CHEVEL // One Month Off [SA022] 12 "

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Label led by Lucy, a techno writer in Berlin, GermanyStroboscopic Artefacts are in stock.

Labels and other works Click here for more information. ///Click here to see more Stroboscopic Artefacts releases available at Tobira.

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Stroboscopic Artefacts:

"'One Month Off'is an EP built around the abstract themes of construction, starting with demolition and ending on perspective. Opening track'One Month Off' combines a warm thump with skittering percussion.'The Wall', next up, is perhaps misleadingly a 'Marker Shop' is fourth up, uniting disparate urges and glorious moods. The beat is uncomfortable, and repeatedly gives.'Cave Dwellings' is a more organic construct, building from the traditional basics of a kick drum and hi hat. the way. The record closes on'Viewpoint', a piece of warmer perspective. It is not, however, a calm scene: in many ways this is a view of something more unsettled than what has come before. It is both jungular and industrial, an uncompromising marriage of nature and noise. "

Artist: CHEVEL

Label: Label: Stroboscopic artefacts

Label led by Lucy, a techno writer in Berlin, GermanyStroboscopic Artefacts are in stock.

Labels and other works Click here for more information. ///Click here to see more Stroboscopic Artefacts releases available at Tobira.

----------------------------

Stroboscopic Artefacts:

Artist: CHEVEL

Label: Label: Stroboscopic artefacts

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As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListeners familiar wit the classic kosmische feel will be taken immediately by the opening gambit “Bliss,” whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e subsequent track (“War Lullaby”) is close to being a continuation of the opener’s leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track (“Santeria”) which is the busiest and\u003cbr data-mce-fragment=\"1\"\u003emost engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer – fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing “A Ghost Lovestory,” like the opener, is a non-‘dance’ piece, but is no less compelling for that fact: as a foam of white noise pans between the listener’s ears, a slurred \/ pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.\u003cbr data-mce-fragment=\"1\"\u003eSpeaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-06T14:52:38+09:00","created_at":"2022-02-06T12:01:44+09:00","vendor":"Tobira Records","type":"","tags":["lp","stroboscopic","techno \/ house"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42397907845370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lucy \/\/ War Lullaby [SA024] 12\"","public_title":null,"options":["Default Title"],"price":195000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506","options":["Title"],"media":[{"alt":null,"id":29112899404026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1354039822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe debut collaboration between techno alchemists Ben Klock and Lucy will probably provoke quivers of anticipation before a single note has been heard. After all, both producers have carved out names for themselves as scene innovators at what they do, and both have already proven that they can more than capably work in a duo format without sacrificing an iota of their unique aesthetics: in Lucy’s case, there has already been the sublime Zeitgeber pairing with Speedy J., and Klock has joined forces with the likes of Marcel Dettmann to craft some of the more memorable output from the Ostgut Ton label. This new release makes good on each producer’s talent for working with epically unfolding tracks, maintaining a strong command of both ‘drone’ and melodicism, and envisioning sound as a kind of inter-dimensional mass transit. As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListeners familiar wit the classic kosmische feel will be taken immediately by the opening gambit “Bliss,” whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e subsequent track (“War Lullaby”) is close to being a continuation of the opener’s leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track (“Santeria”) which is the busiest and\u003cbr data-mce-fragment=\"1\"\u003emost engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer – fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing “A Ghost Lovestory,” like the opener, is a non-‘dance’ piece, but is no less compelling for that fact: as a foam of white noise pans between the listener’s ears, a slurred \/ pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.\u003cbr data-mce-fragment=\"1\"\u003eSpeaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e"}