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{"id":8099222716666,"title":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR]","handle":"natalie-beridze-of-which-one-knows-lp-color-black","description":"\u003cp\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2022年にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=749836814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Available on 12\" black vinyl or 12\" grey\/clear vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsh Wednesday 04:06\u003c\/li\u003e\n\u003cli\u003eSio 06:07\u003c\/li\u003e\n\u003cli\u003eX It 02:58\u003c\/li\u003e\n\u003cli\u003eDrift 05:14\u003c\/li\u003e\n\u003cli\u003eDoor Part II 03:01\u003c\/li\u003e\n\u003cli\u003eFreddy's Cut 05:55\u003c\/li\u003e\n\u003cli\u003eDoor Part I 02:15\u003c\/li\u003e\n\u003cli\u003eForensic Of The Thread 06:40\u003c\/li\u003e\n\u003cli\u003eSadness 02:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eOf Which One Knows', was written and produced between 2007-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuch unreleased material is a quintessential backdrop to an artist’s processes, as it has obviously never landed in any full bodies of work. It does however gain humble significance, which feels approachable, which is about absence and hence always fresh, drifting somewhere between remembrance and obliviousness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natalie Beridze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Room40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-05T15:04:05+09:00","created_at":"2023-12-01T18:05:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","room40"],"price":368800,"price_min":368800,"price_max":383500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44833580744954,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40125520019706,"product_id":8099222716666,"position":3,"created_at":"2023-12-01T18:05:33+09:00","updated_at":"2023-12-01T18:05:34+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534","variant_ids":[44833580744954]},"available":false,"name":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":368800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32777842458874,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44833580712186,"title":"Grey\/Clear vinyl","option1":"Grey\/Clear vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40125520118010,"product_id":8099222716666,"position":2,"created_at":"2023-12-01T18:05:33+09:00","updated_at":"2023-12-01T18:05:35+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","variant_ids":[44833580712186]},"available":true,"name":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR] - Grey\/Clear vinyl","public_title":"Grey\/Clear vinyl","options":["Grey\/Clear vinyl"],"price":383500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32777842426106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","options":["Color"],"media":[{"alt":null,"id":32777842393338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","width":700},{"alt":null,"id":32777842426106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","width":1200},{"alt":null,"id":32777842458874,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2022年にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=749836814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Available on 12\" black vinyl or 12\" grey\/clear vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsh Wednesday 04:06\u003c\/li\u003e\n\u003cli\u003eSio 06:07\u003c\/li\u003e\n\u003cli\u003eX It 02:58\u003c\/li\u003e\n\u003cli\u003eDrift 05:14\u003c\/li\u003e\n\u003cli\u003eDoor Part II 03:01\u003c\/li\u003e\n\u003cli\u003eFreddy's Cut 05:55\u003c\/li\u003e\n\u003cli\u003eDoor Part I 02:15\u003c\/li\u003e\n\u003cli\u003eForensic Of The Thread 06:40\u003c\/li\u003e\n\u003cli\u003eSadness 02:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eOf Which One Knows', was written and produced between 2007-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuch unreleased material is a quintessential backdrop to an artist’s processes, as it has obviously never landed in any full bodies of work. It does however gain humble significance, which feels approachable, which is about absence and hence always fresh, drifting somewhere between remembrance and obliviousness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natalie Beridze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Room40\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by neoclassical artist Natalie Beridze from Tbilisi, Georgia, on the Australian experimental label room2022 in 40.Contains 9 neoclassical ambient to ambient drone songs with voice, piano, and strings.Click here to see more Room40 releases available at Tobira. ---------------------------- Includes.. .
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{"id":8073121038586,"title":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK]","handle":"beatriz-ferreyra-ufo-forest-lp-color-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家(\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳)\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー(Liquid Architecture)のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私(そして他の多くの人々もそうであろう)にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-08T17:03:41+09:00","created_at":"2023-11-08T10:57:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","room40"],"price":358800,"price_min":358800,"price_max":373500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745118679290,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":358800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44745118712058,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":373500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","options":["Color"],"media":[{"alt":null,"id":32655589474554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","width":700},{"alt":null,"id":32655589507322,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652","width":1200},{"alt":null,"id":32655589540090,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家(\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳)\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー(Liquid Architecture)のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私(そして他の多くの人々もそうであろう)にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a record released by Argentina's famous experimental musician (86 years old) Beatriz Ferreyra on the Australian experimental label room2023 in November 11.Contains 40 noise collage ~ drone songs. DL code included.Below is an explanation by label owner Lawrence English. "I'm not sure when I first heard Beatriz Ferreyra's music. I think it was in the early to mid-4s, when I was working with the curatorial team at Liquid Architecture. Given the focus of the festival, GRM and musique concrète were more common and received a lot of attention. It is only in the last decade that deaf people have come into sharp focus. In 2000, I had the great pleasure of meeting Beatriz Ferreyra in Braga. During the Novas Frequencies festival, I was also able to spend time with her in Rio.Through these encounters, I learned about the amazing focus, generosity, and generosity that Beatriz Ferreyra has maintained throughout her sonic life. Beatriz Ferreyra is one of the few female concrete composers who have been active from the latter half of the 10th century to today.Her works, which she continues to actively research, are , complex yet elegantly simple. Beatriz Ferreyra's work often focuses on a single object, using tape and other forms of manipulation to radically reconfigure her chosen sonic materials. and opens outward.``UFO Forest...''
¥3,588
Quickview
{"id":8073118449914,"title":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK]","handle":"eugene-carchesio-adam-betts-circle-drum-music-lp-color-black","description":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:26:04+09:00","created_at":"2023-11-08T10:54:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","room40","strange beats"],"price":358800,"price_min":358800,"price_max":373500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745113567482,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40010153394426,"product_id":8073118449914,"position":3,"created_at":"2023-11-08T10:54:20+09:00","updated_at":"2023-11-08T10:54:22+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","variant_ids":[44745113567482]},"available":true,"name":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":358800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32655583903994,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44745113600250,"title":"Purple Swirl Vinyl","option1":"Purple Swirl Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40010153459962,"product_id":8073118449914,"position":2,"created_at":"2023-11-08T10:54:20+09:00","updated_at":"2023-11-08T10:54:22+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","variant_ids":[44745113600250]},"available":true,"name":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK] - Purple Swirl Vinyl","public_title":"Purple Swirl Vinyl","options":["Purple Swirl Vinyl"],"price":373500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","options":["Color"],"media":[{"alt":null,"id":32655583838458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","width":700},{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","width":1200},{"alt":null,"id":32655583903994,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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This is a collaborative record released by Australian experimental musician Eugene Carchesio and British percussionist Adam Betts on the Australian experimental label room2023 in November 11.Contains 40 minimal strange beats focusing on pulse and rhythm. DL code included.Below is an explanation by label owner Lawrence English. "Sometimes an idea presents itself in a way that no one would expect. This recording by Australia's Eugene Carchesio and England's Adam Betts is one such unexpected presentation. A few years ago, Eugene gave me a collection of recordings from the orbit of his now-legendary Circle Music series, which, in typical Eugene fashion, are intensely rhythmic, rooted in a deep and abiding sense of minimalism. Eugene has a way of creating little universes out of very little material. But he wanted to mix it up and add something unexpected to the piece, so he added drums. At about the same moment I was reminded of the great work of Adam Betts, whom I have been fortunate enough to have known for over a decade now. We first met at Bad Bonne and then later at Square in Tbilisi. Played with Pusher. Adam came to my attention, not in any way related to his music, but because he competed in a Welsh toss competition and did well. I looked and thought Eugene was the perfect candidate to work with me on this project. To my delight, he agreed. The result is a combination of restrained energy and rhythmic ferocity. A fusion of two great musical spirits with a certain sense, this is a parallel reading of how minimal movement can create huge waves of energy. It is also a record of careful and generous exploration.It is not every day that music is born from such a mysterious trajectory of thoughts, but when it does happen it is worthy of celebration. I'm very happy to share this edition with you." Click here for more from the label /// Click here to...
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{"id":8073115468026,"title":"Hand To Earth \/\/ Mokuy CD","handle":"hand-to-earth-mokuy-cd","description":"\u003cp\u003eオーストラリア・アーネムランドのインディジネス\u003cspan data-mce-fragment=\"1\"\u003eDaniel Wilfredと\u003cmeta charset=\"utf-8\"\u003eDavid Wilfred率いるバンドHand To Earth\u003c\/span\u003eが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディジリドゥやビルマなどのオーストラリア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eインディジネスたちの民族楽器を用いたアンビエント3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、バンドメンバーによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Hand To Earthで一緒に音楽を作るプロセスは、私たちが経験したことのないものだ。自由な即興演奏ではないが、作曲でもない。その中間であり、「編む」ような感覚だ。Hand To Earthを通して、私たちは異なる歴史、異なる人生、異なる視点の糸を織り合わせ、家族になる。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルは、彼の母国語であるワギラク語の「マニカイ」(民衆の歌)を、私たちが共有する慣習の構文に織り込んでいく。彼は、ジャンブ・ブラ・ブラやウォーリー・ウィルフレッドなどの絵の多くに描かれているモクイ(精霊)が持っているディリーバッグを作るための紐である「ラキ」について語る。ラキは私たちが触れることのできる世界に存在するが、私たちを「bul_14bul」(儀式、または集いの場)に引き寄せる形而上学的な繋ぎの糸でもある。私たちが音楽を奏でるとき、ラキが私たち全員を引き寄せる。ヨルルもバランダーも、私たちはこの目に見えない糸で結ばれ、その導きのもとに集まり、歌い、演奏し、踊り、耳を傾ける。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダニエルが『Wata Dhärranhay_14Bu』で歌っているように、ラキはさまざまな国を吹き抜け、人々をひとつにする風のように、時間と場所を超え、私たちがどこから来たかに関係なく、私たち全員をつなぐ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルとデヴィッドが手がけるソングラインは、おそらく6万年前にまでさかのぼり、地球上で最も古い継続的な音楽の伝統を形成している。しかし、ソングラインは常に更新されている。モクイの歌は、私たちそれぞれのカントリーとの関係からインスピレーションを受け、私たちが共有する学びと友情から生まれた、新しい音とエネルギーで湧き上がってくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちひとりひとりの物語もまた、ソングラインの一部なのだ。目を閉じて互いに耳を傾けるとき、私たちはラキの静かな吸引力を感じ、それが私たちの想像力を膨らませ、絡み合わせる。ダニエルとサニーの歌声、トランペットと木管楽器の息づかい、イーフアキの鼓動。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1305631181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaṯu\u003c\/li\u003e\n\u003cli\u003eWata Dhärranhayŋu\u003c\/li\u003e\n\u003cli\u003eMokuy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Daniel Wilfred, David Wilfred, Aviva Endean, Sunny Kim and Peter Knight:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘raki’, the string that is used to make the dilly bag that the Mokuy (spirit) can be seen carrying in many of the paintings by Djambu Burra Burra, Wally Wilfred, and others. Raki exists in the world we can touch, but it is also a metaphysical connecting thread that draws us together to the ‘buŋgul’ (ceremony, or gathering ground). When we play music, the raki pulls us all together - Yolŋu and balander - we are joined by this invisible thread, and under its guidance, we gather to sing, play, dance, and listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the wind that blows through different countries to bring people together – which Daniel sings about in Wata\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Dhärranhayŋu – raki traverses time and place and connects all of us no matter where we come from. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe songlines Daniel and David care for stretch back for perhaps 60,000 years and form the oldest continuously practised music tradition on the planet. But the songlines are also always being renewed. In Mokuy, the songs spring up with new sounds and energy inspired by each of our own relationships to Country, and born of our shared learning and friendship. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of our stories are part of these songlines now. As we close our eyes to listen to one another we feel the silent draw of the raki and it propels our imaginations to soar and intertwine. Like a diary written in the aether, Mokuy carves a record of our coming together, animated by Daniel and Sunny’s voices; the breath of the trumpet and woodwinds; the insistent pulse of the yiḏaki.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hand To Earth\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-13T15:29:15+09:00","created_at":"2023-11-08T10:50:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","field recording","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745106686202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hand To Earth \/\/ Mokuy CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","options":["Title"],"media":[{"alt":null,"id":32655572041978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","width":700},{"alt":null,"id":32655572074746,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アーネムランドのインディジネス\u003cspan data-mce-fragment=\"1\"\u003eDaniel Wilfredと\u003cmeta charset=\"utf-8\"\u003eDavid Wilfred率いるバンドHand To Earth\u003c\/span\u003eが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディジリドゥやビルマなどのオーストラリア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eインディジネスたちの民族楽器を用いたアンビエント3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、バンドメンバーによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Hand To Earthで一緒に音楽を作るプロセスは、私たちが経験したことのないものだ。自由な即興演奏ではないが、作曲でもない。その中間であり、「編む」ような感覚だ。Hand To Earthを通して、私たちは異なる歴史、異なる人生、異なる視点の糸を織り合わせ、家族になる。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルは、彼の母国語であるワギラク語の「マニカイ」(民衆の歌)を、私たちが共有する慣習の構文に織り込んでいく。彼は、ジャンブ・ブラ・ブラやウォーリー・ウィルフレッドなどの絵の多くに描かれているモクイ(精霊)が持っているディリーバッグを作るための紐である「ラキ」について語る。ラキは私たちが触れることのできる世界に存在するが、私たちを「bul_14bul」(儀式、または集いの場)に引き寄せる形而上学的な繋ぎの糸でもある。私たちが音楽を奏でるとき、ラキが私たち全員を引き寄せる。ヨルルもバランダーも、私たちはこの目に見えない糸で結ばれ、その導きのもとに集まり、歌い、演奏し、踊り、耳を傾ける。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダニエルが『Wata Dhärranhay_14Bu』で歌っているように、ラキはさまざまな国を吹き抜け、人々をひとつにする風のように、時間と場所を超え、私たちがどこから来たかに関係なく、私たち全員をつなぐ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルとデヴィッドが手がけるソングラインは、おそらく6万年前にまでさかのぼり、地球上で最も古い継続的な音楽の伝統を形成している。しかし、ソングラインは常に更新されている。モクイの歌は、私たちそれぞれのカントリーとの関係からインスピレーションを受け、私たちが共有する学びと友情から生まれた、新しい音とエネルギーで湧き上がってくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちひとりひとりの物語もまた、ソングラインの一部なのだ。目を閉じて互いに耳を傾けるとき、私たちはラキの静かな吸引力を感じ、それが私たちの想像力を膨らませ、絡み合わせる。ダニエルとサニーの歌声、トランペットと木管楽器の息づかい、イーフアキの鼓動。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1305631181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaṯu\u003c\/li\u003e\n\u003cli\u003eWata Dhärranhayŋu\u003c\/li\u003e\n\u003cli\u003eMokuy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Daniel Wilfred, David Wilfred, Aviva Endean, Sunny Kim and Peter Knight:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘raki’, the string that is used to make the dilly bag that the Mokuy (spirit) can be seen carrying in many of the paintings by Djambu Burra Burra, Wally Wilfred, and others. Raki exists in the world we can touch, but it is also a metaphysical connecting thread that draws us together to the ‘buŋgul’ (ceremony, or gathering ground). When we play music, the raki pulls us all together - Yolŋu and balander - we are joined by this invisible thread, and under its guidance, we gather to sing, play, dance, and listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the wind that blows through different countries to bring people together – which Daniel sings about in Wata\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Dhärranhayŋu – raki traverses time and place and connects all of us no matter where we come from. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe songlines Daniel and David care for stretch back for perhaps 60,000 years and form the oldest continuously practised music tradition on the planet. But the songlines are also always being renewed. In Mokuy, the songs spring up with new sounds and energy inspired by each of our own relationships to Country, and born of our shared learning and friendship. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of our stories are part of these songlines now. As we close our eyes to listen to one another we feel the silent draw of the raki and it propels our imaginations to soar and intertwine. Like a diary written in the aether, Mokuy carves a record of our coming together, animated by Daniel and Sunny’s voices; the breath of the trumpet and woodwinds; the insistent pulse of the yiḏaki.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hand To Earth\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Hand To Earth, an independent band from Arnhem Land, Australia, led by Daniel Wilfred and David Wilfred, released this CD on the country's experimental label room2023 in November 11.Contains three ambient songs using traditional Australian indigenous instruments such as the didgeridoo and Burmese.Below are explanations by band members. "The process of making music together on Hand To Earth is unlike anything we've ever experienced. It's not free improvisation, but it's not composition either. It's something in between, and it feels like weaving. Through Hand To Earth, we weave together the threads of different histories, different lives, and different perspectives to become a family.Daniel weaves manikai (folk songs) from his native Wagilak into the syntax of our shared customs.He talks about ``raki,'' a string used to make daily bags carried by mokui (spirits) depicted in many of the paintings of artists such as Jambu Bura Bura and Wally Wilfred.Rakhi exists in the world that we can touch, but it is also a metaphysical thread that draws us to a ``bul_40bul'' (a ritual or gathering place).When we play music, Rakhi draws us all together.Both Yoruru and Balander, we are connected by this invisible thread, and under its guidance we gather, sing, play, dance, and listen.Daniel is ``Wata...
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{"id":8073105015034,"title":"Amby Downs \/\/ Ngunmal CD","handle":"amby-downs-ngunmal-cd","description":"\u003cp\u003eオーストラリアの美術家/実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:14:50+09:00","created_at":"2023-11-08T10:40:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745078964474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amby Downs \/\/ Ngunmal CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","options":["Title"],"media":[{"alt":null,"id":32655547990266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","width":700},{"alt":null,"id":32655548023034,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの美術家/実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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This is a CD released by Australian artist/experimental musician Amby Downs on the Australian experimental label room2023 in November 11.Contains two low-end drone songs with no melody.Below is an explanation by the label. ``Amby Downs' work occupies a deeply personal and unique space in the Australian music scene.This project is as much about trauma as it is about aspirations and hopes.It is a work that recognizes the complexity of intergenerational interactions, emotionally, socially, politically, and culturally.For the past half-century, Thalia has sought to trace untold and sometimes deeply divided histories, tracing lineages badly worn by the strains of colonial invasion and obfuscation.She is a collector, researcher, and surgeon who stitches together these pieces of connective tissue. Ngunmal and I Am Holding My Breath are two full-length works that exist both as sound works and audiovisual installations.This is a work that operates in the physical realm.It contains the low frequency energy of breathing, sighing, and longing.Her works feel both contraction and expansion at the same time, and have a texture that draws you in deeply.This depth is felt as pressure.Even a small crack, a small murmur, can be torn open to reveal a whole cave of sound. Amby Downs, and Palmer's practice more broadly, asks us to make ourselves available.We are required to be vulnerable to unknown places and situations, uncertainty, and instability.In doing so, it gives us the opportunity to experience this wild, intense, provocative, and ultimately beautiful work. " Click here for other works by the label /// Click here to...
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{"id":8073100755194,"title":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","handle":"fabio-perletta-nessun-legame-con-la-polvere-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere(埃に執着しない)」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi(花は自分の種を見ない)」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-09T17:31:07+09:00","created_at":"2023-11-08T10:35:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","monooto","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745064120570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","options":["Title"],"media":[{"alt":null,"id":32655530655994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","width":700},{"alt":null,"id":32655530688762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere(埃に執着しない)」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi(花は自分の種を見ない)」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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*I will be appearing in the Tobira x Void project on 11/19 This is a CD released by Italian experimental musician Fabio Perletta from the Australian experimental label room2023 in November 11.Contains 40 experimental ambient drone songs using piano and noise.Below is an explanation by the author himself. "The title of this release, ``Nessun Legame con la Polvere (Nessun Legame con la Polvere)'' is a combination of a Zen story and my project ``I Fiori Non...
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{"id":8014937915642,"title":"Tenniscoats \/\/ Totemo Aimasho (15th Anniversary Edition) CD","handle":"tenniscoats-totemo-aimasho-15th-anniversary-edition-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。(オリジナルは2007年リリース)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eオーストラリアツアー中に録音したフォーク〜アンビエント・フォーク12曲を収録。エコウォレット、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e00年代初頭のある時、当時日本に住んでいたジョン・チャントラーが、東京で知り合ったミュージシャン、テニスコーツと録音したばかりの不思議な音源を送ってくれた。これが、その後長年の友人となり、音のインスピレーションの源泉となったサヤとウエノを私が初めて知ったきっかけだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2005年、メルボルンのガイ・ブラックマンとのつながりで、テニスコーツはオーストラリアツアーを行った。フォーティテュード・バレーのリックスカフェで開催された彼らのショーは、歌、即興、そしてメロディーの自由が乱れ飛ぶものだった。公演後、\u003cmeta charset=\"utf-8\"\u003eサヤとウエノ、ドラマーのキシダはさらに数日間ブリスベンに滞在し、この間に『トテモアイマショウ』の大部分が録音された。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコーディング自体は、友人のハインツ・リーグラーが小さなレコーディング・スペースを設けたオフィスビルを再利用して行われた。さまざまなオフィスを、やや隔離された録音ゾーンとして使うことができた。結果は驚くほど豊かで、オフィスの部屋の設計の賜物だと思う。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの特別な15周年記念盤のために、私は時間をかけて録音を見直し、リマスタリングを行った。このバージョンは、おそらく当時のセッションのダイナミクスをもう少し忠実に再現したものだろう。また、オリジナルの『トテモアイマショウ』セッションには含まれていなかったアーカイブ資料にも何日か目を通した。驚いたことに、レコードの中で私のお気に入りの曲のひとつであるCacoyのデモ・バージョンをいくつか見つけたし、他のアルバム曲のバリエーションや、レコードに収録されていない実験的な曲もいくつか見つけた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの音楽には、ある種の晴れやかな喜びがある。このレコードには、好奇心、多孔性、寛大さが同居している。それは、このコラボレーション、そして「トテモアイマショウ」の創作そのものに影響を与えた混合的な方法論である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eジョンに感謝の言葉を送りたい。ジョンがいなければ、このプロジェクトも、その後の多くのつながりも生まれなかっただろう。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ETcHPQyGCNY?si=Nv-LGyhiPMmGbbOx\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8J0cng8aE9k?si=iyicK6xl5D692T9o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CDN8UiAuIpM?si=2aimX3QdcjJqmbod\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuY-649zA-I?si=PI28wbxW9D3k1ze4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKquGvqL1sI?si=5o2acMenROrQRw8O\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome printed, Matte laminated and embossed sleeve with insert card. Includes previously unreleased demos and outtakes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSome time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them in Brisbane. Their show, held at Rics Cafe in Fortitude Valley, was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of Totemo Aimasho was recorded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe recording itself took place in a reappropriated office building, where my friend Heinz Riegler had set up a small recording space. We were able to use the various offices as somewhat isolated recording zones. The results were surprisingly rich, a testament to office room design I suppose.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor this special 15th anniversary edition, I spent\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esome time going back over the recordings to remaster them. This version is perhaps a bit more faithful to the dynamics of those sessions. I also spent some days going through archival materials that were not included in the original Totemo Aimasho sessions. To my surprise I found a couple of demo versions of Cacoy, one of my favourite pieces from the record, as well as some variations of other album pieces and also a couple of experiments not included on the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a certain radiant joy to this music. The record is equal parts curiosity, porousness and generosity. It's a mixed methodology that informed this collaboration, and equally the creation of Totemo Aimasho itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to send a special note of thanks to John, without whom this project, and many subsequent other connections, would not have occurred.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-09-07T11:13:16+09:00","created_at":"2023-09-07T11:13:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44544150601978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tenniscoats \/\/ Totemo Aimasho (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808","options":["Title"],"media":[{"alt":null,"id":32414091608314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。(オリジナルは2007年リリース)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eオーストラリアツアー中に録音したフォーク〜アンビエント・フォーク12曲を収録。エコウォレット、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e00年代初頭のある時、当時日本に住んでいたジョン・チャントラーが、東京で知り合ったミュージシャン、テニスコーツと録音したばかりの不思議な音源を送ってくれた。これが、その後長年の友人となり、音のインスピレーションの源泉となったサヤとウエノを私が初めて知ったきっかけだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2005年、メルボルンのガイ・ブラックマンとのつながりで、テニスコーツはオーストラリアツアーを行った。フォーティテュード・バレーのリックスカフェで開催された彼らのショーは、歌、即興、そしてメロディーの自由が乱れ飛ぶものだった。公演後、\u003cmeta charset=\"utf-8\"\u003eサヤとウエノ、ドラマーのキシダはさらに数日間ブリスベンに滞在し、この間に『トテモアイマショウ』の大部分が録音された。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコーディング自体は、友人のハインツ・リーグラーが小さなレコーディング・スペースを設けたオフィスビルを再利用して行われた。さまざまなオフィスを、やや隔離された録音ゾーンとして使うことができた。結果は驚くほど豊かで、オフィスの部屋の設計の賜物だと思う。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの特別な15周年記念盤のために、私は時間をかけて録音を見直し、リマスタリングを行った。このバージョンは、おそらく当時のセッションのダイナミクスをもう少し忠実に再現したものだろう。また、オリジナルの『トテモアイマショウ』セッションには含まれていなかったアーカイブ資料にも何日か目を通した。驚いたことに、レコードの中で私のお気に入りの曲のひとつであるCacoyのデモ・バージョンをいくつか見つけたし、他のアルバム曲のバリエーションや、レコードに収録されていない実験的な曲もいくつか見つけた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの音楽には、ある種の晴れやかな喜びがある。このレコードには、好奇心、多孔性、寛大さが同居している。それは、このコラボレーション、そして「トテモアイマショウ」の創作そのものに影響を与えた混合的な方法論である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eジョンに感謝の言葉を送りたい。ジョンがいなければ、このプロジェクトも、その後の多くのつながりも生まれなかっただろう。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ETcHPQyGCNY?si=Nv-LGyhiPMmGbbOx\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8J0cng8aE9k?si=iyicK6xl5D692T9o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CDN8UiAuIpM?si=2aimX3QdcjJqmbod\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuY-649zA-I?si=PI28wbxW9D3k1ze4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKquGvqL1sI?si=5o2acMenROrQRw8O\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome printed, Matte laminated and embossed sleeve with insert card. Includes previously unreleased demos and outtakes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSome time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them in Brisbane. Their show, held at Rics Cafe in Fortitude Valley, was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of Totemo Aimasho was recorded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe recording itself took place in a reappropriated office building, where my friend Heinz Riegler had set up a small recording space. We were able to use the various offices as somewhat isolated recording zones. The results were surprisingly rich, a testament to office room design I suppose.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor this special 15th anniversary edition, I spent\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esome time going back over the recordings to remaster them. This version is perhaps a bit more faithful to the dynamics of those sessions. I also spent some days going through archival materials that were not included in the original Totemo Aimasho sessions. To my surprise I found a couple of demo versions of Cacoy, one of my favourite pieces from the record, as well as some variations of other album pieces and also a couple of experiments not included on the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a certain radiant joy to this music. The record is equal parts curiosity, porousness and generosity. It's a mixed methodology that informed this collaboration, and equally the creation of Totemo Aimasho itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to send a special note of thanks to John, without whom this project, and many subsequent other connections, would not have occurred.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Tokyo folk duo Tenniscoats is a reissued CD released in September 2023 from the Australian experimental label room9. (Original was released in 40) Contains 2007 folk-ambient folk songs recorded during the Australian tour.Eco wallet, shrink specification.Below is an explanation by label owner Lawrence English. " Sometime in the early '12s, John Chantler, who was living in Japan at the time, sent me a mysterious recording he had just recorded with a musician he met in Tokyo, Tenniscoats. It was my first encounter with Saya and Ueno, the source of their sonic inspiration.In 00, Tenniscoats toured Australia through connections with Guy Blackman of Melbourne, Fortitude Valley. Their show, held at the Ricks Cafe in London, was a turmoil of song, improvisation and melody freedom.After the show, Saya, Ueno and drummer Kishida spent a few more days in Brisbane, during which time they performed Totemoai. Much of Mashou was recorded in. The recording itself took place in a repurposed office building where my friend Heinz Riegler set up a small recording space, with various offices as somewhat isolated recording zones. The results are surprisingly rich, and I think that's a credit to the design of my office room.For this special 2005th anniversary edition, I took the time to review and remaster the recordings. This version is probably a little more faithful to the dynamics of the sessions at the time.I also spent several days poring over archival material that wasn't included in the original Totemoai Masho sessions. To my surprise, I found some demo versions of Cacoy, one of my favorite songs on the record, as well as variations on other album songs and some experimental songs that didn't make it onto the record. There's a kind of sunny joy in this music. There's a sense of curiosity, porosity, and generosity in this record. It's this collaboration and the creation of "Totemoaimasho." It is a mixed methodology that has influenced that.I would like to express my gratitude to John.Without John, this project and many of the connections that followed would not have happened. "Click here to see more Room15 releases available at...
