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Eric La Casa // L'Inspir du Rivage part 2-3 7 ""

Eric La Casa // L'Inspir du Rivage part 2-3 7 ""

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We have received 4 works from Eric La Casa, a great experimental musician in Paris, France.

This work is 1999 "he released in 7. Contains 2 water field recordings collected in Croatia. It is out of print.

 

Edition of 325.

Track A is an editiong of field recordings (direct from the recorder)
And track B is the studio remix of these field recordings.
Recorded in Rovinj (Istria-Croatia) in June 1995 and April 1997.
Mixed January 1999.

~

Artist statement:

"I don't know if it is because I never stop keeping my ears open to what is welling out and humming through water in any landscape, but when Joe Colley proposed to me to take part in his series Explorer, water sprang to my mind at once. Here I have chosen the Adriatic sea, in Rovinj, Istria. Following my first trip in 1995, I was lucky enough to go back there and carry on with my recordings in 1997. Many days on end, I have let my ears, This meeting of the stone and water has fascinated me in the way that it was dilating the frontiers between the two components. Muffled water, as if heavier, penetrating stone, stone reduced to small pebbles singing the motion of the waves… So many plays on sounds between tough and flexible, liquid and solid… In the middle, this throbbing sea marking the breathing of the universe. substances hold a never ending dialogue withour own corporeity.
In "L'inspir du rivage part 2 (the shore breathing in part 2)" one is provided with a privileged listening point. It makes 9 acoustic statements converge, where time and space (or rhythm) set into perspective a listening area. Here reality unfolds unadulteratedAnd it is thus carrying in from the quasi "naturalistic" first version (part 1) made in 1996 for the CD "L'empreinte de l'ivresse" (Digital Narcis limited)
On the other hand, "L'inspir rivage part 3 (the shore breathing in part 3)" is a variation from some elements of part 2, having no regard for any logic about recordings, place,… For it is just as much fascinating One's own sensation is found again by penetrating this matter "physically" through sound processing, and no longer through the ear only. The listener is expected to enter this sensation. , to have his ear turned upside down, diving inside, and his body vibrating with what this inner listening is giving him. Sound becomes breathing. Water, stone, man, every living materiality becomes part of this breathing, of this sound, from where anything is possible… "

Artist: éric la casa

Label: Povertech Industries

We have received 4 works from Eric La Casa, a great experimental musician in Paris, France.

This work is 1999 "he released in 7. Contains 2 water field recordings collected in Croatia. It is out of print.

 

Edition of 325.

Track A is an editiong of field recordings (direct from the recorder)
And track B is the studio remix of these field recordings.
Recorded in Rovinj (Istria-Croatia) in June 1995 and April 1997.
Mixed January 1999.

~

Artist statement:

"I don't know if it is because I never stop keeping my ears open to what is welling out and humming through water in any landscape, but when Joe Colley proposed to me to take part in his series Explorer, water sprang to my mind at once. Here I have chosen the Adriatic sea, in Rovinj, Istria. Following my first trip in 1995, I was lucky enough to go back there and carry on with my recordings in 1997. Many days on end, I have let my ears, This meeting of the stone and water has fascinated me in the way that it was dilating the frontiers between the two components. Muffled water, as if heavier, penetrating stone, stone reduced to small pebbles singing the motion of the waves… So many plays on sounds between tough and flexible, liquid and solid… In the middle, this throbbing sea marking the breathing of the universe. substances hold a never ending dialogue withour own corporeity.
In "L'inspir du rivage part 2 (the shore breathing in part 2)" one is provided with a privileged listening point. It makes 9 acoustic statements converge, where time and space (or rhythm) set into perspective a listening area. Here reality unfolds unadulteratedAnd it is thus carrying in from the quasi "naturalistic" first version (part 1) made in 1996 for the CD "L'empreinte de l'ivresse" (Digital Narcis limited)
On the other hand, "L'inspir rivage part 3 (the shore breathing in part 3)" is a variation from some elements of part 2, having no regard for any logic about recordings, place,… For it is just as much fascinating One's own sensation is found again by penetrating this matter "physically" through sound processing, and no longer through the ear only. The listener is expected to enter this sensation. , to have his ear turned upside down, diving inside, and his body vibrating with what this inner listening is giving him. Sound becomes breathing. Water, stone, man, every living materiality becomes part of this breathing, of this sound, from where anything is possible… "

Artist: éric la casa

Label: Povertech Industries