy the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAt the start of that decade Riley became a dedicated student of the great Hindustani singer \u003cb data-mce-fragment=\"1\"\u003ePandit Pran Nath\u003c\/b\u003e. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as \u003cb data-mce-fragment=\"1\"\u003eBill Evans\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/b\u003e, is also present as an enduring source of inspiration. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEchoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Terry Riley\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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This is a reissue of the live sound source released in 1972 by the master of minimal music, Terry Riley.Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition of 1000 ...
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{"id":6779476541605,"title":"Nova Scotian Arms \/ Motion Sickness Of Time Travel \/\/ Crystal Anniversary LP","handle":"nova-scotian-arms-motion-sickness-of-time-travel-crystal-anniversary-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるそれぞれのソロ名義でのスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690878823\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis split lp sees the man\/wife duo of Grant and Rachel Evans performing under their own solo projects. In the past two years they have released a bunch of awesome tapes and cd-rs on their label “Hooker Vision”. They also record and perform as droneduo Quiet Evenings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record was created to celebrate the crystal anniversary of the couple. And indeed, on both sides Grant and Rachel create sounds which sound like the perfect marriage.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotian Arms \/ Motion Sickness Of Time Travel\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:19:29+09:00","created_at":"2021-05-24T13:07:09+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp"],"price":249000,"price_min":249000,"price_max":249000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954799329445,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nova Scotian Arms \/ Motion Sickness Of Time Travel \/\/ Crystal Anniversary LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231","options":["Title"],"media":[{"alt":null,"id":22250254434469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_a96b83fa-140b-49e1-b472-92741d1fdbc5.jpg?v=1621829231","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるそれぞれのソロ名義でのスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690878823\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis split lp sees the man\/wife duo of Grant and Rachel Evans performing under their own solo projects. In the past two years they have released a bunch of awesome tapes and cd-rs on their label “Hooker Vision”. They also record and perform as droneduo Quiet Evenings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record was created to celebrate the crystal anniversary of the couple. And indeed, on both sides Grant and Rachel create sounds which sound like the perfect marriage.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotian Arms \/ Motion Sickness Of Time Travel\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a split record under each solo name by a couple who presides over the American drone label Adversary.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
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{"id":6779470839973,"title":"Mpala Garoo \/\/ Ou Du Monde LP","handle":"mpala-garoo-ou-du-monde-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eトロピカルサイケな一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756231359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUpgrade of the original cassette release on Sweat Lodge Guru. Moscow multi-instrumentalist Ivan Karib who also plays in Kon Tiki Gemini makes wondrous spaced-out and multi-layered electronics that float somewhere between Ducktails and Sean McCann. The tropics invade Russia and clatter to the floor. ghost guitars ring hollow, looping around endlessly searching for synthetic embrase.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSweat Lodge Guru described the recordings as \"Music crafted for the sunny and tropical paradises of our minds. Seasonal temperament is shared via magnetic vibes; we can all exist in the same balmy and tropical headstate no matter what our physical locale may be. Pure vibrations that ebb and flow on the appeal of tidal moons.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mpala Garoo\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:17:35+09:00","created_at":"2021-05-24T13:05:32+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","strange beats"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954756468901,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mpala Garoo \/\/ Ou Du Monde LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134","options":["Title"],"media":[{"alt":null,"id":22250236346533,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_480d2562-5435-482d-9c21-276a21b876a7.jpg?v=1621829134","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eトロピカルサイケな一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756231359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUpgrade of the original cassette release on Sweat Lodge Guru. Moscow multi-instrumentalist Ivan Karib who also plays in Kon Tiki Gemini makes wondrous spaced-out and multi-layered electronics that float somewhere between Ducktails and Sean McCann. The tropics invade Russia and clatter to the floor. ghost guitars ring hollow, looping around endlessly searching for synthetic embrase.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSweat Lodge Guru described the recordings as \"Music crafted for the sunny and tropical paradises of our minds. Seasonal temperament is shared via magnetic vibes; we can all exist in the same balmy and tropical headstate no matter what our physical locale may be. Pure vibrations that ebb and flow on the appeal of tidal moons.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mpala Garoo\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.It is a tropical psychedelic piece. Description by Aguirre: "Upgrade of the original cassette release on Sweat ...
