Seitz Versus Gendreau // s / t LP

¥2,560

Write a review

Item no:
Availability:

Texas experimental labelMisanthropic Agenda works are in stock for the first time in Japan.

This work is a self-titled record released in 2013 by sound writer Seitz Versus Gendreau.Includes 3 metallic noise drones. Limited to 90 copies.DL code included.

Misanthropic Agenda · Seitz versus Gendreau "Things Lost That Will Never Be Found"

Edition of 90.

Misanthropic Agenda:

"Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies.
These pieces were composed with created and found sound captured in San Francisco.

Chorus After Rains: A strategy where we each use the same raw sound clips with different results.

Things Lost That Will Never Be Found: A composition with live instruments, moving from a toy piano to various invented motor instruments; a piece that transitions from melody to noise.

Trains Will Not Stop: Another Grand Surface Noise opera (Nr. 9), using the various sounds from records, composed by Gendreau and re-mixed by Seitz using accelerometer recordings collected in San Francisco during 2005.

SEITZ, based in Oakland, California and formerly a member of Taxodiaceae, makes a rare foray into recording. Seitz is fascinated by the re-contextualization of ephemeral sound such as-streams from radio, lost and forgotten records, tangents of passing conversation, fragmented voicemails, pieces of cassettes sound, field recordings by amateurs, tv movie themes, and random and despised podcasts- and the breakdown of the music bubble that surrounds most contemporary music consumers.

GENDREAU has composed and performed solo, as well as in several group configurations since 1979. His former group Crawling With Tarts (1983-1998) used ideas revolving around elementalism and pre-language states. Gendreau has elaborated on these ideas while adding concepts based on His performances have involved sounds from one-off transcription discs cast by others in the middle of the last century, and those He records the infrasonic vibrations of the performance space and in the concert, he uses the structure's resonances as an. More recently, Gendreau has sought to extend these later studies, and to use buildings as a speaker. additional instrument in his site-specific compositions. These practices are based in part on his current work as an acoustician, working primar ily on low-vibration and noise design for buildings. "

Artist: Seitz Versus Gendreau

Label: Misanthropic Agenda

Quantity

+ -

Texas experimental labelMisanthropic Agenda works are in stock for the first time in Japan.

This work is a self-titled record released in 2013 by sound writer Seitz Versus Gendreau.Includes 3 metallic noise drones. Limited to 90 copies.DL code included.

Misanthropic Agenda · Seitz versus Gendreau "Things Lost That Will Never Be Found"

Edition of 90.

Misanthropic Agenda:

"Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies.
These pieces were composed with created and found sound captured in San Francisco.

Chorus After Rains: A strategy where we each use the same raw sound clips with different results.

Things Lost That Will Never Be Found: A composition with live instruments, moving from a toy piano to various invented motor instruments; a piece that transitions from melody to noise.

