contemporary / sound poetry
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{"id":7472075768058,"title":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","handle":"andrew-mcintosh-a-moonbeam-is-just-a-filtered-sunbeam-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-29T10:34:49+09:00","created_at":"2021-11-29T10:08:23+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120793293050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","options":["Title"],"media":[{"alt":null,"id":28762694123770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","width":1200},{"alt":null,"id":28762694091002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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This is the latest release by Andrew McIntosh, a multiplayer from California, USA, on the British contemporary label Another Timbre in November 2021.Includes 11 acoustic drone songs mixed with field recording.Digipak and shrink specifications.Click here to see more Another Timbre releases available at Tobira ....
¥1,890
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{"id":7472074752250,"title":"Ryoko Akama \/\/ Songs For A Shed CD","handle":"ryoko-akama-songs-for-a-shed-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本の音響作家Ryoko Akamaが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したピアノ曲6曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3187486079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A series of six works for piano and instruments by Ryoko Akama, performed by Apartment House. Commissioned by Philip Thomas and Another Timbre, and dedicated to Philip Thomas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryoko Akama\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-29T10:33:00+09:00","created_at":"2021-11-29T10:06:38+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120791163130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ryoko Akama \/\/ Songs For A Shed CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_a7196c09-e6ce-4908-b125-c8d46ee4a528.jpg?v=1638149728","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_9484edbc-e9cf-4b45-94c1-82c8e9ab99ed.jpg?v=1638149728"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_a7196c09-e6ce-4908-b125-c8d46ee4a528.jpg?v=1638149728","options":["Title"],"media":[{"alt":null,"id":28762684489978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_a7196c09-e6ce-4908-b125-c8d46ee4a528.jpg?v=1638149728"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_a7196c09-e6ce-4908-b125-c8d46ee4a528.jpg?v=1638149728","width":1200},{"alt":null,"id":28762684457210,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_9484edbc-e9cf-4b45-94c1-82c8e9ab99ed.jpg?v=1638149728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_9484edbc-e9cf-4b45-94c1-82c8e9ab99ed.jpg?v=1638149728","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本の音響作家Ryoko Akamaが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したピアノ曲6曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3187486079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A series of six works for piano and instruments by Ryoko Akama, performed by Apartment House. Commissioned by Philip Thomas and Another Timbre, and dedicated to Philip Thomas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryoko Akama\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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This is the latest work released by Japanese sound writer Ryoko Akama on the British contemporary label Another Timbre in November 2021. Contains 11 piano pieces played by Apartment House.Digipak and shrink specifications.Click here to see more Another Timbre releases available at ...
¥1,890
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{"id":7472074129658,"title":"Martin Iddon \/\/ Sapindales CD","handle":"martin-iddon-sapindales-cd","description":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:27:25+09:00","created_at":"2021-11-29T10:01:04+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120785887482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Martin Iddon \/\/ Sapindales CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","options":["Title"],"media":[{"alt":null,"id":28762674364666,"position":1,"preview_image":{"aspect_ratio":1.145,"height":1048,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250"},"aspect_ratio":1.145,"height":1048,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","width":1200},{"alt":null,"id":28762674331898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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The latest release by British clarinetist Martin Iddon on the country's contemporary label Another Timbre in November 2021.Includes 11 acoustic drone songs mixed with field recording.Digipak and shrink specifications.Click here to see more Another Timbre releases available at Tobira. ---------------------------...
¥1,890
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{"id":7444632338682,"title":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","handle":"warble-brad-henkel-miako-klein-swarm-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:23:47+09:00","created_at":"2021-11-12T11:17:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043539128570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","options":["Title"],"media":[{"alt":null,"id":26906592575738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","width":700},{"alt":null,"id":26906592608506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by American trumpet player Brad Henkel and German experimental musician Miako Klein on the Slovenian impro label Inexhaustible Editions in August 2021.Gachincoin Pro-Drone 8 songs, about 2 minutes recorded. 40-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
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{"id":7444629979386,"title":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","handle":"yves-charuest-benedict-taylor-knotted-threads-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:21:25+09:00","created_at":"2021-11-12T11:15:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions","jazz","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043531526394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","options":["Title"],"media":[{"alt":null,"id":26906566197498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","width":700},{"alt":null,"id":26906566230266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e"}
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A co-written CD released by Canadian saxophonist Yves Charuest and British violinist Benedict Taylor on the Slovenian impro label Inexhaustible Editions in June 2021.Includes 6 free jazz songs from Gachincoin Pro. 5-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,780
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{"id":7440168452346,"title":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","handle":"eric-schmid-hans-ulrich-obrist-bernhard-kleist-chaotic-neutral-total-work-of-art-lp-cdr-art-book","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 'Hans Ulrich Obrist' sees Eric revisiting the channel last seen on the 2017 'Alain Badiou' single sided LP on Recital. The CDR component houses 'Chaotic Neutral', a radio play centred on critical commentary of the contemporary art world. 'Total Work of Art' presents work exhibited in Placeholder at Apartment 13 Gallery in Providence, Rhode Island, USA in 2020.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndex Clean \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T14:21:36+09:00","created_at":"2021-11-10T12:56:15+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cd","contemporary \/ sound poetry","index clean","lp","new"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031774040314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","public_title":null,"options":["Default Title"],"price":448000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er3.jpg?v=1636516577"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","options":["Title"],"media":[{"alt":null,"id":26890697441530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","width":700},{"alt":null,"id":26890697474298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","width":1200},{"alt":null,"id":26890697507066,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er3.jpg?v=1636516577"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/er3.jpg?v=1636516577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 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The experimental label Index Clean works from Melbourne, Australia have arrived.This work is the latest record + CDR + art book released in October 2021 by Eric Schmid, a philosopher / mathematician in Chicago, USA, who is familiar in our shop.The record contains references to Swiss art curator, critic and art historian Hans Ulrich Obrist, and the CD contains a radio play on art criticism. The 10-page full-color art book features the work of Eric's solo exhibition on Rhode Island. DL code included.Sean McCann is in charge of mastering.Click here to see more Index Clean ...
¥4,480
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{"id":7472074490106,"title":"Georgia Rodgers \/\/ September CD","handle":"georgia-rodgers-september-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:30:14+09:00","created_at":"2021-11-29T10:04:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120789295354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Georgia Rodgers \/\/ September CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","options":["Title"],"media":[{"alt":null,"id":28762680197370,"position":1,"preview_image":{"aspect_ratio":0.928,"height":1200,"width":1114,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723"},"aspect_ratio":0.928,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","width":1114},{"alt":null,"id":28762680164602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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The latest release by British composer / acousticist Georgia Rodgers in November 2021 on the country's contemporary label Another Timbre. Includes 11 songs played by Apartment House, Zubin Kanga, and herself.Also recommended for neo-classical listeners.Digipak and shrink specifications.Click here to see more Another Timbre releases available ...
