LAMIEE. // NEN (feat. Pierre Bastien) TAPE

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Italian percussionist Lamiee. and French instrument maker Pierre Bastien.However, in September 2022, an experimental / sound label in LA, USAA collaborative cassette released from Dinzu Artefacts with a limited edition of 100.

Includes 2 songs of rhythmic sounds and strange beats. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Dinzu Artefacts releases available at Tobira.

--------------------------------------

Edition of 100.

Dinzu Artefacts:

"Inspired by the work of Arte Povera, NEN achieves a high level of perceptual density with a limited sonic palette, combining remnants of musical instruments and electronics between fragments of samples and field recordings. A wonderfully bizarre piece that is both continuously disorienting and thoroughly engaging. "

Artist: LAMIEE.

Label: Dinzu Artefacts

Includes 2 songs of rhythmic sounds and strange beats. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Dinzu Artefacts releases available at Tobira.

--------------------------------------

Edition of 100.

Dinzu Artefacts:

Artist: LAMIEE.

Label: Dinzu Artefacts

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Quickview {"id":8351589400826,"title":"KADAPAT \/\/ KADAPAT LP+7\"","handle":"kadapat-kadapat-tape","description":"\u003cp\u003eインドネシア・バリ島のストレンジビーツデュオKADAPATが、東京高円寺のDJバーSUB STOREからリリースしたレコード＋7\"です。\u003c\/p\u003e\n\u003cp\u003eジェゴグ(竹琴)とグンデル(鉄琴)といった伝統楽器とエレクトロニクスを融合させた、実験ガムラン音楽7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KADAPATは、インドネシアのバリ島を拠点とするヨギとバルガによる音楽プロジェクト。伝統と都市伝説を伝えることを目的に、実験的なエレクトロニック・ガムラン・ミュージックにバリの白／黒魔術をスピリットとして用いる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKADAPATを知ることは、若い頃からガムランとその伝統を教え込まれたバリ郊外のミレニアル世代の若者に出会うことを意味する。技術的な熟練だけでなく、彼らはバンジャールの伝統的・宗教的儀式でガムランを演奏している。バンジャールは、地域の伝統と作法に基づき、コミュニティを規制・管理することを認められた地域だ。彼らは保守的な規範とその超越的なコスモロジーと激しく向き合っている。ミレニアル世代である彼らは、都市文化、テクノロジー、バリのコスモポリタニズムにも組み込まれている。こうしたハイブリッドなアイデンティティは、西洋の教育システムによる正式な美術教育の次元を経験することで、ますます複雑になっていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの要素は、このアルバムに収録されたKADAPATの作品に具現化されている。それは、知覚と嘲笑のネットワークの中で絡み合っている。各要素やテクスチャーは、合意された音を持つが、ある意味では、その存在を示そうと独立して現れることも多い。全体的に、このアルバムの作曲は政治的に聞こえる。ラディカルなイマジネーションは、その土地の風俗という、彼らにとって入り組んだ条件の中で表現される。実験は試行錯誤である。バンジャールで、アートスクールで、アンダーグラウンドクラブで、ビーチパーティーで、メタル音楽祭で、結婚式で、カダパットのパフォーマンスをテストすることは、極論を引き起こすだろうか？やってみる価値はある。話をするだけだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=5558329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=110140720\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=5558329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTedun 10:23\u003c\/li\u003e\n\u003cli\u003eUnnoiticed Trance 05:00\u003c\/li\u003e\n\u003cli\u003eSetra Kombat 08:28\u003c\/li\u003e\n\u003cli\u003eKareb Aksara 06:28\u003c\/li\u003e\n\u003cli\u003eKidul 05:30\u003c\/li\u003e\n\u003cli\u003eCambra Barag 04:30\u003c\/li\u003e\n\u003cli\u003eBloronk 05:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText via \u003cspan data-mce-fragment=\"1\"\u003eGORONG GORONG RECORDS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKadapat is a music project by Yogi and Barga and based in Bali, Indonesia. Using Balinese white\/black magic as a spirit in experimental electronic-gamelan music with the aim of conveying traditions and urban legend.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting to know Kadapat means meeting millennial youth from the suburbs of Bali who were taught gamelan and its traditions from a young age. Not only technically skilled, they also performs gamelan for traditional and religious ceremonies in Banjar, a neighborhood authorized to regulate and manage the community, based on local tradition and manners. They're intensely dealing with the conservative norms and its transcendental cosmology. As millennial entities, they are also embeded in urban culture, technology, and Balinese cosmopolitanism. These hybrid identities become increasingly complex when they experience the dimensions of formal art education with a western pedagogical system.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese elements are embodied in Kadapat's works on this album. It is intertwined in a network of perceiving and sneering. Each element and texture has a consensual sound, but in some ways are frequently emerges independently trying to show its existence. Overall, the compositions in this album sound political. Radical imaginations are expressed in intricate conditions for them: the local mores. Experimentation is a trial effort. Will testing Kadapat's performances in Banjar, on an art school, at underground club, at a beach party, at a metal music festival, or at a wedding event cause a polemic? It's worth a try. We just need to talk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KADAPAT\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eSUB\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-22T13:54:38+09:00","created_at":"2024-04-22T10:13:53+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats"],"price":550000,"price_min":550000,"price_max":550000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45742839824634,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41085308272890,"product_id":8351589400826,"position":1,"created_at":"2024-04-22T13:45:44+09:00","updated_at":"2024-04-22T13:45:53+09:00","alt":null,"width":2048,"height":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153","variant_ids":[45742839824634]},"available":true,"name":"KADAPAT \/\/ KADAPAT LP+7\" - White","public_title":"White","options":["White"],"price":550000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33805271990522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45742839890170,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41085307977978,"product_id":8351589400826,"position":2,"created_at":"2024-04-22T13:45:43+09:00","updated_at":"2024-04-22T13:45:53+09:00","alt":null,"width":2048,"height":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.webp?v=1713761153","variant_ids":[45742839890170]},"available":true,"name":"KADAPAT \/\/ KADAPAT LP+7\" - Black","public_title":"Black","options":["Black"],"price":550000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33805271531770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.webp?v=1713761153"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153","\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.webp?v=1713761153"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153","options":["Color (outer sleeve)"],"media":[{"alt":null,"id":33805271990522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153"},"aspect_ratio":1.0,"height":2048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub2.webp?v=1713761153","width":2048},{"alt":null,"id":33805271531770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.webp?v=1713761153"},"aspect_ratio":1.0,"height":2048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sub1.webp?v=1713761153","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインドネシア・バリ島のストレンジビーツデュオKADAPATが、東京高円寺のDJバーSUB STOREからリリースしたレコード＋7\"です。\u003c\/p\u003e\n\u003cp\u003eジェゴグ(竹琴)とグンデル(鉄琴)といった伝統楽器とエレクトロニクスを融合させた、実験ガムラン音楽7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KADAPATは、インドネシアのバリ島を拠点とするヨギとバルガによる音楽プロジェクト。伝統と都市伝説を伝えることを目的に、実験的なエレクトロニック・ガムラン・ミュージックにバリの白／黒魔術をスピリットとして用いる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKADAPATを知ることは、若い頃からガムランとその伝統を教え込まれたバリ郊外のミレニアル世代の若者に出会うことを意味する。技術的な熟練だけでなく、彼らはバンジャールの伝統的・宗教的儀式でガムランを演奏している。バンジャールは、地域の伝統と作法に基づき、コミュニティを規制・管理することを認められた地域だ。彼らは保守的な規範とその超越的なコスモロジーと激しく向き合っている。ミレニアル世代である彼らは、都市文化、テクノロジー、バリのコスモポリタニズムにも組み込まれている。こうしたハイブリッドなアイデンティティは、西洋の教育システムによる正式な美術教育の次元を経験することで、ますます複雑になっていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの要素は、このアルバムに収録されたKADAPATの作品に具現化されている。それは、知覚と嘲笑のネットワークの中で絡み合っている。各要素やテクスチャーは、合意された音を持つが、ある意味では、その存在を示そうと独立して現れることも多い。全体的に、このアルバムの作曲は政治的に聞こえる。ラディカルなイマジネーションは、その土地の風俗という、彼らにとって入り組んだ条件の中で表現される。実験は試行錯誤である。バンジャールで、アートスクールで、アンダーグラウンドクラブで、ビーチパーティーで、メタル音楽祭で、結婚式で、カダパットのパフォーマンスをテストすることは、極論を引き起こすだろうか？やってみる価値はある。話をするだけだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=5558329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=110140720\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=5558329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTedun 10:23\u003c\/li\u003e\n\u003cli\u003eUnnoiticed Trance 05:00\u003c\/li\u003e\n\u003cli\u003eSetra Kombat 08:28\u003c\/li\u003e\n\u003cli\u003eKareb Aksara 06:28\u003c\/li\u003e\n\u003cli\u003eKidul 05:30\u003c\/li\u003e\n\u003cli\u003eCambra Barag 04:30\u003c\/li\u003e\n\u003cli\u003eBloronk 05:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText via \u003cspan data-mce-fragment=\"1\"\u003eGORONG GORONG RECORDS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKadapat is a music project by Yogi and Barga and based in Bali, Indonesia. Using Balinese white\/black magic as a spirit in experimental electronic-gamelan music with the aim of conveying traditions and urban legend.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting to know Kadapat means meeting millennial youth from the suburbs of Bali who were taught gamelan and its traditions from a young age. Not only technically skilled, they also performs gamelan for traditional and religious ceremonies in Banjar, a neighborhood authorized to regulate and manage the community, based on local tradition and manners. They're intensely dealing with the conservative norms and its transcendental cosmology. As millennial entities, they are also embeded in urban culture, technology, and Balinese cosmopolitanism. These hybrid identities become increasingly complex when they experience the dimensions of formal art education with a western pedagogical system.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese elements are embodied in Kadapat's works on this album. It is intertwined in a network of perceiving and sneering. Each element and texture has a consensual sound, but in some ways are frequently emerges independently trying to show its existence. Overall, the compositions in this album sound political. Radical imaginations are expressed in intricate conditions for them: the local mores. Experimentation is a trial effort. Will testing Kadapat's performances in Banjar, on an art school, at underground club, at a beach party, at a metal music festival, or at a wedding event cause a polemic? It's worth a try. We just need to talk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KADAPAT\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eSUB\u003c\/span\u003e\u003c\/p\u003e"}