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{"id":6779466186917,"title":"Quiet Evenings \/\/ Impressions LP","handle":"quiet-evenings-impressions-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるQuiet Evenings名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332968719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the much loved Nova Scotian Arms \/ Motion Sickness Of Time Travel split LP on Aguirre, here's the second collaborative LP by the couple from Winterville, Georgia. In a little over three years, the duo that comprise Quiet Evenings – Grant and Rachel Evans – have become two of the most prolific and active artists in the American underground. Each also has solo projects: Grant most recently under his own name as well as Crippling and Rachel as Motion Sickness of Time Travel. Between those as well as Quiet Evenings, they’ve amassed well over 50 releases for various labels in various editions. They also co-run the Hooker Vision label, clocking up a similar amount of releases for other kindred spirits.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Impressions both sides offer superrepetitivedronework in the highest form. Outer-space that balances a slow pace with an incredibly intense inertia to evolve immediately, yet gracefully. With minimal instrumentation of guitars and synthesizers the pieces on Impressions captivate the listener into the world they've created. Far from the realm of pure ambient drift, subtle forces build within their disarming restraint and provide a stunning balance between light and shade. Quiet Evenings inhabit a ghostly space of unique elegance. This is a duo that can carry their craft well beyond standard shapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quiet Evenings\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:20:38+09:00","created_at":"2021-05-24T13:04:00+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954745819301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Quiet Evenings \/\/ Impressions LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042","options":["Title"],"media":[{"alt":null,"id":22250224713893,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_7f5f2c3b-45e4-49e4-a10a-2b7acd27c2c8.jpg?v=1621829042","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのドローンレーベルAdversary主宰の夫婦によるQuiet Evenings名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332968719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the much loved Nova Scotian Arms \/ Motion Sickness Of Time Travel split LP on Aguirre, here's the second collaborative LP by the couple from Winterville, Georgia. In a little over three years, the duo that comprise Quiet Evenings – Grant and Rachel Evans – have become two of the most prolific and active artists in the American underground. Each also has solo projects: Grant most recently under his own name as well as Crippling and Rachel as Motion Sickness of Time Travel. Between those as well as Quiet Evenings, they’ve amassed well over 50 releases for various labels in various editions. They also co-run the Hooker Vision label, clocking up a similar amount of releases for other kindred spirits.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Impressions both sides offer superrepetitivedronework in the highest form. Outer-space that balances a slow pace with an incredibly intense inertia to evolve immediately, yet gracefully. With minimal instrumentation of guitars and synthesizers the pieces on Impressions captivate the listener into the world they've created. Far from the realm of pure ambient drift, subtle forces build within their disarming restraint and provide a stunning balance between light and shade. Quiet Evenings inhabit a ghostly space of unique elegance. This is a duo that can carry their craft well beyond standard shapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quiet Evenings\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record under the name of Quiet Evenings by a couple who presides over the American drone label Adversary. Description by Aguirre: "Following the much loved Nova Scotian Arms ...