¥1,890
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{"id":7472073933050,"title":"Morton Feldman \/\/ Piano and String Quartet CD","handle":"morton-feldman-piano-and-string-quartet-cd","description":"\u003cp\u003e大御所ピアニストMorton Feldmanの楽曲「Piano and String Quartet 」をApartment Houseが演奏した作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169105241\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eApartment House: Mark Knoop (piano) Mira Benjamin \u0026amp; Gordon Mackay (violins) Bridget Carey (viola) Anton Lukoszevieze (cello)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eA late work of extraordinary sensual beauty, realised by Apartment House, and – at 79’50” - only just fitting on a standard CD. Not to be missed. A lovely cover painting by Nivag Phoenix.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:25:11+09:00","created_at":"2021-11-29T09:59:21+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120783921402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman \/\/ Piano and String Quartet CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_f25046be-5847-4b5a-b74d-fa653c7d0064.jpg?v=1638149734","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_02f31cb4-01a8-4d43-b01a-dd78403860db.jpg?v=1638149734"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_f25046be-5847-4b5a-b74d-fa653c7d0064.jpg?v=1638149734","options":["Title"],"media":[{"alt":null,"id":28762669515002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_f25046be-5847-4b5a-b74d-fa653c7d0064.jpg?v=1638149734"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_f25046be-5847-4b5a-b74d-fa653c7d0064.jpg?v=1638149734","width":1200},{"alt":null,"id":28762669482234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_02f31cb4-01a8-4d43-b01a-dd78403860db.jpg?v=1638149734"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_02f31cb4-01a8-4d43-b01a-dd78403860db.jpg?v=1638149734","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所ピアニストMorton Feldmanの楽曲「Piano and String Quartet 」をApartment Houseが演奏した作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169105241\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eApartment House: Mark Knoop (piano) Mira Benjamin \u0026amp; Gordon Mackay (violins) Bridget Carey (viola) Anton Lukoszevieze (cello)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eA late work of extraordinary sensual beauty, realised by Apartment House, and – at 79’50” - only just fitting on a standard CD. Not to be missed. A lovely cover painting by Nivag Phoenix.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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Apartment House performed the song "Piano and String Quartet" by the great pianist Morton Feldman.Digipak and shrink specifications.Click here to see more Another Timbre releases ...
¥1,890
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{"id":7452548530426,"title":"Alison Knowles \/\/ Sounds from the Book of Bean LP","handle":"alison-knowles-sounds-from-the-book-of-bean-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-11-16T13:50:55+09:00","created_at":"2021-11-16T13:15:07+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","lp","monooto","new","Recital"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42062451998970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alison Knowles \/\/ Sounds from the Book of Bean LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","options":["Title"],"media":[{"alt":null,"id":26937223446778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","width":700},{"alt":null,"id":26937223479546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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Fluxus writer Alison Knowles (65 years old) quietly released the cassette in 1982, and American ambient writer Sean McCann's label Recital re-released it on vinyl.Contains all 5 sound art songs. Includes a 20-page booklet with graphics and liner notes by Alison Knowles, George Quasha and Charlie Morrow.Click here to see more Recital releases available ...
¥3,650
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{"id":7450461208826,"title":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","handle":"iannis-xenakis-grm-works-1957-1962-lp","description":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T09:13:15+09:00","created_at":"2021-11-15T16:31:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057985786106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","options":["Title"],"media":[{"alt":null,"id":26931309936890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","width":700},{"alt":null,"id":26931309969658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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This is a reissue of the 1957-1962 song by Iannis Xenakis, one of the most important writers in concrète music.There are new discoveries when listening through current mastering.Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at ...
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{"id":7445288878330,"title":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","handle":"lpsk","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T19:52:27+09:00","created_at":"2021-11-12T19:52:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","lp","new","recommended"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42044945760506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3101478252_16.jpg?v=1636714699","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023382047_10.jpg?v=1636714711"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3101478252_16.jpg?v=1636714699","options":["Title"],"media":[{"alt":null,"id":26910599282938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3101478252_16.jpg?v=1636714699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3101478252_16.jpg?v=1636714699","width":700},{"alt":null,"id":26910600724730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023382047_10.jpg?v=1636714711"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023382047_10.jpg?v=1636714711","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This record was released by British experimental musician Lee Patterson and Slovenian multiplayer Samo Kutin in October 2020 on the Slovenian impro label Inexhaustible Editions.Includes 10 collage drones with hurdy-gurdy and noise. Includes DL code and liner notes by David Toop. It is a 6g heavy board.Click here to see more Inexhaustible Editions releases available ...
¥2,980
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{"id":7444634468602,"title":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","handle":"birgit-ulher-petr-vrba-schallschatten-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:57:00+09:00","created_at":"2021-11-12T11:19:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043542110458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","options":["Title"],"media":[{"alt":null,"id":26906617184506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","width":700},{"alt":null,"id":26906617217274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by German trumpet player Birgit Ulher and Czech experimental musician Petr Vrba on the Slovenian impro label Inexhaustible Editions in August 2021.Includes 8 Gachincoin Pro-Sound Drone songs. 6-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,780
Quickview
{"id":7444626112762,"title":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","handle":"violeta-garcia-emilie-girard-charest-impermanence-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:19:06+09:00","created_at":"2021-11-12T11:12:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043522777338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","options":["Title"],"media":[{"alt":null,"id":26906520879354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","width":700},{"alt":null,"id":26906520912122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by Argentine cellist Violeta García and Canadian cellist Émilie Girard-Charest in June 2021 on the Slovenian impro label Inexhaustible Editions.Includes 6 songs from Gachincoin Pro to Drone with 2 cellos. 6-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,780
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{"id":7444530200826,"title":"Peter Ablinger \/\/ An den Mond CD","handle":"peter-ablinger-an-den-mond-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:15:33+09:00","created_at":"2021-11-12T10:46:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","new","recommended"],"price":195800,"price_min":195800,"price_max":195800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043323646202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Peter Ablinger \/\/ An den Mond CD","public_title":null,"options":["Default Title"],"price":195800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","options":["Title"],"media":[{"alt":null,"id":26906268664058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","width":700},{"alt":null,"id":26906268696826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This CD was released by Austrian experimental musician / pianist Peter Ablinger on the Slovenian impro label Inexhaustible Editions in September 2021.A contemporary drone piece performed by Bulgarian violinist Biliana Voutchkova with voice and violin.Click here to see more Inexhaustable Editions releases available at ...