This is a record +7" released by strange beats duo KADAPAT from Bali, Indonesia, from DJ bar SUB STORE in Koenji, Tokyo. An experiment that fuses electronics with traditional instruments such as jegog (bamboo harp) and gundel (glockenspiel). Contains 7 gamelan music. Below is the explanation from the label. "KADAPAT is a music project by Yogi and Barga based in Bali, Indonesia. Using Balinese white/black magic as a spirit in experimental electronic gamelan music with the aim of conveying traditions and urban legends. Getting to know KADAPAT means meeting young millennials from the outskirts of Bali who have been indoctrinated with gamelan and its traditions from a young age. In addition to their technical proficiency, they play gamelan in Banjar traditional and religious ceremonies. Banjar is a region that is authorized to regulate and manage its community based on local traditions and manners. They fiercely confront conservative norms and their transgressive cosmologies. As millennials, they are also embedded in urban culture, technology, and Balinese cosmopolitanism. These hybrid identities become increasingly complex as they experience the formal art education dimension of the Western educational system. These elements are embodied in KADAPAT's work included on this album. It is intertwined in a network of perception and ridicule. Each element or texture has an agreed-upon sound, but in a sense it often appears independently to signal its presence. Overall, the compositions on this album sound political. Radical imagination is expressed within the complex conditions of local customs. Experiments are a process of trial and error. Will testing Kadapat performances in banjars, art schools, underground clubs, beach parties, metal music festivals, and weddings provoke extreme controversy? It's worth a try. Just talk. " -------------------------------------------- Ask us for digital files .Cassette...