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{"id":6779445936293,"title":"Komodo Haunts \/\/ Suijin LP","handle":"komodo-haunts-suijin-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 イギリスの民族ドローン作家Komodo Hauntsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83990452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKomodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, \"reality therapy\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from drone masters and new age wanderers the Suijin album is all about getting into \"the zone” and could be the soundtrack to an unreleased Tarkovsky movie. Building up from a basis of minimalistic stylings in the vein of Terry Riley’s Persian Surgery Dervishes and adding rich instrumental and vocal layers later.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNotes on SUIJIN \/ notes on water: liquid forms; SUIJIN, the shinto God of water - water as a force - the symbolic status of water - people-water relationship. Instruments range from shifting tape loops to reverb laden electric guitar and dark synths, human voice, wind, distorted bass, ceramic ocarina, acoustic strings, processed electronics and oscillating waves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Komodo Haunts\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:25:08+09:00","created_at":"2021-05-24T12:57:20+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","drone","lp","post newage"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954707579045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Komodo Haunts \/\/ Suijin LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642","options":["Title"],"media":[{"alt":null,"id":22250171039909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_0c46cd80-4cef-43a8-96a4-935fa84d6905.jpg?v=1621828642","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 イギリスの民族ドローン作家Komodo Hauntsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83990452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKomodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, \"reality therapy\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from drone masters and new age wanderers the Suijin album is all about getting into \"the zone” and could be the soundtrack to an unreleased Tarkovsky movie. Building up from a basis of minimalistic stylings in the vein of Terry Riley’s Persian Surgery Dervishes and adding rich instrumental and vocal layers later.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNotes on SUIJIN \/ notes on water: liquid forms; SUIJIN, the shinto God of water - water as a force - the symbolic status of water - people-water relationship. Instruments range from shifting tape loops to reverb laden electric guitar and dark synths, human voice, wind, distorted bass, ceramic ocarina, acoustic strings, processed electronics and oscillating waves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Komodo Haunts\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of British folk drone writer Komodo Haunts. Description by Aguirre: "Komodo Haunts is the psychedelic drone ...
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{"id":6779413332133,"title":"Sacred Tapestry \/\/ Shader Complete 2xLP","handle":"sacred-tapestry-shader-complete-2lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカのヴェーパーウェーブ第一人者Vektroidの別名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=734332344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDefinitive version of the Shader album by vaporwave pioneer Ramona Vektroid, here under the moniker Sacred Tapestry. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier. Concerned at the time that this was her final release, the record was paired with a cryptic note about body transmigration from fictitious Hong Kong company PrismCorp, hinting at the possibility of the album being her \"final transmission.\" It wasn't until 2016 when it was reworked to its current state as Shader Complete, which saw Xavier reinterpreting the album to include orphaned tracks from the Color Ocean Road (2012, as Vektroid) sessions. This makes Shader Complete something like a lost sequel to Color Ocean Road.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sacred Tapestry\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:32:24+09:00","created_at":"2021-05-24T12:47:01+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","ambient","lp","monooto","strange beats"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954660360357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sacred Tapestry \/\/ Shader Complete 2xLP","public_title":null,"options":["Default Title"],"price":358000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022","options":["Title"],"media":[{"alt":null,"id":22250087121061,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_764e1c18-9d2f-47e2-b6bb-7e5c5eec56c7.jpg?v=1621828022","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカのヴェーパーウェーブ第一人者Vektroidの別名義でのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=734332344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDefinitive version of the Shader album by vaporwave pioneer Ramona Vektroid, here under the moniker Sacred Tapestry. Ramona is widely recognised as instigator of the Vaporwave genre with her celebrated album Floral Shoppe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVektroid (Ramona Xavier) is an electronic musician and artist based in Portland, but her reputation has hinged almost entirely on her hypertextual virtual presence. While she's most often pigeonholed as being a primary artist behind vaporwave—a net-based microgenre notorious for its wholesale appropriations and meme-like propagation—she has been releasing music since 2006 in a variety of styles and under a dizzying array of nom de plumes, from Vektordrum and Macintosh Plus to Laserdisc Visions and 情報デスクVIRTUAL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the sprawling, obsessive vaporwave community, Vektroid's 2011 album Floral Shoppe (as Macintosh Plus) has become canonized as its most representative transmission, an unlikely feat for a style of music that challenged not only our taste profiles, but also what could be considered \"art\" to begin with. But like most styles of music, what's on paper never aligns perfectly with the actual music, and Vektroid is a shining example of an artist whose talents extend beyond the regurgitated checklists of a now concretized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e genre. While much of her work is overshadowed by the releases that fit more easily into these constructed narratives, two of her strongest albums served as beautiful outliers that continue to resist easy categorization.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier. Concerned at the time that this was her final release, the record was paired with a cryptic note about body transmigration from fictitious Hong Kong company PrismCorp, hinting at the possibility of the album being her \"final transmission.\" It wasn't until 2016 when it was reworked to its current state as Shader Complete, which saw Xavier reinterpreting the album to include orphaned tracks from the Color Ocean Road (2012, as Vektroid) sessions. This makes Shader Complete something like a lost sequel to Color Ocean Road.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sacred Tapestry\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record under another name of Vektroid, the leading American vapor wave.Click here to see more Aguirre releases available at Tobira. ------------------------------ Description ...