¥1,958
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{"id":7444488454394,"title":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","handle":"judith-wegmann-bruno-duplant-univers-paralleles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T15:55:50+09:00","created_at":"2021-11-12T10:38:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","new"],"price":195800,"price_min":195800,"price_max":195800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043250278650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","public_title":null,"options":["Default Title"],"price":195800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","options":["Title"],"media":[{"alt":null,"id":26906218070266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","width":700},{"alt":null,"id":26906218103034,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","width":1200},{"alt":null,"id":26906218135802,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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A co-produced CD released by Swiss pianist Judith Wegmann and French drone writer Bruno Duplant in August 2021 on the Slovenian impro label Inexhaustible Editions.Includes two 8-minute sets that combine piano and drone. 23-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,958
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{"id":7440173203706,"title":"Of Habit \/\/ Viable Device LP","handle":"of-habit-viable-device-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T15:16:26+09:00","created_at":"2021-11-10T13:01:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","lp","monooto","new","techno \/ house"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031780299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Of Habit \/\/ Viable Device LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","options":["Title"],"media":[{"alt":null,"id":26890728931578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","width":700},{"alt":null,"id":26890728964346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e"}
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The experimental label Index Clean works from Melbourne, Australia have arrived.This work is a record released in 2019 by the British sound writer Of Habit, which has been released by Entr'acte and others in the past, in a limited edition of 100 copies.Includes 11 spoken word-collage drone techno songs. DL code included.Joe Talia is in charge of mastering.Click here to see more Index Clean releases available ...
¥2,580
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{"id":7440170025210,"title":"All Ords \/\/ Sources and Methods TAPE","handle":"all-ords-sources-and-methods-tape","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2021-11-10T15:09:36+09:00","created_at":"2021-11-10T12:58:05+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","monooto","new","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031775580410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"All Ords \/\/ Sources and Methods TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","options":["Title"],"media":[{"alt":null,"id":26890707206394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","width":700},{"alt":null,"id":26890707239162,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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The experimental label Index Clean works from Melbourne, Australia have arrived.This work is a cassette released in October 2021 by the label owner duo All Ords.Includes spoken word-collage 10 songs, 5 minutes. DL code included.Click here to see more Index Clean releases available at ...
¥1,680
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{"id":7431314342138,"title":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","handle":"tripp-nasty-sense-from-nonsense-the-thrilling-chilling-sounds-of-the-haunted-house-cd","description":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-07T12:43:48+09:00","created_at":"2021-11-05T11:07:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","new","self-released","strange beats","tripnasty"],"price":118000,"price_min":118000,"price_max":118000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41954923348218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","public_title":null,"options":["Default Title"],"price":118000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","options":["Title"],"media":[{"alt":null,"id":26800738730234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","width":700},{"alt":null,"id":26800738763002,"position":2,"preview_image":{"aspect_ratio":1.003,"height":1197,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"},"aspect_ratio":1.003,"height":1197,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e"}
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An album voluntarily released on Halloween in 2021 by Tripp Nasty & Sense From Nonsense, an experimental musician in Colorado, USA.This is an original interpretation of Disney's record "The Thrilling Chilling Sounds of the Haunted House". ...
¥1,180
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{"id":7346814320890,"title":"Dirk Schaefer \/\/ Peter Tscherkassky, All the Soundtracks (2005–2021) 2×LP + FLEXIDISC","handle":"dirk-schaefer-peter-tscherkassky-all-the-soundtracks-2005-2021-2-lp-flexidisc","description":"\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリスのレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストリアの大御所実験映像作家Peter Tscherkasskyが2005年から2021年の間に制作した映像作品のサウンドトラック集2枚組レコード＋ソノシート1枚セットです。コラージュ5曲を収録。もちろんデジタル販売は行っておらず、レコードのみで視聴できる逸品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1045776815\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAnalogue-only release - no digital download.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by Purge.xxx:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe original soundtracks by DIRK SCHAEFER for the films of PETER TSCHERKASSKY. Newly mastered and available for the first time, this boxset covers the heroic partnership of SCHAEFER and TSCHERKASSKY, from 2005’s Instructions for a Light and Sound Machine through to the forthcoming Train Again in 2021. Each 12\" double vinyl album comes with a 7\" flexi disc of TSCHERKASSKY’s own soundtrack for Outer Space (also available separately).\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e A: Instructions for a Light and Sound Machine\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e B: Coming Attractions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e C: The Exquisite Corpus\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e D: Train Again\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e FD (flexi disc): Outer Space by PETER TSCHERKASSKY\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e numbered + handmade in an edition of 250 copies (continuing the uniform established with previous purge.xxx editions); 2x140gr vinyl (factory screwed up our order: meant to be 180); in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by musician DIRK SCHAEFER and filmmaker PETER TSCHERKASSKY with visual material by TSCHERKASSKY\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dirk Schaefer\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e","published_at":"2021-10-26T15:11:58+09:00","created_at":"2021-10-26T11:31:22+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","lp","monooto","new","purge"],"price":778000,"price_min":778000,"price_max":778000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41926906282234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dirk Schaefer \/\/ Peter Tscherkassky, All the Soundtracks (2005–2021) 2×LP + FLEXIDISC","public_title":null,"options":["Default Title"],"price":778000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256296_10.jpg?v=1635228749","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256295_10.jpg?v=1635228750"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256296_10.jpg?v=1635228749","options":["Title"],"media":[{"alt":null,"id":25505972257018,"position":1,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256296_10.jpg?v=1635228749"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256296_10.jpg?v=1635228749","width":1200},{"alt":null,"id":25505972322554,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1200,"width":1198,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256295_10.jpg?v=1635228750"},"aspect_ratio":0.998,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026256295_10.jpg?v=1635228750","width":1198}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリスのレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストリアの大御所実験映像作家Peter Tscherkasskyが2005年から2021年の間に制作した映像作品のサウンドトラック集2枚組レコード＋ソノシート1枚セットです。コラージュ5曲を収録。もちろんデジタル販売は行っておらず、レコードのみで視聴できる逸品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1045776815\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAnalogue-only release - no digital download.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by Purge.xxx:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe original soundtracks by DIRK SCHAEFER for the films of PETER TSCHERKASSKY. Newly mastered and available for the first time, this boxset covers the heroic partnership of SCHAEFER and TSCHERKASSKY, from 2005’s Instructions for a Light and Sound Machine through to the forthcoming Train Again in 2021. Each 12\" double vinyl album comes with a 7\" flexi disc of TSCHERKASSKY’s own soundtrack for Outer Space (also available separately).\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e A: Instructions for a Light and Sound Machine\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e B: Coming Attractions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e C: The Exquisite Corpus\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e D: Train Again\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e FD (flexi disc): Outer Space by PETER TSCHERKASSKY\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e numbered + handmade in an edition of 250 copies (continuing the uniform established with previous purge.xxx editions); 2x140gr vinyl (factory screwed up our order: meant to be 180); in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by musician DIRK SCHAEFER and filmmaker PETER TSCHERKASSKY with visual material by TSCHERKASSKY\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dirk Schaefer\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e"}
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The latest work of the British label Purge, which develops maniac releases with beautiful bindings, has arrived.This work is a set of 2005 soundtracks and 2021 flexi disc of the soundtrack of the video work produced by Austrian mogul experimental videographer Peter Tscherkassky between 2 and 1.Contains 5 collage songs.Of course, it is not sold digitally and is a gem that can be viewed only on vinyl. --------------------------------- Analogue-only release --no digital download. Edition of 250. Text ...