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{"id":8014653980922,"title":"David Toop \u0026 Lawrence English \/\/ The Shell That Speaks The Sea LP","handle":"david-toop-lawrence-english-the-shell-that-speaks-the-sea-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスDavid ToopとオーストラリアのLawrence English実験音楽家2名が、2023年8月に\u003cspan data-mce-fragment=\"1\"\u003eLawrence English主宰\u003c\/span\u003eレーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングやギター、短波ラジオ、フルート、竹、石等による物音ドローン8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e「David Toopと初めて会ったのは20年ほど前だ。その少し前から連絡を取り合っていたと思うが、初めて会ったのは、ブリスベンのパワーハウスで開催されたフェスティバル『REV』の一環として、私が彼をオーストラリアに招き、パフォーマンスとスピーチを披露してもらった時だった。彼のソロパフォーマンスを鮮明に覚えているし、『A Picturesque View, Ignored』には、そのときの即興的な出会いが記録されている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e長年にわたり、Davidと私は、音の物質的な意味合いと非物質的な意味合いの両方に(とりわけ)関心を共有してきた。さらに、私たちは聴覚についてどう考えるか、ということの端っこにある問題で何度もつながってきた。私たちの興味は、経験を説明するのではなく、経験につきまとう感情的な領域にある。The Shell That Speaks The Sea(海を語る貝殻)』は、この共通の魅力にとても共鳴している。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e私たちが最初にこのデュエットを言い出したのはいつなのか正確にはわからないが、その最初の痕跡はもう10年以上前に感じられる。私は『適切な場所、適切な時』をモットーに生きている。数年前、Davidと私はデュエットの話を再開し、資料の交換を始めた。その出発点として、私は、少なくとも私にとっては、前に述べたような感情的な呪縛のようなものを捉えた一連のフィールドレコーディングを探求した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eそのひとつが、ユガラブル族の土地にあるヌグム(ホワイトロック)で録音したガマグチヨタカの口である。ガマグチヨタカ(オーストラリアに生息するカエルのような口を持つ鳥)はまったく捉えどころのない生き物で、その声は変調する低周波発振器のようだ。魔法のような鳥であり、David\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eと私は人生のさまざまな場面で魅了されてきた。この録音は、音へのアプローチ方法を示唆しているように思えたし、少なくとも私にとっては、この録音の最終バージョンに存在する、まったく新しい音の世界を開いてくれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこのエディションは、和らげられた沈黙の時間によって緩衝された、自然発生的な交流の爆発から生まれたものである。予期せぬダイナミクスに満ちた忍耐強い作品である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの録音を皆様と共有できることを大変嬉しく思う。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2698592517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1361099055\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eMonochrome printed and laminated sleeve, printed black inner sleeve, shrinkwarpped, standard vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eAbyssal Tracker 06:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eReading Bones 06:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eMouth Cave 04:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eWhistling In The Dark 03:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eThe Chair's Story 06:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eHuanghu 02:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eThe Tattooed Back 05:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eLong Night 04:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I first met David Toop some 20 years ago. I think we were in touch shortly before that, but our first meeting took place when I invited him to Australia to perform and to speak as part of REV, a festival held at Brisbane Powerhouse. It was a memorable meeting, I vividly remember his solo performance and the edition A Picturesque View, Ignored, documents an improvised meeting during that time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the years, David and I have shared an interest in both the material and immaterial implications of sound (amongst other things). Moreover we’ve connected many times on matters which lie at the fringes of how we might choose to think about audition, our interests seeking in the affective realm that haunts, rather than describes, experience. The Shell That Speaks The Sea very much resonates from this shared fascination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI’m not exactly sure when we first mooted this duet, but I sense its initial trace is now more than a decade ago. I tend to live by the motto of ‘right place, right time’ and I believe David likely also subscribes to this methodology. A couple of years ago, David and I reignited the duet conversation and began exchanging materials. As a jumping off point, I explored a series of field recordings that, for\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e me at least, captured something of this affective haunting that I mentioned previously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne such recording was of a Tawny Frogmouth at Nugum (White Rock) on the lands of the Yugarabul people. The frogmouth is an utterly elusive creature whose voice is like a modulating low frequency oscillator. They are a magical bird, and like the Potoo, have captivated David and I at various points in our lives. The recording seemed to suggest a whole way of approaching sound and, for me at least, it opened an entirely new range of sound worlds which are present in the final version of this recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis edition is the product of spontaneous burst of exchanges, buffered by periods of tempered silence. A patient work, charged with unexpected dynamics.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s with great pleasure we share this recording with you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-09-06T20:38:10+09:00","created_at":"2023-09-06T15:57:41+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","recommended","room40"],"price":369800,"price_min":369800,"price_max":369800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44542730895610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop \u0026 Lawrence English \/\/ The Shell That Speaks The Sea LP","public_title":null,"options":["Default Title"],"price":369800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1139517019_16.jpg?v=1694000397","\/\/tobirarecords.com\/cdn\/shop\/files\/0031646470_10.jpg?v=1694000397"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1139517019_16.jpg?v=1694000397","options":["Title"],"media":[{"alt":null,"id":32412181201146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1139517019_16.jpg?v=1694000397"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1139517019_16.jpg?v=1694000397","width":700},{"alt":null,"id":32412170584314,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031646470_10.jpg?v=1694000397"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031646470_10.jpg?v=1694000397","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスDavid ToopとオーストラリアのLawrence English実験音楽家2名が、2023年8月に\u003cspan data-mce-fragment=\"1\"\u003eLawrence English主宰\u003c\/span\u003eレーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングやギター、短波ラジオ、フルート、竹、石等による物音ドローン8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e「David Toopと初めて会ったのは20年ほど前だ。その少し前から連絡を取り合っていたと思うが、初めて会ったのは、ブリスベンのパワーハウスで開催されたフェスティバル『REV』の一環として、私が彼をオーストラリアに招き、パフォーマンスとスピーチを披露してもらった時だった。彼のソロパフォーマンスを鮮明に覚えているし、『A Picturesque View, Ignored』には、そのときの即興的な出会いが記録されている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e長年にわたり、Davidと私は、音の物質的な意味合いと非物質的な意味合いの両方に(とりわけ)関心を共有してきた。さらに、私たちは聴覚についてどう考えるか、ということの端っこにある問題で何度もつながってきた。私たちの興味は、経験を説明するのではなく、経験につきまとう感情的な領域にある。The Shell That Speaks The Sea(海を語る貝殻)』は、この共通の魅力にとても共鳴している。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e私たちが最初にこのデュエットを言い出したのはいつなのか正確にはわからないが、その最初の痕跡はもう10年以上前に感じられる。私は『適切な場所、適切な時』をモットーに生きている。数年前、Davidと私はデュエットの話を再開し、資料の交換を始めた。その出発点として、私は、少なくとも私にとっては、前に述べたような感情的な呪縛のようなものを捉えた一連のフィールドレコーディングを探求した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eそのひとつが、ユガラブル族の土地にあるヌグム(ホワイトロック)で録音したガマグチヨタカの口である。ガマグチヨタカ(オーストラリアに生息するカエルのような口を持つ鳥)はまったく捉えどころのない生き物で、その声は変調する低周波発振器のようだ。魔法のような鳥であり、David\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eと私は人生のさまざまな場面で魅了されてきた。この録音は、音へのアプローチ方法を示唆しているように思えたし、少なくとも私にとっては、この録音の最終バージョンに存在する、まったく新しい音の世界を開いてくれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこのエディションは、和らげられた沈黙の時間によって緩衝された、自然発生的な交流の爆発から生まれたものである。予期せぬダイナミクスに満ちた忍耐強い作品である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの録音を皆様と共有できることを大変嬉しく思う。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2698592517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1361099055\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eMonochrome printed and laminated sleeve, printed black inner sleeve, shrinkwarpped, standard vinyl LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eAbyssal Tracker 06:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eReading Bones 06:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eMouth Cave 04:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eWhistling In The Dark 03:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eThe Chair's Story 06:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eHuanghu 02:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eThe Tattooed Back 05:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eLong Night 04:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I first met David Toop some 20 years ago. I think we were in touch shortly before that, but our first meeting took place when I invited him to Australia to perform and to speak as part of REV, a festival held at Brisbane Powerhouse. It was a memorable meeting, I vividly remember his solo performance and the edition A Picturesque View, Ignored, documents an improvised meeting during that time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the years, David and I have shared an interest in both the material and immaterial implications of sound (amongst other things). Moreover we’ve connected many times on matters which lie at the fringes of how we might choose to think about audition, our interests seeking in the affective realm that haunts, rather than describes, experience. The Shell That Speaks The Sea very much resonates from this shared fascination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI’m not exactly sure when we first mooted this duet, but I sense its initial trace is now more than a decade ago. I tend to live by the motto of ‘right place, right time’ and I believe David likely also subscribes to this methodology. A couple of years ago, David and I reignited the duet conversation and began exchanging materials. As a jumping off point, I explored a series of field recordings that, for\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e me at least, captured something of this affective haunting that I mentioned previously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne such recording was of a Tawny Frogmouth at Nugum (White Rock) on the lands of the Yugarabul people. The frogmouth is an utterly elusive creature whose voice is like a modulating low frequency oscillator. They are a magical bird, and like the Potoo, have captivated David and I at various points in our lives. The recording seemed to suggest a whole way of approaching sound and, for me at least, it opened an entirely new range of sound worlds which are present in the final version of this recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis edition is the product of spontaneous burst of exchanges, buffered by periods of tempered silence. A patient work, charged with unexpected dynamics.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s with great pleasure we share this recording with you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a collaborative record released by two experimental musicians, David Toop from England and Lawrence English from Australia, on Room2, a label run by Lawrence English, in August 2023.Contains 8 drone songs made with field recordings, guitar, shortwave radio, flute, bamboo, stones, etc. DL code included.Below is an explanation by the label. "I first met David Toop about 40 years ago. I think we had been in touch for a while before that, but the first time we met was as part of the REV festival at Powerhouse in Brisbane. It was when I invited him to Australia to give a performance and speech. I vividly remember his solo performance, and ``A Picturesque View, Ignored'' is about that impromptu encounter. For many years, David and I have shared an interest (among other things) in both the material and immaterial implications of sound. Time and time again, we have been connected by issues at the edge of things. Our interest lies not in explaining experiences, but in the emotional realm that haunts them. The Shell That Speaks...
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{"id":7996645998842,"title":"Christina Giannone \/\/ Reality Opposition CD","handle":"christina-giannone-reality-opposition-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験音楽家Christina Giannoneが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなローエンド・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"解離がこの作品の原動力である。身を委ねるという行為、私たちの存在を外から観察しようとする試み。\u003cbr\u003e\u003cbr\u003e屈服はあきらめのように感じる。\u003cbr\u003e\u003cbr\u003e受け入れることはあきらめのように感じる。\u003cbr\u003e\u003cbr\u003eそのプロセスには、観察と細部へのこだわりによるデジタルサウンドの実験や、聴き手によって音が異なる姿を見せるというアイデアが含まれている。この細部へのこだわりは、角度によって形を変えるホログラムとして機能する。多次元的な存在のアイデアと、最も純粋な形での無関心。ゆっくりとしたデジタルの蒸発。\u003cbr\u003e\u003cbr\u003e無とは何かを再現する試み。それは窓の外を眺めることかもしれないし、通りすがりの会話かもしれないし、不完全な思考かもしれない。その隙間を埋める、はかなく無意味な瞬間。私たちが無意識にしか意識していないもの。\u003cbr\u003e\u003cbr\u003e周縁。忘れられたもの。その間の静寂。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564837374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 \u003cem\u003e 08:00\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 \u003cem\u003e 11:18 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e3 \u003cem\u003e 13:34 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eReality Opposition \u003cem\u003e 06:48\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eCosmic Identity \u003cem\u003e13:02 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement excerpt by Christina Giannone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGiving in feels like giving up.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcceptance feels like resignation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on the angle. Ideas of multi-dimensional existences and indifference in its purest form. Slow, digital evaporation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn attempt to recreate what ‘nothing’ means. It might be a gaze out the window, conversations in passing, an incomplete thought. Fleeting, meaningless moments that fill the gaps. Things we are only subconsciously aware of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:45:47+09:00","created_at":"2023-07-20T15:37:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361199747322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christina Giannone \/\/ Reality Opposition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","options":["Title"],"media":[{"alt":null,"id":32245549793530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","width":700},{"alt":null,"id":32245549826298,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験音楽家Christina Giannoneが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなローエンド・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"解離がこの作品の原動力である。身を委ねるという行為、私たちの存在を外から観察しようとする試み。\u003cbr\u003e\u003cbr\u003e屈服はあきらめのように感じる。\u003cbr\u003e\u003cbr\u003e受け入れることはあきらめのように感じる。\u003cbr\u003e\u003cbr\u003eそのプロセスには、観察と細部へのこだわりによるデジタルサウンドの実験や、聴き手によって音が異なる姿を見せるというアイデアが含まれている。この細部へのこだわりは、角度によって形を変えるホログラムとして機能する。多次元的な存在のアイデアと、最も純粋な形での無関心。ゆっくりとしたデジタルの蒸発。\u003cbr\u003e\u003cbr\u003e無とは何かを再現する試み。それは窓の外を眺めることかもしれないし、通りすがりの会話かもしれないし、不完全な思考かもしれない。その隙間を埋める、はかなく無意味な瞬間。私たちが無意識にしか意識していないもの。\u003cbr\u003e\u003cbr\u003e周縁。忘れられたもの。その間の静寂。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564837374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 \u003cem\u003e 08:00\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 \u003cem\u003e 11:18 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e3 \u003cem\u003e 13:34 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eReality Opposition \u003cem\u003e 06:48\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eCosmic Identity \u003cem\u003e13:02 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement excerpt by Christina Giannone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGiving in feels like giving up.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcceptance feels like resignation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on the angle. Ideas of multi-dimensional existences and indifference in its purest form. Slow, digital evaporation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn attempt to recreate what ‘nothing’ means. It might be a gaze out the window, conversations in passing, an incomplete thought. Fleeting, meaningless moments that fill the gaps. Things we are only subconsciously aware of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Christina Giannone, an experimental musician from New York, USA, released a CD in July 2023 from the experimental label Room7 in Brisbane, Australia.Includes 40 minimal low-end drone tracks.Below is a commentary by the author himself. "Dissociation is the driving force behind this work. An act of surrender, an attempt to observe our existence from the outside. Surrender feels like giving up. Acceptance feels like giving up. The process involves experimenting with digital sound through observation and attention to detail, and the idea of making sounds appear different to different listeners. This attention to detail acts as a hologram that changes shape depending on the angle. The idea of multidimensional existence and indifference in its purest form. Slow digital evaporation. An attempt to recreate what is.It could be looking out the window, it could be a passing conversation, it could be an imperfect thought.The fleeting and meaningless moments that fill the gaps.What we are only unconsciously aware of.The perimeter.The forgotten.The silence in between." Click here to see more Room5 releases available at Tobira....
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{"id":7996645343482,"title":"Hyunhye Seo \/\/ Eel CD","handle":"hyunhye-seo-eel-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国の実験音楽家/マルチ奏者Hyunhye Seoが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなローエンド・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"毎年、ウナギがサルガッソーにやってくる。太陽神アトゥムがナイル川を温めたときに生命を吹き込まれたウナギは、大地の内臓の中で、岩のこすれや川岸の露のしずくから生成され、繁殖のために何千キロもサルガッソーまで移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその幼生であるガラスウナギは淡水の住処に移動し、必要に応じて陸地を這ったり、滝を登ったりしながら、皮膚呼吸をしながら目的の場所にたどり着く。蛇や鳥を食べることもある。数十年後、繁殖の準備が整うと、食べるのをやめて性器を発達させ、サルガッソーに戻る。サルガッソーに戻れなければ、完全に成熟することはない。ただ老化が止まるだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人間がウナギの繁殖を見たことはない。フロイトはウナギの睾丸を求めて400匹以上のウナギを解剖した。アリストテレスは土の中のミミズから成長すると考えた。ウナギがなぜどこへ行くのか、どうやって帰り道を見つけるのか、誰も知らない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e泥と雨の生き物であり、時間と年齢の中で流動的であり、臆することなく変態し、未知でありながら常に発見される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2116757941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEel I \u003cem\u003e14:44\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEel II \u003cem\u003e18:07\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Hyunhye Seo:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Every year, the eels arrive in Sargasso. The eels that sprang to life when the sun god Atum warmed the Nile, the eels generated within the entrails of the earth, from the rubbing of the rocks and dew drops on riverbanks, they travel thousands of kilometres to Sargasso to breed. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir larvae, eels of glass, move to freshwater homes, crawling across land or up waterfalls if necessary, breathing through their skins, to get to where they want to go, although no one knows exactly where or why. Sometimes, they eat snakes and birds. After decades, when they're ready to breed, they stop eating and develop sex organs, and they travel back to Sargasso. If they can't go back to Sargasso, they never fully mature. They just stop ageing. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo human has seen eels breed. Freud dissected over 400 eels in search of eel testicles. Aristotle thought they grew from earthworms in dirt. No one knows why they go where they go, or how they find their way back. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreatures of mud and rain, fluid in time and age, unabashed in its metamorphosis, unknown yet always found.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:40:37+09:00","created_at":"2023-07-20T15:33:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361183756538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hyunhye Seo \/\/ Eel CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","options":["Title"],"media":[{"alt":null,"id":32245525741818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","width":700},{"alt":null,"id":32245525774586,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国の実験音楽家/マルチ奏者Hyunhye Seoが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなローエンド・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"毎年、ウナギがサルガッソーにやってくる。太陽神アトゥムがナイル川を温めたときに生命を吹き込まれたウナギは、大地の内臓の中で、岩のこすれや川岸の露のしずくから生成され、繁殖のために何千キロもサルガッソーまで移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその幼生であるガラスウナギは淡水の住処に移動し、必要に応じて陸地を這ったり、滝を登ったりしながら、皮膚呼吸をしながら目的の場所にたどり着く。蛇や鳥を食べることもある。数十年後、繁殖の準備が整うと、食べるのをやめて性器を発達させ、サルガッソーに戻る。サルガッソーに戻れなければ、完全に成熟することはない。ただ老化が止まるだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人間がウナギの繁殖を見たことはない。フロイトはウナギの睾丸を求めて400匹以上のウナギを解剖した。アリストテレスは土の中のミミズから成長すると考えた。ウナギがなぜどこへ行くのか、どうやって帰り道を見つけるのか、誰も知らない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e泥と雨の生き物であり、時間と年齢の中で流動的であり、臆することなく変態し、未知でありながら常に発見される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2116757941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEel I \u003cem\u003e14:44\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEel II \u003cem\u003e18:07\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Hyunhye Seo:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Every year, the eels arrive in Sargasso. The eels that sprang to life when the sun god Atum warmed the Nile, the eels generated within the entrails of the earth, from the rubbing of the rocks and dew drops on riverbanks, they travel thousands of kilometres to Sargasso to breed. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir larvae, eels of glass, move to freshwater homes, crawling across land or up waterfalls if necessary, breathing through their skins, to get to where they want to go, although no one knows exactly where or why. Sometimes, they eat snakes and birds. After decades, when they're ready to breed, they stop eating and develop sex organs, and they travel back to Sargasso. If they can't go back to Sargasso, they never fully mature. They just stop ageing. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo human has seen eels breed. Freud dissected over 400 eels in search of eel testicles. Aristotle thought they grew from earthworms in dirt. No one knows why they go where they go, or how they find their way back. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreatures of mud and rain, fluid in time and age, unabashed in its metamorphosis, unknown yet always found.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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South Korean experimental musician/multi-instrumentalist Hyunhye Seo released a CD in July 2023 from the experimental label Room7 in Brisbane, Australia.Includes two long-form low-end drone tracks.Below is a commentary by the author himself. "Each year eels come to Sargasso. Breathing life into the eels when the sun god Atum warms the Nile, they are born in the guts of the earth, from the rubbing of rocks and dew drops on the banks of the river, and migrate thousands of kilometers to Sargasso to breed. Their larvae, the glass eels, migrate to their freshwater habitats, crawling on land and climbing waterfalls as necessary, reaching their destination by skin-breathing. Sometimes it eats snakes and birds.Decades later, when it's ready to breed, it stops eating, develops its genitalia, and returns to Sargasso.If it can't return to Sargasso, it never fully matures.It just stops aging.Humans have never seen eels breed.Freud dissected more than 40 eels in search of their testicles.Aristotle thought they grew from earthworms in the soil.Eels grew from earthworms in the soil. No one knows why it goes or how it finds its way home.A creature of mud and rain, fluid in time and age, fearlessly metamorphosing, unknown yet always discovered." Click here to see more Room2 releases available at Tobira....