¥5,500

Quickview {"id":8351588942074,"title":"Beachers \/\/ Off the hook TAPE","handle":"beachers-off-the-hook-tape","description":"\u003cp\u003eイギリス・ロンドンの実験音楽家Beachersが、2024年3月に自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e職場の電話の音だけを用いて制作したミニマルミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Off the hook』の音は、私が本業で働くオフィスの電話の音だけだ。夜遅く、みんなが帰ったあと、私は何かを仕上げようとしていた。その音はどこからともなく聞こえ、一瞬空気を切り裂いた。そして突然止まった。その後、誰かがダイヤルしているようなビープ音が何度も鳴った。そして静寂。最初は驚いたが、いつも散らかっている仕事机の上の書類を動かしているうちに、電話をフックから外してしまったことに気づいた。ホールドトーン（保留音）が鳴った後、偽のダイヤルが鳴るというこのルーチンは、電話を取っても通じない。あなたの注意を引こうとしているのかもしれない。気まずい沈黙を埋めるためかもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は電話をフックから少し外して戻し、携帯電話のボイスレコーダーで録音した。ロンドン中心部にある私のオフィスの内外からの雑音が加わり、同じルーチンが録音された。その録音をカットし、移動させ、処理して、『Off the hook』の8つのトラックを作った。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eコンピューターでエフェクトをかけた以外は、何も加えていない。主にディレイとピッチシフトだ。最後のトラックは、オリジナルの電話の録音をそのままフルで再生したものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e電話の音、電話そのもの、状況、場所には、私にとって適切だと感じる何かがある。それが切り取れた。でも、それが何を言っていたのかはよくわからない。あなたなりの考えがあるでしょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=873314466\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 03:33\u003c\/li\u003e\n\u003cli\u003e2 03:16\u003c\/li\u003e\n\u003cli\u003e3 03:21\u003c\/li\u003e\n\u003cli\u003e4 03:31\u003c\/li\u003e\n\u003cli\u003e5 04:04\u003c\/li\u003e\n\u003cli\u003e6 04:56\u003c\/li\u003e\n\u003cli\u003e7 02:59\u003c\/li\u003e\n\u003cli\u003e8 01:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Beachers:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe only sound on ‘Off the hook’ is the phone in the office where I work my day job. It was late, I was trying to finish something after everyone else had gone home. The tone came from nowhere and cut through the air for a second. Then it abruptly stopped. Then a series of beeps, like someone was dialling. Then silence. Initially spooked, I realised that, moving some papers around my always cluttered work desk, I’d knocked the phone off the hook. This routine – a held tone then fake dialing - the phone goes through if you’ve picked it up but not made a call. An attempt to get your attention perhaps. To fill an awkward silence maybe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI put the phone back, slightly off the hook, and recorded it with the voice recorder on my mobile phone. It picked up the same routine, with some added background noise from inside and outside my office in central London. That recording was cut up, moved around and treated to create the eight tracks on Off the hook.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNothing was added apart from some effects on my computer. Delay and pitchshifting mainly. The final track is the original phone recording of the phone unaltered and played in full.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s something about the sound of the phone, the phone itself, the situation and the location that feels pertinent to me. It\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e cut through. But I don't really know what it said. You’ll probably have your own ideas.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy record it? Why not?\"\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beachers\u003c\/p\u003e\n\u003cp\u003eLabel : Ineffectual Suns\u003c\/p\u003e","published_at":"2024-04-22T14:19:53+09:00","created_at":"2024-04-22T10:11:18+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","strange beats","tape"],"price":243200,"price_min":243200,"price_max":243200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45741454754042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beachers \/\/ Off the hook TAPE","public_title":null,"options":["Default