Fahmi Mursyid // Tanah Merah TAPE

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Indonesian electronic musician Fahmi Mursyid released a limited edition of 2018 cassettes in 100 from the American maverick label Ultraviolet Light.

Includes 8 songs that use granular synthesis to process and modulate the traditional musical instruments of his home country, such as the surin (vertical flute) and kalimba, and the saron and bonin, which are a type of gamelan. Comes with DL code.

Ultraviolet Light Other worksplease use this form. ///Click here to see more Ultraviolet Light releases available at Tobira.

--------------------

Edition of 100.

Fahmi Mursyid is an experimental musician based in Bandung, Indonesia. The music on this cassette was composed by applying granular synthesis techniques to traditional Indonesian instruments; suling, pan flute, kalimba, saron, and bonang. Mursyid created these tracks specifically for Acousmatic listening and the transformative focus of Musique Concrète is present throughout.- Ultraviolet Light

Artist: Fahmi Mursyid

Label: Ultraviolet Light

Indonesian electronic musician Fahmi Mursyid released a limited edition of 2018 cassettes in 100 from the American maverick label Ultraviolet Light.

Ultraviolet Light Other worksplease use this form. ///Click here to see more Ultraviolet Light releases available at Tobira.

--------------------

Edition of 100.

Artist: Fahmi Mursyid

Label: Ultraviolet Light

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Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDan Deacon - Wascally 08:00\u003c\/li\u003e\n\u003cli\u003eTodd Barton - Relentless 06:05\u003c\/li\u003e\n\u003cli\u003eDoug Lynner - Circuitous Cycling Sonorities 06:46\u003c\/li\u003e\n\u003cli\u003eJimmy Joe Roche - Happy Void Exploration 03:06\u003c\/li\u003e\n\u003cli\u003eToshimaru Nakamura - Nimb #76 08:47\u003c\/li\u003e\n\u003cli\u003eKeith Fullerton Whitman - The Blues Scale 11:30\u003c\/li\u003e\n\u003cli\u003eDani Dobkin - Burnout 08:56\u003c\/li\u003e\n\u003cli\u003eSarah Belle Reid \u0026amp; Ryan Gaston - The Chairs' Inexorable Absence 04:31\u003c\/li\u003e\n\u003cli\u003eRobert Aiki Aubrey Lowe - As Tempests Ululate 07:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTodd Barton and Jimmy Joe Roche :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Cassette label Ultraviolet Light is ecstatic to announce Feedback, a compilation of new works from Todd Barton, Dan Deacon, Dani Dobkin, Robert Aiki Aubrey Lowe, Doug Lynner, Toshimaru Nakamura, Sarah Belle Reid, Ryan Gaston, Jimmy Joe Roche, and Keith Fullerton Whitman. 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Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDan Deacon - Wascally 08:00\u003c\/li\u003e\n\u003cli\u003eTodd Barton - Relentless 06:05\u003c\/li\u003e\n\u003cli\u003eDoug Lynner - Circuitous Cycling Sonorities 06:46\u003c\/li\u003e\n\u003cli\u003eJimmy Joe Roche - Happy Void Exploration 03:06\u003c\/li\u003e\n\u003cli\u003eToshimaru Nakamura - Nimb #76 08:47\u003c\/li\u003e\n\u003cli\u003eKeith Fullerton Whitman - The Blues Scale 11:30\u003c\/li\u003e\n\u003cli\u003eDani Dobkin - Burnout 08:56\u003c\/li\u003e\n\u003cli\u003eSarah Belle Reid \u0026amp; Ryan Gaston - The Chairs' Inexorable Absence 04:31\u003c\/li\u003e\n\u003cli\u003eRobert Aiki Aubrey Lowe - As Tempests Ululate 07:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTodd Barton and Jimmy Joe Roche :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Cassette label Ultraviolet Light is ecstatic to announce Feedback, a compilation of new works from Todd Barton, Dan Deacon, Dani Dobkin, Robert Aiki Aubrey Lowe, Doug Lynner, Toshimaru Nakamura, Sarah Belle Reid, Ryan Gaston, Jimmy Joe Roche, and Keith Fullerton Whitman. 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Arguably the most prolific and influential artist who integrated feedback into her compositions is the French composer Éliane Radigue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeedback is released as a 300-copy limited edition cassette with 4-color risograph printed artwork by Never Brush my Teeth. A digital download card is included with each cassette. 60% of the digital sales of the album will be donated to Earth Justice annually.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Ultraviolet Light\u003c\/p\u003e"}

This is a compilation cassette released by Ultraviolet Light, an experimental/collage label from Baltimore, USA, in December 2023, limited to 12 pieces. As the title suggests, it contains nine drone to noise songs created by all participating artists using feedback techniques such as no input mixing and recursive patching. DL code included. Click here to see more Ultraviolet Light releases available...