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{"id":7996644557050,"title":"Yann Novak \/\/ The Voice of Theseus CD","handle":"yann-novak-the-voice-of-theseus-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのアンビエント作家Yann Novakが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエントドローン〜アンビエント・テクノ9曲を収録。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"ギリシャ神話に登場するテセウスの伝説は、古代アテネの建国者である王が、クレタ島でミノス王のミノタウロスから街の子供たちを救い出したことを描いている。これを記念して、アテネの人々はテセウスの船をアテネからデロス島まで航海させ、彼の勝利を称える巡礼を始めた。この伝統の中で、歴史的な船に関する哲学的なパラドックスが提起された: 船は少しずつ修理され、もはや元の部品から構成されなくなったが、どの時点でその船はもはや同じ存在とは見なされなくなったのだろうか?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e近年、私は自分が経験する知覚の違いを探求することに興味を持っている。部分的な色覚異常や失読症といった知覚の違いは、私の人生とともに歩んできたものだが、聴覚障害による耳鳴りは、私が世界を体験する方法にとって比較的新しい変化である。このような感覚的な挑戦が、私の芸術活動を形成してきたのだ。私が知覚的不安と呼んでいるもの、つまり、自分が周囲の世界をどれだけ正確に見分けているかという不安を生み出しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『The Voice of Theseus』は、私が外部の感覚情報を処理する際に直面する障害を探求する試みである。もし私が赤や緑を知覚するのが苦手なら、もし私が特定の周波数を聞き取るのが苦手なら、もし私が標準的な方法で書かれた言語を解釈しないなら、私は他の人が経験するような方法で現実をどれだけ忠実に経験できるのだろうか?このアルバムは、リスナーに対して、自分の知覚や解釈のユニークな手段が、他の人のそれとどう違うかを問うものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Voice of Theseus』では、私のお気に入りのヴォーカリスト2人にこの実験に協力してもらった。ドリアン・ウッドとG.ブレナーは、アルバム全体を通して私が操作できるようにボーカルを録音してくれた。彼らの元の音声がテセウスの船だとすれば、私が彼らの声に加える変更は、アテネ人が元の船の各パーツを交換するようなものだ。そして、ヴォーカリストのアイデンティティを保ちながら、これらのヴォーカルをどこまで押し広げることができるのか?元となる素材と、それを使って作られたものとの隔たりはどこにあるのだろうか?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテセウスの船の神話は、現実がいかに不特定多数の方法で観察され、解釈され、変更されうるかというニュアンスを、私にいじってみせた。しかし、私の内部事情により、知覚的な不安は残る。ある物や瞬間の本質が柔軟であるように、不正確さがつきまとう。私の観察体験と他の人の観察体験の間にどれほどの乖離があるのかを知る本当の方法はないし、私たちが共有する現実の断片が、それでなくなる前に、いくつまで変更できるのか、その明確な限界もない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1738330490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Monument to Oblivion \u003c\/li\u003e\n\u003cli\u003eReflex Point \u003c\/li\u003e\n\u003cli\u003eTraversing the Substrate \u003c\/li\u003e\n\u003cli\u003eInterlude: The Translator \u003c\/li\u003e\n\u003cli\u003eSuper Coherent Light \u003c\/li\u003e\n\u003cli\u003ePatterned Behavior \u003c\/li\u003e\n\u003cli\u003eThe Inevitability of Failure \u003c\/li\u003e\n\u003cli\u003eSeeing Light Without Knowing Darkness \u003c\/li\u003e\n\u003cli\u003eWe Went out, Not with a Whimper, but a Whisper…\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Yann Novak:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any original parts, at what point could the ship no longer be considered the same entity?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn recent years, I’ve become interested in exploring the perceptual differences I experience. While some of these differences—partial color blindness and dyslexia—have been with me my entire life, tinnitus caused by hearing damage is a relatively new change to how I experience the world. It is these sensory challenges which have shaped my artistic practice by creating what I call a perceptual insecurity—an uncertainty of how accurately I discern the world around me.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Voice of Theseus is my attempt to explore the obstacles I face in processing external sensory information. If I have trouble\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perceiving reds and greens, if I have trouble hearing certain frequencies, if I don’t interpret written language in a standard way, how closely can I experience reality in the way that others experience it? The album asks the listener to question how their unique means of perception and interpretation might differ from that of others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor The Voice of Theseus, I asked two of my favorite vocalists to assist with this experiment. Both Dorian Wood and G.Brenner recorded vocals for me to manipulate throughout the album. If their original audio is Theseus’s ship, the changes I make to their voices are like the Athenians replacing each of the original vessel’s pieces. And so, how far can these vocals be pushed while still remaining attached to the vocalists’ identities? Where lies the separation between the source materials and the objects they’re used to create?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe myth of Theseus’ ship allowed me to tease at the nuances of how reality can be observed, interpreted, and altered in an indeterminate number of ways; it can be dismantled and rebuilt, many times over. And yet, because of my internal circumstances, a perceptual insecurity remains. As flexible as the true nature of an object or moment may be, inaccuracy looms. There’s no real way to know how great the disparity is between my observational experiences and another’s, and no clear limit of how many pieces of our shared reality can be altered—before it stops being just that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Novak\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-21T08:47:38+09:00","created_at":"2023-07-20T15:30:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361171599610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yann Novak \/\/ The Voice of Theseus CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","options":["Title"],"media":[{"alt":null,"id":32245508243706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","width":700},{"alt":null,"id":32245508276474,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのアンビエント作家Yann Novakが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエントドローン〜アンビエント・テクノ9曲を収録。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"ギリシャ神話に登場するテセウスの伝説は、古代アテネの建国者である王が、クレタ島でミノス王のミノタウロスから街の子供たちを救い出したことを描いている。これを記念して、アテネの人々はテセウスの船をアテネからデロス島まで航海させ、彼の勝利を称える巡礼を始めた。この伝統の中で、歴史的な船に関する哲学的なパラドックスが提起された: 船は少しずつ修理され、もはや元の部品から構成されなくなったが、どの時点でその船はもはや同じ存在とは見なされなくなったのだろうか?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e近年、私は自分が経験する知覚の違いを探求することに興味を持っている。部分的な色覚異常や失読症といった知覚の違いは、私の人生とともに歩んできたものだが、聴覚障害による耳鳴りは、私が世界を体験する方法にとって比較的新しい変化である。このような感覚的な挑戦が、私の芸術活動を形成してきたのだ。私が知覚的不安と呼んでいるもの、つまり、自分が周囲の世界をどれだけ正確に見分けているかという不安を生み出しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『The Voice of Theseus』は、私が外部の感覚情報を処理する際に直面する障害を探求する試みである。もし私が赤や緑を知覚するのが苦手なら、もし私が特定の周波数を聞き取るのが苦手なら、もし私が標準的な方法で書かれた言語を解釈しないなら、私は他の人が経験するような方法で現実をどれだけ忠実に経験できるのだろうか?このアルバムは、リスナーに対して、自分の知覚や解釈のユニークな手段が、他の人のそれとどう違うかを問うものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Voice of Theseus』では、私のお気に入りのヴォーカリスト2人にこの実験に協力してもらった。ドリアン・ウッドとG.ブレナーは、アルバム全体を通して私が操作できるようにボーカルを録音してくれた。彼らの元の音声がテセウスの船だとすれば、私が彼らの声に加える変更は、アテネ人が元の船の各パーツを交換するようなものだ。そして、ヴォーカリストのアイデンティティを保ちながら、これらのヴォーカルをどこまで押し広げることができるのか?元となる素材と、それを使って作られたものとの隔たりはどこにあるのだろうか?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテセウスの船の神話は、現実がいかに不特定多数の方法で観察され、解釈され、変更されうるかというニュアンスを、私にいじってみせた。しかし、私の内部事情により、知覚的な不安は残る。ある物や瞬間の本質が柔軟であるように、不正確さがつきまとう。私の観察体験と他の人の観察体験の間にどれほどの乖離があるのかを知る本当の方法はないし、私たちが共有する現実の断片が、それでなくなる前に、いくつまで変更できるのか、その明確な限界もない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1738330490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Monument to Oblivion \u003c\/li\u003e\n\u003cli\u003eReflex Point \u003c\/li\u003e\n\u003cli\u003eTraversing the Substrate \u003c\/li\u003e\n\u003cli\u003eInterlude: The Translator \u003c\/li\u003e\n\u003cli\u003eSuper Coherent Light \u003c\/li\u003e\n\u003cli\u003ePatterned Behavior \u003c\/li\u003e\n\u003cli\u003eThe Inevitability of Failure \u003c\/li\u003e\n\u003cli\u003eSeeing Light Without Knowing Darkness \u003c\/li\u003e\n\u003cli\u003eWe Went out, Not with a Whimper, but a Whisper…\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Yann Novak:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any original parts, at what point could the ship no longer be considered the same entity?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn recent years, I’ve become interested in exploring the perceptual differences I experience. While some of these differences—partial color blindness and dyslexia—have been with me my entire life, tinnitus caused by hearing damage is a relatively new change to how I experience the world. It is these sensory challenges which have shaped my artistic practice by creating what I call a perceptual insecurity—an uncertainty of how accurately I discern the world around me.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Voice of Theseus is my attempt to explore the obstacles I face in processing external sensory information. If I have trouble\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perceiving reds and greens, if I have trouble hearing certain frequencies, if I don’t interpret written language in a standard way, how closely can I experience reality in the way that others experience it? The album asks the listener to question how their unique means of perception and interpretation might differ from that of others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor The Voice of Theseus, I asked two of my favorite vocalists to assist with this experiment. Both Dorian Wood and G.Brenner recorded vocals for me to manipulate throughout the album. If their original audio is Theseus’s ship, the changes I make to their voices are like the Athenians replacing each of the original vessel’s pieces. And so, how far can these vocals be pushed while still remaining attached to the vocalists’ identities? Where lies the separation between the source materials and the objects they’re used to create?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe myth of Theseus’ ship allowed me to tease at the nuances of how reality can be observed, interpreted, and altered in an indeterminate number of ways; it can be dismantled and rebuilt, many times over. And yet, because of my internal circumstances, a perceptual insecurity remains. As flexible as the true nature of an object or moment may be, inaccuracy looms. There’s no real way to know how great the disparity is between my observational experiences and another’s, and no clear limit of how many pieces of our shared reality can be altered—before it stops being just that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Novak\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Yann Novak, an ambient artist from Los Angeles, USA, released this CD in May 2023 from the experimental label Room5 in Brisbane, Australia.Contains 40 songs from ambient drone to ambient techno.Below is a commentary by the author himself. "The legend of Theseus in Greek mythology describes how the founder king of ancient Athens rescued the city's children from the Minotaur of King Minos on the island of Crete. In commemoration of this, the Athenians sailed Theseus' ship from Athens to Delos and began a pilgrimage in honor of his victory. Within this tradition, a philosophical paradox regarding historical ships was raised: ships were repaired piece by piece and no longer had original parts. At what point did the ship no longer see itself as the same entity?In recent years, I have been interested in exploring the perceptual differences I experience.Perceptual differences such as partial color blindness and dyslexia have been with me in my life, but tinnitus due to deafness is a relatively new shift in the way I experience the world.Such sensory challenges have shaped my artistic practice.What I call perceptual anxiety: It creates anxiety about how accurately I discern the world around me.The Voice of Theseus is an attempt to explore the obstacles I face in processing external sensory information.If I have trouble perceiving reds and greens,if I have trouble hearing certain frequencies,if I don't interpret written language in a standard way,how faithfully can I experience reality in the way that other people experience it?This album invites the listener to ask himself: "The Voice of Theseus" enlisted two of my favorite vocalists in this experiment.Dorian Wood and G. Brenner recorded vocals for me to manipulate throughout the album.If their original voice was the ship of Theseus, the changes I make to their voice would be like the Athenians swapping out parts of the original ship.And the vocalist. How far can these vocals be pushed while retaining their identity?Where is the gap between the source material and what is made of it?The myth of Theseus' ship has played with the nuances of how reality can be observed, interpreted and altered in an infinite number of ways.But my internal circumstances leave me with a perceptual unease.Inaccuracy haunts me as much as the flexible nature of an object or moment.There is no real way of knowing how far apart my observation experience is from that of others, nor is there a clear limit to how many fragments of our shared reality can change before they cease to exist. " Click here for labels and other works /// Click here to...
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{"id":7996643836154,"title":"Siavash Amini \/\/ Eidolon CD","handle":"siavash-amini-eidolon-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイランの実験音楽家Siavash Aminiが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e中東のマカーム理論を探求したミニマル・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e\"私はサフィ=アル=ディン・ウルマヴィーの調律、リズム、マカーム理論に夢中になっている。高校の最後の年に始まったのだが、当時はイランの音楽学者たちの間で、彼の17音音階について、そしてそれが当時のイランの音楽にとって何か役に立つのか、関連性があるのかについて、多くの議論が交わされていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの半世紀の間、そうした議論や、13世紀の\u003cmeta charset=\"utf-8\"\u003eマカーム理論における調律に関するより一般的な議論についてよく考えていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの調律にどうアプローチすればいいのかわからなかったが、『A Trail of Laughters』を作っているうちに、その感覚をつかみ始めた。これらの調律の関連性は、従来の楽器や作曲技法では探求できないと判断した。歴史的な意味でのアプローチもしたくない。これらを素材とし、同時代の実験音楽や電子音楽から借りて、自分のアプローチを見つけたい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e幻影、現れては消えるイメージ、一瞬にして形となり、次の瞬間には消えてしまうもの、見たかどうかわからないものは、経験するために特定の設定が必要だ。ルドンのドローイングのように、未確定の空間で見たり感じたりするもの。私は、これらのチューニング・システム(主にウルマヴィの17音階)が、周波数や音程を互いに転がしたり、その結果生じる音やテクスチャーを浮遊させたり、衝突させたり、流出させたり、滲ませたりすることで、自分自身のためにそのような空間を作り出す出発点になり得るかどうかを試してみた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453005673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOrtus \u003cem\u003e 10:43\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstantia \u003cem\u003e 09:51 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eRelictio \u003cem\u003e 15:06 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Siavash Amini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Let me get this out of the way; I'm obsessed with Safi-al-din Urmavi’s theory of tuning, rhythm, and maqam. It started in my last year of high school, at the time there was a lot of back and forth between Iranian music scholars about his 17-tone scale and whether it had any use or relevance to Iranian music of that day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI've been thinking about those discussions and more general discussions of tuning in the maqam system of the 13th century a lot in the past half-decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI didn't know how to approach these tunings, but I started to get a sense of it while making A Trail of Laughters. I decided that the relevance of these tunings couldn't be explored with conventional instruments and composition techniques. I do not want to approach them in a historical sense, either. I want to use these as my raw material and find my approach, borrowing from experimental and electronic music of our time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe apparition, an image appearing and disappearing, taking shape in an instant and gone in the next, something you’re not sure\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e you’ve seen, needs a particular setting to be experienced. Something seen or felt in an undetermined space like Redon's drawings. I tried to see if these tuning systems (mostly Urmavi’s 17-tone scale) could be a starting point for creating such a space for myself by letting their frequencies and intervals roll over each other, and letting the resulting sound and textures float, crash, spill and bleed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaybe my other obsessions, namely darkness, light, and death, can be at least in some sense contemplated in this shadowy undetermined space and just maybe something here and there makes its presence felt.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siavash Amini\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:33:40+09:00","created_at":"2023-07-20T15:25:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361155248378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Siavash Amini \/\/ Eidolon CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","options":["Title"],"media":[{"alt":null,"id":32245476720890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","width":700},{"alt":null,"id":32245476753658,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイランの実験音楽家Siavash Aminiが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e中東のマカーム理論を探求したミニマル・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e\"私はサフィ=アル=ディン・ウルマヴィーの調律、リズム、マカーム理論に夢中になっている。高校の最後の年に始まったのだが、当時はイランの音楽学者たちの間で、彼の17音音階について、そしてそれが当時のイランの音楽にとって何か役に立つのか、関連性があるのかについて、多くの議論が交わされていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの半世紀の間、そうした議論や、13世紀の\u003cmeta charset=\"utf-8\"\u003eマカーム理論における調律に関するより一般的な議論についてよく考えていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの調律にどうアプローチすればいいのかわからなかったが、『A Trail of Laughters』を作っているうちに、その感覚をつかみ始めた。これらの調律の関連性は、従来の楽器や作曲技法では探求できないと判断した。歴史的な意味でのアプローチもしたくない。これらを素材とし、同時代の実験音楽や電子音楽から借りて、自分のアプローチを見つけたい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e幻影、現れては消えるイメージ、一瞬にして形となり、次の瞬間には消えてしまうもの、見たかどうかわからないものは、経験するために特定の設定が必要だ。ルドンのドローイングのように、未確定の空間で見たり感じたりするもの。私は、これらのチューニング・システム(主にウルマヴィの17音階)が、周波数や音程を互いに転がしたり、その結果生じる音やテクスチャーを浮遊させたり、衝突させたり、流出させたり、滲ませたりすることで、自分自身のためにそのような空間を作り出す出発点になり得るかどうかを試してみた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453005673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOrtus \u003cem\u003e 10:43\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstantia \u003cem\u003e 09:51 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eRelictio \u003cem\u003e 15:06 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Siavash Amini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Let me get this out of the way; I'm obsessed with Safi-al-din Urmavi’s theory of tuning, rhythm, and maqam. It started in my last year of high school, at the time there was a lot of back and forth between Iranian music scholars about his 17-tone scale and whether it had any use or relevance to Iranian music of that day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI've been thinking about those discussions and more general discussions of tuning in the maqam system of the 13th century a lot in the past half-decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI didn't know how to approach these tunings, but I started to get a sense of it while making A Trail of Laughters. I decided that the relevance of these tunings couldn't be explored with conventional instruments and composition techniques. I do not want to approach them in a historical sense, either. I want to use these as my raw material and find my approach, borrowing from experimental and electronic music of our time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe apparition, an image appearing and disappearing, taking shape in an instant and gone in the next, something you’re not sure\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e you’ve seen, needs a particular setting to be experienced. Something seen or felt in an undetermined space like Redon's drawings. I tried to see if these tuning systems (mostly Urmavi’s 17-tone scale) could be a starting point for creating such a space for myself by letting their frequencies and intervals roll over each other, and letting the resulting sound and textures float, crash, spill and bleed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaybe my other obsessions, namely darkness, light, and death, can be at least in some sense contemplated in this shadowy undetermined space and just maybe something here and there makes its presence felt.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siavash Amini\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Iranian experimental musician Siavash Amini released a CD in July 2023 from the experimental label Room7 in Brisbane, Australia.Includes 40 minimal drone songs that explore the Middle Eastern maqam theory.Below is a commentary by the author himself. "I'm crazy about Safi -Al -Al -Din Urmavie's tuning, rhythm, and macaman theory. It began in the last year of high school, but at that time there were many discussions about his 3 music scientists, and whether it was useful or relevant to Iranian music at the time. I was thinking more about such discussions and tuning in the 17th century in the 13th century, but I didn't know how to approach these tunes, but while I was making "A Trail of Laughters", I started grabbing that feeling. I judged that it could not be explored by conventional instruments and composition techniques. I do not want to approach a historical approach. I want to borrow my own approach from experimental music and electronic music of the same era. I want to find my own approach. The illusion, the image that appears and disappears, and the next moment, I do not know what it disappears. , Specific settings are required to experience. Like Redon's drawing, you can see and feel it in an undecided space. I (mainly Urmabi's 17 scale) rolling frequency and pitch with each other, floating the resulting sounds and textures as a result, floating, flowing out. By doing so, I tried to see if it could be a starting point that would create such a space for myself. Click here for labels and other works // click here to see room40 Releases ...
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{"id":7996643475706,"title":"Jérôme Noetinger \/\/ Outside Supercolor CD","handle":"jerome-noetinger-outside-supercolor-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Jérôme Noetingerが、2023年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作のビデオフィードバック装置を用いたロングフォームなミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696811834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTV eye on me \u003cem\u003e18:13\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLes attracteurs de particules \u003cem\u003e18:23\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jérôme Noetinger:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen there were the basic questions: \"What does it do if you connect a video output to a sound input?\"; \"What does a sound output do to a video input?\" Then the tinkering that goes with it, like opening a SCART socket and plugging directly into it. And to finish, we discovered that as always, everything has already been done!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBut in the end it's like rock music, it's always the same, and what counts is how to appropriate it, how to live it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese discussions and first experiences led Lionel to develop his own video feedback software. He has a scientific background and a taste for computers which helps!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this record, I wanted to draw inspiration from this work with Supercolor Palunar, the name of our duo, to better examine CRT parasites and virtual instruments whose purpose I still don't quite understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI dedicate this record to Lionel Palun who, afterwards, made two videos echoing the two pieces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:28:26+09:00","created_at":"2023-07-20T15:22:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361142370554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jérôme Noetinger \/\/ Outside Supercolor CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","options":["Title"],"media":[{"alt":null,"id":32245455618298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","width":700},{"alt":null,"id":32245455651066,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Jérôme Noetingerが、2023年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作のビデオフィードバック装置を用いたロングフォームなミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696811834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTV eye on me \u003cem\u003e18:13\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLes attracteurs de particules \u003cem\u003e18:23\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jérôme Noetinger:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen there were the basic questions: \"What does it do if you connect a video output to a sound input?\"; \"What does a sound output do to a video input?\" Then the tinkering that goes with it, like opening a SCART socket and plugging directly into it. And to finish, we discovered that as always, everything has already been done!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBut in the end it's like rock music, it's always the same, and what counts is how to appropriate it, how to live it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese discussions and first experiences led Lionel to develop his own video feedback software. He has a scientific background and a taste for computers which helps!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this record, I wanted to draw inspiration from this work with Supercolor Palunar, the name of our duo, to better examine CRT parasites and virtual instruments whose purpose I still don't quite understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI dedicate this record to Lionel Palun who, afterwards, made two videos echoing the two pieces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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French experimental musician Jérôme Noetinger released a CD in June 2023 from the experimental label Room6 in Brisbane, Australia.Includes 40 long-form minimal drone songs using his self-made video feedback device.Click here for labels and other works /// Click here to see more Room2 releases available at Tobira. ---------------------------- CD...
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{"id":7996643082490,"title":"Werner Dafeldecker \/\/ Neural CD","handle":"werner-dafeldecker-neural-cd","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:30:12+09:00","created_at":"2023-07-20T15:19:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361131688186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Dafeldecker \/\/ Neural CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","options":["Title"],"media":[{"alt":null,"id":32245438349562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","width":700},{"alt":null,"id":32245438382330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Werner Dafeldecker, a contrabass player from Vienna, Austria, released a CD in June 2023 from the experimental label room6 in Brisbane, Australia.Includes two acoustic drone songs with cello, contrabass and clarinet.Click here for labels and other works /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD.. .
¥2,150
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{"id":7996642263290,"title":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","handle":"werner-dafeldecker-valerio-tricoli-der-krater-tape","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:26:41+09:00","created_at":"2023-07-20T15:13:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","room40","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361109668090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","options":["Title"],"media":[{"alt":null,"id":32245406466298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","width":700},{"alt":null,"id":32245406499066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Werner Dafeldecker, a contrabass player from Vienna, Austria, and Valerio Tricoli, an experimental musician from Italy, released a collaborative cassette from the experimental label room2023 in Brisbane, Australia in June 6.Includes 40 drone songs with contrabass and self-made instruments. *Please feel free to contact us if you would like a digital sound source /// Click here to see more Room2 releases available at Tobira....
¥2,150
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{"id":7996641181946,"title":"Mike Cooper \/\/ Black Flamingo CD","handle":"mike-cooper-black-flamingo-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動しているイギリスの大御所ギタリストMike Cooperが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやラップスティールギター、サックスによるアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221467461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate embossed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat I \u003c\/li\u003e\n\u003cli\u003eBlack Flamingo - Geoff Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eIncandescent Gamelanations - Scot Ray Pedal Steel \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat II \u003c\/li\u003e\n\u003cli\u003eThe Possibility Of Rain - Jon Raskin Alto Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat III \u003c\/li\u003e\n\u003cli\u003eA Lemon Fell - Viv Corringham Voice \u003c\/li\u003e\n\u003cli\u003eBeneath These Waves - Tim Hill Baritone Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat IV \u003c\/li\u003e\n\u003cli\u003eThe Numbers - The Migrant Body Chorus Milan \u003c\/li\u003e\n\u003cli\u003eThe Satellites Are Spinning - Aaron Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat V \u003c\/li\u003e\n\u003cli\u003eTrancendence Dub - Elliott Sharp Bass Clarinet \u003c\/li\u003e\n\u003cli\u003eLuciernaga - Michael Thieke Clarinet \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat VI \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eMike Cooper\/ Bangkok \/ March 18 2023:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Flamingo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing Geoff Hawkins on tenor sax. Our 60 year friendship goes back to the 1960s and my first band The Blues Committee then on through the 1970s to Trout Steel and the Machine Gun Company on the Dawn label meeting up again in the mid 1990s on my Island Songs c.d. and more recently on Oceans Of Milk and Treacle on Room40.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis son Aaron Hawkins who I have known since he was born, is now a prominent figure on the Bristol music scene in the UK joins us on tenor saxophone\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElliott Sharp, guitarist, composer, improviser from the Downtown New York music scene. We first played together in Rome many years ago. We have a duo digital collection on my Bandcamp site and here on Black Flamingo Elliott plays bass clarinet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJon Raskin, a founder member of The Rova saxophone quartet based in California surprised me one night in London by appearing in the audience at a folk club concert I gave. We also have a duo collection together on my Bandcamp site.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScot Ray, slidationist; lap steel and pedal steel guitar visionary. We have never met in the real(?) world, only on line. I am always seeking audacious players of both those instruments and Scot is a true star. Check out his own solo and other projects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMichael Thieke, a fellow part time Roman part time Berliner member of the International Nothing (great name) brings peace on the clarinet with breathy playing on this most beautiful of wind instruments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eViv Corringham has shared her voice on many past musical roads with me from Greek Rembetronika to an improvising trio with Lol Coxhill and Soundwalks in hills around Hong Kong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTim Hill on Baritone sax. We go back to my 1980’s in Reading in the UK. Together we had Beating Time with Paul Burwell on drums and Gary Jones on bass, both sadly gone now and Mayhem Quartet with Pat Thomas on keys and Neil Palmer our improvising dj both happily still with us. Then we started Trystero System which became a floating membership duo spanning several years and has included both Viv Corringham and Pat Thomas with myself and continues from time to time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLastly The Migrant School of Bodies Choir was the result of a workshop in Milan for a performance\/dance piece organised by choreographer\/dancer Ariella Vidach. The text is each member counting from one to 26 in their own language each one starting to count after the neighbour had reached the number eight . Most of the members were from Africa and shared no common African language. The rhythmic and tonal variations set up an interesting shingling effect with the voices tumbling over one another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation was the theme, Sun Ra socks and a Bflat hat was the key.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-21T07:45:57+09:00","created_at":"2023-07-20T15:07:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361084076282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \/\/ Black Flamingo CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","options":["Title"],"media":[{"alt":null,"id":32245370257658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","width":700},{"alt":null,"id":32245370290426,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動しているイギリスの大御所ギタリストMike Cooperが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやラップスティールギター、サックスによるアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221467461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate embossed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat I \u003c\/li\u003e\n\u003cli\u003eBlack Flamingo - Geoff Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eIncandescent Gamelanations - Scot Ray Pedal Steel \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat II \u003c\/li\u003e\n\u003cli\u003eThe Possibility Of Rain - Jon Raskin Alto Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat III \u003c\/li\u003e\n\u003cli\u003eA Lemon Fell - Viv Corringham Voice \u003c\/li\u003e\n\u003cli\u003eBeneath These Waves - Tim Hill Baritone Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat IV \u003c\/li\u003e\n\u003cli\u003eThe Numbers - The Migrant Body Chorus Milan \u003c\/li\u003e\n\u003cli\u003eThe Satellites Are Spinning - Aaron Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat V \u003c\/li\u003e\n\u003cli\u003eTrancendence Dub - Elliott Sharp Bass Clarinet \u003c\/li\u003e\n\u003cli\u003eLuciernaga - Michael Thieke Clarinet \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat VI \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eMike Cooper\/ Bangkok \/ March 18 2023:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Flamingo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing Geoff Hawkins on tenor sax. Our 60 year friendship goes back to the 1960s and my first band The Blues Committee then on through the 1970s to Trout Steel and the Machine Gun Company on the Dawn label meeting up again in the mid 1990s on my Island Songs c.d. and more recently on Oceans Of Milk and Treacle on Room40.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis son Aaron Hawkins who I have known since he was born, is now a prominent figure on the Bristol music scene in the UK joins us on tenor saxophone\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElliott Sharp, guitarist, composer, improviser from the Downtown New York music scene. We first played together in Rome many years ago. We have a duo digital collection on my Bandcamp site and here on Black Flamingo Elliott plays bass clarinet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJon Raskin, a founder member of The Rova saxophone quartet based in California surprised me one night in London by appearing in the audience at a folk club concert I gave. We also have a duo collection together on my Bandcamp site.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScot Ray, slidationist; lap steel and pedal steel guitar visionary. We have never met in the real(?) world, only on line. I am always seeking audacious players of both those instruments and Scot is a true star. Check out his own solo and other projects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMichael Thieke, a fellow part time Roman part time Berliner member of the International Nothing (great name) brings peace on the clarinet with breathy playing on this most beautiful of wind instruments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eViv Corringham has shared her voice on many past musical roads with me from Greek Rembetronika to an improvising trio with Lol Coxhill and Soundwalks in hills around Hong Kong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTim Hill on Baritone sax. We go back to my 1980’s in Reading in the UK. Together we had Beating Time with Paul Burwell on drums and Gary Jones on bass, both sadly gone now and Mayhem Quartet with Pat Thomas on keys and Neil Palmer our improvising dj both happily still with us. Then we started Trystero System which became a floating membership duo spanning several years and has included both Viv Corringham and Pat Thomas with myself and continues from time to time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLastly The Migrant School of Bodies Choir was the result of a workshop in Milan for a performance\/dance piece organised by choreographer\/dancer Ariella Vidach. The text is each member counting from one to 26 in their own language each one starting to count after the neighbour had reached the number eight . Most of the members were from Africa and shared no common African language. The rhythmic and tonal variations set up an interesting shingling effect with the voices tumbling over one another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation was the theme, Sun Ra socks and a Bflat hat was the key.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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British mogul guitarist Mike Cooper, who has been active since the 60s, released this CD in May 2023 from the experimental label Room5 in Brisbane, Australia.Contains 40 ambient jazz songs with acoustic guitar, lap steel guitar, and saxophone.Click here for labels and other works /// Click here to see more Room9 releases available at Tobira. ---------------------------- CD...