¥7,780
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{"id":7340967231738,"title":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","handle":"joseph-nechvatal-selected-sound-works-1981-2021-tape","description":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2021-10-22T15:55:27+09:00","created_at":"2021-10-22T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","Pentiments","tape"],"price":169000,"price_min":169000,"price_max":169000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41910058385658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026414717_10.jpg?v=1634886487"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","options":["Title"],"media":[{"alt":null,"id":25328777855226,"position":1,"preview_image":{"aspect_ratio":1.634,"height":940,"width":1536,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164"},"aspect_ratio":1.634,"height":940,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","width":1536},{"alt":null,"id":25329051500794,"position":2,"preview_image":{"aspect_ratio":1.148,"height":1045,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026414717_10.jpg?v=1634886487"},"aspect_ratio":1.148,"height":1045,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026414717_10.jpg?v=1634886487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}
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The latest work of Pentiments, a label presided over by Guido Gamboa, an acoustic artist in New York, USA, has arrived in October 2021.This is the best compilation album of 10 collages produced by Joseph Nechvatal, a major writer in Chicago over the past 30 years. Limited to 30 pieces. DL code included.Click here to see more Pentiments releases available at Tobira. ------------------------------. ..
¥1,690
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{"id":7094882992293,"title":"Alvin Curran \/\/ The Works LP","handle":"alvin-curran-the-works-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2021-10-11T19:30:54+09:00","created_at":"2021-10-10T10:33:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new"],"price":319500,"price_min":319500,"price_max":319500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40963129409701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alvin Curran \/\/ The Works LP","public_title":null,"options":["Default Title"],"price":319500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","options":["Title"],"media":[{"alt":null,"id":24002055798949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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An extremely rare work released in 1980 by American mogul experimental musician Alvin Curran was reissued on a record by Our Swimmer in Germany in May 2021.It is a minimalist work with voice, piano, synth, etc. ---------------------------'The Works' --one of the most famous pieces by ...
¥3,195
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{"id":7090656444581,"title":"Adam Pacione \/\/ Any Way, Shape, or Form 4xCD BOX","handle":"adam-pacione-any-way-shape-or-form-4xcd-box","description":"\u003cp\u003eアメリカ・テキサスのアンビエント作家Adam Pacioneによる未発表曲を収録した特大4枚組みCD BOXが、同州実験レーベルElevator Bathよりリリース。全16曲を収録。\u003c\/p\u003e\n\u003cp\u003eライナーノートやレコーディングヒストリー、作家による写真などを載せた20ページのブックレットが付属しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1147247490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-07T08:15:40+09:00","created_at":"2021-10-07T08:15:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","elevator bath","new"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40950100951205,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adam Pacione \/\/ Any Way, Shape, or Form 4xCD BOX","public_title":null,"options":["Default Title"],"price":465000,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0685578049_16.jpg?v=1633562279","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025503591_10.jpg?v=1633562280","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243920_10.jpg?v=1633562281","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243923_10.jpg?v=1633562283"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0685578049_16.jpg?v=1633562279","options":["Title"],"media":[{"alt":null,"id":23972488413349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0685578049_16.jpg?v=1633562279"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0685578049_16.jpg?v=1633562279","width":700},{"alt":null,"id":23972488478885,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025503591_10.jpg?v=1633562280"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025503591_10.jpg?v=1633562280","width":1200},{"alt":null,"id":23972488511653,"position":3,"preview_image":{"aspect_ratio":1.335,"height":899,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243920_10.jpg?v=1633562281"},"aspect_ratio":1.335,"height":899,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243920_10.jpg?v=1633562281","width":1200},{"alt":null,"id":23972488577189,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243923_10.jpg?v=1633562283"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026243923_10.jpg?v=1633562283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスのアンビエント作家Adam Pacioneによる未発表曲を収録した特大4枚組みCD BOXが、同州実験レーベルElevator Bathよりリリース。全16曲を収録。\u003c\/p\u003e\n\u003cp\u003eライナーノートやレコーディングヒストリー、作家による写真などを載せた20ページのブックレットが付属しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1147247490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e"}
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An oversized 4-CD BOX containing unreleased songs by American Texas ambient writer Adam Pacione has been released on the state's experimental label Elevator Bath.Contains all 16 songs.Includes a 20-page booklet with liner notes, recording history, and photographs by the author.Click here to see more Elevator Bath releases available at Tobira ....
¥4,650
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{"id":7065317441701,"title":"Angharad Davies, Axel Dörner \/\/ AD CD","handle":"angharad-davies-axel-dorner-ad-cd","description":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:46:26+09:00","created_at":"2021-09-26T11:36:07+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz","new"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879436988581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angharad Davies, Axel Dörner \/\/ AD CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","options":["Title"],"media":[{"alt":null,"id":23845519458469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e"}
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Includes 3 improvisational songs by trumpet and violin, 43 minutes.Click here to see more Another Timbre releases available at Tobira. --------------------------- improvisations for. ..
¥1,490
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Includes 2 minutes of 74 improvisational songs by saxophone, clarinet and trumpet.Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisation. ..
¥1,490
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{"id":7065315606693,"title":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","handle":"axel-dorner-thomas-lehn-phil-minton-toot-two-cd","description":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:42:31+09:00","created_at":"2021-09-26T11:31:58+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879431254181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","options":["Title"],"media":[{"alt":null,"id":23845495865509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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Includes trumpet, analog synth, two voice improvisations, about 2 minutes.Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisations. ..