Artist: Seitz Versus Gendreau

Label: Misanthropic Agenda

Related Products

Quickview {"id":8166941655290,"title":"Gerritt Wittmer \/\/ I Believe LP","handle":"gerritt-wittmer-i-believe-lp","description":"\u003cp\u003eアメリカ・\u003cspan\u003eテキサスのノイズ作家Gerritt Wittmer主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、オーナーGerritt Wittmerが、2018年にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qABQW_4c5CM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePeter J Woods:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names. He also directs the publishing house Misanthropic Agenda.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Surprisingly enough, a good place to start with Gerritt Wittmer’s “I Believe” LP is in the modus operandi of pop music. For most platinum selling artists, the trick of the trade rests on the ability to completely strip every song of its individual signifiers and leave nothing but a contextual frame into which the listener can pour their own details. A love song about a particular person’s break up holds close to no appeal beyond the songwriter themself, but a song about break ups suddenly speaks to everyone who has ever had their heart broken (which is almost everyone). In this sense, a song about nothing suddenly becomes a song about anything for anyone.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo a certain extent, Wittmer pulls the same sleight of hand on “I Believe” but changes one key detail: he doesn’t strip the album of its individual signifers but instead buries them under layers of mystery. This gesture produces a sense of cognitive whiplash on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e every listen by deceiving the listener into thinking that they may find themselves within this record, only to violently push them back out while simultaneously sounding a warning that this place isn’t for you. Fragments of Wittmer subtly peak through the folds, revealing a terrifying and hopeless worldview that can only be described as inhospitable at best. Maybe it’s best that the listener remains far away from the core thematics of these compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis deceptive nature in every sound, lyric, and compositional choice as each new element of leaves the listener guessing at its significance. The opening sample on the B side sounds like someone saying “Hi,” but how can you be sure? What are they actually saying? And what does it mean to Wittmer? Every sample on this record produces the same effect. The ringing phone, the skipping record, the industrial clatter, all of it hides so much significance and reveals so little. So much so that the identity of many of these sounds remains shrouded (is that a synth swell or someone screaming?). All of them repeating over and over without gaining a modicum of clarity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut beyond this guessing game lies the devastating core of the album: while the listener may not understand the significance of these disparate elements, Wittmer knows them all too well. And each repetition inflicts its trauma again. For the listener, every pass through these sounds lessens the impact as they meld into a singular soundscape. Yet one can’t help but imagine that the exact opposite happens for Wittmer, these moments becoming sharper and more devastating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd then the record ends, its last moments stripped of any ornamentation with Wittmer speaking directly to you. Haunting phrases like “no chance for me, there’s nothing inside” barely croaked out in a delicate, fragile whisper. “I Believe” ends on the refrain “you exist in my mind,” letting the listener know that Wittmer saw you the whole time. He knew you were there, listening and searching. And now you have no choice but to return the favor:. as thought, Wittmer now exists in your mind, as much as you exist in his, and there’s no turning back (or away) anymore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDevoid of comprehensible signifiers, “I Believe” isn’t an album that anyone finds themselves in. Instead, it’s an album where you and only you exist in communion with the artist. A communion as terrifying as it is intimate.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gerritt Wittmer\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e","published_at":"2024-02-06T13:39:20+09:00","created_at":"2024-02-06T13:38:47+09:00","vendor":"Tobira Records","type":"","tags":["lp","Misanthropic Agenda","monooto","new"],"price":333800,"price_min":333800,"price_max":333800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45152355451130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gerritt Wittmer \/\/ I Believe LP","public_title":null,"options":["Default Title"],"price":333800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_1f6bf388-9ca7-40d9-9fba-8b3157a988b7.jpg?v=1707194330","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_f0e01950-6c69-4ca1-87b4-1f88c628fe67.jpg?v=1707194330"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_1f6bf388-9ca7-40d9-9fba-8b3157a988b7.jpg?v=1707194330","options":["Title"],"media":[{"alt":null,"id":33126434963706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_1f6bf388-9ca7-40d9-9fba-8b3157a988b7.jpg?v=1707194330"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_1f6bf388-9ca7-40d9-9fba-8b3157a988b7.jpg?v=1707194330","width":700},{"alt":null,"id":33126434996474,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_f0e01950-6c69-4ca1-87b4-1f88c628fe67.jpg?v=1707194330"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_f0e01950-6c69-4ca1-87b4-1f88c628fe67.jpg?v=1707194330","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・\u003cspan\u003eテキサスのノイズ作家Gerritt Wittmer主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、オーナーGerritt Wittmerが、2018年にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qABQW_4c5CM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePeter J Woods:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names. He also directs the publishing house Misanthropic Agenda.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Surprisingly enough, a good place to start with Gerritt Wittmer’s “I Believe” LP is in the modus operandi of pop music. For most platinum selling artists, the trick of the trade rests on the ability to completely strip every song of its individual signifiers and leave nothing but a contextual frame into which the listener can pour their own details. A love song about a particular person’s break up holds close to no appeal beyond the songwriter themself, but a song about break ups suddenly speaks to everyone who has ever had their heart broken (which is almost everyone). In this sense, a song about nothing suddenly becomes a song about anything for anyone.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo a certain extent, Wittmer pulls the same sleight of hand on “I Believe” but changes one key detail: he doesn’t strip the album of its individual signifers but instead buries them under layers of mystery. This gesture produces a sense of cognitive whiplash on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e every listen by deceiving the listener into thinking that they may find themselves within this record, only to violently push them back out while simultaneously sounding a warning that this place isn’t for you. Fragments of Wittmer subtly peak through the folds, revealing a terrifying and hopeless worldview that can only be described as inhospitable at best. Maybe it’s best that the listener remains far away from the core thematics of these compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis deceptive nature in every sound, lyric, and compositional choice as each new element of leaves the listener guessing at its significance. The opening sample on the B side sounds like someone saying “Hi,” but how can you be sure? What are they actually saying? And what does it mean to Wittmer? Every sample on this record produces the same effect. The ringing phone, the skipping record, the industrial clatter, all of it hides so much significance and reveals so little. So much so that the identity of many of these sounds remains shrouded (is that a synth swell or someone screaming?). All of them repeating over and over without gaining a modicum of clarity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut beyond this guessing game lies the devastating core of the album: while the listener may not understand the significance of these disparate elements, Wittmer knows them all too well. And each repetition inflicts its trauma again. For the listener, every pass through these sounds lessens the impact as they meld into a singular soundscape. Yet one can’t help but imagine that the exact opposite happens for Wittmer, these moments becoming sharper and more devastating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd then the record ends, its last moments stripped of any ornamentation with Wittmer speaking directly to you. Haunting phrases like “no chance for me, there’s nothing inside” barely croaked out in a delicate, fragile whisper. “I Believe” ends on the refrain “you exist in my mind,” letting the listener know that Wittmer saw you the whole time. He knew you were there, listening and searching. And now you have no choice but to return the favor:. as thought, Wittmer now exists in your mind, as much as you exist in his, and there’s no turning back (or away) anymore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDevoid of comprehensible signifiers, “I Believe” isn’t an album that anyone finds themselves in. Instead, it’s an album where you and only you exist in communion with the artist. A communion as terrifying as it is intimate.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gerritt Wittmer\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e"}