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{"id":7961173819642,"title":"Primitive Motion \/\/ Portrait Of An Atmosphere LP","handle":"primitive-motion-portrait-of-an-atmosphere-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンのフリーフォークデュオPrimitive Motionが、2023年3月に同国実験/アンビエントレーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディレイやリバーブなどの空間系エフェクトを使用せず大量の楽器を用いた実験アンビエント・フォーク6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePortrait of an Atmosphereは、一つの物語として聴かれるような、関連する作曲の組曲として、構成部分からなる長時間の作品を作ることを意図して録音しました。リバーブやディレイといった典型的なパレットを使わずに、私たちの活動の中心である音の没入感を実現するために、音響的な要素に焦点を合わせています。このようなツールがないにもかかわらず、夢幻の領域に入り込み、何か「別のもの」のような感覚を得ることができるのは、私たちにとって実りあることです。このアルバムは、これまでで最もPrimitive Motionらしくない、そして最もPrimitive Motionらしいアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムのタイトルは、サンドラのカット・ポエムから取ったもので、現在進行中の一連の作品では、拾った本のページのテキストを縮小/切断して詩的な結末に到達させています。この文脈では、このアルバムに収録されているいくつかの録音も、リダクションというよりはコラージュのようではありますが、切り取られたような感覚を持つのがふさわしいと思われます。最も明らかなのは、ピアノのトラックにスタジオでの即興演奏の断片を加えた『ポートレートIV』で、漂う霧は、『ポートレートI』の1弦ギターのモチーフを再演することでようやく晴れるのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=379810437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Recorded and produced by Primitive Motion between 2018 and 2020 at Kindling House and Woodburn Laboratory, Meanjin\/Brisbane, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSandra Selig: voice, handclap, flute, cymbals, melodica, radio, saxophone, glass bowl, drums, marble in bamboo, zither, wind chimes, bowed cymbal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeighton Craig: acoustic guitar, reed organ, cymbals, field recordings (Kyoto Japan), tremolo guitar, miniature saxophone, voice, piano, metal stool, bird call, synthesiser, wind chimes, shaker, timber box.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Motion\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T15:15:46+09:00","created_at":"2023-04-19T12:44:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","room40"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179380863226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Primitive Motion \/\/ Portrait Of An Atmosphere LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","options":["Title"],"media":[{"alt":null,"id":31851355472122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","width":700},{"alt":null,"id":31851355504890,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンのフリーフォークデュオPrimitive Motionが、2023年3月に同国実験/アンビエントレーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディレイやリバーブなどの空間系エフェクトを使用せず大量の楽器を用いた実験アンビエント・フォーク6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePortrait of an Atmosphereは、一つの物語として聴かれるような、関連する作曲の組曲として、構成部分からなる長時間の作品を作ることを意図して録音しました。リバーブやディレイといった典型的なパレットを使わずに、私たちの活動の中心である音の没入感を実現するために、音響的な要素に焦点を合わせています。このようなツールがないにもかかわらず、夢幻の領域に入り込み、何か「別のもの」のような感覚を得ることができるのは、私たちにとって実りあることです。このアルバムは、これまでで最もPrimitive Motionらしくない、そして最もPrimitive Motionらしいアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムのタイトルは、サンドラのカット・ポエムから取ったもので、現在進行中の一連の作品では、拾った本のページのテキストを縮小/切断して詩的な結末に到達させています。この文脈では、このアルバムに収録されているいくつかの録音も、リダクションというよりはコラージュのようではありますが、切り取られたような感覚を持つのがふさわしいと思われます。最も明らかなのは、ピアノのトラックにスタジオでの即興演奏の断片を加えた『ポートレートIV』で、漂う霧は、『ポートレートI』の1弦ギターのモチーフを再演することでようやく晴れるのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=379810437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Recorded and produced by Primitive Motion between 2018 and 2020 at Kindling House and Woodburn Laboratory, Meanjin\/Brisbane, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSandra Selig: voice, handclap, flute, cymbals, melodica, radio, saxophone, glass bowl, drums, marble in bamboo, zither, wind chimes, bowed cymbal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeighton Craig: acoustic guitar, reed organ, cymbals, field recordings (Kyoto Japan), tremolo guitar, miniature saxophone, voice, piano, metal stool, bird call, synthesiser, wind chimes, shaker, timber box.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Motion\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Free-folk duo Primitive Motion from Brisbane, Australia released this record in March 2023 on the country's experimental/ambient label Room3.Contains 40 experimental ambient folk songs using a large number of instruments without using spatial effects such as delay and reverb. Comes with DL code.Below is an explanation by the author. Portrait of an Atmosphere was recorded with the intention of creating a long piece of component parts as a suite of related compositions that are heard as a single narrative.Without the typical palette of reverbs and delays, we focus on sonic elements to achieve the sonic immersion that is at the heart of what we do.Despite the lack of such tools, it is fruitful for us to be able to enter the realm of illusions and get a sense of something 'other'.This album is the least Primitive Motion-like and most Primitive Motion-like album ever.The title of the album is taken from Sandra's Cut Poems, an ongoing series of works in which she shrinks/cuts text from picked-up book pages to reach a poetic conclusion.In this context, it seems fitting that some of the recordings on this album also feel cropped, albeit more like collages than reductions.The most obvious is Portrait IV, a piano track with snippets of studio improvisation, until the fog lifts with a replay of the one-string guitar motif from Portrait I.Click here for labels and other works /// Click here to see more...
¥3,280
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{"id":7954624086266,"title":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","handle":"lionel-marchetti-decibel-inland-lake-le-lac-interieur-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験/アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-06-11T19:56:18+09:00","created_at":"2023-04-06T13:33:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679918842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","options":["Title"],"media":[{"alt":null,"id":31793708499194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","width":700},{"alt":null,"id":31793708531962,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験/アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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French music concrète artist Lionel Marchetti and Australian chamber music ensemble Decibel released this collaborative CD in January 2023 on the Australian experimental/ambient label Room1.Includes two tranquil contemporary drone tracks.Click here for labels and other works /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD.. .
¥2,120
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{"id":7954623693050,"title":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","handle":"philip-samartzis-atmospheres-and-disturbances-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:14:11+09:00","created_at":"2023-04-06T13:30:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679099642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","options":["Title"],"media":[{"alt":null,"id":31793702338810,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","width":1200},{"alt":null,"id":31793702371578,"position":2,"preview_image":{"aspect_ratio":2.885,"height":416,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"},"aspect_ratio":2.885,"height":416,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A CD and booklet released in March 2023 by the sound artist Philip Samartzis from Melbourne, Australia, on the country's experimental label Room3.Includes 40 field recordings.The booklet contains essays and photographs.Below is a commentary by the author himself. "Atmospheres and Disturbances" documents the changes in highland ecosystems caused by rising global temperatures.This work is based on fieldwork done at the High Altitude Research Station in Jungfraujoch, Switzerland. Over the course of four weeks, I placed various recording devices around the station and in the surrounding alpine environment to record natural, man-made, and geophysical forces.This project offers a new encounter with the endangered alpine environment and enhances our perception and engagement with the concepts of place, community and environmental dissonance.Fieldwork used a variety of microphones to record different acoustic, spatial, atmospheric, and vibration-based phenomena.Omnidirectional microphones recorded wind, snow, ice, and social, material, and industrial sounds emanating from nearby train terminans and observatories.Hydrophones were also placed in water and ice to record the physical sounds that resonate in the frozen environment of the Jungfraujoch and adjacent glaciers.Man-made sounds produced by tourists, transportation, and recreational sports are documented as permeating the entire landscape.Accelerometers are attached to various surfaces and structures to record solid vibrations caused by high velocity winds and melting and freezing processes.Accelerometer recordings provide a clear representation of stress and fatigue occurring within the material structure of buildings and infrastructure. "Atmospheres and Disturbances" is designed to allow the audience to experience the endangered alpine ecosystem by immersing themselves in an extreme environment.See more Room5 releases /// Click here to see more Room4 releases...
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{"id":7954621989114,"title":"Bill Seaman and Stephen Vitiello \/\/ The Clear Distance CD","handle":"bill-seaman-and-stephen-vitiello-the-clear-distance-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Bill SeamanとStephen Vitielloが、2023年3月にオーストラリア・ブリスベンの実験/アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとギター、エレクトロニクスによるネオクラシカル・アンビエント8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880120730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Bill Seaman:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u2028I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix where Stephen worked for some time. I had started out as a Video Artist exploring Image\/Music \/text relations. \u2028\u2028I had liked Stephen’s work in the past with Molly Berg called “Between You and the Shapes You Take.” I also enjoyed “Captiva” with Taylor Deupree. More recently I had started a collaboration with Michael Grigoni (who lives here in Durham, NC) that was put on pause due to his course schedule. Stephen sent me his lovely album with Grigoni – “Slow Machines.” So I wrote Stephen a note and asked “Would love to collaborate with you if you ever feel like it!” and he responded “Sure, I'd be happy to work on something together. Let me know what you're thinking - or when something feels like a time and idea to start. I can generate some material and\u003cspan class=\"bcTruncateMore\"\u003e send it your way, or just as happy if you want to send me something.” He sent me some things.\u003cbr\u003e\u003cbr\u003e\u2028\u2028I had just completed working with a very good recording engineer on some new piano recordings, which I edited into short sample libraries, which I in turn sent to him. I often use these to build up my tracks in a very physical manner in Ableton live, often exploring chance relations and juxtapositions, then choosing what I feel “works”. Later I sent him some other things – DX7 and analogue synth.\u003cbr\u003e\u003cbr\u003eWe started working on both our own linear tracks with the materials and others, and also exploring the re-arrangement of each other’s work samples juxtaposed with some other parts of the library of materials. Stephen also began to include some found sound that was quite lovely. \u2028\u2028I was hoping he might convince Molly Berg to contribute – I really love her sound.\u003cbr\u003e\u003cbr\u003eStephen sent me acoustic guitar, some ebow which I love, and some experimental abstraction of guitar. Later he sent some tracks with Molly on them. We both went at the material and did a series of back and forths. Stephen arranged some of my Piano samples into a lovely repetitive long work which is the center of our digital release. I went back in and further arranged the arrangement and added some new layers. Stephen added Banjo in one case to the album material…in any event we seemed to find a good method of sending, experimenting and responding to each other – then moving forward with the best of those digital volleys.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Seaman and Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:21:56+09:00","created_at":"2023-04-06T13:27:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154673496314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Seaman and Stephen Vitiello \/\/ The Clear Distance CD","public_title":null,"options":["Default Title"],"price":212000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","options":["Title"],"media":[{"alt":null,"id":31793693655290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","width":700},{"alt":null,"id":31793693720826,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Bill SeamanとStephen Vitielloが、2023年3月にオーストラリア・ブリスベンの実験/アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとギター、エレクトロニクスによるネオクラシカル・アンビエント8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880120730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Bill Seaman:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u2028I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix where Stephen worked for some time. I had started out as a Video Artist exploring Image\/Music \/text relations. \u2028\u2028I had liked Stephen’s work in the past with Molly Berg called “Between You and the Shapes You Take.” I also enjoyed “Captiva” with Taylor Deupree. More recently I had started a collaboration with Michael Grigoni (who lives here in Durham, NC) that was put on pause due to his course schedule. Stephen sent me his lovely album with Grigoni – “Slow Machines.” So I wrote Stephen a note and asked “Would love to collaborate with you if you ever feel like it!” and he responded “Sure, I'd be happy to work on something together. Let me know what you're thinking - or when something feels like a time and idea to start. I can generate some material and\u003cspan class=\"bcTruncateMore\"\u003e send it your way, or just as happy if you want to send me something.” He sent me some things.\u003cbr\u003e\u003cbr\u003e\u2028\u2028I had just completed working with a very good recording engineer on some new piano recordings, which I edited into short sample libraries, which I in turn sent to him. I often use these to build up my tracks in a very physical manner in Ableton live, often exploring chance relations and juxtapositions, then choosing what I feel “works”. Later I sent him some other things – DX7 and analogue synth.\u003cbr\u003e\u003cbr\u003eWe started working on both our own linear tracks with the materials and others, and also exploring the re-arrangement of each other’s work samples juxtaposed with some other parts of the library of materials. Stephen also began to include some found sound that was quite lovely. \u2028\u2028I was hoping he might convince Molly Berg to contribute – I really love her sound.\u003cbr\u003e\u003cbr\u003eStephen sent me acoustic guitar, some ebow which I love, and some experimental abstraction of guitar. Later he sent some tracks with Molly on them. We both went at the material and did a series of back and forths. Stephen arranged some of my Piano samples into a lovely repetitive long work which is the center of our digital release. I went back in and further arranged the arrangement and added some new layers. Stephen added Banjo in one case to the album material…in any event we seemed to find a good method of sending, experimenting and responding to each other – then moving forward with the best of those digital volleys.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Seaman and Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A collaborative CD released by American ambient writers Bill Seaman and Stephen Vitiello in March 2023 on the experimental/ambient label Room3 in Brisbane, Australia.Contains 40 neo-classical ambient songs with piano, guitar and electronics.Click here for labels and other works /// Click here to see more Room8 releases available at Tobira. ----------------------------...
¥2,120
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{"id":7954619105530,"title":"Matt Rösner \/\/ Empty, Expanding, Collapsing CD","handle":"matt-rosner-empty-expanding-collapsing-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・パースのアンビエント作家Matt Rösnerが、2023年3月に同国実験/アンビエントレーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを散りばめたネオクラシカル・アンビエント7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286668977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Matt Rösner, December 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces started as loose piano improvisations played in the early morning light to be later assembled alongside an array of guitars, electronics, synthesisers and percussion. Whilst the basis of the tracks started as tentative improvisations, the overdubbed parts were very much painstakingly written, rewritten and aged with sounds of the surrounding dune systems seeping through the wafer thin studio walls.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-19T11:17:27+09:00","created_at":"2023-04-06T13:25:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154664878330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Rösner \/\/ Empty, Expanding, Collapsing CD","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","options":["Title"],"media":[{"alt":null,"id":31793683759354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","width":700},{"alt":null,"id":31793683792122,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・パースのアンビエント作家Matt Rösnerが、2023年3月に同国実験/アンビエントレーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを散りばめたネオクラシカル・アンビエント7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286668977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Matt Rösner, December 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces started as loose piano improvisations played in the early morning light to be later assembled alongside an array of guitars, electronics, synthesisers and percussion. Whilst the basis of the tracks started as tentative improvisations, the overdubbed parts were very much painstakingly written, rewritten and aged with sounds of the surrounding dune systems seeping through the wafer thin studio walls.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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A CD released in March 2023 by ambient artist Matt Rösner from Perth, Australia on the country's experimental/ambient label Room3.Includes 40 neo-classical ambient songs studded with field recordings.Click here for labels and other works /// Click here to see more Room7 releases available at Tobira. ---------------------------- Artist.. .
¥2,120
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{"id":7867626717434,"title":"Chris Abrahams \/\/ Follower LP","handle":"chris-abrahams-follower-lp","description":"\u003cp\u003eオーストラリアの大御所ジャズピアニストChris Abrahamsが、2022年12月に同国実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン〜実験ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649265779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=740434351\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649265779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatte varnish, printed inner sleeve, black slip, black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn the opening track, Costume, bass piano meanders through a wilderness of de-tuned bells and organ swells; a strange sort of festival. Low frequency sighs evenly punctuate, like a pump or a heartbeat. It’s a procession that takes it time as it wanders the terrain, brought to a close with transcendent distortion. On track 2, New Kind of Border, muscular modal piano surfs among waves of percussion and analogue synthesisers. A buffeting travel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollower is Abrahams’ 6th album for Room 40 and showcases his continuing interest in the ambiguous spaces between music and noise; tonality and atonality; rhythm and texture. All four tracks have piano as a key factor: in one instance, high-pitched and atonal; in another, emotive yet distant as if projected on to a screen. Follower presents the listener with a sound world of colourful juxtapositions, rich orchestration and organically open forms.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T17:46:27+09:00","created_at":"2022-12-14T15:42:58+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","monooto","room40"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770407715066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chris Abrahams \/\/ Follower LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_44fcda93-edb9-407d-a0af-2002575598ad.jpg?v=1671000180","\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_80be3299-ee7b-46ba-b166-da902d1078f7.jpg?v=1671000179"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_44fcda93-edb9-407d-a0af-2002575598ad.jpg?v=1671000180","options":["Title"],"media":[{"alt":null,"id":31188516012282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_44fcda93-edb9-407d-a0af-2002575598ad.jpg?v=1671000180"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_44fcda93-edb9-407d-a0af-2002575598ad.jpg?v=1671000180","width":700},{"alt":null,"id":31188516045050,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_80be3299-ee7b-46ba-b166-da902d1078f7.jpg?v=1671000179"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_80be3299-ee7b-46ba-b166-da902d1078f7.jpg?v=1671000179","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの大御所ジャズピアニストChris Abrahamsが、2022年12月に同国実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン〜実験ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649265779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=740434351\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u0026lt;\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649265779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatte varnish, printed inner sleeve, black slip, black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn the opening track, Costume, bass piano meanders through a wilderness of de-tuned bells and organ swells; a strange sort of festival. Low frequency sighs evenly punctuate, like a pump or a heartbeat. It’s a procession that takes it time as it wanders the terrain, brought to a close with transcendent distortion. On track 2, New Kind of Border, muscular modal piano surfs among waves of percussion and analogue synthesisers. A buffeting travel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollower is Abrahams’ 6th album for Room 40 and showcases his continuing interest in the ambiguous spaces between music and noise; tonality and atonality; rhythm and texture. All four tracks have piano as a key factor: in one instance, high-pitched and atonal; in another, emotive yet distant as if projected on to a screen. Follower presents the listener with a sound world of colourful juxtapositions, rich orchestration and organically open forms.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a record released by Australian jazz pianist Chris Abrahams in December 2022 from the country's experimental label Room12.Includes 40 songs from Monon Drone ~ Experimental Jazz. Comes with DL code. < Click here for labels and other works /// Click here to see more Room4 releases available at Tobira. ----------------------------.. .
¥3,580
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{"id":7867626258682,"title":"Lawrence English \/\/ Approach CD","handle":"lawrence-english-approach-cd","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである(そう、『AKIRA』よりも前に)。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応(これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている)、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人(そしてこの漫画のような文化財)にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T17:27:08+09:00","created_at":"2022-12-14T15:38:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770405028090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Approach CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","options":["Title"],"media":[{"alt":null,"id":31188500840698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","width":700},{"alt":null,"id":31188500873466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである(そう、『AKIRA』よりも前に)。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応(これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている)、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人(そしてこの漫画のような文化財)にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a CD released in September 40 by Lawrence English, the owner of the Australian experimental label Room2022.Contains 9 drone songs.Below is a commentary by the author himself. I am well reminded of the opening line of William Gibson's work Neuromancer, "The sky above the harbor was the color of television set to dead channels."In the early 14s when this book was written, dead TV channels were a dead gray of noise.But now that I read this book, that character has changed.The dead channel of the digital age is a rich, saturated sky blue.The reference effect of time is not constant, but rather evokes new perspectives and ideal new understandings.This album, Approach, is an echo that has traveled with me for 1980 years, even if I wasn't fully aware of it.This album is a record about memory, how seemingly random encounters shape us, and how experiences accumulate over time.It's like a distorted mirror that catches the fading glow of the fire that forged me.This record has its roots in Yoshihisa Tagami's representative manga "GREY".This album is in many ways the soundtrack to that cartoon.At least in the West, Gray was one of the first manga to be translated and circulated outside of Japan (yes, before Akira).After that, it was the first drop of a torrent that flowed out of Japan to the rest of the world.It is also the first manga I bought myself when I was 33 years old and read serially.I tend not to think or talk much about my teenage years.However, in my teens, I had deep experiences that lead me to where I am now, and I built a bond of heart.But most of that time was a form of penance, a daily performance of self-defense.The past few years have been a silent battle against the expectations of what I'm not interested in sharing.The boys' school I went to becomes a vicious prison if you don't participate in hegemonic masculinity, or if you, like me, rebel against hegemonic masculinity.I don't need to elaborate on my experience, it's just that a few years after high school, a classmate approached me at a stationery store and asked me to forgive her for what I had done.I was willing to forgive him, but he clearly seemed to be more wounded than I was.At that time, I was like a sponge of culture, so I wasn't trapped by negative experiences. It's hard to quantify how much cultural consumption I had as a teenager, but I can now see how formative that experience was.One example of this became clear when I happened to remember "GREY" last year and read it again.Even though the main characters, Gray, were talkative and sometimes lovable characters, I deeply identified with their sense of determination. Grey's rejection of societal expectations (which is foregrounded by detective writer Harlan Ellison's foreword to this edition, highlighting the class struggles that haunt the story), the system and social norms. The attitude of not acknowledging immobility clearly resonated with me.And that nihilistic optimism, combined with an unbridled rage, fascinated the young me.This record is also a sonic postcard written for his erratic and capricious self.It's certainly more than that, but I want to recognize and appreciate that belligerent young man who seems so far away now.I recognize that their navigational skills, their curiosity, their determination to discover who they are and not who they say they are, is what makes me who I am today.I also pay tribute to my family and friends (and cultural assets like this cartoon) that supported and guided my young body and mind.Without them, it's hard to know where I would be today.Click here for labels and other works /// Click here to see more Room13 releases available at...
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{"id":7867617968378,"title":"Colin Stetson \/\/ Chimæra I LP [COLOR]","handle":"colin-stetson-chimaera-i-lp-color","description":"\u003cp\u003eArcade FireやBon Iver, Bell Orchestreとの共演でも知られているアメリカ出身カナダ在住のサックス奏者Colin Stetsonが、2022年11月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックスによる深淵なミニマル・ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073626979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains states of reductive minimalism and reactive maximalism. The album pushes his physical abilities, as a body and also as a player to a new terrain. The pieces reveal his increasingly refined capacity to compose works that push outward testing for the boundaries of timbre, harmony and also density.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of Chimæra’s two pieces forge an almost geological sensibility, tracing out the imagined caverns, hidden hollows and surging magma flows of an underworld that exists beyond the everyday we know. His instrument breathes like wind expelled from lava pipes. The pieces are tactile, engulfing the entire body and the ears with equal ferocity. It is a record that melds together a deeply layered sense of sonic strata with an unwavering harmonic\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delicacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor more than a decade now, Stetson has been involved an impressively divergent array of works that are concerned with the very physiology of sound. His lungs shaping sound through the coiling metallic pathways of his saxophones. This work is an opening to a new subterranean stream of his playing and resoundingly places him at the very centre of an ever expanding body of work that has come to define the potentials of his instrument of choice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Colin Stetson\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-18T17:39:51+09:00","created_at":"2022-12-14T15:22:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","room40"],"price":368000,"price_min":368000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770362167546,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38589295919354,"product_id":7867617968378,"position":3,"created_at":"2022-12-14T15:22:31+09:00","updated_at":"2022-12-14T15:22:33+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953","variant_ids":[43770362167546]},"available":true,"name":"Colin Stetson \/\/ Chimæra I LP [COLOR] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31188415676666,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43770362200314,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38589295952122,"product_id":7867617968378,"position":2,"created_at":"2022-12-14T15:22:31+09:00","updated_at":"2022-12-14T15:22:33+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","variant_ids":[43770362200314]},"available":true,"name":"Colin Stetson \/\/ Chimæra I LP [COLOR] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31188415643898,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","options":["Color"],"media":[{"alt":null,"id":31188415611130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","width":700},{"alt":null,"id":31188415643898,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","width":1200},{"alt":null,"id":31188415676666,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArcade FireやBon Iver, Bell Orchestreとの共演でも知られているアメリカ出身カナダ在住のサックス奏者Colin Stetsonが、2022年11月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックスによる深淵なミニマル・ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073626979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains states of reductive minimalism and reactive maximalism. The album pushes his physical abilities, as a body and also as a player to a new terrain. The pieces reveal his increasingly refined capacity to compose works that push outward testing for the boundaries of timbre, harmony and also density.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of Chimæra’s two pieces forge an almost geological sensibility, tracing out the imagined caverns, hidden hollows and surging magma flows of an underworld that exists beyond the everyday we know. His instrument breathes like wind expelled from lava pipes. The pieces are tactile, engulfing the entire body and the ears with equal ferocity. It is a record that melds together a deeply layered sense of sonic strata with an unwavering harmonic\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delicacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor more than a decade now, Stetson has been involved an impressively divergent array of works that are concerned with the very physiology of sound. His lungs shaping sound through the coiling metallic pathways of his saxophones. This work is an opening to a new subterranean stream of his playing and resoundingly places him at the very centre of an ever expanding body of work that has come to define the potentials of his instrument of choice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Colin Stetson\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Colin Stetson, an American-born Canadian saxophonist known for his performances with Arcade Fire, Bon Iver, and Bell Orchestra, released a record in November 2022 from the Australian experimental label Room11.Includes 40 abyssal minimal drone songs by saxophone. Comes with DL code.Click here to see more Room4 releases available...