¥1,490
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{"id":7062744629413,"title":"Jane Rigler \/\/ Rarefactions CD","handle":"jane-rigler-rarefactions-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017378472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRarefactions, a collection of original compositions and improvisations by highly respected, contemporary flutist Jane Rigler, showcases her unique and moving conception of instrumental and electroacoustic music. Rigler’s extraordinary instrumental technical skill allows her to produce distinctive sounds, which, in turn, create incredibly rich and nuanced colors and textures—often ones that are not associated with the flute. Rigler wants the listener to hear what she hears when she plays. In some works, she places an array of microphones along the length of a flute to capture air as it swirls through the tube. Through instrumental and electronic manipulation in the recording studio, Rigler creates the sense of soundwaves being opened up so the listener can hear what is inside them while in their state of rarefaction. Rigler conveys this attention to detail to a broader formal context in her collaborations with world-renowned improvisers Janet Feder, Shoko Nagai, and Satoshi Takeishi. Here Rigler builds compositional frames resulting from the improvisational process to produce unexpected musical trajectories. She interacts with these moments not only as part of the ensemble but as an insightful composer. She transforms and reorganizes many of the recorded improvisations so that normally fleeting sonic moments surface as primary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e materials. In her inimitable way, Rigler creates mesmerizing acoustic and electroacoustic works. This album, Rigler’s debut as a composer, provides a glimpse into the fascinating sonic and collaborative world of a truly original artist. Celebrated flutist Robert Dick discusses the importance of Rigler’s music in his characteristically lively manner as the author of the album’s liner notes.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jane Rigler\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:40:41+09:00","created_at":"2021-09-24T15:41:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868317986981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jane Rigler \/\/ Rarefactions CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","options":["Title"],"media":[{"alt":null,"id":23819316265125,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","width":700},{"alt":null,"id":23819316297893,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017378472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRarefactions, a collection of original compositions and improvisations by highly respected, contemporary flutist Jane Rigler, showcases her unique and moving conception of instrumental and electroacoustic music. Rigler’s extraordinary instrumental technical skill allows her to produce distinctive sounds, which, in turn, create incredibly rich and nuanced colors and textures—often ones that are not associated with the flute. Rigler wants the listener to hear what she hears when she plays. In some works, she places an array of microphones along the length of a flute to capture air as it swirls through the tube. Through instrumental and electronic manipulation in the recording studio, Rigler creates the sense of soundwaves being opened up so the listener can hear what is inside them while in their state of rarefaction. Rigler conveys this attention to detail to a broader formal context in her collaborations with world-renowned improvisers Janet Feder, Shoko Nagai, and Satoshi Takeishi. Here Rigler builds compositional frames resulting from the improvisational process to produce unexpected musical trajectories. She interacts with these moments not only as part of the ensemble but as an insightful composer. She transforms and reorganizes many of the recorded improvisations so that normally fleeting sonic moments surface as primary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e materials. In her inimitable way, Rigler creates mesmerizing acoustic and electroacoustic works. This album, Rigler’s debut as a composer, provides a glimpse into the fascinating sonic and collaborative world of a truly original artist. Celebrated flutist Robert Dick discusses the importance of Rigler’s music in his characteristically lively manner as the author of the album’s liner notes.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jane Rigler\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records \u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Text by Neuma ...
¥1,980
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{"id":7062742401189,"title":"Steven Schick \/\/ Drumming In The Dark CD","handle":"steven-schick-drumming-in-the-dark-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:18+09:00","created_at":"2021-09-24T15:39:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868310646949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steven Schick \/\/ Drumming In The Dark CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","options":["Title"],"media":[{"alt":null,"id":23819292508325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","width":700},{"alt":null,"id":23819292541093,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Neuma Records releases available at Tobira. Artist: Steven Schick ...
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{"id":7062741909669,"title":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","handle":"iannis-xenakis-iannis-xenakis-ais-gendy3-taurhiphanie-thallein-cd","description":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T16:11:35+09:00","created_at":"2021-09-24T15:37:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records","new"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868307861669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","options":["Title"],"media":[{"alt":null,"id":23819274387621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","width":700},{"alt":null,"id":23819274420389,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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The hidden masterpiece released in 1994 by Greek mogul experimental musician Iannis Xenakis has arrived.Includes 4 songs, 1 hour, from computer collage to live recording in an orchestra. The 32-page booklet includes his own liner notes and program notes.Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Jewel ...
¥2,180
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{"id":7062740107429,"title":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","handle":"juan-j-g-escudero-shapes-of-inner-timespaces-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:49+09:00","created_at":"2021-09-24T15:32:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868292788389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","options":["Title"],"media":[{"alt":null,"id":23819237294245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","width":700},{"alt":null,"id":23819237327013,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Text by Neuma ...
¥1,980
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{"id":7062739517605,"title":"Erik Griswold \/\/ Four Places in Queensland CD","handle":"erik-griswold-four-places-in-queensland-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:39:14+09:00","created_at":"2021-09-24T15:30:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868284039333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Griswold \/\/ Four Places in Queensland CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","options":["Title"],"media":[{"alt":null,"id":23819220287653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","width":700},{"alt":null,"id":23819220320421,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7062737911973,"title":"James Caldwell \/\/ Pocket Music CD","handle":"james-caldwell-pocket-music-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:48+09:00","created_at":"2021-09-24T15:25:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records","new","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868265787557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Caldwell \/\/ Pocket Music CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","options":["Title"],"media":[{"alt":null,"id":23819171692709,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","width":700},{"alt":null,"id":23819171725477,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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{"id":7062735945893,"title":"Agnese Toniutti \/\/ Subtle Matters CD","handle":"agnese-toniutti-subtle-matters-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:14+09:00","created_at":"2021-09-24T15:20:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868259561637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Agnese Toniutti \/\/ Subtle Matters CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","options":["Title"],"media":[{"alt":null,"id":23819130503333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","width":700},{"alt":null,"id":23819130568869,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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{"id":7062734962853,"title":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","handle":"harry-partch-ensemble-danlee-mitchell-the-bewitched-a-ballet-satire-cd","description":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T16:53:32+09:00","created_at":"2021-09-24T15:18:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868256448677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","options":["Title"],"media":[{"alt":null,"id":23819108090021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","width":700},{"alt":null,"id":23819108122789,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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A 1901 recording of a play premiered in 1974 by American experimental musician Harry Partch (1957-1980).Binaural recording gives you a sense of realism.Digipak and shrink specifications.Click here to see more Neuma Records releases available at Tobira. ------------------------------ --...