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{"id":6779398095013,"title":"Crazy Doberman \/\/ Two Tales Of Lost Witness Marks LP","handle":"crazy-doberman-two-tales-of-lost-witness-marks-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカで今最もアツいサイケバンドCrazy Doberman のレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3980454862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRinging modular synth sirens evoke alarmingly huge Southern watersnakes swimming on top of Oconee river. Total trip zone across two sides: brownouts in the sequence of events, dubby fadeouts, and bright jump cuts in space. Teases of cartoon barrlehouse tickling on the keys of a farmhouse piano and tape melt psychedelia. The recording session in Athens, Georgia was a total \"CHUGFEST\" recalls Frank Hurricane, the Appalachian juggalo folkie king, who joined the session with the Lafayette, Indiana crew. The presence of Hurricane's own \"Life is Spiritual\" mirth bulworks the record with a muddy, barefoot hippy hopefullness, steadying the log flume through the notcturnal psychic murk toward the holy morning dew. (J. Russ)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Crazy Doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:36:01+09:00","created_at":"2021-05-24T12:42:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","drone","lp","monooto","strange beats"],"price":268000,"price_min":268000,"price_max":268000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954635587749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Crazy Doberman \/\/ Two Tales Of Lost Witness Marks LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738","options":["Title"],"media":[{"alt":null,"id":22250047176869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tw1_fefde140-058d-44e1-b418-6525a0d6fa08.jpg?v=1621827738","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アメリカで今最もアツいサイケバンドCrazy Doberman のレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3980454862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Aguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRinging modular synth sirens evoke alarmingly huge Southern watersnakes swimming on top of Oconee river. Total trip zone across two sides: brownouts in the sequence of events, dubby fadeouts, and bright jump cuts in space. Teases of cartoon barrlehouse tickling on the keys of a farmhouse piano and tape melt psychedelia. The recording session in Athens, Georgia was a total \"CHUGFEST\" recalls Frank Hurricane, the Appalachian juggalo folkie king, who joined the session with the Lafayette, Indiana crew. The presence of Hurricane's own \"Life is Spiritual\" mirth bulworks the record with a muddy, barefoot hippy hopefullness, steadying the log flume through the notcturnal psychic murk toward the holy morning dew. (J. Russ)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Crazy Doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This is the record of Crazy Doberman, the hottest psychedelic band in the United States.Click here to see more Aguirre releases available at Tobira. ------------------------------. ..
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{"id":6779371782309,"title":"Joshua Abrams \/\/ Natural Information LP","handle":"joshua-abrams-natural-information-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176410119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enatural information, joshua abrams 1st record for eremite, is another fascinating entry in a solo discography of recordings that gather aesthetic input from all over the map into vivid personal statements. at the heart of natural information is the guimbri, a three-stringed animal hide bass traditionally used by the gnawa of north africa in healing ceremonies. combining solo, trio \u0026amp; quartet formats with adroit use of sampling techniques abrams creates intricate psychedelic environments that join the hypnotic character of gnawa guimbri music to more contemporary musics \u0026amp; methodologies. brown rice era don cherry, sandy bull's \"blend\" recordings \u0026amp; can's \"magic\" albums are super-heavy but in this case earned \u0026amp; appropriate historical reference points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe wire magazine top 50 records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eni kantu top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epitchfork guest list top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ematador records matablog top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edusted best of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewfmu beware the blog 2010 favorites\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewax poetics jeff parker's top ten discoveries of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efoxy digitalis\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e best of 2010\u003cbr data-mce-fragment=\"1\"\u003ereckless records employees best of 2010\u003cbr data-mce-fragment=\"1\"\u003eaquarius records customers favorites 2010\u003cbr data-mce-fragment=\"1\"\u003earsnovaworkshop 2010 year end lists\u003cbr data-mce-fragment=\"1\"\u003elars gotrich's (NPR) best of 2010\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:43:01+09:00","created_at":"2021-05-24T12:33:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","post newage","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954573426853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Abrams \/\/ Natural Information LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/na.jpg?v=1621827197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/na.jpg?v=1621827197","options":["Title"],"media":[{"alt":null,"id":22249952706725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na.jpg?v=1621827197"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na.jpg?v=1621827197","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176410119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enatural