Title"],"price":243200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hook1_f6130ab3-189d-4345-9673-6719c5deb61c.jpg?v=1713748280","\/\/tobirarecords.com\/cdn\/shop\/files\/hook3.jpg?v=1713748280"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hook1_f6130ab3-189d-4345-9673-6719c5deb61c.jpg?v=1713748280","options":["Title"],"media":[{"alt":null,"id":33803919819002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hook1_f6130ab3-189d-4345-9673-6719c5deb61c.jpg?v=1713748280"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hook1_f6130ab3-189d-4345-9673-6719c5deb61c.jpg?v=1713748280","width":700},{"alt":null,"id":33803919851770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hook3.jpg?v=1713748280"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hook3.jpg?v=1713748280","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験音楽家Beachersが、2024年3月に自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e職場の電話の音だけを用いて制作したミニマルミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Off the hook』の音は、私が本業で働くオフィスの電話の音だけだ。夜遅く、みんなが帰ったあと、私は何かを仕上げようとしていた。その音はどこからともなく聞こえ、一瞬空気を切り裂いた。そして突然止まった。その後、誰かがダイヤルしているようなビープ音が何度も鳴った。そして静寂。最初は驚いたが、いつも散らかっている仕事机の上の書類を動かしているうちに、電話をフックから外してしまったことに気づいた。ホールドトーン（保留音）が鳴った後、偽のダイヤルが鳴るというこのルーチンは、電話を取っても通じない。あなたの注意を引こうとしているのかもしれない。気まずい沈黙を埋めるためかもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は電話をフックから少し外して戻し、携帯電話のボイスレコーダーで録音した。ロンドン中心部にある私のオフィスの内外からの雑音が加わり、同じルーチンが録音された。その録音をカットし、移動させ、処理して、『Off the hook』の8つのトラックを作った。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eコンピューターでエフェクトをかけた以外は、何も加えていない。主にディレイとピッチシフトだ。最後のトラックは、オリジナルの電話の録音をそのままフルで再生したものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e電話の音、電話そのもの、状況、場所には、私にとって適切だと感じる何かがある。それが切り取れた。でも、それが何を言っていたのかはよくわからない。あなたなりの考えがあるでしょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=873314466\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 03:33\u003c\/li\u003e\n\u003cli\u003e2 03:16\u003c\/li\u003e\n\u003cli\u003e3 03:21\u003c\/li\u003e\n\u003cli\u003e4 03:31\u003c\/li\u003e\n\u003cli\u003e5 04:04\u003c\/li\u003e\n\u003cli\u003e6 04:56\u003c\/li\u003e\n\u003cli\u003e7 02:59\u003c\/li\u003e\n\u003cli\u003e8 01:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Beachers:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe only sound on ‘Off the hook’ is the phone in the office where I work my day job. It was late, I was trying to finish something after everyone else had gone home. The tone came from nowhere and cut through the air for a second. Then it abruptly stopped. Then a series of beeps, like someone was dialling. Then silence. Initially spooked, I realised that, moving some papers around my always cluttered work desk, I’d knocked the phone off the hook. This routine – a held tone then fake dialing - the phone goes through if you’ve picked it up but not made a call. An attempt to get your attention perhaps. To fill an awkward silence maybe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI put the phone back, slightly off the hook, and recorded it with the voice recorder on my mobile phone. It picked up the same routine, with some added background noise from inside and outside my office in central London. That recording was cut up, moved around and treated to create the eight tracks on Off the hook.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNothing was added apart from some effects on my computer. Delay and pitchshifting mainly. The final track is the original phone recording of the phone unaltered and played in full.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s something about the sound of the phone, the phone itself, the situation and the location that feels pertinent to me. It\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e cut through. But I don't really know what it said. You’ll probably have your own ideas.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy record it? Why not?\"\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beachers\u003c\/p\u003e\n\u003cp\u003eLabel : Ineffectual Suns\u003c\/p\u003e"}

