Schnee: Christof Kurzmann & Burkhard Stangl // Снег LP
- Availability:
The latest work in 2020 has arrived for the first time in Japan from the Russian experimental label Mikroton, which has shifted to vinyl release from 2021.
This is the debut of the duo Schnee by Austrian mogul experimental musicians Christof Kurzmann and Burkhard Stangl.Contains 4 minimal electronics songs. DL code included.
Labels and other worksplease use this form. ///Click here to see more Mikroton releases available at Tobira.
-----------------------------
"I love plainness in color, monotony, snow is rather a monotonous tune. Why should color not give an impression of singing? White is like a murmur, a whisper, a prayer. "(Robert Walser). The first Schnee record appeared in 2000 20 years later their fourth album, the first coming on vinyl (!), On Mikroton. In between these years, the laptop player, saxophonist and singer Christof Kurzmann and guitarist Burkhard Stangl went different ways, but met again and again in projects such Guitarist Burkhard Stangl was a member of the electroacoustic supergroups Polwechsel and efzeg and collaborated among others with Christian Fennesz as well as with Taku Unami, Taku Sugimoto, Angélica Castelló or Mario de Vega. Besides his fantastic reinterpretations of several Robert Wyatt numbers, Christof Kurzmann is known as the founder of the Orchestra 33 1/3 and the legendary label charhizma and — together with Fennesz — the forefather of electroacoustic improvisation music in Austria. Among many others he currently works regularly with John Butcher, Mats Gustafsson or Ken Vandermark. Schnee is concerned with the actual sensory non-cerebral experience: the relationship between color, image and sound. Schnee sets music to imaginary films or makes music that relates to films that have not yet been shot. The invisible film as a drama of a possibly liberated life, embedded in the soft, cold dress of sound creative avantgarde or experimental electroacoustic improv. Further, songs are also repeatedly implemented in the instrumental electroacoustic dispositive of Schnee, which reveals references to literature, pop culture, politics “If there was ever a battle, it must have been the one betwe. and writing conceived as speaking about the unspeakable. en the guitar and the computer ”. Schnee has long fought the battle and maybe even won it. Why? Because poetry and resistance revolve in the record groove.
The latest work in 2020 has arrived for the first time in Japan from the Russian experimental label Mikroton, which has shifted to vinyl release from 2021.
This is the debut of the duo Schnee by Austrian mogul experimental musicians Christof Kurzmann and Burkhard Stangl.Contains 4 minimal electronics songs. DL code included.
Labels and other worksplease use this form. ///Click here to see more Mikroton releases available at Tobira.
-----------------------------
"I love plainness in color, monotony, snow is rather a monotonous tune. Why should color not give an impression of singing? White is like a murmur, a whisper, a prayer. "(Robert Walser). The first Schnee record appeared in 2000 20 years later their fourth album, the first coming on vinyl (!), On Mikroton. In between these years, the laptop player, saxophonist and singer Christof Kurzmann and guitarist Burkhard Stangl went different ways, but met again and again in projects such Guitarist Burkhard Stangl was a member of the electroacoustic supergroups Polwechsel and efzeg and collaborated among others with Christian Fennesz as well as with Taku Unami, Taku Sugimoto, Angélica Castelló or Mario de Vega. Besides his fantastic reinterpretations of several Robert Wyatt numbers, Christof Kurzmann is known as the founder of the Orchestra 33 1/3 and the legendary label charhizma and — together with Fennesz — the forefather of electroacoustic improvisation music in Austria. Among many others he currently works regularly with John Butcher, Mats Gustafsson or Ken Vandermark. Schnee is concerned with the actual sensory non-cerebral experience: the relationship between color, image and sound. Schnee sets music to imaginary films or makes music that relates to films that have not yet been shot. The invisible film as a drama of a possibly liberated life, embedded in the soft, cold dress of sound creative avantgarde or experimental electroacoustic improv. Further, songs are also repeatedly implemented in the instrumental electroacoustic dispositive of Schnee, which reveals references to literature, pop culture, politics “If there was ever a battle, it must have been the one betwe. and writing conceived as speaking about the unspeakable. en the guitar and the computer ”. Schnee has long fought the battle and maybe even won it. Why? Because poetry and resistance revolve in the record groove.
Related Products