information, joshua abrams 1st record for eremite, is another fascinating entry in a solo discography of recordings that gather aesthetic input from all over the map into vivid personal statements. at the heart of natural information is the guimbri, a three-stringed animal hide bass traditionally used by the gnawa of north africa in healing ceremonies. combining solo, trio \u0026amp; quartet formats with adroit use of sampling techniques abrams creates intricate psychedelic environments that join the hypnotic character of gnawa guimbri music to more contemporary musics \u0026amp; methodologies. brown rice era don cherry, sandy bull's \"blend\" recordings \u0026amp; can's \"magic\" albums are super-heavy but in this case earned \u0026amp; appropriate historical reference points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe wire magazine top 50 records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eni kantu top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epitchfork guest list top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ematador records matablog top ten records of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edusted best of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewfmu beware the blog 2010 favorites\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ewax poetics jeff parker's top ten discoveries of 2010\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efoxy digitalis\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e best of 2010\u003cbr data-mce-fragment=\"1\"\u003ereckless records employees best of 2010\u003cbr data-mce-fragment=\"1\"\u003eaquarius records customers favorites 2010\u003cbr data-mce-fragment=\"1\"\u003earsnovaworkshop 2010 year end lists\u003cbr data-mce-fragment=\"1\"\u003elars gotrich's (NPR) best of 2010\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of psychedelic writer Joshua Abrams. Description by Eremite: "natural information, joshua abrams 1st record ...
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{"id":6779366932645,"title":"Joshua Abrams \/\/ Represencing LP","handle":"joshua-abrams-represencing-lp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901163282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003erepresencing is the second installment of the joshua abrams sound world introduced on his 2010 eremite album natural information. recorded at home in chicago summer of 2011, abrams again organizes small group statements around the resonant grooves of the north african ceremonial instrument the guimbri with a unique \u0026amp; broadly assimilative compositional voice. sources from traditional musics to minimalism, jazz to krautrock, animate represencing, but Abrams is always grounded in the solidity of true working musicianship \u0026amp; he proves himself an artist fluent not just in styles but traditions. abrams' guest musicians embrace his polyglot approach. goaded (the guimbri is partly constructed from animal-hide) by abrams to focus on a particular facet of their vocabularies, jeff parker \u0026amp; emmett kelly appear as finely contrasting rhythm guitarists, michael zerang gets virtuosic on a tambourine \u0026amp; david boykin devotes himself to altissimo long-tones \u0026amp; circular breathing. others perform more structural roles, such as jason stein's bass clarinet, or, as with nicole mitchell's diaphanous choir of flute parts, function as landscape. the moondog-influenced \"sungazer\" is an aria for tomeka reid's spirited cello. throughout the album gong rhythms, synthesizer \"sub\" bass, harmonium \u0026amp; organ return as unifying coloristic elements\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. abrams likens the overall experience to \"entering a forest from different directions,\" \u0026amp; cites as inspirations the AACM, don cherry, arnold dreyblatt, hamza el din, popul vuh, pharaoh sanders, \u0026amp; sandy bull's duets with billy higgins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eany one of these pieces would play fantastically as all-night trance music but abrams opts instead to miniaturize his environments, teasing the open \u0026amp; 'endless' forms of the compositions to present poetic episodes that imply sonic vastness. something of an exception to this practice is the ten minute title track, a duo with drummer chad taylor that is a tour de force of two brilliant rhythm players improvising to the omega point.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003epitchfork staff list top ten albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emagnet magazine best of 2012 jazz\/improv\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebaltimore city paper 2012 top ten experimental \u0026amp; avant-garde records\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eni kantu best of 2012 list\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ematador records matablog top fifteen records 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKDHX DJs top 10 albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estupid scientifical best vinyl albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereckless records staff best-of 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efoxy digitalis best vinyl only release 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003evillage voice pazznjop 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edownbeat 4 star review\u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2021-05-25T07:43:36+09:00","created_at":"2021-05-24T12:31:14+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","post newage","strange