This is a cassette independently released in March 2024 by experimental musicians Beachers from London, England. Contains 3 minimal music songs created using only the sounds of the office phone. *Please feel free to contact us as we will send you the digital sound source free of charge.The following is an explanation by the artist himself. "The only sound on 'Off the hook' is the phone at my day job. Late at night, after everyone had gone home, I was finishing something, and the sound came from everywhere. It cut the air for a moment. Then it suddenly stopped. Then I heard a series of beeps, like someone was dialing. I was surprised at first, but then I saw the papers on my work desk. While you're at it, you realize you've taken your phone off the hook.This routine of a hold tone followed by a fake dial doesn't work when you pick up the phone. Maybe trying to get attention, maybe to fill an awkward silence, I took the phone off the hook and put it back on, recording it in and out of my office in central London. The same routine was recorded, with additional noise added, and the recording was cut, moved, and processed to create the eight tracks of Off the Hook, but nothing else was done. I haven't added anything. It's mostly delays and pitch shifts. The last track is a full playback of the original phone call. It feels appropriate to me, the phone call itself, the situation, and the location. There's something. But I'm not sure what it said. You have your own idea. -------------------------- Ask us for digital...

¥2,432

Quickview {"id":8351582716154,"title":"Stargaze Inferno \/\/ Hayman Island Sessions LP","handle":"stargaze-inferno-hayman-island-sessions-tape","description":"\u003cp\u003eオーストラリアのポストニューエイジデュオStargaze Infernoが、2024年4月にイギリスの実験レーベルAre You Beforeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eヘイマン島で録音した古筝とギターによるポストニューエイジ・アンビエント〜ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1778955873\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Are You Before\" href=\"https:\/\/soundcloud.com\/areyoubefore\" target=\"_blank\"\u003eAre You Before\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stargaze Inferno - There are Many Moods of Tropical Exultation (Glorious Union Field) (Preview)\" href=\"https:\/\/soundcloud.com\/areyoubefore\/stargaze-inferno-there-are-many-moods-of-tropical-exultation-glorious-union-field-preview\" target=\"_blank\"\u003eStargaze Inferno - There are Many Moods of Tropical Exultation (Glorious Union Field) (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1785045495\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Are You Before\" href=\"https:\/\/soundcloud.com\/areyoubefore\" target=\"_blank\"\u003eAre You Before\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stargaze Inferno - Stand For The Rush (Preview)\" href=\"https:\/\/soundcloud.com\/areyoubefore\/stargaze-inferno-stand-for-the-rush-preview\" target=\"_blank\"\u003eStargaze Inferno - Stand For The Rush (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ayb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ayb\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Are You Before releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Are Many Moods Of Tropical Exultation (Glorious Union Field) 22:06\u003c\/li\u003e\n\u003cli\u003eStand For The Rush 10:36\u003c\/li\u003e\n\u003cli\u003eThese Waves All Look The Same (Gun Street Girl Revisited) 15:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAre You Before:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRecorded on Hayman Island off the coast of Queensland, Australia, the paths of stranded friends Ryko Kalinko (guitar \u0026amp; sampler) and Aemon Webb (vocals, guzheng \u0026amp; percussion) meet, creating an astonishing 3-part journey of deeply spiritual improvisations reflecting the beauty, isolation and nature of their vivid environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“There Are Many Moods Of Tropical Exultation” carefully spends its 20+ minute track length conjuring a spell, bringing all dust in the room to settle. Smoke trails rise. Shade cloth quietly billows. Ryko and Aemon let their guitar and guzheng flow across and between one another, dissolving clock hands and carrying the listener into the twilight hours.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stand For The Rush” introduces the B-side and shifts the sense of stillness towards something more rhythmic where the nocturnal world begins to open its eyes. Rattling drum machine percussion, slinking guzheng and chirping birds weave in and out of focus whilst booming kicks drive forward. A distant siren wails whilst life in surrounding undergrowth moves in shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFinally “These Waves…” drops the world into droning negative space where crushing black sky comes down. Crooning out into vast nothing. Murmuring; lost at sea. “Never\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e coming home”.