Vlad Dobrovolski // Natursymphony No. 3 — Vibrant Matters CD

Vlad Dobrovolski // Natursymphony No. 3 — Vibrant Matters CD

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Released under the real name of Vlad Dobrovolski, who has announced hard techno under the name of HMOT.Yoshio Machida is also participating.

Labels and other worksplease use this form. ///Click here to see more Klammklang releases available at Tobira.

-------------------------

"Natursymphony No.3 titled Vibrant Matters is more than just an exquisitely organized sonic environment. It behaves like a living organism: it moves, it appears to be completely organic on a structural level, and it breathes. Using silence as a framework for anticipation , it inhales and exhales, while the hushed tension shapeshifting into uncannily familiar melodies one can only recognize on a subliminal level.

Like Vlad's previous instalments, Vibrant Matters utilises some bizarre acoustic instruments: coconut, horn and shrub root flutes played by composer himself, and various metallic percussions sounds contributed by Yoshio Machida, a multifaceted Japanese artist known for his sonic experiments and advanced steel pan performing techniques It also features another special guest appearance from Kurvenschreiber; a fellow collective of Russian sound practitioners bring some results of their synthesizers exploration to the table, resulting a fantastic opening track. In its entire, the third Natursymphony (incidentally, No.1 and No. .2 do not exist yet) is an animated microcosmos of sound and a true adventure for your ears. But more importantly it's just music that perfectly resonates with your heart. "
- Klammklang

Artist: Vlad Dobrovolski

Label: Klammklang

Quantity

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Released under the real name of Vlad Dobrovolski, who has announced hard techno under the name of HMOT.Yoshio Machida is also participating.

Labels and other worksplease use this form. ///Click here to see more Klammklang releases available at Tobira.

-------------------------

Artist: Vlad Dobrovolski

Label: Klammklang

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C\u003cspan\u003eassette with black print, hand-numbered info card on premium cardboard, zine and sticker pack (5 pcs.) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNote from the label :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVII is dedicated to Klammklang's seventh year of existence, and, coincidentally, this is also our seventh release in 2020. But rather than recollecting the past, this compilation is intended to be a statement towards our label's further evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI. DEBUTS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album starts with an electroacoustic etude pour saxophone, gong, bass guitar and field recordings by label's debutant Kolya Dykhne, a Moscow-based sound and visual artist who creates some outlandish musical objects, instruments, sculptures and paintings. We're also thrilled to present a piece by another young muscovite Diana Romanova, an upcoming neo-concrète composer with her special taste to subtle sounds semi-existing between the long periods of silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eII. DUETS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt's already been more than two years since we've been working with Vlad Dobrovolski, and the man never fails to surprise. What he brought to the table once was this amazing composition Vlad made together with Sugai Ken, a renowned Japanese experimental composer. And thus, the duo's multifaceted blend of timbres, melodies, textures and found sounds has became the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compilation's first building block. Another joint effort on VII is an edited fragment of live performance that was held in the studio of Berlin's Cashmere Radio. This one is a collaboration between two outstanding sound artists based in Germany's capital city: Hugo Esquinca (a part of Klammklang extended international fam) with his digital algorithms processing the inimitable vocal oscillations of Audrey Chen, a Chinese\/Taiwanese-American artist discovering the possibilities of human voice. Last but not least, there's another debut backed by one Klammklang's key artists Nikita Bugaev, and also another attempt to set up a dialogue between a voice and software, where Nikita has designed a virtual space for an audiovisual artist Elina Bolshenkova's chants and uttered incantations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIII. DOCUMENTS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDocumenting sound was one of our main courses for years, so we had no choice but to add a few here. First of all, there are some bits of Kirstine Elisa Kjeldsen's sound performance at the club Mózg in Bydgoszcz, Poland where the Danish-born, Berlin-based artist had showcased her very own, walls-shattering approach to processed feedback. VII's final track is a documentation of Egor Klochikhin aka Foresteppe's kinetic\/sonic installation he made last year for an art exhibition in Novosibirsk, for which he utilised three reel-to-reel tape machines and a bunch of voice recordings related to the Soviet pastimes — from a speech of Yuri Gagarin, the first man in space, to an interview with the prominent literary scholar and semiotician Yuri Lotman.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIV—V—VI—VII. ... AND WHATEVER COMES NEXT\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree years after her brilliant debut record Zangezur, we are to release the new album by Lusia Kazaryan-Topchyan aka Margenrot — a Moscow-based artist and performer who puts together everything noisy, punk-ish and ethnical. Another Russian artist we proud to have on board is Zurkas Tepla; and while we're all patiently waiting for his new full-length to come in 2021, there's an archival composition demonstrating his trademark uneasy and alarming musical styles. The next year will also mark the Klammklang debut for Felicity Mangan, an Australian sound and composer based in Berlin and known for her in-depth research of biophonic and geophonic sonic entities. For VII she composed the short-yet-effective piece utilising the field recordings made by KK's Stas Sharifullin at Matovo village (Kaluga Oblast), Vlad Dobrovolski's secret summer hideout.\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : V\/A\u003c\/p\u003e\n\u003cp\u003eLabel : Klammklang\u003c\/p\u003e"}

Russia's Vlad Dobrovolski's Klammklang 7th Anniversary compilation cassette, which announces hard techno under the name of HMOT.Contains all 10 groups.SUGAIKEN is also participating from Japan.A special case contains stickers, DL codes, posters and cards. Limited to 100 copies.Click here to see more Klammklang releases available at Tobira. ------------------------- Edition ...