beats"],"price":332600,"price_min":332600,"price_max":332600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39954568741029,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Abrams \/\/ Represencing LP","public_title":null,"options":["Default Title"],"price":332600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re.jpg?v=1621827077"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re.jpg?v=1621827077","options":["Title"],"media":[{"alt":null,"id":22249935601829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re.jpg?v=1621827077"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re.jpg?v=1621827077","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 サイケ民族系作家Joshua Abramsのレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901163282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Eremite\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003erepresencing is the second installment of the joshua abrams sound world introduced on his 2010 eremite album natural information. recorded at home in chicago summer of 2011, abrams again organizes small group statements around the resonant grooves of the north african ceremonial instrument the guimbri with a unique \u0026amp; broadly assimilative compositional voice. sources from traditional musics to minimalism, jazz to krautrock, animate represencing, but Abrams is always grounded in the solidity of true working musicianship \u0026amp; he proves himself an artist fluent not just in styles but traditions. abrams' guest musicians embrace his polyglot approach. goaded (the guimbri is partly constructed from animal-hide) by abrams to focus on a particular facet of their vocabularies, jeff parker \u0026amp; emmett kelly appear as finely contrasting rhythm guitarists, michael zerang gets virtuosic on a tambourine \u0026amp; david boykin devotes himself to altissimo long-tones \u0026amp; circular breathing. others perform more structural roles, such as jason stein's bass clarinet, or, as with nicole mitchell's diaphanous choir of flute parts, function as landscape. the moondog-influenced \"sungazer\" is an aria for tomeka reid's spirited cello. throughout the album gong rhythms, synthesizer \"sub\" bass, harmonium \u0026amp; organ return as unifying coloristic elements\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. abrams likens the overall experience to \"entering a forest from different directions,\" \u0026amp; cites as inspirations the AACM, don cherry, arnold dreyblatt, hamza el din, popul vuh, pharaoh sanders, \u0026amp; sandy bull's duets with billy higgins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eany one of these pieces would play fantastically as all-night trance music but abrams opts instead to miniaturize his environments, teasing the open \u0026amp; 'endless' forms of the compositions to present poetic episodes that imply sonic vastness. something of an exception to this practice is the ten minute title track, a duo with drummer chad taylor that is a tour de force of two brilliant rhythm players improvising to the omega point.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003epitchfork staff list top ten albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emagnet magazine best of 2012 jazz\/improv\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebaltimore city paper 2012 top ten experimental \u0026amp; avant-garde records\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eni kantu best of 2012 list\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ematador records matablog top fifteen records 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKDHX DJs top 10 albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estupid scientifical best vinyl albums 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereckless records staff best-of 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efoxy digitalis best vinyl only release 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003evillage voice pazznjop 2012\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edownbeat 4 star review\u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Abrams\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a record of psychedelic writer Joshua Abrams. Description by Eremite: "represencing is the second installment of the ...
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{"id":6777564266661,"title":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","handle":"nisep","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Drag Cityなどから発表しているシンティル（グナワの弦楽器）、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが2021年4月にリリースした共作2枚組レコードです。ロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e","published_at":"2021-05-23T17:08:36+09:00","created_at":"2021-05-23T17:08:35+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39950908326053,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","options":["Title"],"media":[{"alt":null,"id":22242053259429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Recordsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Drag Cityなどから発表しているシンティル（グナワの弦楽器）、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが2021年4月にリリースした共作2枚組レコードです。ロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e"}
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We have received a large amount of Aguirre Records, a long-established experimental label in Leuven, Belgium.This work is a co-production of two pieces released in April 2021 by the band Natural Information Society with Sintir (Gnawa's stringed instrument), harmonica, saxophone, clarinet, and drums released by Drag City and others, and the great jazz player Evan Parker. It is a group record.Includes 4 sessions recorded at Cafe Oto, London's famous experimental space.Click here to see more Aguirre releases available ...
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