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{"id":8632049303802,"title":"Henry Fraser \/\/ Breath Line TAPE","handle":"henry-fraser-breath-line-tape","description":"\u003cp\u003e過去にTriptick Tapes等から発表しているアメリカのコントラバス奏者Henry Fraser が、2024年9月に同国LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3995588609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the HEAD, by way of the EAR, to the SYLLABLE 29:08\u003cbr\u003e2. the HEART, by way of the BREATH, to the LINE 32:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Henry Fraser bores into the sound of the double bass to explore the endless patterns of its otherwise hidden contours. The instrument acquires its own dynamic landscape, its own body, and its own mode of perception – opening a space of acute, granular perceptivity in which presumed boundaries are blurred: between center and periphery, sonic and tactile, instrumentalist and instrument, performer and listener.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eHenry Fraser\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eWhen the poet, Charles Olson wrote, “the HEAD, by way of the EAR, to the SYLLABLE\/the HEART, by way of the BREATH, to the LINE”, he articulated a balance to be struck in making work, between a discriminating self and a universal rhythm. In conceiving Breath Line, I sought to activate a dialogue between sounding and listening - a process of listening my way into the music. Through several months of recording and listening, a collaborative perspective of sound as embodied emerged, a space within which alternate states of perception might become available - this is the driving force behind Breath Line.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThere is a collaborative ethos to this work, running from its initial conception through to the space I hope it offers listeners. I have always been inspired by the work Eliane Radigue and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Charles Curtis did together on Radigue’s first instrumental work, Naldjorlak - the way in which the piece developed out of dialogue between the artists as opposed to a fixed score or plan, how systems unique to Curtis’ cello (the wolf tone in particular) were included in that dialogue as a kind of third collaborator, how a glacial sense of musical time can reveal endless patterns. These ideas are central to Breath Line because they showed me the way to make a collaborative solo music, grounded in a dialogue between myself and my double bass. With the help of Ben Greenberg’s brilliant engineering, this recording captures a way of both playing and listening more than a piece of music per se. It has a spaciousness in which lines are blurred between listener and performer, sonic and tactile, instrumentalist and instrument.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Fraser\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT no : Dinzu 104\u003c\/p\u003e","published_at":"2024-09-30T18:19:10+09:00","created_at":"2024-09-30T16:06:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","new","tape"],"price":1400,"price_min":1400,"price_max":1400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46701016318202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henry Fraser \/\/ Breath Line TAPE","public_title":null,"options":["Default Title"],"price":1400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/br1_ba32edec-7cc0-4a79-b651-ca97e0dba698.jpg?v=1727679934","\/\/tobirarecords.com\/cdn\/shop\/files\/br2_e1abc109-a45c-4d26-a38e-b081ab9055c3.jpg?v=1727679934"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_ba32edec-7cc0-4a79-b651-ca97e0dba698.jpg?v=1727679934","options":["Title"],"media":[{"alt":null,"id":34959198716154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_ba32edec-7cc0-4a79-b651-ca97e0dba698.jpg?v=1727679934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_ba32edec-7cc0-4a79-b651-ca97e0dba698.jpg?v=1727679934","width":700},{"alt":null,"id":34959198748922,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_e1abc109-a45c-4d26-a38e-b081ab9055c3.jpg?v=1727679934"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_e1abc109-a45c-4d26-a38e-b081ab9055c3.jpg?v=1727679934","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にTriptick Tapes等から発表しているアメリカのコントラバス奏者Henry Fraser が、2024年9月に同国LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3995588609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the HEAD, by way of the EAR, to the SYLLABLE 29:08\u003cbr\u003e2. the HEART, by way of the BREATH, to the LINE 32:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Henry Fraser bores into the sound of the double bass to explore the endless patterns of its otherwise hidden contours. The instrument acquires its own dynamic landscape, its own body, and its own mode of perception – opening a space of acute, granular perceptivity in which presumed boundaries are blurred: between center and periphery, sonic and tactile, instrumentalist and instrument, performer and listener.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eHenry Fraser\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eWhen the poet, Charles Olson wrote, “the HEAD, by way of the EAR, to the SYLLABLE\/the HEART, by way of the BREATH, to the LINE”, he articulated a balance to be struck in making work, between a discriminating self and a universal rhythm. In conceiving Breath Line, I sought to activate a dialogue between sounding and listening - a process of listening my way into the music. Through several months of recording and listening, a collaborative perspective of sound as embodied emerged, a space within which alternate states of perception might become available - this is the driving force behind Breath Line.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThere is a collaborative ethos to this work, running from its initial conception through to the space I hope it offers listeners. I have always been inspired by the work Eliane Radigue and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Charles Curtis did together on Radigue’s first instrumental work, Naldjorlak - the way in which the piece developed out of dialogue between the artists as opposed to a fixed score or plan, how systems unique to Curtis’ cello (the wolf tone in particular) were included in that dialogue as a kind of third collaborator, how a glacial sense of musical time can reveal endless patterns. These ideas are central to Breath Line because they showed me the way to make a collaborative solo music, grounded in a dialogue between myself and my double bass. With the help of Ben Greenberg’s brilliant engineering, this recording captures a way of both playing and listening more than a piece of music per se. It has a spaciousness in which lines are blurred between listener and performer, sonic and tactile, instrumentalist and instrument.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Fraser\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT no : Dinzu 104\u003c\/p\u003e"}