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{"id":7867612987642,"title":"Phauss \/\/ Nya Sverige - Nothing But The Truth CD+BOOKLET","handle":"phauss-nya-sverige-nothing-but-the-truth-cd","description":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。(オリジナルは1991年リリース)\u003c\/p\u003e\n\u003cp\u003e彼らが1991年にアメリカで行ったツアーでの録音作品です。今では考えられない程に危険なパフォーマンスです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e北米ツアーでの写真やドキュメントを掲載した32ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhaussはCarl Michael von HausswolffとErik Pauserの二人組です。1980年代初頭に結成されたPhaussは、音、光、パフォーマンス、視覚における実践の端緒を再構築することに関心を寄せる、スウェーデンらしからぬ世代のアーティストたちの中で活動しました。この時期は、様々な要因が重なり、アーティストが自分の興味や制作方法の絶対的な核心を掘り下げ、アイデアの絶え間ない発掘に専念することができた、スウェーデンにとって記念すべき豊穣の時代でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンドとインスタレーションを扱う\u003cmeta charset=\"utf-8\"\u003eCarl Michael von HausswolffとErik Pauserは、作曲、状況主義、サイトスペシフィック作品、拡張されたパフォーマンスの方法論といった概念を解体する手段としてPhaussを使用しました。1980年代後半から1990年代初頭にかけて、彼らは旅を通して、故郷から中東、北米、アジアに広がるシーンやコミュニティへとつながっていきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e旅と同様に、彼らの作品への取り組み方も広範囲に及び、生来の好奇心が旺盛でした。彼らは、しばしば非常に厳格なコンセプチュアルな構造で制作しますが、その中で、パフォーマンス、反復、そして成功と同様に失敗を許容する熟考された実験を通して、作曲と音の物質的な生産についての全く新しい方法を解き明かすことができたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNya Sverige - Nothing But The Truthは、1991年に\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHafler TrioとZbigniew Karkowski\u003c\/span\u003eと共に徹底的なツアーを行った際に、アメリカで録音されたものです。このツアーは、今では伝説となっていますが、大変なものであると同時に実りの多いものでした。一度に何週間もバンの中で生活し、最も質素な手段で都市間を移動したため、Phaussはアメリカの非常に特殊なビジョン、つまり、ありふれた風景の中に存在するものを知ることになったのです。彼らの体験は、都市の一番端っこのほうで味わうものでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのエディションに収録されている彼らのパフォーマンスは、生々しく、率直に言って危険なものでした。ステージ上の火、ショートした電子機器から飛び散る火花、激しい肉体的儀式は、このツアー中の彼らの作品の多くを導いており、当時のブートレグビデオを振り返ると、その作品が現代社会で発表できることを想像するのは難しいです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らのツアーのフライヤーには「Extreme Swedish Industrial」と書かれています。この言葉は今なら見慣れた言葉かもしれませんが、1991年当時は全く異なる響きをもっていました。それは、よくわからない参照語であり、Phaussの音楽の強度は、今日に至るまでその未知性を維持しています。この作品は、非常に個性的な作品であり、後に続く世代の音楽家たちの舞台となるものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KjqO__spX44\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 32-page perfect bound book featuring in conversation by Lawrence English with CM vom Hausswolff and Erik Pauser, plus exclusive photographs and documents from the creation of Nya Sverige - Nothing But The Truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr\u003e\u003cbr\u003eNya Sverige - Nothing But The Truth is a recording made in the United States whilst the pair were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience had at the rawest edges of cities.\u003cbr\u003e\u003cbr\u003eEqually the performances they gave, from which this edition is assembled, were raw and quite frankly dangerous. Fire on stage, sparks flying from short circuiting electronics and intense physical rituals guided so much of their work during this tour and looking back at bootleg videos from the time it’s difficult to imagine the work being able to be presented in the modern world.\u003cbr\u003e\u003cbr\u003eOne of the flyers from their tour reads ‘Extreme Swedish Industrial’, and as familiar as those words might appear now, in 1991 they held a very different resonance. They were unfamiliar terms of reference and the intensity of Phauss’s music maintains that unknowability to this day. This is a profoundly individual work and sets the stage for a generation of musicians who followed them.\u003cbr\u003e\u003cbr\u003eThe edition includes a book featuring a long-form in conversation between Carl Michael Von Hausswolff and Erik Pauser with Lawrence English. It also includes never before seen photos and documents from their North American tour and collects together an essential and largely under-documented history of this period of the group’s work.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T19:39:31+09:00","created_at":"2022-12-14T15:18:57+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770335199482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phauss \/\/ Nya Sverige - Nothing But The Truth CD+BOOKLET","public_title":null,"options":["Default Title"],"price":289000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739","\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","options":["Title"],"media":[{"alt":null,"id":31188387725562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","width":700},{"alt":null,"id":31188387791098,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739","width":1200},{"alt":null,"id":31188387823866,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。(オリジナルは1991年リリース)\u003c\/p\u003e\n\u003cp\u003e彼らが1991年にアメリカで行ったツアーでの録音作品です。今では考えられない程に危険なパフォーマンスです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e北米ツアーでの写真やドキュメントを掲載した32ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhaussはCarl Michael von HausswolffとErik Pauserの二人組です。1980年代初頭に結成されたPhaussは、音、光、パフォーマンス、視覚における実践の端緒を再構築することに関心を寄せる、スウェーデンらしからぬ世代のアーティストたちの中で活動しました。この時期は、様々な要因が重なり、アーティストが自分の興味や制作方法の絶対的な核心を掘り下げ、アイデアの絶え間ない発掘に専念することができた、スウェーデンにとって記念すべき豊穣の時代でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンドとインスタレーションを扱う\u003cmeta charset=\"utf-8\"\u003eCarl Michael von HausswolffとErik Pauserは、作曲、状況主義、サイトスペシフィック作品、拡張されたパフォーマンスの方法論といった概念を解体する手段としてPhaussを使用しました。1980年代後半から1990年代初頭にかけて、彼らは旅を通して、故郷から中東、北米、アジアに広がるシーンやコミュニティへとつながっていきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e旅と同様に、彼らの作品への取り組み方も広範囲に及び、生来の好奇心が旺盛でした。彼らは、しばしば非常に厳格なコンセプチュアルな構造で制作しますが、その中で、パフォーマンス、反復、そして成功と同様に失敗を許容する熟考された実験を通して、作曲と音の物質的な生産についての全く新しい方法を解き明かすことができたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNya Sverige - Nothing But The Truthは、1991年に\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHafler TrioとZbigniew Karkowski\u003c\/span\u003eと共に徹底的なツアーを行った際に、アメリカで録音されたものです。このツアーは、今では伝説となっていますが、大変なものであると同時に実りの多いものでした。一度に何週間もバンの中で生活し、最も質素な手段で都市間を移動したため、Phaussはアメリカの非常に特殊なビジョン、つまり、ありふれた風景の中に存在するものを知ることになったのです。彼らの体験は、都市の一番端っこのほうで味わうものでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのエディションに収録されている彼らのパフォーマンスは、生々しく、率直に言って危険なものでした。ステージ上の火、ショートした電子機器から飛び散る火花、激しい肉体的儀式は、このツアー中の彼らの作品の多くを導いており、当時のブートレグビデオを振り返ると、その作品が現代社会で発表できることを想像するのは難しいです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らのツアーのフライヤーには「Extreme Swedish Industrial」と書かれています。この言葉は今なら見慣れた言葉かもしれませんが、1991年当時は全く異なる響きをもっていました。それは、よくわからない参照語であり、Phaussの音楽の強度は、今日に至るまでその未知性を維持しています。この作品は、非常に個性的な作品であり、後に続く世代の音楽家たちの舞台となるものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KjqO__spX44\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 32-page perfect bound book featuring in conversation by Lawrence English with CM vom Hausswolff and Erik Pauser, plus exclusive photographs and documents from the creation of Nya Sverige - Nothing But The Truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr\u003e\u003cbr\u003eNya Sverige - Nothing But The Truth is a recording made in the United States whilst the pair were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience had at the rawest edges of cities.\u003cbr\u003e\u003cbr\u003eEqually the performances they gave, from which this edition is assembled, were raw and quite frankly dangerous. Fire on stage, sparks flying from short circuiting electronics and intense physical rituals guided so much of their work during this tour and looking back at bootleg videos from the time it’s difficult to imagine the work being able to be presented in the modern world.\u003cbr\u003e\u003cbr\u003eOne of the flyers from their tour reads ‘Extreme Swedish Industrial’, and as familiar as those words might appear now, in 1991 they held a very different resonance. They were unfamiliar terms of reference and the intensity of Phauss’s music maintains that unknowability to this day. This is a profoundly individual work and sets the stage for a generation of musicians who followed them.\u003cbr\u003e\u003cbr\u003eThe edition includes a book featuring a long-form in conversation between Carl Michael Von Hausswolff and Erik Pauser with Lawrence English. It also includes never before seen photos and documents from their North American tour and collects together an essential and largely under-documented history of this period of the group’s work.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Swedish artist Carl Michael von Hausswolff and Swedish filmmaker Erik Pauser duo Phauss released a reissue CD in December 2022 from the Australian experimental label Room12. (Original was released in 40) This is a recording of their tour in the US in 1991.It is a dangerous performance that is unthinkable now.A 1991-page booklet with photos and documents from the North American tour is included. Phauss is the duo of Carl Michael von Hausswolff and Erik Pauser. Formed in the early 32s, Phauss worked among a generation of non-Swedish artists interested in reconstructing the beginnings of their practice in sound, light, performance and vision.This period was a monumental and fertile period for Sweden, where a combination of factors allowed artists to delve into the absolute core of their interests and production methods, and devote themselves to the constant discovery of ideas.Carl Michael von...
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{"id":7867609940218,"title":"Simon Scott \/\/ Long Drove CD","handle":"simon-scott-long-drove-cd","description":"\u003cp\u003eイギリスのアンビエント作家Simon Scott (Slowdiveのドラマー)が、2022年12月にオーストラリアの実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e冬の日差しのように柔らかいアンビエント6曲を収録。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eスコットがRoom40のために書いた最初のエディションのタイトルである「Long Drove」は、イギリスの作曲家、マルチインストゥルメンタリスト、マスタリングエンジニアのサイモン・スコットの自宅に近い場所フェンズについてです。そこはホルムフェンとニューデコイと呼ばれる2つの自然保護区を結ぶ連絡通路で、両地域はグレートフェンプロジェクトと呼ばれる生息地復元プロジェクトの一部であり、スコットが幼少期に育った場所にも近いです。この地域は、10年以上前にスコットが12kで「Below Sea Level」(後にTouchで再発売)を制作した際に、初めて作曲のインスピレーションを得る場所となりました。フェンズに戻った彼は、この「Long Drove」で紹介されている、場所と田舎のトラウマに関する親密な音の物語である、いくつかの新作を生み出しました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフェンズの近未来は、さらなる地盤沈下と洪水の脅威が懸念され、依然として明白な懸念事項となっています。フィールド・レコーディングは、朽ち果てたテープ・ループとデジタル処理されたフェンランドの音のテクスチャーのメランコリックな洗浄によって消滅し、展開されるため、気候変動の結果、元の湿地に戻り、再び水没したらフェンスはどのように聞こえるだろうかというスコットの思考過程がこの5曲から聞こえてきそうです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私は定期的に、人里離れた名もない壊れた橋を訪れます。この橋は、ホルムフェンとニューデコイ自然保護区を結ぶ長い排水溝の上にあり、単に耳を傾けるためだけのものです。季節が変わるたびに、野生動物の鳴き声が、広くて平らなフェンズに張り巡らされた長い電線の音と融合し、合体するのを観察しに戻ってきました。私は同じ場所でも異なる音の特徴を感じ取り、すぐにその広大なポリフォニックな栄光を録音し始めました。偶然にも、私の水筒が鉄橋に当たり、フェンスの風景に銅鑼のような音が響いたのです。これをきっかけに、私はソフトマレットを使って実際に橋をパーカッシブな楽器として演奏し、その響きをとらえることにしました。その後、橋の垂直開口部のひとつに小さなDPAマイクを設置し、金属製の橋の内側と外側にある多くの音波のフィルターとして機能させたいと思うようになりました。橋のどの部分を叩くか、どの季節に叩くかによって、橋の振動的な音質が違ってくるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolme Fen Posts は、イングランドで最も低い地図上の位置(平均海面から6フィート)にある有名な鋼鉄製のホルム・フェン自然保護区の支柱2本のうちの1本から採取したループ状の録音をトレースしたものです。この支柱は、1851年に地元の地主であるウィリアム・ウェルズによって、地盤沈下の測定値を得るために地面に打ち込まれました。柱には、その後の地盤沈下の日付を示す金属製のプラカードが取り付けられており、スコットはその音波を捉えるために2本のコンタクトマイクを水平な柱の間に挟み込みました。録音された音は、鉄の彫刻のゆっくりとした深い振動音だけでなく、スコットが録音したときに発生した土砂降りなどの自然現象や、周囲の共鳴が生み出すリズミカルなダイナミクスを明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e風という自然現象は、『The Whistling Wire』で聴かれるようなエオリアン的な音の特徴となり、橋が叩かれる柔らかいリズムは、その振動が生み出す長音のドローンや残響質となって、フェンズの複雑な音の地形を現すのです。人為的な介入なしにワイヤーの穴に点火する風のシンフォニックな栄光をとらえること。これは、気候変動によって引き起こされた伝達可能な音楽性の移り変わりを誘発するものです。The Black Fenは、エオリアンフィールドレコーディングのカセットテープのループによって音場をトレースし、スコットのモジュラーシンセシステムに入力すると操作され、徐々に隠れたメロディーを引き出していきます。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1974287724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate, monochromatic printed and embossed sleeve + insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003e‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott created 'Below Sea Level' on 12k (later reissued on Touch). His return to the Fens has produced a number of new works, presented here on ‘Long Drove’, that are intimate sonic narratives of place and rural trauma.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘Long Drove’ is a site-specific sound study which shifts the Anthropocene discourse from spectatorship to musical participation, accountability, and creative engagement. The near future of the Fens, with concerns of further subsidence and threat of flooding, remains a palpable concern. One can almost hear Scott’s thought processes within these five compositions, of what the Fens would sound like if submerged and flooded by water again, returning to its original marshland state as a result of climate change, as the field\u003cspan class=\"bcTruncateMore\"\u003e recordings dissipate and unfurl with melancholic washes of decaying tape loops and digitally processed textures of Fenland sonorities.\u003cbr\u003e \u003cbr\u003e“I regularly visit the remote and nameless broken bridge,” Simon explains, “that is situated over a long drainage ditch that connects Holme Fen and New Decoy nature reserves, simply to listen. Each season I’d return to observe the sonorities of wildlife merge and coalesce with the hum of the long telephone wires that stretch across the wide and flat Fens. Within my audition I’d perceive different sonic characteristics within the same location and I soon began to record its vast polyphonic glory. By pure serendipity my water bottle accidentally struck the steel bridge, and it rang out like a gong across the Fen landscape. This inspired me to use soft mallet beaters to actually play the bridge as a percussive musical instrument and capture its resonant qualities. A subsequent desire was also to place my tiny DPA microphones inside one of the bridge vertical openings to act as a filter of the many sonorities within and outside of the metal bridge. The vibratory aural qualities of the bridge would differ depending on what part of the bridge I struck and what season it was.”\u003cbr\u003e \u003cbr\u003e‘Holme Fen Posts' traces out looped recordings taken from one of two of the famous steel Holme Fen nature reserve posts, which are located at the lowest cartographical location in England (six feet below mean sea level). The posts were driven into the ground in 1851 to take ground readings of subsidence by local landowner William Wells. Metal placards were attached to the posts to depict the subsequent dates of the level of the ground and Scott wedged two contact microphones in between the horizontal posts to capture its sonorities. The recordings reveal not only the slow and deep vibratory sounds of the steel sculptures but also the rhythmic dynamics created by natural phenomena, such as the downpour occurring as Scott recorded, and the resonances within the surrounding area.\u003cbr\u003e\u003cbr\u003eThe natural phenomena of wind became aeolian sound characteristics, as heard in The Whistling Wire, and the soft rhythm of the bridge being struck became the long-pitched drones and reverberant textures that these vibrations produced reveals the complex sonic topography of the Fens. From capturing the symphonic glory of the wind which, without any human intervention, ignites the holes in the wires. This triggers shifting planes of transmissible climate change induced musicality. ‘The Black Fen’ traces sound fields through cassette tape loops of aeolian field recordings which are manipulated when fed into Scott’s modular synth system to gradually tease out submerged hidden melodies. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Scott\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-15T18:33:23+09:00","created_at":"2022-12-14T15:16:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770318389498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Simon Scott \/\/ Long Drove CD","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","options":["Title"],"media":[{"alt":null,"id":31188372062458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","width":700},{"alt":null,"id":31188372095226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエント作家Simon Scott (Slowdiveのドラマー)が、2022年12月にオーストラリアの実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e冬の日差しのように柔らかいアンビエント6曲を収録。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eスコットがRoom40のために書いた最初のエディションのタイトルである「Long Drove」は、イギリスの作曲家、マルチインストゥルメンタリスト、マスタリングエンジニアのサイモン・スコットの自宅に近い場所フェンズについてです。そこはホルムフェンとニューデコイと呼ばれる2つの自然保護区を結ぶ連絡通路で、両地域はグレートフェンプロジェクトと呼ばれる生息地復元プロジェクトの一部であり、スコットが幼少期に育った場所にも近いです。この地域は、10年以上前にスコットが12kで「Below Sea Level」(後にTouchで再発売)を制作した際に、初めて作曲のインスピレーションを得る場所となりました。フェンズに戻った彼は、この「Long Drove」で紹介されている、場所と田舎のトラウマに関する親密な音の物語である、いくつかの新作を生み出しました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフェンズの近未来は、さらなる地盤沈下と洪水の脅威が懸念され、依然として明白な懸念事項となっています。フィールド・レコーディングは、朽ち果てたテープ・ループとデジタル処理されたフェンランドの音のテクスチャーのメランコリックな洗浄によって消滅し、展開されるため、気候変動の結果、元の湿地に戻り、再び水没したらフェンスはどのように聞こえるだろうかというスコットの思考過程がこの5曲から聞こえてきそうです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私は定期的に、人里離れた名もない壊れた橋を訪れます。この橋は、ホルムフェンとニューデコイ自然保護区を結ぶ長い排水溝の上にあり、単に耳を傾けるためだけのものです。季節が変わるたびに、野生動物の鳴き声が、広くて平らなフェンズに張り巡らされた長い電線の音と融合し、合体するのを観察しに戻ってきました。私は同じ場所でも異なる音の特徴を感じ取り、すぐにその広大なポリフォニックな栄光を録音し始めました。偶然にも、私の水筒が鉄橋に当たり、フェンスの風景に銅鑼のような音が響いたのです。これをきっかけに、私はソフトマレットを使って実際に橋をパーカッシブな楽器として演奏し、その響きをとらえることにしました。その後、橋の垂直開口部のひとつに小さなDPAマイクを設置し、金属製の橋の内側と外側にある多くの音波のフィルターとして機能させたいと思うようになりました。橋のどの部分を叩くか、どの季節に叩くかによって、橋の振動的な音質が違ってくるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolme Fen Posts は、イングランドで最も低い地図上の位置(平均海面から6フィート)にある有名な鋼鉄製のホルム・フェン自然保護区の支柱2本のうちの1本から採取したループ状の録音をトレースしたものです。この支柱は、1851年に地元の地主であるウィリアム・ウェルズによって、地盤沈下の測定値を得るために地面に打ち込まれました。柱には、その後の地盤沈下の日付を示す金属製のプラカードが取り付けられており、スコットはその音波を捉えるために2本のコンタクトマイクを水平な柱の間に挟み込みました。録音された音は、鉄の彫刻のゆっくりとした深い振動音だけでなく、スコットが録音したときに発生した土砂降りなどの自然現象や、周囲の共鳴が生み出すリズミカルなダイナミクスを明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e風という自然現象は、『The Whistling Wire』で聴かれるようなエオリアン的な音の特徴となり、橋が叩かれる柔らかいリズムは、その振動が生み出す長音のドローンや残響質となって、フェンズの複雑な音の地形を現すのです。人為的な介入なしにワイヤーの穴に点火する風のシンフォニックな栄光をとらえること。これは、気候変動によって引き起こされた伝達可能な音楽性の移り変わりを誘発するものです。The Black Fenは、エオリアンフィールドレコーディングのカセットテープのループによって音場をトレースし、スコットのモジュラーシンセシステムに入力すると操作され、徐々に隠れたメロディーを引き出していきます。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1974287724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate, monochromatic printed and embossed sleeve + insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003e‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott created 'Below Sea Level' on 12k (later reissued on Touch). His return to the Fens has produced a number of new works, presented here on ‘Long Drove’, that are intimate sonic narratives of place and rural trauma.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘Long Drove’ is a site-specific sound study which shifts the Anthropocene discourse from spectatorship to musical participation, accountability, and creative engagement. The near future of the Fens, with concerns of further subsidence and threat of flooding, remains a palpable concern. One can almost hear Scott’s thought processes within these five compositions, of what the Fens would sound like if submerged and flooded by water again, returning to its original marshland state as a result of climate change, as the field\u003cspan class=\"bcTruncateMore\"\u003e recordings dissipate and unfurl with melancholic washes of decaying tape loops and digitally processed textures of Fenland sonorities.\u003cbr\u003e \u003cbr\u003e“I regularly visit the remote and nameless broken bridge,” Simon explains, “that is situated over a long drainage ditch that connects Holme Fen and New Decoy nature reserves, simply to listen. Each season I’d return to observe the sonorities of wildlife merge and coalesce with the hum of the long telephone wires that stretch across the wide and flat Fens. Within my audition I’d perceive different sonic characteristics within the same location and I soon began to record its vast polyphonic glory. By pure serendipity my water bottle accidentally struck the steel bridge, and it rang out like a gong across the Fen landscape. This inspired me to use soft mallet beaters to actually play the bridge as a percussive musical instrument and capture its resonant qualities. A subsequent desire was also to place my tiny DPA microphones inside one of the bridge vertical openings to act as a filter of the many sonorities within and outside of the metal bridge. The vibratory aural qualities of the bridge would differ depending on what part of the bridge I struck and what season it was.”\u003cbr\u003e \u003cbr\u003e‘Holme Fen Posts' traces out looped recordings taken from one of two of the famous steel Holme Fen nature reserve posts, which are located at the lowest cartographical location in England (six feet below mean sea level). The posts were driven into the ground in 1851 to take ground readings of subsidence by local landowner William Wells. Metal placards were attached to the posts to depict the subsequent dates of the level of the ground and Scott wedged two contact microphones in between the horizontal posts to capture its sonorities. The recordings reveal not only the slow and deep vibratory sounds of the steel sculptures but also the rhythmic dynamics created by natural phenomena, such as the downpour occurring as Scott recorded, and the resonances within the surrounding area.\u003cbr\u003e\u003cbr\u003eThe natural phenomena of wind became aeolian sound characteristics, as heard in The Whistling Wire, and the soft rhythm of the bridge being struck became the long-pitched drones and reverberant textures that these vibrations produced reveals the complex sonic topography of the Fens. From capturing the symphonic glory of the wind which, without any human intervention, ignites the holes in the wires. This triggers shifting planes of transmissible climate change induced musicality. ‘The Black Fen’ traces sound fields through cassette tape loops of aeolian field recordings which are manipulated when fed into Scott’s modular synth system to gradually tease out submerged hidden melodies. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Scott\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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British ambient writer Simon Scott (Slowdive drummer) released his latest work in December 2022 on the Australian experimental label Room12.Includes 40 ambient songs that are as soft as the winter sunshine.Shrink specifications.Below is a commentary by the label and writer.The title of the first edition Scott wrote for Room6, 'Long Drove' is about the Fens, a place near home for British composer, multi-instrumentalist and mastering engineer Simon Scott.It's a connecting walkway between two nature reserves called Holmfen and New Decoy, both of which are part of a habitat restoration project called the Great Fen Project, and are close to where Scott grew up as a child.The region first served as a place for Scott's compositional inspiration over a decade ago when he produced 'Below Sea Level' on 40k (later re-released on Touch).Back in the Fens, he produced several new productions, intimate sonic tales of place and rural trauma presented in this Long Drove.The Fens' near future remains a glaring concern, with further subsidence and the threat of flooding.Field recordings are extinguished and unfolded by a melancholic wash of decaying tape loops and digitally processed Fenland sound textures, so that, as a result of climate change, they return to their original wetlands, and once submerged again the fences You can almost hear Scott's thought process about what it might sound like in these five songs. “I regularly visit a remote and unnamed broken bridge over a long drainage ditch connecting Holmfen and the New Decoy Nature Reserve, just to listen. As the seasons change, I return to watch the cries of wildlife merge and coalesce with the sound of long electrical wires strung across wide, flat fences. I sensed the character of the sound and immediately began recording in its vast polyphonic glory, when by chance my water bottle hit an iron bridge and a gong echoed across the fence landscape. Secondly, I decided to use soft mallets to actually play the bridge as a percussive instrument to capture its resonance, then set up a small DPA mic in one of the bridge's vertical openings to simulate the metal bridge. I wanted it to act as a filter for many of the sound waves inside and outside the bridge, and depending on what part of the bridge you hit and what season you hit it, the bridge would have a different vibratory sound quality. Holme Fen Posts are looped recordings taken from one of the two posts of the famous steel Holme Fen Nature Reserve, at England's lowest map position (2 feet above mean sea level). The post was driven into the ground by William Wells, a local landowner, to obtain a subsidence measurement in 10. The post bears the date of the subsequent subsidence. A metal placard was attached to indicate the sound, and Scott sandwiched two contact microphones between horizontal pillars to capture the sound.The sound recorded was the slow, deep sound of the iron sculpture. As well as vibrating sounds, it reveals natural phenomena such as the downpour that occurred when Scott recorded, and the rhythmic dynamics created by the resonance of the surroundings...
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{"id":7867607384314,"title":"Phauss \/\/ Audiodrome CD+BOOKLET","handle":"phauss-audiodrome-cd","description":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。(オリジナルは1987年リリース)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T15:34:14+09:00","created_at":"2022-12-14T15:14:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770305675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phauss \/\/ Audiodrome CD+BOOKLET","public_title":null,"options":["Default Title"],"price":318000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","options":["Title"],"media":[{"alt":null,"id":31188357644538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","width":700},{"alt":null,"id":31188357677306,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。(オリジナルは1987年リリース)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Swedish artist Carl Michael von Hausswolff and Swedish filmmaker Erik Pauser duo Phauss released a reissue CD in December 2022 from the Australian experimental label Room12. (originally released in 40) A collage soundscape collection of field recordings recorded in Switzerland, Syria, Lebanon, Syria, Iran, Pakistan, India, Thailand, Philippines, Morocco, Algeria and Niger.Includes 1987-page booklet with photos, artwork and documentation.Click here to see more Room44 releases available...
¥3,180
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{"id":7671365566714,"title":"Madeleine Cocolas \/\/ Spectral CD","handle":"madeleine-cocolas-spectral-cd","description":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-15T09:54:37+09:00","created_at":"2022-07-11T09:20:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","room40","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974050222330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Madeleine Cocolas \/\/ Spectral CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","options":["Title"],"media":[{"alt":null,"id":30094718861562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","width":700},{"alt":null,"id":30094718894330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Madeleine Cocolas, an acoustic artist from Brisbane, Australia, released the latest work on the Australian experimental label Room2022 in July 7.Contains a wide range of 40 songs, including Neoclassical Ambient-Ambient Techno-Ambient Drone.Comes with an insert and shrink specifications.Click here to see more Room8 releases available at Tobira. ---------------------------- Artist .. ..