Quickview {"id":8165937971450,"title":"Méryll Ampe \/\/ W7E CD","handle":"meryll-ampe-w7e-cd","description":"\u003cp\u003eフランスの音響作家／彫刻家／インターメディアアーティストMéryll Ampegaが、2022年11月にアメリカ・テキサスの実験／ノイズレーベルMisanthropic AgendaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜マイクロスコピック・ノイズテクノ8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Jim Haynesによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eパリ出身のインターメディアアーティスト、メリル・アンペの作品には、様々なプロセス、テクニック、フォームが展開され、様々な素材を用いてサウンド、彫刻、インスタレーションを制作しています。アンペの作品ですぐに目を引くのは、エレクトロ・アコースティック・コンポジションに対する生き生きとしたノンリニアなアプローチです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMisanthropic Agendaでのデビュー作である本作では、皮膚の振動を録音したハイドロフォン、アナログシンセ、テープの加工、アルゴリズムの可変性によってプログラムされたシーケンス、そして多くのデジタル処理など、あらゆる音源を自由に再構成／分解／遺伝子変異させています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eW7Eの音楽は、「実験的な次元での研究であり、内と外、ミクロとマクロの間の両義性を体系的に翻訳する概念に導かれている」とAmpeは説明します。これらの意図は、ダイナミクス、レリーフ、深み、リズムのベクトルです。ビジュアルアーティストとしての私のトレーニングは、私がシンコペ、サウンドエフルヴィア、摩耗性不整脈と表現するような状態、サウンドフォームを見つけることになるメンタルイメージ（険しい風景、沸騰する有機物、有機物など）を通過することにもつながっているのです。私は音の媒体に可塑性の形を求め、このエネルギーが生きた物質となることを期待しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの多次元的なオーバーレイは、心理状態に影響を与えることのできるテクノロジーとの接続を通して、身体（必ずしも人間の身体とは限らないことに注意しなければならない）の中や外へと伸縮する構成になっています。この作品は、限界性、一過性のズレ、そして粒子が2つの別々の場所に同時に存在するという量子論に取り組んでいます。もしそれが原子レベルで起こりうるのなら、なぜ音を通しては起こらないのでしょうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eW7Eは、キース・フラートン・ホワイトマン、フランシスコ・メイリーノ、バーナード・パルメジャーニの美学（コンセプトではないとしても）を反映した、ダイナミックでポリダクティルなアルバムとして成立しているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2535376268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eJim Haynes\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e via Misanthropic Agenda:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A multitude of processes, techniques, and forms unfold and unfurl within the work of Méryll Ampe, an intermedia artist from Paris working through sound, sculpture, and installation using a wide assortment of materials. What is immediately striking about Ampe’s work is the vibrant, non-linear approach to electro-acoustic composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere on the debut for Misanthropic Agenda, Ampe liberally reconfigures \/ deconstructs \/ genetically mutates all sources: hydrophone recordings of vibrations through skin, analog synths, tape machinations, sequencing programmed through algorithmic variability, and plenty of digital processing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Ampe describes it, the music on W7E is \"a research with an experimental dimension, guided by notions that systematically translate a form of ambivalence, between inside\/outside, micro\/macro. These intentions are vectors of the dynamics, reliefs, depths and rhythm. My training as a visual artist also leads me to go through mental images (such as a steep landscape, a boiling organism, an organic matter) which will then find a sound form, states that I would describe as syncope, sound effluvia, abrasive arrhythmias. I look for a form of plasticity in the sound\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e medium, and that this energy become a living matter.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis multi-dimensional overlay through composition telescopes in and out of the body (not necessarily always a human body, it should be noted), through a connectivity with technology that can influence psychological states of being. The work addresses liminality, transitory slippages, and quantum theories of a particle being the two separate places at the same time. If that can occur at the atomic level, why not through sound?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eW7E stands as a dynamic, polydactyl album reflective of the aesthetics (if not concepts) of Keith Fullerton Whitman, Francisco Meirino, and Bernard Parmegiani.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Méryll Ampe\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e","published_at":"2024-02-05T17:43:13+09:00","created_at":"2024-02-05T17:42:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","Misanthropic Agenda","monooto","new","noise","techno \/ house"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45147401224442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Méryll Ampe \/\/ W7E CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/am1_52a305c4-7216-45e7-aa4a-d8c660e3e2e8.jpg?v=1707122562","\/\/tobirarecords.com\/cdn\/shop\/files\/am2_1a4dfc73-1713-4ca4-a583-bec1133b4be5.jpg?v=1707122562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_52a305c4-7216-45e7-aa4a-d8c660e3e2e8.jpg?v=1707122562","options":["Title"],"media":[{"alt":null,"id":33120423969018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_52a305c4-7216-45e7-aa4a-d8c660e3e2e8.jpg?v=1707122562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_52a305c4-7216-45e7-aa4a-d8c660e3e2e8.jpg?v=1707122562","width":700},{"alt":null,"id":33120424001786,"position":2,"preview_image":{"aspect_ratio":1.112,"height":1079,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am2_1a4dfc73-1713-4ca4-a583-bec1133b4be5.jpg?v=1707122562"},"aspect_ratio":1.112,"height":1079,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am2_1a4dfc73-1713-4ca4-a583-bec1133b4be5.jpg?v=1707122562","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家／彫刻家／インターメディアアーティストMéryll Ampegaが、2022年11月にアメリカ・テキサスの実験／ノイズレーベルMisanthropic AgendaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜マイクロスコピック・ノイズテクノ8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Jim Haynesによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eパリ出身のインターメディアアーティスト、メリル・アンペの作品には、様々なプロセス、テクニック、フォームが展開され、様々な素材を用いてサウンド、彫刻、インスタレーションを制作しています。アンペの作品ですぐに目を引くのは、エレクトロ・アコースティック・コンポジションに対する生き生きとしたノンリニアなアプローチです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMisanthropic Agendaでのデビュー作である本作では、皮膚の振動を録音したハイドロフォン、アナログシンセ、テープの加工、アルゴリズムの可変性によってプログラムされたシーケンス、そして多くのデジタル処理など、あらゆる音源を自由に再構成／分解／遺伝子変異させています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eW7Eの音楽は、「実験的な次元での研究であり、内と外、ミクロとマクロの間の両義性を体系的に翻訳する概念に導かれている」とAmpeは説明します。これらの意図は、ダイナミクス、レリーフ、深み、リズムのベクトルです。ビジュアルアーティストとしての私のトレーニングは、私がシンコペ、サウンドエフルヴィア、摩耗性不整脈と表現するような状態、サウンドフォームを見つけることになるメンタルイメージ（険しい風景、沸騰する有機物、有機物など）を通過することにもつながっているのです。私は音の媒体に可塑性の形を求め、このエネルギーが生きた物質となることを期待しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの多次元的なオーバーレイは、心理状態に影響を与えることのできるテクノロジーとの接続を通して、身体（必ずしも人間の身体とは限らないことに注意しなければならない）の中や外へと伸縮する構成になっています。この作品は、限界性、一過性のズレ、そして粒子が2つの別々の場所に同時に存在するという量子論に取り組んでいます。もしそれが原子レベルで起こりうるのなら、なぜ音を通しては起こらないのでしょうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eW7Eは、キース・フラートン・ホワイトマン、フランシスコ・メイリーノ、バーナード・パルメジャーニの美学（コンセプトではないとしても）を反映した、ダイナミックでポリダクティルなアルバムとして成立しているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2535376268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eJim Haynes\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e via Misanthropic Agenda:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A multitude of processes, techniques, and forms unfold and unfurl within the work of Méryll Ampe, an intermedia artist from Paris working through sound, sculpture, and installation using a wide assortment of materials. What is immediately striking about Ampe’s work is the vibrant, non-linear approach to electro-acoustic composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere on the debut for Misanthropic Agenda, Ampe liberally reconfigures \/ deconstructs \/ genetically mutates all sources: hydrophone recordings of vibrations through skin, analog synths, tape machinations, sequencing programmed through algorithmic variability, and plenty of digital processing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Ampe describes it, the music on W7E is \"a research with an experimental dimension, guided by notions that systematically translate a form of ambivalence, between inside\/outside, micro\/macro. These intentions are vectors of the dynamics, reliefs, depths and rhythm. My training as a visual artist also leads me to go through mental images (such as a steep landscape, a boiling organism, an organic matter) which will then find a sound form, states that I would describe as syncope, sound effluvia, abrasive arrhythmias. I look for a form of plasticity in the sound\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e medium, and that this energy become a living matter.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis multi-dimensional overlay through composition telescopes in and out of the body (not necessarily always a human body, it should be noted), through a connectivity with technology that can influence psychological states of being. The work addresses liminality, transitory slippages, and quantum theories of a particle being the two separate places at the same time. If that can occur at the atomic level, why not through sound?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eW7E stands as a dynamic, polydactyl album reflective of the aesthetics (if not concepts) of Keith Fullerton Whitman, Francisco Meirino, and Bernard Parmegiani.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Méryll Ampe\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e"}