¥1,980
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{"id":7057053647013,"title":"Twig Harper \/\/ Classical Electronics TAPE","handle":"twig-harper-classical-electronics-tape","description":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T16:50:22+09:00","created_at":"2021-09-21T13:56:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","radical documents","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40849605525669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twig Harper \/\/ Classical Electronics TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","options":["Title"],"media":[{"alt":null,"id":23778934554789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","width":700},{"alt":null,"id":23778934587557,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e"}
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The experimental label Radical Documents in Chicago, USA has arrived.This work is the latest cassette released in September 2021 by Twig Harper, an experimental musician in Baltimore, who has released in the past from Hanson, Thrill Jockey, Open Mouth, etc., limited to 9 pieces.As the title suggests, it is an experimental work in which a chaotic score is played with classical instruments and electronics. DL code included.Click here to see more Radical Documents releases available ...
¥1,560
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{"id":7046519586981,"title":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","handle":"jeroen-diepenmaat-wouter-van-veldhoven-struin-stop-tape","description":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-09-17T08:50:14+09:00","created_at":"2021-09-15T11:59:52+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","esc.rec.","monooto","new","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813346619557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","public_title":null,"options":["Default Title"],"price":195000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","options":["Title"],"media":[{"alt":null,"id":23716525113509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","width":700},{"alt":null,"id":23716525146277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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A split cassette by Dutch sound artists Jeroen Diepenmaat and Wouter van Veldhoven was released in July 2021 by the Dutch experimental label esc. Rec., Limited to 7 pieces. Side A Jeroen Diepenmaat contains installation-style acoustics with modular synths and handmade CV control turntables, and Side B Wouter van Veldhoven contains metal gamelan-style minimal music. DL code included.Click here to see more Esc.rec. Releases ...
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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","new","room40"],"price":309000,"price_min":309000,"price_max":309000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":309000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A co-produced CD recorded by British mogul experimental musician David Toop, Japanese mogul experimental musician Akio Suzuki, and Lawrence English, who presides over the long-established Australian experimental label Room 40, in 3 at Tamborine Mountain, Australia.It is a performance with restraint that corresponds to nature. The 2013-page booklet contains an essay by David Toop, a drawing by Akio Suzuki, and a photo by Lawrence English.Poster included. "I was invited by Lawrence English to fly to Brisbane in 24. From London, David Toup was called. And I went for a walk in the deep forest with Lawrence and played with sounds. A relaxing and relaxing cottage home has begun. David is a vegan, so I remember leaving the kitchen to him, who is good at cooking, and it was a great dinner. At that time, I've been worried since I was a kid. I talked about it. I had been taken by my mother to visit the town's cottage, but when the uncle saw me at the age of 2013, he said, "You will die in the summer of 11!" It was. "That's very worrisome," said David, "Akio, this is the Southern Hemisphere, and it's winter now, so it's already gone."Listening to this sound revives the refreshing days. -Akio Suzuki David Toop -...
¥3,090
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{"id":7036850634917,"title":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","handle":"illuminated-paths-okinawa-rycom-crystal-hotel-late-night-cable-guide-1989-tape","description":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e","published_at":"2021-09-10T16:31:39+09:00","created_at":"2021-09-09T17:04:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hiphop \/ funk","illuminated paths","new","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780584091813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok1.jpg?v=1631174669","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok2.jpg?v=1631174670"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok1.jpg?v=1631174669","options":["Title"],"media":[{"alt":null,"id":23660845269157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok1.jpg?v=1631174669"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok1.jpg?v=1631174669","width":700},{"alt":null,"id":23660845301925,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok2.jpg?v=1631174670"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ok2.jpg?v=1631174670","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e"}
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We have received a large amount of Hip-Hop-Vaper Wave Label Illuminated Paths in Florida, USA.This work is a limited edition of 25 vapor screw works by this label.Contains 180 songs that have nothing to do with copyright. DL code included. * Because it is a conceptual label that uses a recycled case, there may be some damage to the case.Please understand.Click here to see more Illuminated Paths releases available at Tobira. ...
¥1,480
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{"id":7026896175269,"title":"Reverend Claire \/\/ Medjugorje TAPE","handle":"reverend-claire-medjugorje-tape","description":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-07T09:35:06+09:00","created_at":"2021-09-06T18:27:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","new","noise","Orb Tapes","tape"],"price":142000,"price_min":142000,"price_max":142000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40739271901349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reverend Claire \/\/ Medjugorje TAPE","public_title":null,"options":["Default Title"],"price":142000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","options":["Title"],"media":[{"alt":null,"id":23622862307493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","width":700},{"alt":null,"id":23622862340261,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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A cassette released by American new noise writer Reverend Claire in July 2021 from Orb Tapes, limited to 7 pieces.Includes spoken word + 50 noise songs. DL code included.It is out of print.Click here to see more Orb Tapes releases available at Tobira. -----------------------------. ..
¥1,420
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{"id":7026335187109,"title":"John Cage \/\/ Number Pieces 4xCD BOX SET","handle":"john-cage-number-pieces-4xcd-box-set","description":"\u003cp\u003e実験音楽家John Cageが1987年から1992年に制作した晩年の楽曲群Number PiecesをApartment Houseが演奏・録音した4枚組CDボックスセットを入荷しました。アコースティックドローンが好きな方にもおすすめします。20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263237719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-CD box set of John Cage's Number Pieces played by Apartment House, with 44-page booklet \u0026amp; original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eAnother Timbre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA 4-disc box-set with Apartment House playing all of John Cage's 'number pieces' for mid-size ensembles (from 'Five' to 'Fourteen', with 'Four5' as an added extra, along with alternative versions of three of the pieces). These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-09-06T11:36:07+09:00","created_at":"2021-09-06T10:59:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":542000,"price_min":542000,"price_max":542000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40736433635493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Number Pieces 4xCD BOX SET","public_title":null,"options":["Default Title"],"price":542000,"weight":280,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593","options":["Title"],"media":[{"alt":null,"id":23619493658789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家John Cageが1987年から1992年に制作した晩年の楽曲群Number PiecesをApartment Houseが演奏・録音した4枚組CDボックスセットを入荷しました。アコースティックドローンが好きな方にもおすすめします。20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263237719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-CD box set of John Cage's Number Pieces played by Apartment House, with 44-page booklet \u0026amp; original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eAnother Timbre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA 4-disc box-set with Apartment House playing all of John Cage's 'number pieces' for mid-size ensembles (from 'Five' to 'Fourteen', with 'Four5' as an added extra, along with alternative versions of three of the pieces). These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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We have received a 1987-CD box set in which Apartment House played and recorded Number Pieces, a group of songs from the latter years produced by experimental musician John Cage from 1992 to 4.Recommended for those who like acoustic drones. Contains 20 songs.Click here to see more Another Timbre releases available at Tobira ....