¥2,150
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{"id":7666956370170,"title":"Daniel Menche \/\/ Forlorn TAPE","handle":"daniel-menche-forlorn-tape","description":"\u003cp\u003eカナダ・トロントの大御所ノイズ作家Daniel Mencheが、2022年4月にオーストラリアの実験レーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼の作品では珍しいローエンドドローンのみの2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2342457792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Daniel Menche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe word “Forlorn” is defined as: “abandoned, lost, ruined, doomed for destruction”. In some way, that sums up a lot about the mood of 2020-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all felt abandoned and lost to a certain degree, in all of our own, various ways. I certainly did, and I thought one aspect that was the most abandoned was my sense of time. It’s as though “time” had abandoned me. or was it the other way around? Maybe I was abandoning time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy own solution to this recent forlorn feeling is to go on long hikes in forests around this area in which I live. Ideally I want to get lost in my thoughts, and occasionally physically lost.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting lost seems to be the main goal and intention of my musical work over the past 30 years. I have an ambition to see how I can get the listener to feel as lost as possible within my sounds and noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHave you ever been lost in a forest all alone at night without any lighting? I have, and what a great feeling! I try to translate these experiences in the form of my music. A big gigantic dark forest of drones and noise to get lost in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Menche\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-06T07:52:13+09:00","created_at":"2022-07-05T16:10:46+09:00","vendor":"Tobira Records","type":"","tags":["drone","room40","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42955082989818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Menche \/\/ Forlorn TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","options":["Title"],"media":[{"alt":null,"id":30062064402682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","width":700},{"alt":null,"id":30062064435450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの大御所ノイズ作家Daniel Mencheが、2022年4月にオーストラリアの実験レーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼の作品では珍しいローエンドドローンのみの2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2342457792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Daniel Menche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe word “Forlorn” is defined as: “abandoned, lost, ruined, doomed for destruction”. In some way, that sums up a lot about the mood of 2020-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all felt abandoned and lost to a certain degree, in all of our own, various ways. I certainly did, and I thought one aspect that was the most abandoned was my sense of time. It’s as though “time” had abandoned me. or was it the other way around? Maybe I was abandoning time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy own solution to this recent forlorn feeling is to go on long hikes in forests around this area in which I live. Ideally I want to get lost in my thoughts, and occasionally physically lost.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting lost seems to be the main goal and intention of my musical work over the past 30 years. I have an ambition to see how I can get the listener to feel as lost as possible within my sounds and noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHave you ever been lost in a forest all alone at night without any lighting? I have, and what a great feeling! I try to translate these experiences in the form of my music. A big gigantic dark forest of drones and noise to get lost in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Menche\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This cassette was released on the Australian experimental label Room 2022 in April 4 by the noise writer Daniel Menche of Toronto, Canada.Includes two songs only for low-end drones, which is rare in his work. DL code included.Click here to see more Room40 releases available at Tobira. ---------------------------- Includes .. ..
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{"id":7666501452026,"title":"Alberto Boccardi \/\/ Petra TAPE","handle":"alberto-boccardi-petra-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-04T18:39:42+09:00","created_at":"2022-07-04T18:39:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","recommended","room40","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42951883718906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alberto Boccardi \/\/ Petra TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","options":["Title"],"media":[{"alt":null,"id":30057398862074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","width":700},{"alt":null,"id":30057399025914,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This cassette was released by Italian drone writer Alberto Boccardi in June 2022 on the label Room 6, which is presided over by the acoustic writer Lawrence English in Brisbane, Australia.Includes 40 modular minimal drone songs. DL code included.The following is a commentary by the writer himself. Petra is a work derived from the time I lived in Cairo, Egypt from 5 to 2015.I spent about five years there in the enthusiastic mood of the tireless Egyptian capital.It's a never-ending cascade of sounds and flashes, and I find myself split between my daily work habits and this sense of life around me. Petra is a work since I returned to my hometown of Milan.In a way, this album is like closing a chapter in my life and opening a new one.All sound sources were recorded in the studio "Standard" that I made 2020 years ago.This was a place I'm familiar with, everything was available, and in contrast to Cairo, it was a very familiar and controllable environment.It's like the perfect opposite, a way to look at the memories of these sounds from almost a distance.To get started with the setup, I decided to subtract and think about the concept of "silence," which wasn't part of my life during my stay in Cairo.I was trying to find the width between each sound element and the space they needed.I focused on the sound itself rather than where it was needed in relation to other sounds.During the recording, I invited a longtime collaborator, Chinzia de Lorenzi, to the studio to work with me.She has a great talent for voice, which was put to good use in some of her works.We quickly understood her creative dynamism and were convinced that her voice could fit between the emerging sounds.I thought that the existence of voice would be useful for playing as a listener how to experience the sense of distance of each track.It helped to provide an approach to create and fill the voids that exist around all other sounds. Petra means rock in Latin, and through the subtraction approach I took, I felt that this word was a good reflection of what my unstable and delicate work should be.Click here to see more Room5 releases available at Tobira ....
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{"id":7508698366202,"title":"HEXA \/\/ Material Interstices LP","handle":"hexa-material-interstices-lp-booklet","description":"\u003cp\u003eオーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence EnglishとJamie StewartによるデュオHEXAが、2021年10月にLawrence主宰レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e深淵なローエンド・ドローン〜ダークアンビエント8曲を収録。以下、Lawrenceによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \" 私は子供の頃、2つの夢を繰り返し見ました。どちらも、私が住んでいた家にまつわる夢でした。その家は、高い位置にあるが、その下はほとんど未完成のボロ家であった。その家の裏側は、小さな部屋やコンクリートピット、建材のコレクション、配管、残された家具などが、月の砂のような固さの土のベッドと一緒に置かれた迷路のような空間になっていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e最初に見た夢は、朝早く、台所の窓から空から燃える鳥が落ちてくるというものだった。その鳥は幕屋の蝋燭が進化したもので、ねじれた永遠の炎の形が翼を動かして象徴されていた。この夢は大人になってから一度も見たことがないが、鮮明に思い出すことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つ目の夢は、若いころに経験した具体的な激しさに対して、遠いかすみのような言及ではあるが、最近になって浮かび上がってきた。この夢は、私の家の下に存在する迷路のような未完成の機能の奥深くに埋もれていたものである。夢はたいてい、私が月の土の上で遊んでいるところから始まり、次第にその空間の中心にある大きなコンクリートの穴から音が聞こえてくるようになる。その音はだんだん大きくなり、やがて私はそれを調べに行かなければならなくなる。その音に呼ばれたのだ。他に表現しようがない。ピットを覗くと、いつも何らかのハッチがあり、しばしばサブマリンの映画で見るような圧力ドアに似たものがあり、音はそのハッチの下から発せられるのです。その音は、まるでブロックの上に駐車してある車からベース音楽を聴いているような、深く小さく埋もれた、ドクドクとした、ハンマーのような音であった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e必然的にハッチをひねると、その中は、今でいう「鉄人テツオ」の内部心理を思い起こさせるような機械的な世界になっていた。ほとんどデュオトーンで、濃いグレーと黒で陰影をつけ、油のような湿った濃厚な雰囲気が漂っていた。ハッチに入り、ハシゴを降りると(ハシゴも必ずあった)、音の圧力が増し、まるでこのモノリシックな地下機械に全身が飲み込まれていくような感覚だった。その機械が何をするのか、あるいは機械なのか、そのシステムは明らかにされなかったが、私が感じさせられたのは、私の通常の理解を超えた何かが、昼も夜も鍛錬し、私の理解を超えた無限の力と命令を与えているということであった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの1年、その夢が再び私の前に現れたことに驚いている。おそらく、世の中が静かになり、私たちが眠っているときに、最も微妙な音響の変化にも耳を傾けることができるようになった結果なのだろう。普段は都会の夜景の喧噪の中に隠れている遠隔の音が、私の夢の中に入り込んできて、ある種の思索的な意識を引き起こすのである。この催眠術後の状態は、子供の頃に夢見たあの場所に戻るきっかけとなったが、同時にその場所への完全なアクセスは許されず、むしろ遠慮がちな感じだった。たとえハッチがあっても、同じように入ることはできないし、同じように鍵を開けることもできない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e昨年、この夢をジェイミーに話したら、彼も睡眠パターンが不安定だと言っていた。このことがきっかけで、私たちは最近、世界の力学が自然界の出現に向かってシフトしていることについて考えるようになりました。工業製品、機械、その他、人間(あるいは人間以外の)労働の音響的副産物が、静かな環境騒音の床から手を伸ばしているのだ。普段は日常の(サブ)アーバンスケープに浸かっているものが掘り起こされ、この特別な瞬間、それは遠くから私たちを悩ませ、内部の不確実性を解き放つ外的な力となるのだ。この音楽は、この経験を移し変えたものであり、意識が間違いなく推測される瞬間のために書かれたものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893286357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate monochrome printed sleeve, printed inner sleeve plus 32 page artist book containing text and collages from Jamie Stewart and Lawrence English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText from Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhen I was child I had two recurring dreams. Both these dreams were tethered to the house I lived in. It was a rambling home which was high set but underneath it was largely unfinished. The underside of the house was a labyrinth of small rooms, concrete pits and a collection of building materials, piping and leftover furniture sat alongside beds of dirt that had a consistency of lunar dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first recurring dream was of a burning bird, falling from the sky past the kitchen window in the early hours of the morning. The bird I’m pretty sure was some devolved version of a tabernacle candle, that shape of the twisted eternal flame often symbolised with twitching wings. This dream has never returned to me as an adult, though I can vividly recount it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second dream has recently emerged, albeit a distant hazy reference to the tangible intensity that I experienced when I was younger. This dream was one buried deep within the labyrinthian, unfinished features that existed under my house. The dream usually started with me playing on the lunar dirt and gradually a sound would emerge from a large concrete pit that was in the centre of the space. The sound would get louder and eventually I would have\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to go and inspect it. It called me in, there’s no other way to describe it. As I looked into the pit, there was always some kind of hatch, often resembling a pressure door, the type you might see in a Submarine film, and the sound would emanate from underneath that hatch. It was also a throbbing, hammering type of sound, deeply diminished and buried, like hearing bass music from a car parked up the block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInevitably, I would twist open the hatch and inside it was a mechanical world that today brings to mind the interior psyche of Tetsuo The Iron Man. It was dark, almost entirely duotone, shaded in heavy grey and black, and wet with a thick, humid, oil like moisture. As I climbed into the hatch and down the ladder (there was always a ladder too) the pressure of the sound increased and it was as if my whole body was being consumed by this monolithic subterranean machine. I never got to understand what the machine did, or if in fact it was a machine at all, the system was never revealed, but what I was made to feel was that there was something beyond my usual understanding that forged away night and day and was infinitely more powerful and commanding than I ever could comprehend.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was surprised that, over the past year, this dream has returned to me. Perhaps it’s a result of the general quietening of the world and that innate way our ears can open up to even the most subtle acoustic shifts when we are sleeping. Remote sounds, usually hidden in the din of the urban nightscape, were filtering into my dreams and triggering some kind of speculative consciousness. This post-hypnogogic state ushered in a return to that imagined place from my childhood dreams, but simultaneously I was never allowed full access to that place, rather it felt more reserved. I could not enter it in the same way, even if the hatch was there, I was not the same mind and could not unlock it in the same way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLast year, I mentioned this dream to Jamie, and he too reported unsteady sleep patterns. This got us to thinking about how the dynamics of the world have recently shifted towards the emergence of the natural world. Equally though it has shifted in favour of its shadow; those ongoing industrial, mechanical and other acoustic by-products of human (and unhuman) labour reach out from the hushed ambient noise floor. What is usually soaked up in the everyday (sub)urbanscape has been exhumed and in these particular moments it haunts us from a distance, an exterior force that unlocks interior uncertainties. This music is transposed of this experience and is written for those moments were consciousness is arguably speculative.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HEXA\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-07T15:22:35+09:00","created_at":"2022-01-06T15:34:28+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282484596986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HEXA \/\/ Material Interstices LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869","options":["Title"],"media":[{"alt":null,"id":28965888098554,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence EnglishとJamie StewartによるデュオHEXAが、2021年10月にLawrence主宰レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e深淵なローエンド・ドローン〜ダークアンビエント8曲を収録。以下、Lawrenceによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \" 私は子供の頃、2つの夢を繰り返し見ました。どちらも、私が住んでいた家にまつわる夢でした。その家は、高い位置にあるが、その下はほとんど未完成のボロ家であった。その家の裏側は、小さな部屋やコンクリートピット、建材のコレクション、配管、残された家具などが、月の砂のような固さの土のベッドと一緒に置かれた迷路のような空間になっていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e最初に見た夢は、朝早く、台所の窓から空から燃える鳥が落ちてくるというものだった。その鳥は幕屋の蝋燭が進化したもので、ねじれた永遠の炎の形が翼を動かして象徴されていた。この夢は大人になってから一度も見たことがないが、鮮明に思い出すことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つ目の夢は、若いころに経験した具体的な激しさに対して、遠いかすみのような言及ではあるが、最近になって浮かび上がってきた。この夢は、私の家の下に存在する迷路のような未完成の機能の奥深くに埋もれていたものである。夢はたいてい、私が月の土の上で遊んでいるところから始まり、次第にその空間の中心にある大きなコンクリートの穴から音が聞こえてくるようになる。その音はだんだん大きくなり、やがて私はそれを調べに行かなければならなくなる。その音に呼ばれたのだ。他に表現しようがない。ピットを覗くと、いつも何らかのハッチがあり、しばしばサブマリンの映画で見るような圧力ドアに似たものがあり、音はそのハッチの下から発せられるのです。その音は、まるでブロックの上に駐車してある車からベース音楽を聴いているような、深く小さく埋もれた、ドクドクとした、ハンマーのような音であった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e必然的にハッチをひねると、その中は、今でいう「鉄人テツオ」の内部心理を思い起こさせるような機械的な世界になっていた。ほとんどデュオトーンで、濃いグレーと黒で陰影をつけ、油のような湿った濃厚な雰囲気が漂っていた。ハッチに入り、ハシゴを降りると(ハシゴも必ずあった)、音の圧力が増し、まるでこのモノリシックな地下機械に全身が飲み込まれていくような感覚だった。その機械が何をするのか、あるいは機械なのか、そのシステムは明らかにされなかったが、私が感じさせられたのは、私の通常の理解を超えた何かが、昼も夜も鍛錬し、私の理解を超えた無限の力と命令を与えているということであった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの1年、その夢が再び私の前に現れたことに驚いている。おそらく、世の中が静かになり、私たちが眠っているときに、最も微妙な音響の変化にも耳を傾けることができるようになった結果なのだろう。普段は都会の夜景の喧噪の中に隠れている遠隔の音が、私の夢の中に入り込んできて、ある種の思索的な意識を引き起こすのである。この催眠術後の状態は、子供の頃に夢見たあの場所に戻るきっかけとなったが、同時にその場所への完全なアクセスは許されず、むしろ遠慮がちな感じだった。たとえハッチがあっても、同じように入ることはできないし、同じように鍵を開けることもできない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e昨年、この夢をジェイミーに話したら、彼も睡眠パターンが不安定だと言っていた。このことがきっかけで、私たちは最近、世界の力学が自然界の出現に向かってシフトしていることについて考えるようになりました。工業製品、機械、その他、人間(あるいは人間以外の)労働の音響的副産物が、静かな環境騒音の床から手を伸ばしているのだ。普段は日常の(サブ)アーバンスケープに浸かっているものが掘り起こされ、この特別な瞬間、それは遠くから私たちを悩ませ、内部の不確実性を解き放つ外的な力となるのだ。この音楽は、この経験を移し変えたものであり、意識が間違いなく推測される瞬間のために書かれたものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893286357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate monochrome printed sleeve, printed inner sleeve plus 32 page artist book containing text and collages from Jamie Stewart and Lawrence English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText from Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhen I was child I had two recurring dreams. Both these dreams were tethered to the house I lived in. It was a rambling home which was high set but underneath it was largely unfinished. The underside of the house was a labyrinth of small rooms, concrete pits and a collection of building materials, piping and leftover furniture sat alongside beds of dirt that had a consistency of lunar dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first recurring dream was of a burning bird, falling from the sky past the kitchen window in the early hours of the morning. The bird I’m pretty sure was some devolved version of a tabernacle candle, that shape of the twisted eternal flame often symbolised with twitching wings. This dream has never returned to me as an adult, though I can vividly recount it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second dream has recently emerged, albeit a distant hazy reference to the tangible intensity that I experienced when I was younger. This dream was one buried deep within the labyrinthian, unfinished features that existed under my house. The dream usually started with me playing on the lunar dirt and gradually a sound would emerge from a large concrete pit that was in the centre of the space. The sound would get louder and eventually I would have\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to go and inspect it. It called me in, there’s no other way to describe it. As I looked into the pit, there was always some kind of hatch, often resembling a pressure door, the type you might see in a Submarine film, and the sound would emanate from underneath that hatch. It was also a throbbing, hammering type of sound, deeply diminished and buried, like hearing bass music from a car parked up the block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInevitably, I would twist open the hatch and inside it was a mechanical world that today brings to mind the interior psyche of Tetsuo The Iron Man. It was dark, almost entirely duotone, shaded in heavy grey and black, and wet with a thick, humid, oil like moisture. As I climbed into the hatch and down the ladder (there was always a ladder too) the pressure of the sound increased and it was as if my whole body was being consumed by this monolithic subterranean machine. I never got to understand what the machine did, or if in fact it was a machine at all, the system was never revealed, but what I was made to feel was that there was something beyond my usual understanding that forged away night and day and was infinitely more powerful and commanding than I ever could comprehend.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was surprised that, over the past year, this dream has returned to me. Perhaps it’s a result of the general quietening of the world and that innate way our ears can open up to even the most subtle acoustic shifts when we are sleeping. Remote sounds, usually hidden in the din of the urban nightscape, were filtering into my dreams and triggering some kind of speculative consciousness. This post-hypnogogic state ushered in a return to that imagined place from my childhood dreams, but simultaneously I was never allowed full access to that place, rather it felt more reserved. I could not enter it in the same way, even if the hatch was there, I was not the same mind and could not unlock it in the same way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLast year, I mentioned this dream to Jamie, and he too reported unsteady sleep patterns. This got us to thinking about how the dynamics of the world have recently shifted towards the emergence of the natural world. Equally though it has shifted in favour of its shadow; those ongoing industrial, mechanical and other acoustic by-products of human (and unhuman) labour reach out from the hushed ambient noise floor. What is usually soaked up in the everyday (sub)urbanscape has been exhumed and in these particular moments it haunts us from a distance, an exterior force that unlocks interior uncertainties. This music is transposed of this experience and is written for those moments were consciousness is arguably speculative.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HEXA\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This record was released by Australian acoustic author Lawrence English and Jamie Stewart on the duo HEXA in October 2021 on Lawrence's label Room 10.Includes 40 deep low-end drones-dark ambient songs.The following is an explanation by Lawrence. "When I was a kid, I had two dreams over and over, both of which were about the house I lived in. The house is high, but below it is an almost unfinished Boro house. The back of the house was like a maze of small rooms, concrete pits, collections of building materials, plumbing, and leftover furniture, along with a bed of earthen sand-hard soil. It was a space. The first dream I had was early in the morning when a burning bird fell from the sky from the window of the kitchen. The bird was an evolution of the candles of the Makuya, a twisted eternal flame. The shape of the house was symbolized by moving its wings. I have never seen this dream since I was an adult, but I can remember it vividly. The second dream is the concrete experience I experienced when I was young. The fierceness, though a distant reference, has recently emerged. This dream is buried deep in the labyrinth-like unfinished features beneath my house. Dreams usually start when I'm playing on the soil of the moon, and gradually I hear a sound through a large concrete hole in the center of the space. As I grew up, I had to go check it out. I was called by the sound. I couldn't express it anywhere else. When I looked into the pits, there was always some kind of hatch, often seen in submarine movies. There's something similar to a pressure door, where the sound comes from underneath the hatch, buried deep and small, as if you were listening to bass music from a car parked on a block. It was a pounding, hammer-like sound. Inevitably, when I twisted the hatch, it became a mechanical world reminiscent of the internal psychology of what is now called "Tetsujin Tetsuo."Mostly duo tones, shaded in dark gray and black, with an oily, moist, rich atmosphere.When I entered the hatch and got off the ladder (there was always a ladder), the pressure of the sound increased, and it was as if the whole body was swallowed by this monolithic underground machine.It wasn't revealed what the machine did or what it was, but what made me feel was that something beyond my usual understanding trained day and night. It was to give infinite power and command beyond my understanding.I'm surprised that the dream has reappeared before me over the past year.Perhaps it's the result of the quietness of the world and the ability to listen to the most subtle acoustic changes when we sleep.The remote sounds that are normally hidden in the hustle and bustle of the night view of the city enter into my dreams and provoke some sort of speculative consciousness.This post-hypnotic condition prompted me to return to the place I dreamed of when I was a kid, but at the same time I wasn't allowed full access to that place, which was rather reluctant.Even if you have a hatch, you can't enter in the same way, and you can't unlock it in the same way.When I told Jamie about this dream last year, he also said his sleep pattern was unstable.This has led us to think about the recent shift in world mechanics towards the emergence of nature.Industrial products, machinery, and other acoustic by-products of human (or non-human) labor are reaching out from the quiet environmental noise floor.What is normally immersed in the (sub) urban scape is unearthed, and at this special moment it becomes an external force that bothers us from a distance and unleashes internal uncertainties.This music is a transposition of this experience, written for the moment when consciousness is definitely inferred. "Click here to see more Room8 releases available ...
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{"id":7508695449850,"title":"Kristof Hahn \/\/ Six Pieces CD","handle":"kristof-hahn-six-pieces-cd","description":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:04:03+09:00","created_at":"2022-01-06T15:23:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282468278522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristof Hahn \/\/ Six Pieces CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","options":["Title"],"media":[{"alt":null,"id":28965868175610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","width":700},{"alt":null,"id":28965868208378,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This CD was released by Krist of Hahn, who also works as SWANS, in November 2021 on the label room 11, which is presided over by the acoustic writer Lawrence English in Brisbane, Australia.Contains 40 ambient drone songs by electric guitar.Includes insert.Click here to see more Room6 releases available at Tobira. ----------------------------...
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{"id":7508694991098,"title":"Jerman\/Barnes \/\/ Hiss Lift CD","handle":"jerman-barnes-hiss-lift-cd","description":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T15:53:17+09:00","created_at":"2022-01-06T15:18:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282465493242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jerman\/Barnes \/\/ Hiss Lift CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","options":["Title"],"media":[{"alt":null,"id":28965862899962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","width":700},{"alt":null,"id":28965862932730,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a co-written CD released by sound writer Jeph Jerman and Tim Barnes in December 2021 on the label room12, which is presided over by the sound writer Lawrence English in Brisbane, Australia.Includes 40 songs of cut-up and sound collage of about 20 minutes.Includes insert.Click here to see more Room2 releases available at Tobira ....
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{"id":7508694499578,"title":"Maria Moles \/\/ For Leolanda CD","handle":"maria-moles-for-leolanda-cd","description":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:19+09:00","created_at":"2022-01-06T15:12:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40","sale22","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461167866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maria Moles \/\/ For Leolanda CD","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","options":["Title"],"media":[{"alt":null,"id":28965850153210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","width":700},{"alt":null,"id":28965850185978,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Maria Moles, a percussionist from Melbourne, Australia, who has previously released on Nice Music, will release the latest work in January 2022 from the Australian ambient writer Lawrence English's label Room 1.Contains all 40 songs.The following is a commentary by the writer himself. "For Leolanda" was produced during the lockdown in Melbourne in 4.I am very grateful that I was healed by listening to and making music, and I was able to make it in the meantime.Most of the works were inspired by listening to Filipino Kolintang music, some applying composition techniques to the combination of synthesizers, percussion, tape loops and drum kits. The name In Pan-as is named after Pilar's grandfather's farm, where my mother played regularly.The drum kit part is an arrangement of the rhythms I heard on the beautiful album "Muranao Kakolintang --Philippine Gong Music".The first inspiration for this song was in a telephone conversation with my mother, who suddenly asked me to sprinkle my mother's ashes on the bread on the farm after her death.Then I wondered what kind of ritual should be performed to celebrate the life of the person who is most important to me.I thought that if I danced with a rhythm like this song, it would surely fit. Mansaka is a song inspired by the Mansaka tribe of the Compostela Valley, and I loved listening to their music.This song has evolved into something completely different, personal.As a drummer, I usually start with a drum kit, but this album harmonizes the overtones from the singing bowl, bowing cymbals, and bells, and attempts to compose with a synthesizer.This album is dedicated to my mother, Le Holland. ...
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{"id":7049827647653,"title":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","handle":"lawrence-english-a-mirror-holds-the-sky-cd-book","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースしたCD+BOOKです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-17T12:06:52+09:00","created_at":"2021-09-17T11:02:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825890373797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","public_title":null,"options":["Default Title"],"price":318000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","options":["Title"],"media":[{"alt":null,"id":23739420704933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","width":700},{"alt":null,"id":23739420737701,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420770469,"position":3,"preview_image":{"aspect_ratio":1.441,"height":833,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175"},"aspect_ratio":1.441,"height":833,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420803237,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420836005,"position":5,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースしたCD+BOOKです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a CD+BOOK released in September 40 by Lawrence English, owner of the Brisbane, Australia-based acoustic label room2021. This work is based on over 9 hours of field recordings collected during his 2008 stay at Mamori Artlab, an Amazon residency run by Francisco Lopez.Contains 50 songs that will delight your ears with never-before-heard sounds that unfold in the jungle.A 7-page booklet with photos taken on site is included.Click here to see more Room48 releases available at...
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{"id":7049826205861,"title":"Megan Alice Clune \/\/ If You Do CD","handle":"megan-alice-clune-if-you-do-cd","description":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-19T08:35:56+09:00","created_at":"2021-09-17T10:59:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825884246181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Megan Alice Clune \/\/ If You Do CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","options":["Title"],"media":[{"alt":null,"id":23739406811301,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","width":700},{"alt":null,"id":23739406844069,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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The latest work released by Australian audio artist Megan Alice Clune on the Australian audio label Room40.Includes 10 ambient drones with clarinet and voice produced during the artist residence stay in Japan.Digipak and shrink specifications.Click here to see more Room40 releases available at Tobira. ---------------------------- Text .. ..
¥1,980
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{"id":7046517915813,"title":"Celer \/\/ In Light Of Blues CD","handle":"celer-in-light-of-blues-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-15T12:10:30+09:00","created_at":"2021-09-15T11:55:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","cd","drone","room40"],"price":170000,"price_min":170000,"price_max":170000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813338427557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celer \/\/ In Light Of Blues CD","public_title":null,"options":["Default Title"],"price":170000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","options":["Title"],"media":[{"alt":null,"id":23716498407589,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","width":700},{"alt":null,"id":23716498440357,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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The latest work released in August 40 by Celer, a writer who leads the ambient drone scene in Tokyo, from the label Room2021, which is presided over by Australian acoustic writer Lawrence English.Contains 8 ambient drone songs that resemble a curtain swaying in the autumn breeze.Digipak and shrink specifications.Click here to see more Room12 releases available at Tobira. ---------------------------- From Will. ..