This is a CD released by French sound artist/sculptor/intermedia artist Méryll Ampega from Texas, USA experimental/noise label Misanthropic Agenda in November 2022. Contains 11 songs of noise collage ~ microscopic noise techno. Digipak, shrink specification. Below is an explanation by Jim Haynes. Paris-born intermedia artist Meryl Ampe's work employs a variety of processes, techniques, and forms, using a variety of materials to create sound, sculpture, and installations. What immediately catches the eye about Ampe's work is his lively, non-linear approach to electro-acoustic composition. Misanthropic Agenda's debut work uses any sound source at its disposal: hydrophones recording skin vibrations, analog synths, tape processing, sequences programmed with algorithmic variability, and lots of digital processing. Reconstitution/decomposition/genetic mutation. Ampe explains that W8E's music is "a study in an experimental dimension, guided by concepts that systematically translate the ambiguity between inside and outside, micro and macro." These intentions are vectors of dynamics, relief, depth, and rhythm. My training as a visual artist has led me to go through mental images (such as rugged landscapes, boiling organic matter, organic matter, etc.) that lead me to find sound forms, conditions that I would describe as syncope, sound effluvia, and abrasive arrhythmia. It is also connected to this. I seek a form of plasticity in the medium of sound, and hope that this energy will become a living substance. This multidimensional overlay is a composition that stretches in and out of the body (not necessarily the human body, it must be noted) through connections with technologies that can influence psychological states. It has become. This work addresses liminality, transient slippage, and the quantum theory of particles being in two separate places at the same time. If it can happen at the atomic level, why not through sound? W7E stands as a dynamic, polydactyl album that reflects the aesthetic (if not concept) of Keith Fullerton Whiteman, Francisco Meirino, and Bernard Parmegiani. Click here to see more Misanthropic Agenda...