¥5,420
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{"id":7019022712997,"title":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","handle":"renato-grieco-bruno-duplant-la-disparition-cd","description":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、イタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 Editionsから2021年8月にCDリリース。フランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。ミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e","published_at":"2021-09-02T11:31:18+09:00","created_at":"2021-09-02T10:47:01+09:00","vendor":"Tobira Records","type":"","tags":["901 Editions","cd","contemporary \/ sound poetry","drone","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710185156773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","options":["Title"],"media":[{"alt":null,"id":23576533237925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","width":700},{"alt":null,"id":23576533270693,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","width":1200},{"alt":null,"id":23576533303461,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、イタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 Editionsから2021年8月にCDリリース。フランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。ミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e"}
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A CD co-written by Italian sound writer Renato Grieco, who works under the name of KNN, and Bruno Duplant, a French drone writer who is familiar with us, will be released on the Italian Fabio Parletta label 901 Editions in August 2021.Inspired by the French novelist Georges Perec's work "La Disparition" (an experimental work that does not use any "e").Includes two minimal acoustic drones. 8-sided digipak, shrink specifications.Click here to see more 2 Editions releases ...
¥1,980
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{"id":7019009867941,"title":"Molly McCann \/\/ Das Jahr 2020 CD","handle":"molly-mccann-das-jahr-2020-cd","description":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e","published_at":"2021-09-03T15:38:08+09:00","created_at":"2021-09-02T10:36:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neo classical","new","Recital"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710137741477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Molly McCann \/\/ Das Jahr 2020 CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","options":["Title"],"media":[{"alt":null,"id":23576432312485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","width":700},{"alt":null,"id":23576432345253,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564","width":1200},{"alt":null,"id":23576432378021,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565","width":1200},{"alt":null,"id":23576432410789,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e"}
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The August 2021 release of Recital, a label presided over by the American LA ambient writer Sean McCann, has arrived.This is the debut album of Sean McCann's older sister Molly McCann.Contains 8 piano solo songs. Includes an 13-page booklet.Click here to see more Recital releases available at Tobira. ...
¥2,180
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{"id":7017395290277,"title":"Loren Rush \/\/ Dans le Sable LP \/ CD","handle":"loren-rush-dans-le-sable-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-09-01T19:06:59+09:00","created_at":"2021-09-01T19:06:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","neo classical","new","Recital","recommended"],"price":225000,"price_min":225000,"price_max":365000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40703566643365,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - LP","public_title":"LP","options":["LP"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40703566676133,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - CD","public_title":"CD","options":["CD"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","options":["Format"],"media":[{"alt":null,"id":23568321675429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","width":700},{"alt":null,"id":23568321773733,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538","width":1200},{"alt":null,"id":23568322232485,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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The latest work released in October 2021 by Recital, a label run by the ambient writer Sean McCann in California, USA, has arrived a little earlier.This is the latest work by Loren Rush, a musician who has been active with composers such as Robert Erickson and Pauline Oliveros since the late 10s and founded the Center for Computer Research in Music and Acoustics at Stanford University in 1950. is. The blockbuster opera "Dans ..." that occupies all of the A side
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{"id":7001538855077,"title":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER","handle":"seiji-nagai-electronic-works-cd-cd-poster","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサイケバンドタージマハル旅行団オリジナルメンバー\u003cmeta charset=\"utf-8\"\u003e永井清治の発掘作品がこの度CDリリースされました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e1979年夏に開催された1週間に\u003cwbr data-mce-fragment=\"1\"\u003eわたるイベント「第五列週間！」\u003cmeta charset=\"utf-8\"\u003eのポスター復刻版（20%縮刷）が付属する限定版もございます。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631547\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - A\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-a\" target=\"_blank\"\u003eOP0017 - A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631640\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - B\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-b\" target=\"_blank\"\u003eOP0017 - B\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eBorn in Tokyo in 1948, Nagai studied drums in a music class when he was in junior high school. He opened his eyes to free jazz and improvisation, started an improvisation concert with Tokio Hasegawa in 1967, and played the trumpet as a member of the \"Taj Mahal Travelers\" in 1969.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter that, Mr. Nagai studied sitar at an music school in India. After he returned to Japan, he performed sitar concerts all over Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHe started composing on a computer around 1979, so this time his works will be introducing works at that time. Two pieces were recorded on each side of cassette tape, which are written only as Medium and Sea, are a minimalist, floating sound composed mainly of synthesizer refrains, with ambiguous beginnings and endings. The sound of real waves is added to the Sea. From that time on, he was interested in environmental sounds.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe two works revealed this time are regarded by Mr. Nagai himself as \"these are the origin of my synthesizer and computer music.\" - from liner note by ONNYK\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Seiji Nagai\u003c\/p\u003e\n\u003cp\u003elabel : Edition Omega Point\u003c\/p\u003e","published_at":"2021-08-26T01:30:10+09:00","created_at":"2021-08-26T01:30:08+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","new"],"price":180000,"price_min":180000,"price_max":270000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40658243387557,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER - CD","public_title":"CD","options":["CD"],"price":180000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40658243420325,"title":"CD+POSTER","option1":"CD+POSTER","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER - CD+POSTER","public_title":"CD+POSTER","options":["CD+POSTER"],"price":270000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","options":["Format"],"media":[{"alt":null,"id":23494273171621,"position":1,"preview_image":{"aspect_ratio":1.009,"height":450,"width":454,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011"},"aspect_ratio":1.009,"height":450,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","width":454},{"alt":null,"id":23494273204389,"position":2,"preview_image":{"aspect_ratio":1.0,"height":945,"width":945,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011"},"aspect_ratio":1.0,"height":945,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011","width":945},{"alt":null,"id":23494273237157,"position":3,"preview_image":{"aspect_ratio":0.775,"height":512,"width":397,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011"},"aspect_ratio":0.775,"height":512,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011","width":397}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサイケバンドタージマハル旅行団オリジナルメンバー\u003cmeta charset=\"utf-8\"\u003e永井清治の発掘作品がこの度CDリリースされました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e1979年夏に開催された1週間に\u003cwbr data-mce-fragment=\"1\"\u003eわたるイベント「第五列週間！」\u003cmeta charset=\"utf-8\"\u003eのポスター復刻版（20%縮刷）が付属する限定版もございます。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631547\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - A\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-a\" target=\"_blank\"\u003eOP0017 - A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631640\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - B\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-b\" target=\"_blank\"\u003eOP0017 - B\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eBorn in Tokyo in 1948, Nagai studied drums in a music class when he was in junior high school. He opened his eyes to free jazz and improvisation, started an improvisation concert with Tokio Hasegawa in 1967, and played the trumpet as a member of the \"Taj Mahal Travelers\" in 1969.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter that, Mr. Nagai studied sitar at an music school in India. After he returned to Japan, he performed sitar concerts all over Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHe started composing on a computer around 1979, so this time his works will be introducing works at that time. Two pieces were recorded on each side of cassette tape, which are written only as Medium and Sea, are a minimalist, floating sound composed mainly of synthesizer refrains, with ambiguous beginnings and endings. The sound of real waves is added to the Sea. From that time on, he was interested in environmental sounds.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe two works revealed this time are regarded by Mr. Nagai himself as \"these are the origin of my synthesizer and computer music.\" - from liner note by ONNYK\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Seiji Nagai\u003c\/p\u003e\n\u003cp\u003elabel : Edition Omega Point\u003c\/p\u003e"}
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The excavation work of Kiyoji Nagai, an original member of the Japanese psychedelic band Taj Mahal Travelers, has been released on CD. There is also a limited edition that comes with a poster reprint (1979% reduction) of the one-week event "Fifth Row Week!" Held in the summer of 1.Below is a description of the label.Seiji Nagai was one of the original members when the Taj Mahal Travel Group was formed in 20.From the late 1969s after Taj Mahal, he devoted himself to Indian music and learned sitar at home, but at the same time he started making music on a computer.This work was kept by ONNYK, an improvisational performer living in Iwate and Morioka, who had an exchange with him at that time.Although he had a personal computer, his two 1970-minute long songs "Medium" and "Sea", which were made in a situation far from the modern sophisticated music production environment, can be said to be the origin of his own computer music. thing.In addition to the liner by ONNYK that reflects the interviews with Mr. Nagai and other related parties, the photographs and materials of his planned event in which Mr. Nagai also participated are also part of the experimental music scene of the 30's and 2's. tobirec70 · OP80 --A tobirec4 · OP0017 --B ...