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stargaze Inferno\u003c\/p\u003e\n\u003cp\u003eLabel : Are You Before\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003c\/p\u003e","published_at":"2024-04-22T14:32:36+09:00","created_at":"2024-04-22T09:52:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","are you before","lp","new","post newage","strange beats"],"price":429400,"price_min":429400,"price_max":429400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45741439385850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stargaze Inferno \/\/ Hayman Island Sessions LP","public_title":null,"options":["Default Title"],"price":429400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ses1.jpg?v=1713747144","\/\/tobirarecords.com\/cdn\/shop\/files\/ses2.jpg?v=1713747143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ses1.jpg?v=1713747144","options":["Title"],"media":[{"alt":null,"id":33803878826234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ses1.jpg?v=1713747144"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ses1.jpg?v=1713747144","width":700},{"alt":null,"id":33803878859002,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ses2.jpg?v=1713747143"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ses2.jpg?v=1713747143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのポストニューエイジデュオStargaze Infernoが、2024年4月にイギリスの実験レーベルAre You Beforeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eヘイマン島で録音した古筝とギターによるポストニューエイジ・アンビエント〜ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1778955873\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Are You Before\" href=\"https:\/\/soundcloud.com\/areyoubefore\" target=\"_blank\"\u003eAre You Before\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stargaze Inferno - There are Many Moods of Tropical Exultation (Glorious Union Field) (Preview)\" href=\"https:\/\/soundcloud.com\/areyoubefore\/stargaze-inferno-there-are-many-moods-of-tropical-exultation-glorious-union-field-preview\" target=\"_blank\"\u003eStargaze Inferno - There are Many Moods of Tropical Exultation (Glorious Union Field) (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1785045495\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Are You Before\" href=\"https:\/\/soundcloud.com\/areyoubefore\" target=\"_blank\"\u003eAre You Before\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stargaze Inferno - Stand For The Rush (Preview)\" href=\"https:\/\/soundcloud.com\/areyoubefore\/stargaze-inferno-stand-for-the-rush-preview\" target=\"_blank\"\u003eStargaze Inferno - Stand For The Rush (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ayb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ayb\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Are You Before releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Are Many Moods Of Tropical Exultation (Glorious Union Field) 22:06\u003c\/li\u003e\n\u003cli\u003eStand For The Rush 10:36\u003c\/li\u003e\n\u003cli\u003eThese Waves All Look The Same (Gun Street Girl Revisited) 15:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAre You Before:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRecorded on Hayman Island off the coast of Queensland, Australia, the paths of stranded friends Ryko Kalinko (guitar \u0026amp; sampler) and Aemon Webb (vocals, guzheng \u0026amp; percussion) meet, creating an astonishing 3-part journey of deeply spiritual improvisations reflecting the beauty, isolation and nature of their vivid environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“There Are Many Moods Of Tropical Exultation” carefully spends its 20+ minute track length conjuring a spell, bringing all dust in the room to settle. Smoke trails rise. Shade cloth quietly billows. Ryko and Aemon let their guitar and guzheng flow across and between one another, dissolving clock hands and carrying the listener into the twilight hours.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stand For The Rush” introduces the B-side and shifts the sense of stillness towards something more rhythmic where the nocturnal world begins to open its eyes. Rattling drum machine percussion, slinking guzheng and chirping birds weave in and out of focus whilst booming kicks drive forward. A distant siren wails whilst life in surrounding undergrowth moves in shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFinally “These Waves…” drops the world into droning negative space where crushing black sky comes down. Crooning out into vast nothing. Murmuring; lost at sea. “Never\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e coming home”.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stargaze Inferno\u003c\/p\u003e\n\u003cp\u003eLabel : Are You Before\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003c\/p\u003e"}