¥2,180

Add to cart

Quickview {"id":8161378599162,"title":"Point of Memory \/\/ Void Pusher 2xLP \/ TAPE \/ CD","handle":"point-of-memory-void-pusher-cd","description":"\u003cp\u003eアメリカ・ペンシルベニアの実験アンビエント作家Point of Memoryが、2024年1月に同国実験／ノイズレーベルMisanthropic Agendaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエントドローン〜アンビエント・ノイズ9曲を収録。LPはゲートフォルド仕様、ポスター付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Point of Memoryのデビューアルバム『Void Pusher』では、個人的な物語から人生のより広範な探求へとシフトしようとした。トラックリストを見直すと、このアルバムは不注意にも最近の人生の出来事を映し出しており、私は部分的に失敗した。とはいえ、個人的な要素を減らし、普遍的な要素を盛り込む努力はした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eソースは、SANSスタジオで5回、1週間にわたるセッションを1年以上かけて録音した。すべての音はアンプ、PAシステム、またはアコースティックでライブ演奏され、ルームマイクでキャプチャーされた。いくつかのサウンドは自宅で制作され、再生と再増幅によってアンプで再生された。Void Pusher は9ヶ月間、毎朝ミックスされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVoid Pusherはアコースティック・コンピューターミュージックであり、デジタル・カットアップと生のアンビエント・ノイズをオーガニックに組み合わせている。アコースティック楽器とエレキギターで満たされた部屋に、聴き取りにくい超低周波を流し、震えと響きを共鳴させる。そしてその結果を録音する。響くスネア、調和するドローン、シェイカー、ベル、タンバリンの微妙なガラガラの不協和音。ほとんどの場合、ベースは聞こえず、ベースに対する反応だけが聞こえる。ベースがまったくガラガラと振動を鳴らさないこともある。音源をそのままの周波数でアンプに通し、反応するアコースティック・サウンドとミックスすることで、それぞれの瞬間が独自の物理的論理、動きと結果の感覚を持ち、偶然にもニュートンの運動の第3法則に忠実である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのプロジェクトの意図は、大がかりな加工を施しているにもかかわらず、人間の温かみと魂を感じさせるアルバムを作ることだった。すべての音源は生録音、またはリアンプで加工され、スタジオで生演奏された後、自宅で編集された。レコーディング・セッションは春、夏、冬、秋に行われ、意図的にカタルシスを求めることなく、幅広いムードをとらえた。その目的は、感情的にオープンでいること、そして過剰な演出を避けることであり、人間のありのままの姿を捉えようとする迷信的な試みであった。個人的な感情の解放を追求するのではなく、人間の経験をより一般的に受け入れ、個々の感情の状態を避けることが目標だった。普遍的な感情や情緒と共鳴する音楽を作ることは、内省的で自己言及的な作品を作るよりも難しいという論理だ。このようにして、アーティストは \"作家 \"ではなく、人間の状態の伝導者になろうとした。方法と願望の両方において、アーティストは、あるべき姿のアイデアでそれをかき消す危険を冒すのではなく、私たちの内、私たちの間、私たちの周囲ですでに起こっていることに耳を傾けようとする。未知なるもの。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eヴォイド・プッシャーを通して、人間の経験の何かが捉えられることを期待している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_xh_o6iHXbU?si=vN-ZyW3Mpg3oFbLc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EGiEvDHJI3Q?si=MQMOn0HP1Wj8i4xU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BmAjtHPVtts?si=XNF3ZWuvvQKN90M7\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePro-Dread 09:00\u003c\/li\u003e\n\u003cli\u003ePut in the Past 10:57\u003c\/li\u003e\n\u003cli\u003eCarried by Ravens 04:46\u003c\/li\u003e\n\u003cli\u003eVoid Pusher 09:24\u003c\/li\u003e\n\u003cli\u003eDoom's Hand Reaching for Your Moment of Triumph 04:21\u003c\/li\u003e\n\u003cli\u003eJawline of a City 04:05\u003c\/li\u003e\n\u003cli\u003eBallad of Myopic Triviality 13:03\u003c\/li\u003e\n\u003cli\u003eStranger With a Sad Heart 03:34\u003c\/li\u003e\n\u003cli\u003eMost of a Murder 10:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Point of Memory\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Void Pusher is acoustic computer music; combining digital cut ups and live ambient noise with raw organic qualities. Inaudible super-bass frequencies pumping through a room filled with acoustic instruments and electric guitars set to quaver and rumble sympathetically. Then record the result; a cacophony of resounding snares, harmonizing drones and the subtle rattle of shakers, bells and tambourines. Most of the time you can't hear the bass, just the reactions to it. Sometimes the bass didn't create any rattle at all. By passing the source sounds through amplifiers at their original frequencies and mixing them with their reactive acoustic counterparts, each moment assumes its own physical logic, a sense of movement and consequence, accidentally adhering to Newton's third law of motion: for each action, there is an equal and opposite reaction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe intention behind this project was to create an album that, despite undergoing extensive manipulation, emanates a sense of human warmth and soul. All the source sounds were recorded live or processed through reamplification and manipulated live in a studio setting before being edited at home. The recording sessions took place during spring, summer, winter, and fall, capturing a\u003cspan class=\"bcTruncateMore\"\u003e broad spectrum of moods without deliberately seeking catharsis. The aim was to remain emotionally open and avoid excessive direction, in a superstitious attempt to capture something of the human condition writ large. Rather than pursuing personal emotional release, the goal was to embrace the human experience more generally and avoid individual emotional states. The logic is that creating music that resonates with universal feelings and sentiments is more challenging than producing work that is solely introspective and self-referential. In this way, the artist sought to be a conduit of the human condition rather than a \"writer.\" In both method and aspiration, the artist seeks to listen for what is already transpiring within us, between us, around us, rather than risk drowning it out with an idea of what should be.\u003cbr\u003eUnknowable.