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Quickview {"id":7437713146106,"title":"Margenrot \/\/ Obkhod TAPE","handle":"margenrot-obkhod-tape","description":"\u003cp\u003eロシア・モスクワのインダストリアル作家Margenrotが、2021年9月にモスクワの実験レーベルKlammklang Tapesから50本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e土着的インダストリアルテクノ8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029663207\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/klammklang\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/klammklang\"\u003ehere\u003c\/a\u003e to see more Klammklang releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Orange Translucent Neon' cassette with silver print, hand-numbered info card on premium cardboard and 'Obkhod' coloring sticker pack designed by Vasya Kondrashov.\u003c\/span\u003e\u003cspan\u003e Packed into silver matte ziplock with aluminum foil inside, includes download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKlammklang:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eObkhod (transliteration of the Russian word meaning \"detour\") is an action of soft slipping away, as well as an action of avoiding severe and hostile areas. Obkhod is a continuing invention, it is also a manoeuvre, when you choose to trick rather than to be tricked. It is an ongoing generation of possible ways that can be taken to get to the destination, an imaginary map that continues to unfold.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoving further to the industrial, menacing and liminal, Lusia Kazaryan-Topchan seems to pass by different locations. We are taken to these places with her, whether they are still real or not. Lusia keeps to pursue her interest in traditional Armenian music along with intense disarming industrial and rough electronics, which creates bizarre sense of being out of any particular time, while cultural references remain quite explicit. Like some sort of dark wizard, she combines electroacoustic pieces with powerful reworked rhythms of her origin culture, passing by a popular song with catchy lyrics, and field recordings made in a place that is between real and unreal – as soon as it is marked on the journey's map. Throughout this evolving journey, Lusia avoids direct paths and prefers slipping with the indeterminate. Miscellaneous, her second full-length album refuses to be defined once and forever. It is an invention, generative, related to the factual – but resisting its certainty and completeness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : margenrot\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKlammklang\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-09T16:33:08+09:00","created_at":"2021-11-08T14:54:54+09:00","vendor":"Tobira Records","type":"","tags":["Klammklang","tape","techno \/ house"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42022021169402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Margenrot \/\/ Obkhod TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_4f264b3a-5691-4ee4-af5d-6b092027f46b.jpg?v=1636350896","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b54b9722-1988-403a-9586-984b96780fba.jpg?v=1636350897","\/\/tobirarecords.com\/cdn\/shop\/products\/ob3.jpg?v=1636350896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_4f264b3a-5691-4ee4-af5d-6b092027f46b.jpg?v=1636350896","options":["Title"],"media":[{"alt":null,"id":26836191609082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_4f264b3a-5691-4ee4-af5d-6b092027f46b.jpg?v=1636350896"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_4f264b3a-5691-4ee4-af5d-6b092027f46b.jpg?v=1636350896","width":700},{"alt":null,"id":26836191641850,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b54b9722-1988-403a-9586-984b96780fba.jpg?v=1636350897"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b54b9722-1988-403a-9586-984b96780fba.jpg?v=1636350897","width":1200},{"alt":null,"id":26836191674618,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3.jpg?v=1636350896"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3.jpg?v=1636350896","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシア・モスクワのインダストリアル作家Margenrotが、2021年9月にモスクワの実験レーベルKlammklang Tapesから50本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e土着的インダストリアルテクノ8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029663207\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/klammklang\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/klammklang\"\u003ehere\u003c\/a\u003e to see more Klammklang releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Orange Translucent Neon' cassette with silver print, hand-numbered info card on premium cardboard and 'Obkhod' coloring sticker pack designed by Vasya Kondrashov.\u003c\/span\u003e\u003cspan\u003e Packed into silver matte ziplock with aluminum foil inside, includes download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKlammklang:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eObkhod (transliteration of the Russian word meaning \"detour\") is an action of soft slipping away, as well as an action of avoiding severe and hostile areas. Obkhod is a continuing invention, it is also a manoeuvre, when you choose to trick rather than to be tricked. It is an ongoing generation of possible ways that can be taken to get to the destination, an imaginary map that continues to unfold.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoving further to the industrial, menacing and liminal, Lusia Kazaryan-Topchan seems to pass by different locations. We are taken to these places with her, whether they are still real or not. Lusia keeps to pursue her interest in traditional Armenian music along with intense disarming industrial and rough electronics, which creates bizarre sense of being out of any particular time, while cultural references remain quite explicit. Like some sort of dark wizard, she combines electroacoustic pieces with powerful reworked rhythms of her origin culture, passing by a popular song with catchy lyrics, and field recordings made in a place that is between real and unreal – as soon as it is marked on the journey's map. Throughout this evolving journey, Lusia avoids direct paths and prefers slipping with the indeterminate. Miscellaneous, her second full-length album refuses to be defined once and forever. It is an invention, generative, related to the factual – but resisting its certainty and completeness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : margenrot\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKlammklang\u003c\/span\u003e\u003c\/p\u003e"}