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{"id":6991913549989,"title":"Nick Storring \/\/ Newfoundout CD","handle":"nick-storring-newfoundout-cd","description":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースした最新作。全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e","published_at":"2021-08-21T15:05:54+09:00","created_at":"2021-08-21T10:38:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Mappa","monooto","new","strange beats"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40628143030437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nick Storring \/\/ Newfoundout CD","public_title":null,"options":["Default Title"],"price":195000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","options":["Title"],"media":[{"alt":null,"id":23443436306597,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","width":700},{"alt":null,"id":23443436339365,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースした最新作。全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e"}
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Nick Storring, a one-man chamber musician from Toronto, Canada, released by Orange Milk and others, released the latest work on the Slovak experimental label mappa in August 2021.Includes 8 pop electroacoustic to contemporary ambient songs created with minimal effects by playing all instruments.Digipak and shrink specifications.Click here to see more Mappa releases available at Tobira. ---------------------------- All .. ..
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{"id":6983067304101,"title":"Teletopa \/\/ Tokyo 1972 3xLP","handle":"teletopa-tokyo-1972-3xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-18T17:44:13+09:00","created_at":"2021-08-17T10:43:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598287548581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Teletopa \/\/ Tokyo 1972 3xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":580,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","options":["Title"],"media":[{"alt":null,"id":23384621318309,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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The treasured sound source of the improvisational group Teletopa led by the experimental musician David Ahern in Sydney, Australia has been released on a 40-disc set for the first time after 3 years. David Ahern studied under Stockhausen in Germany and played La Monte Young with Cornelius Cardew, who had a great influence on the Australian experimental music scene in the 70s.This work is an oversized 3-disc set containing improvisational performances performed at NHK.Includes insert.Click here to see more --releases ...
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{"id":6983055311013,"title":"Dale Gorfinkel \/\/ Switches and Hose LP","handle":"dale-gorfinkel-switches-and-hose-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-27T12:21:19+09:00","created_at":"2021-08-17T10:30:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598227320997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Gorfinkel \/\/ Switches and Hose LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","options":["Title"],"media":[{"alt":null,"id":23384541102245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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Debut record of experimental musician Dale Gorfinkel in Melbourne, Australia.Includes 4 songs from drone to collage using vibraphone and trumpet.The unmatch with the flashy artwork is good.Click here to see more --releases available at Tobira. ----------------- Description by Splitrec: ...
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{"id":6983046496421,"title":"Arthur Cantrill \/\/ Hootonics LP","handle":"arthur-cantrill-hootonics-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-27T11:44:53+09:00","created_at":"2021-08-17T10:16:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","noise","shame file music"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598192914597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arthur Cantrill \/\/ Hootonics LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","options":["Title"],"media":[{"alt":null,"id":23384482218149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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A record of Australian film music writer Arthur Cantrill compiling songs from a documentary film about the 1970 Sydney poet / philosopher Harry Hooton.Includes 15 collage-noise songs produced almost exclusively with a tape recorder without using synths.Click here to see more Shame File Music releases available at ...
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{"id":6983038304421,"title":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","handle":"scott-king-all-celebrities-are-dead-and-the-telly-is-empty-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの実験音楽家Scott Kingが2021年7月に同国Industrial Coastからリリースした最新作。彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本レーベルではおなじみの英国風封筒とポストカードが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T10:37:04+09:00","created_at":"2021-08-17T09:56:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","industrial coast","monooto","new","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598147465381,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","options":["Title"],"media":[{"alt":null,"id":23384418779301,"position":1,"preview_image":{"aspect_ratio":1.501,"height":617,"width":926,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951"},"aspect_ratio":1.501,"height":617,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","width":926},{"alt":null,"id":23384418812069,"position":2,"preview_image":{"aspect_ratio":0.89,"height":1200,"width":1068,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"},"aspect_ratio":0.89,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951","width":1068}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの実験音楽家Scott Kingが2021年7月に同国Industrial Coastからリリースした最新作。彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本レーベルではおなじみの英国風封筒とポストカードが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e"}
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The latest work released by Scott King, an experimental musician in London, England, who was the art director of id Magazine, on the Industrial Coast of the country in July 2021.His spoken word material is reconstructed by J Damage, TSM, Richard Vergez and The Statins.This label comes with the familiar English envelope and postcard.Click here to see more Industrial Coast ...
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{"id":6961050157221,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2021-08-08T17:20:12+09:00","created_at":"2021-08-08T12:09:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","monooto","new","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528789438629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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This is a recorded sound source / video of a research project developed to investigate how a percussionist remembers the movement of music in an ensemble.In the video, you can enjoy playing with a multi-camera. Also includes 24-bit, 96khz PCM stereo audio version. Includes a booklet with liner notes directed by Aiyun Huang.Tracks: Iannis Xenakis Persephassa (1969) for six percussionits 28:10 Zihua TanSorites (2015) for ...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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