\u003cbr\u003eIt is hoped that through Void Pusher, something of the human\u003cbr\u003eexperience has been captured.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Point of Memory\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e","published_at":"2024-02-01T20:38:39+09:00","created_at":"2024-01-31T15:16:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","lp","Misanthropic Agenda","new","noise","recommended","tape"],"price":223400,"price_min":223400,"price_max":596000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45156002988282,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40458418782458,"product_id":8161378599162,"position":2,"created_at":"2024-02-07T09:09:57+09:00","updated_at":"2024-02-07T09:09:59+09:00","alt":null,"width":1080,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704780_10.jpg?v=1707264599","variant_ids":[45156002988282]},"available":true,"name":"Point of Memory \/\/ Void Pusher 2xLP \/ TAPE \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":596000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33131093688570,"position":2,"preview_image":{"aspect_ratio":0.9,"height":1200,"width":1080,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704780_10.jpg?v=1707264599"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45156003021050,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40458418913530,"product_id":8161378599162,"position":4,"created_at":"2024-02-07T09:10:00+09:00","updated_at":"2024-02-07T09:10:29+09:00","alt":null,"width":970,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034469331_10.jpg?v=1707264629","variant_ids":[45156003021050]},"available":true,"name":"Point of Memory \/\/ Void Pusher 2xLP \/ TAPE \/ CD - TAPE","public_title":"TAPE","options":["TAPE"],"price":246100,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33131093917946,"position":4,"preview_image":{"aspect_ratio":0.808,"height":1200,"width":970,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034469331_10.jpg?v=1707264629"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45156003053818,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40458418847994,"product_id":8161378599162,"position":5,"created_at":"2024-02-07T09:09:58+09:00","updated_at":"2024-02-07T09:10:29+09:00","alt":null,"width":1200,"height":1057,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704801_10.jpg?v=1707264629","variant_ids":[45156003053818]},"available":true,"name":"Point of Memory \/\/ Void Pusher 2xLP \/ TAPE \/ CD - CD","public_title":"CD","options":["CD"],"price":223400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33131093852410,"position":5,"preview_image":{"aspect_ratio":1.135,"height":1057,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704801_10.jpg?v=1707264629"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_7350eaa1-13ea-4c1c-9a32-d04a556228a5.jpg?v=1706681771","\/\/tobirarecords.com\/cdn\/shop\/files\/0034704780_10.jpg?v=1707264599","\/\/tobirarecords.com\/cdn\/shop\/files\/0034704784_10.jpg?v=1707264629","\/\/tobirarecords.com\/cdn\/shop\/files\/0034469331_10.jpg?v=1707264629","\/\/tobirarecords.com\/cdn\/shop\/files\/0034704801_10.jpg?v=1707264629"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_7350eaa1-13ea-4c1c-9a32-d04a556228a5.jpg?v=1706681771","options":["Format"],"media":[{"alt":null,"id":33091565748474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_7350eaa1-13ea-4c1c-9a32-d04a556228a5.jpg?v=1706681771"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_7350eaa1-13ea-4c1c-9a32-d04a556228a5.jpg?v=1706681771","width":700},{"alt":null,"id":33131093688570,"position":2,"preview_image":{"aspect_ratio":0.9,"height":1200,"width":1080,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704780_10.jpg?v=1707264599"},"aspect_ratio":0.9,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704780_10.jpg?v=1707264599","width":1080},{"alt":null,"id":33131093983482,"position":3,"preview_image":{"aspect_ratio":1.587,"height":756,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704784_10.jpg?v=1707264629"},"aspect_ratio":1.587,"height":756,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704784_10.jpg?v=1707264629","width":1200},{"alt":null,"id":33131093917946,"position":4,"preview_image":{"aspect_ratio":0.808,"height":1200,"width":970,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034469331_10.jpg?v=1707264629"},"aspect_ratio":0.808,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034469331_10.jpg?v=1707264629","width":970},{"alt":null,"id":33131093852410,"position":5,"preview_image":{"aspect_ratio":1.135,"height":1057,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704801_10.jpg?v=1707264629"},"aspect_ratio":1.135,"height":1057,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034704801_10.jpg?v=1707264629","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアの実験アンビエント作家Point of Memoryが、2024年1月に同国実験／ノイズレーベルMisanthropic Agendaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエントドローン〜アンビエント・ノイズ9曲を収録。