¥1,700
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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A co-produced CD recorded by British mogul experimental musician David Toop, Japanese mogul experimental musician Akio Suzuki, and Lawrence English, who presides over the long-established Australian experimental label Room 40, in 3 at Tamborine Mountain, Australia.It is a performance with restraint that corresponds to nature. The 2013-page booklet contains an essay by David Toop, a drawing by Akio Suzuki, and a photo by Lawrence English.Poster included. "I was invited by Lawrence English to fly to Brisbane in 24. From London, David Toup was called. And I went for a walk in the deep forest with Lawrence and played with sounds. A relaxing and relaxing cottage home has begun. David is a vegan, so I remember leaving the kitchen to him, who is good at cooking, and it was a great dinner. At that time, I've been worried since I was a kid. I talked about it. I had been taken by my mother to visit the town's cottage, but when the uncle saw me at the age of 2013, he said, "You will die in the summer of 11!" It was. "That's very worrisome," said David, "Akio, this is the Southern Hemisphere, and it's winter now, so it's already gone."Listening to this sound revives the refreshing days. -Akio Suzuki David Toop -...
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{"id":6633296003237,"title":"Geneva Skeen \/\/ Double Bind CD","handle":"geneva-skeen-double-bind-cd","description":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:30:18+09:00","created_at":"2021-04-07T11:27:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581775790245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Geneva Skeen \/\/ Double Bind CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","options":["Title"],"media":[{"alt":null,"id":21063719551141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","width":700},{"alt":null,"id":21063719583909,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A new work released from Room 2020 at the end of 40 by LA sound writer Geneva Skeen, who has been released by Touch and Dragon's Eye.Includes 7 songs of noise ambient drone.Click here to see more Room40 releases available at Tobira ....
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{"id":6633295118501,"title":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","handle":"chris-abrahams-thrown-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:24:13+09:00","created_at":"2021-04-07T11:25:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581773856933,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","options":["Title"],"media":[{"alt":null,"id":21063703888037,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","width":700},{"alt":null,"id":21063703920805,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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The work released by the Australian pianist Chris Abrahams from Room 15 in Sydney 40 years ago has been reissued.Includes 9 songs of noise ambient collage.Click here to see more Room40 releases available at Tobira. ---------------------------- "I' ve ...
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{"id":6625213481125,"title":"Yuko Araki \/\/ End Of Trilogy CD","handle":"yuko-araki-end-of-trilogy-cd-1","description":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e","published_at":"2021-04-04T12:54:00+09:00","created_at":"2021-04-04T12:53:58+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","room40","sale22","strange beats","techno \/ house"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39551662850213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yuko Araki \/\/ End Of Trilogy CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441","options":["Title"],"media":[{"alt":null,"id":21023813992613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e"}
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Yuko Araki, who is active in the Tokyo underground scene, released a new work from Australia room 40 in April 2021.Contains 4 post-industrial techno songs.Click here to see more Room16 releases available at Tobira. ---------------------------- "Yuko. ..
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{"id":6545091199141,"title":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","handle":"lawrence-english-transit-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音+アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:17:23+09:00","created_at":"2021-02-27T11:12:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276037341349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","options":["Title"],"media":[{"alt":null,"id":20330201940133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","width":700},{"alt":null,"id":20330201972901,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音+アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Lawrence English, a representative of the Australian acoustic scene, has reissued his 2005 album on CD.Contains environmental sounds + 7 ambient drone songs.Click here to see more Room40 releases available at Tobira. ---------------------------- "Transit was ...
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{"id":8073113829626,"title":"JWPATON \/\/ Structures CD","handle":"jwpaton-structures-cd","description":"\u003cp\u003eオーストラリアのアンビエント作家JWPATONが、2023年12月に同国実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003eテープとシンセによるLo-Fiアンビエントドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私を知る人なら誰でも、1981年の映画『泥棒』に対する私の執着を知っている。冒頭のシーンでは、タンジェリン・ドリームのサウンドトラックにのせて、ネオンに照らされた冷たく几帳面なダイヤモンド強盗が描かれる。それと対照的なのが、夜明けの果てしない海で釣りをする見知らぬ男とデニッシュを分け合う泥棒だ。強盗は技術的で計算高い。釣りは地に足がついた古風なものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私はきっと、自分の個人的な経験を不当にこの映画に投影しているのだろう。時間が経つにつれて、この2つのシーンの境界線がどんどん曖昧になっていくのがわかるようになった。夜と昼、都市と海、ドリルとロッドのコントラストは、二項対立というよりは、ゆっくりと互いに崩壊していく世界の融合として見ている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースのために曲を選んだことで、私が何年も立ち戻ってきたアイデアが浮き彫りになった。テクノロジーと自然界におけるその位置づけ。労働と技術がアイデンティティを形成する方法。私の祖先が、現在の社会よりも多くの点で進んでいたこと。一種の古代未来主義。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1413897376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWest Sydney Sunset\u003c\/li\u003e\n\u003cli\u003eStructures\u003c\/li\u003e\n\u003cli\u003eAunty 06:10\u003c\/li\u003e\n\u003cli\u003eWalking Time\u003c\/li\u003e\n\u003cli\u003eWalking In Reverse\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by JWPaton:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eAnyone who knows me, knows my obsession with the 1981 film Thief. The opening scenes show a cold, methodical, neon lit diamond heist soundtracked by Tangerine Dream. Contrasted with, the thief sharing a danish with a stranger fishing on an endless ocean at dawn. The heist is technical and calculated. The fishing is grounded and ancient.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI'm sure that I'm projecting some of my personal experiences onto the film unfairly. As over time i've come to see the line between these two scenes more and more blurred. The contrast between night and day, city and ocean, drill and rod, I see these less as a dichotomy and more as a merging of worlds that slowly collapse in on each other.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChoosing tracks for this release highlighted ideas that I've returned to for years. Technology and its place in the natural world. The way labour and skill shape identity. How my ancestors were in many ways more advanced than the society I live in today. A kind of ancient futurism.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JWPATON\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-17T08:07:31+09:00","created_at":"2023-11-08T10:48:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745103245562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"JWPATON \/\/ Structures CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jw1.jpg?v=1699408083","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_19e213c9-28f9-4bae-90c2-dee29aff163a.jpg?v=1699408083"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jw1.jpg?v=1699408083","options":["Title"],"media":[{"alt":null,"id":32655568437498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jw1.jpg?v=1699408083"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jw1.jpg?v=1699408083","width":700},{"alt":null,"id":32655568470266,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_19e213c9-28f9-4bae-90c2-dee29aff163a.jpg?v=1699408083"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_19e213c9-28f9-4bae-90c2-dee29aff163a.jpg?v=1699408083","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのアンビエント作家JWPATONが、2023年12月に同国実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003eテープとシンセによるLo-Fiアンビエントドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私を知る人なら誰でも、1981年の映画『泥棒』に対する私の執着を知っている。冒頭のシーンでは、タンジェリン・ドリームのサウンドトラックにのせて、ネオンに照らされた冷たく几帳面なダイヤモンド強盗が描かれる。それと対照的なのが、夜明けの果てしない海で釣りをする見知らぬ男とデニッシュを分け合う泥棒だ。強盗は技術的で計算高い。釣りは地に足がついた古風なものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私はきっと、自分の個人的な経験を不当にこの映画に投影しているのだろう。時間が経つにつれて、この2つのシーンの境界線がどんどん曖昧になっていくのがわかるようになった。夜と昼、都市と海、ドリルとロッドのコントラストは、二項対立というよりは、ゆっくりと互いに崩壊していく世界の融合として見ている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのリリースのために曲を選んだことで、私が何年も立ち戻ってきたアイデアが浮き彫りになった。テクノロジーと自然界におけるその位置づけ。労働と技術がアイデンティティを形成する方法。私の祖先が、現在の社会よりも多くの点で進んでいたこと。一種の古代未来主義。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1413897376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWest Sydney Sunset\u003c\/li\u003e\n\u003cli\u003eStructures\u003c\/li\u003e\n\u003cli\u003eAunty 06:10\u003c\/li\u003e\n\u003cli\u003eWalking Time\u003c\/li\u003e\n\u003cli\u003eWalking In Reverse\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by JWPaton:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eAnyone who knows me, knows my obsession with the 1981 film Thief. The opening scenes show a cold, methodical, neon lit diamond heist soundtracked by Tangerine Dream. Contrasted with, the thief sharing a danish with a stranger fishing on an endless ocean at dawn. The heist is technical and calculated. The fishing is grounded and ancient.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI'm sure that I'm projecting some of my personal experiences onto the film unfairly. As over time i've come to see the line between these two scenes more and more blurred. The contrast between night and day, city and ocean, drill and rod, I see these less as a dichotomy and more as a merging of worlds that slowly collapse in on each other.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChoosing tracks for this release highlighted ideas that I've returned to for years. Technology and its place in the natural world. The way labour and skill shape identity. How my ancestors were in many ways more advanced than the society I live in today. A kind of ancient futurism.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JWPATON\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This CD will be released by Australian ambient artist JWPATON on the Australian experimental label room2023 in December 12.Contains 40 Lo-Fi ambient drone songs using tape and synth.Below is an explanation by the author himself. "Anyone who knows me knows my obsession with the 5 film The Thief. The opening scene depicts a cold, methodical diamond heist set in neon light, set to a Tangerine Dream soundtrack. Contrast this with a thief who shares a danish with a stranger fishing in the endless ocean at dawn. Robbery is technical and calculating. Fishing is down-to-earth and old-fashioned. I'm sure I'm unfairly projecting my own personal experiences onto this movie. As time goes on, I can see the lines between these two scenes becoming more and more blurred. I see the contrasts between day and day, city and sea, drill and rod less as binary oppositions and more as a fusion of worlds slowly collapsing into each other. Ideas I've been coming back to for years surfaced: technology and its place in the natural world; how labor and technology shape identity; how my ancestors were in many ways more advanced than our current society; sort of The ancient futurism of the label. /// Click here to see more Room1981 releases available at Tobira. ------------------------- ---...
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{"id":8073111732474,"title":"Natalie Beridze \/\/ If We Could Hear CD","handle":"natalie-beridze-if-we-could-hear-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2023年12月にオーストラリアの実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル〜コンテンポラリー5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3522398967\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho hears it all\u003c\/li\u003e\n\u003cli\u003eWho hugs terrain of comets\u003c\/li\u003e\n\u003cli\u003eWho wakes the dawn\u003c\/li\u003e\n\u003cli\u003eWho whispers to hysteria\u003c\/li\u003e\n\u003cli\u003eWho dwells in possibility 05:26\u003c\/li\u003e\n\u003cli\u003eIn memory of continuity\u003c\/li\u003e\n\u003cli\u003eAnd it’s countless expressions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Natalie Beridze\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-14T06:59:28+09:00","created_at":"2023-11-08T10:46:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neo classical","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745099116794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natalie Beridze \/\/ If We Could Hear CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/here1_5c2dbe8f-840c-4b20-801b-3b3bf2a94457.jpg?v=1699407963","\/\/tobirarecords.com\/cdn\/shop\/files\/here2_fb796e8c-bc9f-4454-b07e-bc42de5f69d5.jpg?v=1699407963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/here1_5c2dbe8f-840c-4b20-801b-3b3bf2a94457.jpg?v=1699407963","options":["Title"],"media":[{"alt":null,"id":32655564833018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/here1_5c2dbe8f-840c-4b20-801b-3b3bf2a94457.jpg?v=1699407963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/here1_5c2dbe8f-840c-4b20-801b-3b3bf2a94457.jpg?v=1699407963","width":700},{"alt":null,"id":32655564865786,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/here2_fb796e8c-bc9f-4454-b07e-bc42de5f69d5.jpg?v=1699407963"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/here2_fb796e8c-bc9f-4454-b07e-bc42de5f69d5.jpg?v=1699407963","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2023年12月にオーストラリアの実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル〜コンテンポラリー5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3522398967\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho hears it all\u003c\/li\u003e\n\u003cli\u003eWho hugs terrain of comets\u003c\/li\u003e\n\u003cli\u003eWho wakes the dawn\u003c\/li\u003e\n\u003cli\u003eWho whispers to hysteria\u003c\/li\u003e\n\u003cli\u003eWho dwells in possibility 05:26\u003c\/li\u003e\n\u003cli\u003eIn memory of continuity\u003c\/li\u003e\n\u003cli\u003eAnd it’s countless expressions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Natalie Beridze\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This CD will be released by neoclassical artist Natalie Beridze from Tbilisi, Georgia on the Australian experimental label room2023 in December 12.Contains 40 neoclassical to contemporary songs for voice, piano, and strings.Click here to see more Room5 releases available at Tobira. ---------------------------- CD.. .
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{"id":8073109897466,"title":"øjeRum \/\/ Your Soft Absence CD","handle":"ojerum-your-soft-absence-cd","description":"\u003cp\u003eデンマークのアンビエント作家øjeRumが、2023年12月にオーストラリアの実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Your Soft Absenceは、加工されたサイン波とサンプリングされた管楽器の組曲です。幼い頃の感情への憧れ、無意識の不思議な感覚、本質がなくただ存在する状態、あるいは思い出そうとするたびに絶えず遠ざかっていく記憶のようなものです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2270866698\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePortrait Of The Green Twilight 15:30\u003c\/li\u003e\n\u003cli\u003eThe Breath Wavers From The Earth's Ear\u003c\/li\u003e\n\u003cli\u003eTomorrow We Commemorate The Falling Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by øjeRum\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It’s a narrative of a particular feeling of absence that’s haunting me; perhaps best described as the longing for a childhood emotion, a feeling of unconscious wonder, a state of simply being without an essence or perhaps like a memory continuously receding whenever I try recalling it, seemingly closest and most present at a certain distance, with a certain absence.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-10T18:52:06+09:00","created_at":"2023-11-08T10:44:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745096102138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"øjeRum \/\/ Your Soft Absence CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","options":["Title"],"media":[{"alt":null,"id":32655560343802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","width":700},{"alt":null,"id":32655560376570,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのアンビエント作家øjeRumが、2023年12月にオーストラリアの実験レーベルroom40からリリースするCDです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Your Soft Absenceは、加工されたサイン波とサンプリングされた管楽器の組曲です。幼い頃の感情への憧れ、無意識の不思議な感覚、本質がなくただ存在する状態、あるいは思い出そうとするたびに絶えず遠ざかっていく記憶のようなものです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2270866698\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePortrait Of The Green Twilight 15:30\u003c\/li\u003e\n\u003cli\u003eThe Breath Wavers From The Earth's Ear\u003c\/li\u003e\n\u003cli\u003eTomorrow We Commemorate The Falling Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by øjeRum\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It’s a narrative of a particular feeling of absence that’s haunting me; perhaps best described as the longing for a childhood emotion, a feeling of unconscious wonder, a state of simply being without an essence or perhaps like a memory continuously receding whenever I try recalling it, seemingly closest and most present at a certain distance, with a certain absence.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This CD will be released by Danish ambient artist øje Rum on Australian experimental label room2023 in December 12.Contains 40 dreamy ambient drone songs.Below is an explanation by the author himself. "Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It's a longing for a childhood emotion, a sense of unconscious wonder, a state of just being without essence, or a constant feeling every time you try to remember." It's like a memory that's fading away." Click here to see more Room3 releases available at...
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{"id":8073108291834,"title":"Yuko Araki \/\/ IV CD","handle":"yuko-araki-iv-cd","description":"\u003cp\u003e東京のポストインダストリアル作家Yuko Arakiが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854507702\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e‡Magnetar 04:11\u003c\/li\u003e\n\u003cli\u003e‡Otiron 04:27\u003c\/li\u003e\n\u003cli\u003e‡Damontoid 04:32\u003c\/li\u003e\n\u003cli\u003eGravitational Collapse 05:49\u003c\/li\u003e\n\u003cli\u003e†White Petals 02:47\u003c\/li\u003e\n\u003cli\u003e†VCR8 03:56\u003c\/li\u003e\n\u003cli\u003e†Sloshing (feat.Taichi Nagura) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Yuko Araki:\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This might sound a little antithetical, but I am interested in making noise music that is free from unnecessary noise. I do realise how this sounds, but it is absolutely at the core of my new recording. I want to create maximum impact and dynamics in the music through using only the essential elements and materials.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI am a huge fan of noise music, and in many cases I enjoy the excessive nature of that music. For my own work though I am interested in reducing this, boiling it down, to the very critical parts that can allow the music to profoundly affect those who choose to listen to it. I want to use what I have at my disposal with intent and with force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI also wanted to deepen my connection to, and place in, this music. To this end I have started to explore how it is I fit into the work. I explored how is my body part of this project beyond being a gestural interface between the various machines I use to make it. I’ve started to think about voice a lot and this has come into the process of the recording. I’m not so much interested in the way voice can speak to stories or singing for that matter. I’m more interested in how voice might haunt the\u003cspan class=\"bcTruncateMore\"\u003e music.\u003cbr\u003e\u003cbr\u003eI invited another artist, Taichi Nagura from the band Endon, to contribute some voice to this album too. He is featured on Sloshing and his voice absolutely captures this quality I am interested in exploring. It’s as if he is trapped in that piece, fight for and against the other materials in the sound. This tension captures, for me at least, the relationships I think are so powerful about making, and also listening to music.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-11T07:04:57+09:00","created_at":"2023-11-08T10:42:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","new","room40","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745093382394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Yuko Araki \/\/ IV CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yuko1.jpg?v=1699407738","\/\/tobirarecords.com\/cdn\/shop\/files\/yuko2.jpg?v=1699407738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yuko1.jpg?v=1699407738","options":["Title"],"media":[{"alt":null,"id":32655554740474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yuko1.jpg?v=1699407738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yuko1.jpg?v=1699407738","width":700},{"alt":null,"id":32655554773242,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yuko2.jpg?v=1699407738"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yuko2.jpg?v=1699407738","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のポストインダストリアル作家Yuko Arakiが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854507702\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e‡Magnetar 04:11\u003c\/li\u003e\n\u003cli\u003e‡Otiron 04:27\u003c\/li\u003e\n\u003cli\u003e‡Damontoid 04:32\u003c\/li\u003e\n\u003cli\u003eGravitational Collapse 05:49\u003c\/li\u003e\n\u003cli\u003e†White Petals 02:47\u003c\/li\u003e\n\u003cli\u003e†VCR8 03:56\u003c\/li\u003e\n\u003cli\u003e†Sloshing (feat.Taichi Nagura) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Yuko Araki:\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This might sound a little antithetical, but I am interested in making noise music that is free from unnecessary noise. I do realise how this sounds, but it is absolutely at the core of my new recording. I want to create maximum impact and dynamics in the music through using only the essential elements and materials.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI am a huge fan of noise music, and in many cases I enjoy the excessive nature of that music. For my own work though I am interested in reducing this, boiling it down, to the very critical parts that can allow the music to profoundly affect those who choose to listen to it. I want to use what I have at my disposal with intent and with force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI also wanted to deepen my connection to, and place in, this music. To this end I have started to explore how it is I fit into the work. I explored how is my body part of this project beyond being a gestural interface between the various machines I use to make it. I’ve started to think about voice a lot and this has come into the process of the recording. I’m not so much interested in the way voice can speak to stories or singing for that matter. I’m more interested in how voice might haunt the\u003cspan class=\"bcTruncateMore\"\u003e music.\u003cbr\u003e\u003cbr\u003eI invited another artist, Taichi Nagura from the band Endon, to contribute some voice to this album too. He is featured on Sloshing and his voice absolutely captures this quality I am interested in exploring. It’s as if he is trapped in that piece, fight for and against the other materials in the sound. This tension captures, for me at least, the relationships I think are so powerful about making, and also listening to music.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a CD released by Tokyo-based post-industrial artist Yuko Araki on the Australian experimental label room2023 in November 11.Contains 40 post-industrial techno songs.Click here to see more Room7 releases available at Tobira. ---------------------------- CD.. .
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{"id":8073102426362,"title":"Kate Carr \/\/ A Field Guide To Phantasmic Birds CD","handle":"kate-carr-a-field-guide-to-phantasmic-birds-cd","description":"\u003cp\u003eイギリス・ロンドンの実験/物音レーベルFlaming Pines主宰Kate Carrが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング・ドローン〜物音コラージュ4曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464012116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnlikely to be heard\u003c\/li\u003e\n\u003cli\u003eA loud hissing screech which drops in pitch halfway\u003c\/li\u003e\n\u003cli\u003eUsually Concealed In Dense Foliage 06:17\u003c\/li\u003e\n\u003cli\u003eShy, typically alone or in pairs\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-10T18:43:47+09:00","created_at":"2023-11-08T10:38:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745070903546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kate Carr \/\/ A Field Guide To Phantasmic Birds CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fiel1.jpg?v=1699407484","\/\/tobirarecords.com\/cdn\/shop\/files\/fiel2.jpg?v=1699407485"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fiel1.jpg?v=1699407484","options":["Title"],"media":[{"alt":null,"id":32655537897722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fiel1.jpg?v=1699407484"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fiel1.jpg?v=1699407484","width":700},{"alt":null,"id":32655537930490,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fiel2.jpg?v=1699407485"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fiel2.jpg?v=1699407485","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験/物音レーベルFlaming Pines主宰Kate Carrが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング・ドローン〜物音コラージュ4曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464012116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnlikely to be heard\u003c\/li\u003e\n\u003cli\u003eA loud hissing screech which drops in pitch halfway\u003c\/li\u003e\n\u003cli\u003eUsually Concealed In Dense Foliage 06:17\u003c\/li\u003e\n\u003cli\u003eShy, typically alone or in pairs\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a CD released by Kate Carr, head of the experimental/noise label Flaming Pines in London, UK, on the Australian experimental label room2023 in November 11.Contains 40 field recording drone/noise collages.Click here to see more Room4 releases available at Tobira. ----------------------------...