LPはゲートフォルド仕様、ポスター付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Point of Memoryのデビューアルバム『Void Pusher』では、個人的な物語から人生のより広範な探求へとシフトしようとした。トラックリストを見直すと、このアルバムは不注意にも最近の人生の出来事を映し出しており、私は部分的に失敗した。とはいえ、個人的な要素を減らし、普遍的な要素を盛り込む努力はした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eソースは、SANSスタジオで5回、1週間にわたるセッションを1年以上かけて録音した。すべての音はアンプ、PAシステム、またはアコースティックでライブ演奏され、ルームマイクでキャプチャーされた。いくつかのサウンドは自宅で制作され、再生と再増幅によってアンプで再生された。Void Pusher は9ヶ月間、毎朝ミックスされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVoid Pusherはアコースティック・コンピューターミュージックであり、デジタル・カットアップと生のアンビエント・ノイズをオーガニックに組み合わせている。アコースティック楽器とエレキギターで満たされた部屋に、聴き取りにくい超低周波を流し、震えと響きを共鳴させる。そしてその結果を録音する。響くスネア、調和するドローン、シェイカー、ベル、タンバリンの微妙なガラガラの不協和音。ほとんどの場合、ベースは聞こえず、ベースに対する反応だけが聞こえる。ベースがまったくガラガラと振動を鳴らさないこともある。音源をそのままの周波数でアンプに通し、反応するアコースティック・サウンドとミックスすることで、それぞれの瞬間が独自の物理的論理、動きと結果の感覚を持ち、偶然にもニュートンの運動の第3法則に忠実である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのプロジェクトの意図は、大がかりな加工を施しているにもかかわらず、人間の温かみと魂を感じさせるアルバムを作ることだった。すべての音源は生録音、またはリアンプで加工され、スタジオで生演奏された後、自宅で編集された。レコーディング・セッションは春、夏、冬、秋に行われ、意図的にカタルシスを求めることなく、幅広いムードをとらえた。その目的は、感情的にオープンでいること、そして過剰な演出を避けることであり、人間のありのままの姿を捉えようとする迷信的な試みであった。個人的な感情の解放を追求するのではなく、人間の経験をより一般的に受け入れ、個々の感情の状態を避けることが目標だった。普遍的な感情や情緒と共鳴する音楽を作ることは、内省的で自己言及的な作品を作るよりも難しいという論理だ。このようにして、アーティストは \"作家 \"ではなく、人間の状態の伝導者になろうとした。方法と願望の両方において、アーティストは、あるべき姿のアイデアでそれをかき消す危険を冒すのではなく、私たちの内、私たちの間、私たちの周囲ですでに起こっていることに耳を傾けようとする。未知なるもの。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eヴォイド・プッシャーを通して、人間の経験の何かが捉えられることを期待している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_xh_o6iHXbU?si=vN-ZyW3Mpg3oFbLc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EGiEvDHJI3Q?si=MQMOn0HP1Wj8i4xU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BmAjtHPVtts?si=XNF3ZWuvvQKN90M7\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePro-Dread 09:00\u003c\/li\u003e\n\u003cli\u003ePut in the Past 10:57\u003c\/li\u003e\n\u003cli\u003eCarried by Ravens 04:46\u003c\/li\u003e\n\u003cli\u003eVoid Pusher 09:24\u003c\/li\u003e\n\u003cli\u003eDoom's Hand Reaching for Your Moment of Triumph 04:21\u003c\/li\u003e\n\u003cli\u003eJawline of a City 04:05\u003c\/li\u003e\n\u003cli\u003eBallad of Myopic Triviality 13:03\u003c\/li\u003e\n\u003cli\u003eStranger With a Sad Heart 03:34\u003c\/li\u003e\n\u003cli\u003eMost of a Murder 10:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Point of Memory\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Void Pusher is acoustic computer music; combining digital cut ups and live ambient noise with raw organic qualities. Inaudible super-bass frequencies pumping through a room filled with acoustic instruments and electric guitars set to quaver and rumble sympathetically. Then record the result; a cacophony of resounding snares, harmonizing drones and the subtle rattle of shakers, bells and tambourines. Most of the time you can't hear the bass, just the reactions to it. Sometimes the bass didn't create any rattle at all. By passing the source sounds through amplifiers at their original frequencies and mixing them with their reactive acoustic counterparts, each moment assumes its own physical logic, a sense of movement and consequence, accidentally adhering to Newton's third law of motion: for each action, there is an equal and opposite reaction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe intention behind this project was to create an album that, despite undergoing extensive manipulation, emanates a sense of human warmth and soul. All the source sounds were recorded live or processed through reamplification and manipulated live in a studio setting before being edited at home. The recording sessions took place during spring, summer, winter, and fall, capturing a\u003cspan class=\"bcTruncateMore\"\u003e broad spectrum of moods without deliberately seeking catharsis. The aim was to remain emotionally open and avoid excessive direction, in a superstitious attempt to capture something of the human condition writ large. Rather than pursuing personal emotional release, the goal was to embrace the human experience more generally and avoid individual emotional states. The logic is that creating music that resonates with universal feelings and sentiments is more challenging than producing work that is solely introspective and self-referential. In this way, the artist sought to be a conduit of the human condition rather than a \"writer.\" In both method and aspiration, the artist seeks to listen for what is already transpiring within us, between us, around us, rather than risk drowning it out with an idea of what should be.\u003cbr\u003eUnknowable.\u003cbr\u003eIt is hoped that through Void Pusher, something of the human\u003cbr\u003eexperience has been captured.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Point of Memory\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e"}