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{"id":8014972223738,"title":"Tenniscoats \/\/ Tasmania Bootleg TAPE","handle":"tenniscoats-tasmania-bootleg-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2009年2月にオーストラリア・タスマニアでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『トテモアイマショウ』の15周年記念再発を準備する際、私は数日間かけてroom40のアーカイブを深く掘り下げた。何年もかけて収集された膨大な資料があるが、実のところ、私はその多くを正確に覚えていない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそんな中、この録音に出会った。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTasmania Bootlegは、2009年2月15日の日曜日にホバートのブリスベンホテルで録音された。ホバートを訪れたのはかなり直前のことで、当時の私のメール・チェーンがそれを物語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eブリスベン・パワーハウスで私がキュレーションしていたファブリーク・シアーのフィナーレを祝うために、テニスコーツをオーストラリアに招待したのだ。他のツアー日程が発表されると、ホバートの何人かが連絡をくれ、いつの間にか私たちはホバートに向かっていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eホバート訪問の一環として、私たちは前年に東京でTemporachaを制作したときと同じ「フィールドレコーディング」スタイルで一連の音源を録音した。また、ブリスベン・ホテルでのショーも録音する機会を得た。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は100%ブートレグの領域だ。正直に告白すると、私はこの録音スタイルの大ファンなのだ。私は10代の頃、大のカセット・トレーダーで、当時聴いていた複製ブートレグのクオリティのおかげで、質感やノイズに興味を持つようになったのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は、フレンドリーな地元の人が客席で行ったもので、この時期のテニスコーツを取り巻く雰囲気を完全に忠実に捉えている。文字通り、観客がサヤとウエノの演奏にすっかり魅了されているのがわかる。このショーで彼らと一緒に演奏できて光栄だった。あまり話したことはないけれど、僕の音楽人生の最初はドラマーだったんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、このエディションにはデジタル電話帳が付属し、タスマニアで撮影された写真が収められている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=10110674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in soft poly case -\u003cspan data-mce-fragment=\"1\"\u003e includes a special digital photobook shot during Tenniscoats time in Tasmania.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYume wa Sukkiri \/ Dream is refresing\u003c\/li\u003e\n\u003cli\u003eNinichime\u003c\/li\u003e\n\u003cli\u003eBokura N Niwa\u003c\/li\u003e\n\u003cli\u003eMy car is burning 06:32\u003c\/li\u003e\n\u003cli\u003eStone in The Boot\u003c\/li\u003e\n\u003cli\u003eSabaku\u003c\/li\u003e\n\u003cli\u003eBaibaba Bimba\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English from Room40:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I was preparing the 15th anniversary re-issue of Totemo Aimasho I spent a few days doing a deep dive through the room40 archive. There’s a hell of a lot of material that has been collected over the years, and truth be told I don’t exactly remember a lot of it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbout a day into this search, I came across this recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTasmania Bootleg was recorded on Sunday the 15th of February 2009, at The Brisbane Hotel in Hobart. The visit to Hobart came about pretty last minute, so my email chain from the time seems to suggest.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI’d invited Tenniscoats down to Australia to help celebrate the finale of the Fabrique seres I was curating at Brisbane Powerhouse. Some folks from Hobart reached out once the other tour dates were announced and then before we knew it, we were headed there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs part of the Hobart visit we recorded a suite of material using the same ‘field recording’ style we used to create Temporacha in Tokyo the previous year. We also took the chance to record the show at The Brisbane Hotel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording is 100% bootleg territory. I must confess to being a huge fan of this style of recording. I was an enormous cassette trader back in my teen years and I put down a lot of my interests\u003cspan class=\"bcTruncateMore\"\u003e in texture and noise to the quality of duplicated bootlegs I listened to back then.\u003cbr\u003e\u003cbr\u003eThis recording was made in the audience by a friendly local and is an entirely faithful capture of the atmosphere that surrounded Tenniscoats during this time. You can literally hear the audience becoming completely entranced by Saya and Ueno’s performance. I was honoured to play alongside them for this show. It’s not something I talk about much, but my first life in music was as a drummer and a flicker of that life is captured here.\u003cbr\u003e\u003cbr\u003eThe edition also comes with a digital phonebook, containing photos in 110 and other formats, that were captured in Tasmania during that time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-09-07T18:20:45+09:00","created_at":"2023-09-07T15:10:40+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","room40","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44544384368890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tenniscoats \/\/ Tasmania Bootleg TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/boo1_4eb130c6-ca89-47a6-9bcb-993aa7ae7f22.jpg?v=1694067042","\/\/tobirarecords.com\/cdn\/shop\/files\/boo2_fd9165ee-e1ee-419c-a5ca-b142ee9484a0.jpg?v=1694067043"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/boo1_4eb130c6-ca89-47a6-9bcb-993aa7ae7f22.jpg?v=1694067042","options":["Title"],"media":[{"alt":null,"id":32414768365818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boo1_4eb130c6-ca89-47a6-9bcb-993aa7ae7f22.jpg?v=1694067042"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boo1_4eb130c6-ca89-47a6-9bcb-993aa7ae7f22.jpg?v=1694067042","width":700},{"alt":null,"id":32414768398586,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boo2_fd9165ee-e1ee-419c-a5ca-b142ee9484a0.jpg?v=1694067043"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boo2_fd9165ee-e1ee-419c-a5ca-b142ee9484a0.jpg?v=1694067043","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2009年2月にオーストラリア・タスマニアでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『トテモアイマショウ』の15周年記念再発を準備する際、私は数日間かけてroom40のアーカイブを深く掘り下げた。何年もかけて収集された膨大な資料があるが、実のところ、私はその多くを正確に覚えていない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそんな中、この録音に出会った。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTasmania Bootlegは、2009年2月15日の日曜日にホバートのブリスベンホテルで録音された。ホバートを訪れたのはかなり直前のことで、当時の私のメール・チェーンがそれを物語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eブリスベン・パワーハウスで私がキュレーションしていたファブリーク・シアーのフィナーレを祝うために、テニスコーツをオーストラリアに招待したのだ。他のツアー日程が発表されると、ホバートの何人かが連絡をくれ、いつの間にか私たちはホバートに向かっていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eホバート訪問の一環として、私たちは前年に東京でTemporachaを制作したときと同じ「フィールドレコーディング」スタイルで一連の音源を録音した。また、ブリスベン・ホテルでのショーも録音する機会を得た。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は100%ブートレグの領域だ。正直に告白すると、私はこの録音スタイルの大ファンなのだ。私は10代の頃、大のカセット・トレーダーで、当時聴いていた複製ブートレグのクオリティのおかげで、質感やノイズに興味を持つようになったのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は、フレンドリーな地元の人が客席で行ったもので、この時期のテニスコーツを取り巻く雰囲気を完全に忠実に捉えている。文字通り、観客がサヤとウエノの演奏にすっかり魅了されているのがわかる。このショーで彼らと一緒に演奏できて光栄だった。あまり話したことはないけれど、僕の音楽人生の最初はドラマーだったんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、このエディションにはデジタル電話帳が付属し、タスマニアで撮影された写真が収められている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=10110674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in soft poly case -\u003cspan data-mce-fragment=\"1\"\u003e includes a special digital photobook shot during Tenniscoats time in Tasmania.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYume wa Sukkiri \/ Dream is refresing\u003c\/li\u003e\n\u003cli\u003eNinichime\u003c\/li\u003e\n\u003cli\u003eBokura N Niwa\u003c\/li\u003e\n\u003cli\u003eMy car is burning 06:32\u003c\/li\u003e\n\u003cli\u003eStone in The Boot\u003c\/li\u003e\n\u003cli\u003eSabaku\u003c\/li\u003e\n\u003cli\u003eBaibaba Bimba\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English from Room40:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I was preparing the 15th anniversary re-issue of Totemo Aimasho I spent a few days doing a deep dive through the room40 archive. There’s a hell of a lot of material that has been collected over the years, and truth be told I don’t exactly remember a lot of it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbout a day into this search, I came across this recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTasmania Bootleg was recorded on Sunday the 15th of February 2009, at The Brisbane Hotel in Hobart. The visit to Hobart came about pretty last minute, so my email chain from the time seems to suggest.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI’d invited Tenniscoats down to Australia to help celebrate the finale of the Fabrique seres I was curating at Brisbane Powerhouse. Some folks from Hobart reached out once the other tour dates were announced and then before we knew it, we were headed there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs part of the Hobart visit we recorded a suite of material using the same ‘field recording’ style we used to create Temporacha in Tokyo the previous year. We also took the chance to record the show at The Brisbane Hotel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording is 100% bootleg territory. I must confess to being a huge fan of this style of recording. I was an enormous cassette trader back in my teen years and I put down a lot of my interests\u003cspan class=\"bcTruncateMore\"\u003e in texture and noise to the quality of duplicated bootlegs I listened to back then.\u003cbr\u003e\u003cbr\u003eThis recording was made in the audience by a friendly local and is an entirely faithful capture of the atmosphere that surrounded Tenniscoats during this time. You can literally hear the audience becoming completely entranced by Saya and Ueno’s performance. I was honoured to play alongside them for this show. It’s not something I talk about much, but my first life in music was as a drummer and a flicker of that life is captured here.\u003cbr\u003e\u003cbr\u003eThe edition also comes with a digital phonebook, containing photos in 110 and other formats, that were captured in Tasmania during that time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A cassette released by the Tokyo folk duo Tenniscoats on the Australian experimental label room2023 in September 9. This is a live recording in Tasmania, Australia in February 40. *If you would like a digital sound source, please feel free to contact us. The following is an explanation by label owner Lawrence English. In preparation for the 2009th anniversary reissue of Totemo Aimasho, I spent several days digging deep into the room2 archives.There is a huge amount of material collected over the years, but the truth is, I don't remember much of it exactly.Meanwhile, I came across this recording. Tasmania Bootleg was recorded on Sunday 15 February 40 at the Brisbane Hotel in Hobart.My last visit to Hobart was fairly recent, and my email chain from that time speaks for itself.I invited Tenniscoats to Australia to celebrate the finale of Fablique Shear, which I was curating at Brisbane Powerhouse.Once other tour dates were announced, some people from Hobart contacted us and before we knew it we were on our way to Hobart.As part of our visit to Hobart, we recorded a series of audio sources in the same 'field recording' style that we had used to create Temporacha in Tokyo the previous year.I also had the opportunity to record a show at a Brisbane hotel.This recording is 2009% bootleg territory.To be honest, I'm a big fan of this recording style.I was a big cassette trader when I was a teenager, and the quality of the cloned bootlegs I was listening to at the time got me interested in texture and noise.This recording was made in the audience by a friendly local and perfectly captures the atmosphere surrounding Tenniscoats at this time.You can literally see that the audience is completely captivated by Saya and Ueno's performance.It was an honor to play with them on this show.I haven't talked much about it, but I started my musical career as a drummer.Also included in this edition is a digital phone book containing photographs taken in Tasmania. " Click here to see more Room2 releases available...
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{"id":8014972092666,"title":"Annea Lockwood \/\/ Glass World CD+BOOK","handle":"annea-lockwood-glass-world-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eニュージーランド出身イギリス在住の実験音楽家/ヴァッサー大学名誉教授Annea Lockwoodが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。(オリジナルは1970年リリース)\u003c\/p\u003e\n\u003cp\u003e題の通りガラスの音に焦点を当てた物音23曲を収録。彼女のインタビューや未公開資料、写真を掲載した本が付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「作曲家、演奏家としてのAnnea Lockwoodの人生の歩みを要約しようと試みることは、不可能ではないにせよ、難しい。彼女は60年もの間、様々な音楽運動やアプローチを巡りながら、多種多様で流動的な存在を切り開いてきた。彼女の人生は、直感と好奇心と傾聴に導かれたものであり、情熱が最優先され、驚きに満ちたものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女の日々のあり方で最も重きを置いているのは、おそらく「聴く」ことだろう。それは、彼女が生涯にわたって揺るぎない献身をもって深めようとしてきた実践であり、絶対的な存在として彼女を支えてきた実践でもある。この『Glass World』は、音、物体、聴き方に関する彼女の最初の重要な研究のいくつかを記録したものである。ガラスという身近な素材に深く魅了された瞬間を捉えた録音である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は多くのことを祝福しているが、中でもLockwoodの、ひとつの音を完全に共鳴させようとする意欲は際立っている。ここに収められた23のヴィネットのそれぞれにおいて、Lockwoodは私たちを、彼女とともに音の物質的性質に寄り添うように誘う。Glass Worldは、ほとんど狂信的な白熱を放っている。この作品は、1970年にタンジェント・レコードからリリースされたときと同じように、今日でも強く保たれる振動の強さを放っている。私はAnneaの指導の下、これらの録音をリマスタリングする機会に恵まれた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロジェクトと並行して、Anneaと私は長時間の対談を行った。この対談は、アンネアの『Glass World』での仕事から外へと広がり、彼女の興味や情熱を意図的に訪ねようとするもので、そうすることによって、彼女のあり方や作り方を導いてきたある視点を明らかにしようとするものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの版を皆さんと共有できることを光栄に思います。あなたも\u003cmeta charset=\"utf-8\"\u003eAnneaの共鳴する好奇心をキャッチし、私(そして他の多くの人々)がそうであったように、これらの音に魅了されることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586122278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3926816745\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586122278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve.\u003cbr\u003eComes with artist book featuring conversation between Annea Lockwood and Lawrence English as well as previously unseen documentation of her works including Piano Transplants, World Rhythms and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMicro Glass Shaken\u003c\/li\u003e\n\u003cli\u003eGlass Rod Vibrating\u003c\/li\u003e\n\u003cli\u003eTurning Gong 01:29\u003c\/li\u003e\n\u003cli\u003eMini Mobile\u003c\/li\u003e\n\u003cli\u003eWine Glass\u003c\/li\u003e\n\u003cli\u003eWater Gong\u003c\/li\u003e\n\u003cli\u003eTwo Ribbed Discs\u003c\/li\u003e\n\u003cli\u003eRod Across Edge Of Pane\u003c\/li\u003e\n\u003cli\u003eGlass Bulb 00:49\u003c\/li\u003e\n\u003cli\u003eGlissandi\u003c\/li\u003e\n\u003cli\u003eSpinning Discs\u003c\/li\u003e\n\u003cli\u003eDialogue: Bottles And Jars\u003c\/li\u003e\n\u003cli\u003eVibrating Pane\u003c\/li\u003e\n\u003cli\u003eBubbling\u003c\/li\u003e\n\u003cli\u003eBreathing Machine\u003c\/li\u003e\n\u003cli\u003eWater Jars\u003c\/li\u003e\n\u003cli\u003eRod Roll\u003c\/li\u003e\n\u003cli\u003eMicro Glass On Goblet\u003c\/li\u003e\n\u003cli\u003eMicro Glass Along Pane 01:23\u003c\/li\u003e\n\u003cli\u003eCullet: Two Glass Rocks\u003c\/li\u003e\n\u003cli\u003eMedium Mobile\u003c\/li\u003e\n\u003cli\u003eBottle Tree Showered With Fragments\u003c\/li\u003e\n\u003cli\u003eDeep Water Gong\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eLawrence English from Room40:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To attempt to summarise the journey of Annea Lockwood’s life, as a composer and performer, is difficult if not impossible. For six decades now, she has carved out a multifarious and fluid existence that has orbited various musical movements and approaches. Hers is a life led by intuition, curiosity and listening, one in which passion is paramount and wonderment abounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you were to reflect upon one aspect of her way of being that holds the greatest gravity in her day to day, it is perhaps listening that resonates most vibrantly. It is a practice that she has sought to deepen, with an unwavering dedication across her life, and a it is practice that has sustained her in the absolute. It’s here that Glass World comes into focus for it documents some of her first significant studies into sound, object and listening. It is a recording that captures her in a moment of profound fascination with a rather familiar material, glass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis recording celebrates many things, amongst them Lockwood’s willingness to allow single sounds to resonate, fully\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e. Across each of the twenty three vignettes captured here, Annea Lockwood invites us to lean into the material nature of sound with her. Glass World shimmers with an almost fanatical incandescence. It radiates a vibrational intensity that holds as strongly today as it did upon its original release in 1970 on Tangent Records. I had the privilege to re-master these recordings, under the guidance of Annea, and sitting with them so intensely was nothing but a delight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn tandem with this project, Annea and I have undertaken a long-form in conversation, which is collected in the book which sits alongside this edition. The conversation splays outward from Annea’s work on Glass World and it deliberately seeks to visit upon her interests and passions, and through doing so revel a certain perspective that has guided her ways of being, and ways of making.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s an honour to have the opportunity to share this edition with you. I hope you too can catch Annea’s resonate curiosity and be as captivated by these sounds as I (and many others) have been.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\"'I have become fascinated by the complexity of the single sound.' \u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnnea Lockwood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annea Lockwood\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-09-07T18:39:22+09:00","created_at":"2023-09-07T15:07:51+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","recommended","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44544377749754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Annea Lockwood \/\/ Glass World CD+BOOK","public_title":null,"options":["Default Title"],"price":318000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_74279dba-ef09-49c4-8e93-c4ab2e2ccff2.jpg?v=1694066873","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_0fa98921-b503-494b-91a4-e5a7d04b5ddf.jpg?v=1694066873","\/\/tobirarecords.com\/cdn\/shop\/files\/wo3_7d138a64-b055-48ab-88d1-1732e0f066f5.jpg?v=1694066873","\/\/tobirarecords.com\/cdn\/shop\/files\/wo4.jpg?v=1694066874"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_74279dba-ef09-49c4-8e93-c4ab2e2ccff2.jpg?v=1694066873","options":["Title"],"media":[{"alt":null,"id":32414759813370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_74279dba-ef09-49c4-8e93-c4ab2e2ccff2.jpg?v=1694066873"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_74279dba-ef09-49c4-8e93-c4ab2e2ccff2.jpg?v=1694066873","width":700},{"alt":null,"id":32414759846138,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_0fa98921-b503-494b-91a4-e5a7d04b5ddf.jpg?v=1694066873"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_0fa98921-b503-494b-91a4-e5a7d04b5ddf.jpg?v=1694066873","width":1200},{"alt":null,"id":32414759878906,"position":3,"preview_image":{"aspect_ratio":1.441,"height":833,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo3_7d138a64-b055-48ab-88d1-1732e0f066f5.jpg?v=1694066873"},"aspect_ratio":1.441,"height":833,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo3_7d138a64-b055-48ab-88d1-1732e0f066f5.jpg?v=1694066873","width":1200},{"alt":null,"id":32414759911674,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo4.jpg?v=1694066874"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo4.jpg?v=1694066874","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eニュージーランド出身イギリス在住の実験音楽家/ヴァッサー大学名誉教授Annea Lockwoodが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。(オリジナルは1970年リリース)\u003c\/p\u003e\n\u003cp\u003e題の通りガラスの音に焦点を当てた物音23曲を収録。彼女のインタビューや未公開資料、写真を掲載した本が付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「作曲家、演奏家としてのAnnea Lockwoodの人生の歩みを要約しようと試みることは、不可能ではないにせよ、難しい。彼女は60年もの間、様々な音楽運動やアプローチを巡りながら、多種多様で流動的な存在を切り開いてきた。彼女の人生は、直感と好奇心と傾聴に導かれたものであり、情熱が最優先され、驚きに満ちたものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女の日々のあり方で最も重きを置いているのは、おそらく「聴く」ことだろう。それは、彼女が生涯にわたって揺るぎない献身をもって深めようとしてきた実践であり、絶対的な存在として彼女を支えてきた実践でもある。この『Glass World』は、音、物体、聴き方に関する彼女の最初の重要な研究のいくつかを記録したものである。ガラスという身近な素材に深く魅了された瞬間を捉えた録音である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの録音は多くのことを祝福しているが、中でもLockwoodの、ひとつの音を完全に共鳴させようとする意欲は際立っている。ここに収められた23のヴィネットのそれぞれにおいて、Lockwoodは私たちを、彼女とともに音の物質的性質に寄り添うように誘う。Glass Worldは、ほとんど狂信的な白熱を放っている。この作品は、1970年にタンジェント・レコードからリリースされたときと同じように、今日でも強く保たれる振動の強さを放っている。私はAnneaの指導の下、これらの録音をリマスタリングする機会に恵まれた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロジェクトと並行して、Anneaと私は長時間の対談を行った。この対談は、アンネアの『Glass World』での仕事から外へと広がり、彼女の興味や情熱を意図的に訪ねようとするもので、そうすることによって、彼女のあり方や作り方を導いてきたある視点を明らかにしようとするものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの版を皆さんと共有できることを光栄に思います。あなたも\u003cmeta charset=\"utf-8\"\u003eAnneaの共鳴する好奇心をキャッチし、私(そして他の多くの人々)がそうであったように、これらの音に魅了されることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586122278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3926816745\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586122278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve.\u003cbr\u003eComes with artist book featuring conversation between Annea Lockwood and Lawrence English as well as previously unseen documentation of her works including Piano Transplants, World Rhythms and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMicro Glass Shaken\u003c\/li\u003e\n\u003cli\u003eGlass Rod Vibrating\u003c\/li\u003e\n\u003cli\u003eTurning Gong 01:29\u003c\/li\u003e\n\u003cli\u003eMini Mobile\u003c\/li\u003e\n\u003cli\u003eWine Glass\u003c\/li\u003e\n\u003cli\u003eWater Gong\u003c\/li\u003e\n\u003cli\u003eTwo Ribbed Discs\u003c\/li\u003e\n\u003cli\u003eRod Across Edge Of Pane\u003c\/li\u003e\n\u003cli\u003eGlass Bulb 00:49\u003c\/li\u003e\n\u003cli\u003eGlissandi\u003c\/li\u003e\n\u003cli\u003eSpinning Discs\u003c\/li\u003e\n\u003cli\u003eDialogue: Bottles And Jars\u003c\/li\u003e\n\u003cli\u003eVibrating Pane\u003c\/li\u003e\n\u003cli\u003eBubbling\u003c\/li\u003e\n\u003cli\u003eBreathing Machine\u003c\/li\u003e\n\u003cli\u003eWater Jars\u003c\/li\u003e\n\u003cli\u003eRod Roll\u003c\/li\u003e\n\u003cli\u003eMicro Glass On Goblet\u003c\/li\u003e\n\u003cli\u003eMicro Glass Along Pane 01:23\u003c\/li\u003e\n\u003cli\u003eCullet: Two Glass Rocks\u003c\/li\u003e\n\u003cli\u003eMedium Mobile\u003c\/li\u003e\n\u003cli\u003eBottle Tree Showered With Fragments\u003c\/li\u003e\n\u003cli\u003eDeep Water Gong\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eLawrence English from Room40:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To attempt to summarise the journey of Annea Lockwood’s life, as a composer and performer, is difficult if not impossible. For six decades now, she has carved out a multifarious and fluid existence that has orbited various musical movements and approaches. Hers is a life led by intuition, curiosity and listening, one in which passion is paramount and wonderment abounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you were to reflect upon one aspect of her way of being that holds the greatest gravity in her day to day, it is perhaps listening that resonates most vibrantly. It is a practice that she has sought to deepen, with an unwavering dedication across her life, and a it is practice that has sustained her in the absolute. It’s here that Glass World comes into focus for it documents some of her first significant studies into sound, object and listening. It is a recording that captures her in a moment of profound fascination with a rather familiar material, glass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis recording celebrates many things, amongst them Lockwood’s willingness to allow single sounds to resonate, fully\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e. Across each of the twenty three vignettes captured here, Annea Lockwood invites us to lean into the material nature of sound with her. Glass World shimmers with an almost fanatical incandescence. It radiates a vibrational intensity that holds as strongly today as it did upon its original release in 1970 on Tangent Records. I had the privilege to re-master these recordings, under the guidance of Annea, and sitting with them so intensely was nothing but a delight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn tandem with this project, Annea and I have undertaken a long-form in conversation, which is collected in the book which sits alongside this edition. The conversation splays outward from Annea’s work on Glass World and it deliberately seeks to visit upon her interests and passions, and through doing so revel a certain perspective that has guided her ways of being, and ways of making.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s an honour to have the opportunity to share this edition with you. I hope you too can catch Annea’s resonate curiosity and be as captivated by these sounds as I (and many others) have been.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\"'I have become fascinated by the complexity of the single sound.' \u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnnea Lockwood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annea Lockwood\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Annea Lockwood, an experimental musician from New Zealand and living in the UK, Professor Emeritus of Vassar University, released a reissue CD in September 2023 from the Australian experimental label room9. (Original was released in 40) As the title suggests, 1970 noises focusing on the sound of glass are recorded.Comes with a book containing her interviews, unpublished materials, and photos.Below is a commentary by label owner Lawrence English. "It is difficult, if not impossible, to attempt to summarize Annea Lockwood's life journey as a composer and performer. For six decades, she has explored many different musical movements and approaches. Having carved out a diverse and fluid existence, her life is guided by intuition, curiosity and listening, where passion comes first and is full of surprises. The most important thing is probably "listening".It is a practice she has sought to develop with unwavering devotion throughout her life, and a practice that has supported her as an absolute being.This Glass World documents some of her first significant research on sound, objects and hearing.This recording captures the moment when I was deeply fascinated by the familiar material of glass.This recording celebrates many things, but it's Lockwood's willingness to let one note resonate perfectly that stands out.In each of the 23 vignettes presented here, Lockwood invites us to join her in the materiality of sound. Glass World is almost fanatical.The record radiates a vibratory intensity that remains as strong today as it did when it was released on Tangente Records in 60.I had the privilege of remastering these recordings under Annea's guidance.Alongside this project, Annea and I had a lengthy conversation.This conversation expands from Annea's work on Glass World and deliberately seeks to explore her interests and passions, and in doing so has guided her way of being and making. I'm trying to clarify my point of view.I am honored to share this edition with you.I hope you too will catch Annea's resonant curiosity and be as fascinated by these sounds as I (and many others) have been. " Labels and other works /// Click here to see more...
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{"id":7996646523130,"title":"Lisa Lerkenfeldt \/\/ Shell Of A City TAPE","handle":"lisa-lerkenfeldt-shell-of-a-city-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年9月に同国ブリスベンの実験レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e高速道路の下部構造のフィールドレコーディングによるミニマルなローエンド・ドローン作品です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ナーラムで録音した「Shell Of A City」は、コンクレートの行列の中で、建築物を楽器として捉え直す。\u003cbr\u003e\u003cbr\u003e高速道路の下部構造を接触録音することで、得体の知れない響きが浮かび上がる。\u003cbr\u003e\u003cbr\u003eこの連続的な物理現象は、瞑想的な緊迫感をもって電気音響の境界を探るために優しく処理されている。\u003cbr\u003e\u003cbr\u003eこの40分のアレンジは、2つのチャンネルに分けられたサイトベースの即興演奏が、時間的に変化するミニマルな構造に組み合わされている。\u003cbr\u003e\u003cbr\u003e過去作品A Liquor Of Daisiesのテープは、休息に使うツールだと多くの人が書いてくれた。なんて貴重なんだろう。Shell Of A Cityはその流れを汲んでいる。\u003cbr\u003e\u003cbr\u003e私は、バラバラであまり注目されていないものを聴くためのスペースを確保している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3603628496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTape in soft poly case.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Lisa Lerkenfeldt:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Recorded in Naarm, ’Shell Of A City’ reframes the architecture an instrument, in a concrète procession.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDurational contact recordings of a highway’s substructure reveal an unearthly resonance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe continuous physical phenomenon is gently processed to explore the fringes of electroacoustic practice with a contemplative urgency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 40 minute arrangement pairs two channels of site-based improvisation into a time-altering minimal structure.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany people wrote to me to say ‘A Liquor Of Daisies’ tape was a tool they used for rest. How precious. ‘Shell Of A City’ follows in its path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI carve out space for listening to the discrete and lesser noticed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:47:52+09:00","created_at":"2023-07-20T15:40:00+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","monooto","new","room40","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361210626298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa Lerkenfeldt \/\/ Shell Of A City TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ci1_a58aacd9-d26e-4fff-b384-cba617d3485a.jpg?v=1689835202","\/\/tobirarecords.com\/cdn\/shop\/files\/ci2_34d252c0-a0ec-442b-a0dd-05ab90aa26bc.jpg?v=1689835202"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ci1_a58aacd9-d26e-4fff-b384-cba617d3485a.jpg?v=1689835202","options":["Title"],"media":[{"alt":null,"id":32245565391098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ci1_a58aacd9-d26e-4fff-b384-cba617d3485a.jpg?v=1689835202"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ci1_a58aacd9-d26e-4fff-b384-cba617d3485a.jpg?v=1689835202","width":700},{"alt":null,"id":32245565423866,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ci2_34d252c0-a0ec-442b-a0dd-05ab90aa26bc.jpg?v=1689835202"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ci2_34d252c0-a0ec-442b-a0dd-05ab90aa26bc.jpg?v=1689835202","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年9月に同国ブリスベンの実験レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e高速道路の下部構造のフィールドレコーディングによるミニマルなローエンド・ドローン作品です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ナーラムで録音した「Shell Of A City」は、コンクレートの行列の中で、建築物を楽器として捉え直す。\u003cbr\u003e\u003cbr\u003e高速道路の下部構造を接触録音することで、得体の知れない響きが浮かび上がる。\u003cbr\u003e\u003cbr\u003eこの連続的な物理現象は、瞑想的な緊迫感をもって電気音響の境界を探るために優しく処理されている。\u003cbr\u003e\u003cbr\u003eこの40分のアレンジは、2つのチャンネルに分けられたサイトベースの即興演奏が、時間的に変化するミニマルな構造に組み合わされている。\u003cbr\u003e\u003cbr\u003e過去作品A Liquor Of Daisiesのテープは、休息に使うツールだと多くの人が書いてくれた。なんて貴重なんだろう。Shell Of A Cityはその流れを汲んでいる。\u003cbr\u003e\u003cbr\u003e私は、バラバラであまり注目されていないものを聴くためのスペースを確保している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3603628496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTape in soft poly case.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Lisa Lerkenfeldt:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Recorded in Naarm, ’Shell Of A City’ reframes the architecture an instrument, in a concrète procession.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDurational contact recordings of a highway’s substructure reveal an unearthly resonance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe continuous physical phenomenon is gently processed to explore the fringes of electroacoustic practice with a contemplative urgency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 40 minute arrangement pairs two channels of site-based improvisation into a time-altering minimal structure.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany people wrote to me to say ‘A Liquor Of Daisies’ tape was a tool they used for rest. How precious. ‘Shell Of A City’ follows in its path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI carve out space for listening to the discrete and lesser noticed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a cassette released by experimental musician Lisa Lerkenfeldt from Melbourne, Australia, on the experimental label Room2023 in Brisbane, Australia, in September 9.A minimalist low-end drone piece made from field recordings of highway substructures.Out of print. *If you would like a digital sound source, please feel free to contact us.The following is an explanation by the artist himself. ``Shell Of A City,'' recorded in Naram, reconsiders architecture as an instrument in a procession of concrete.By contact recording the substructure of an expressway, mysterious sounds emerge.This continuous physical phenomenon is gently manipulated to explore the boundaries of electroacoustics with meditative urgency.This 40-minute arrangement combines two channels of site-based improvisation into a minimal, time-varying structure.Many people have written to me about the tapes of her previous work, A Liquor Of Daisies, as a tool they use to relax.How precious! Shell Of A...
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