¥2,286

Quickview {"id":8186014499066,"title":"Max Eilbacher \/\/ Max Eilbacher TAPE","handle":"max-eilbacher-max-eilbacher-tape-1","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e過去にNNAやUnifactorなどから発表しているアメリカ・ボルチモアの実験音楽家Max Eilbacherが、2023年5月にボルチモアの\u003cspan data-mce-fragment=\"1\"\u003e実験／コラージュレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから100本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコンピューターによるサイケデリックな電子トリップ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"弦楽器 \"のためのデジタルスケッチ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eある朝、私は弦楽器の作曲を思いつきました。弦楽器の音色は、変化するイントネーションの間で常に変容しています。様々なソノリティのスペクトルが上昇し、下降することで、鼓動する生きた全体が構築されます。弦楽器の集積のジェスチャーと知覚の質は、氷河期と絶え間ない動きの間のどこかに存在するでしょう。結局、弦楽器のサンプルやアコースティック楽器の代わりに、ノコギリの波を使いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスペクトラル・マスク・ルーム・コンストラクション\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオーディオの知覚とスペクトラルマスキングにおけるオンセットパーシャルを探求した作品です。私は木版画のサンプルから始めました。私にとって、木版画の厳しくも美しい打撃音は複雑です。この短い音は、極めて顕著で、恐怖を感じさせる音の手がかりとして機能します。1つの打音を何時間も聴き続け、徹底的なスペクトル分析を行った結果、私は打音の複雑な物質的複合が、その短い時間的寿命を超えて広がっていると聞き、理解するようになりました。バーストはインパルス応答として存在するようになりました。打鍵のたびに、木版の素材がレコーディングのために存在した空間についての情報が伝達されました。木が叩かれた部屋は、木がぶつかり合うのと同じように、聴こえる音素材の一部となりました。木版の音をゼロから合成するために、個々のパーシャルのアタックタイムとディケイタイムを細かく調べることになりました。スペクトル解析の結果をもとに、最初の短い打音を中心に作曲しました。サンプルの基音と倍音を構成するピッチを様々なクラスターで抽出し、数種類のデジタルシンセサイザーを作成するのに使用しました。サンプリングされたストライクと合成されたストライクのタイミング構造は、単純なカウント変換によって制御されています。そうすることで、打鍵音のバリエーションに概念的なスルーラインを設定しました。ハイライトされたり、オーディオの背景に送られる部分音の多くのバリエーションは、これらの音が存在する「偽」の空間を模倣し、リスナーに微妙な建築情報を伝える役割を果たします。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/501788263\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973857622\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSketch for Digital Strings 20:05\u003c\/li\u003e\n\u003cli\u003eSpectral Masking Room Construction 20:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Max Eilbacher:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Digital Sketch For Strings\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpectral Masking Room Construction\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Max Eilbacher \u003c\/p\u003e\n\u003cp\u003elabel : Ultraviolet Light \u003c\/p\u003e","published_at":"2024-02-26T13:50:32+09:00","created_at":"2024-02-26T12:57:36+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","recommended","strange beats","tape","Ultraviolet Light"],"price":193900,"price_min":193900,"price_max":193900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45231819358458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Max Eilbacher \/\/ Max Eilbacher TAPE","public_title":null,"options":["Default Title"],"price":193900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857","options":["Title"],"media":[{"alt":null,"id":33238989799674,"position":1,"preview_image":{"aspect_ratio":1.265,"height":419,"width":530,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857"},"aspect_ratio":1.265,"height":419,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/MAX_2021_1_f3c16763-b99c-48c5-a3b4-71cb31b3c425.jpg?v=1708919857","width":530}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e過去にNNAやUnifactorなどから発表しているアメリカ・ボルチモアの実験音楽家Max Eilbacherが、2023年5月にボルチモアの\u003cspan data-mce-fragment=\"1\"\u003e実験／コラージュレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから100本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコンピューターによるサイケデリックな電子トリップ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"弦楽器 \"のためのデジタルスケッチ\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eある朝、私は弦楽器の作曲を思いつきました。弦楽器の音色は、変化するイントネーションの間で常に変容しています。様々なソノリティのスペクトルが上昇し、下降することで、鼓動する生きた全体が構築されます。弦楽器の集積のジェスチャーと知覚の質は、氷河期と絶え間ない動きの間のどこかに存在するでしょう。結局、弦楽器のサンプルやアコースティック楽器の代わりに、ノコギリの波を使いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスペクトラル・マスク・ルーム・コンストラクション\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオーディオの知覚とスペクトラルマスキングにおけるオンセットパーシャルを探求した作品です。私は木版画のサンプルから始めました。私にとって、木版画の厳しくも美しい打撃音は複雑です。この短い音は、極めて顕著で、恐怖を感じさせる音の手がかりとして機能します。1つの打音を何時間も聴き続け、徹底的なスペクトル分析を行った結果、私は打音の複雑な物質的複合が、その短い時間的寿命を超えて広がっていると聞き、理解するようになりました。バーストはインパルス応答として存在するようになりました。打鍵のたびに、木版の素材がレコーディングのために存在した空間についての情報が伝達されました。木が叩かれた部屋は、木がぶつかり合うのと同じように、聴こえる音素材の一部となりました。木版の音をゼロから合成するために、個々のパーシャルのアタックタイムとディケイタイムを細かく調べることになりました。スペクトル解析の結果をもとに、最初の短い打音を中心に作曲しました。サンプルの基音と倍音を構成するピッチを様々なクラスターで抽出し、数種類のデジタルシンセサイザーを作成するのに使用しました。サンプリングされたストライクと合成されたストライクのタイミング構造は、単純なカウント変換によって制御されています。そうすることで、打鍵音のバリエーションに概念的なスルーラインを設定しました。ハイライトされたり、オーディオの背景に送られる部分音の多くのバリエーションは、これらの音が存在する「偽」の空間を模倣し、リスナーに微妙な建築情報を伝える役割を果たします。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/501788263\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973857622\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSketch for Digital Strings 20:05\u003c\/li\u003e\n\u003cli\u003eSpectral Masking Room Construction 20:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Max Eilbacher:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Digital Sketch For Strings\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpectral Masking Room Construction\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Max Eilbacher \u003c\/p\u003e\n\u003cp\u003elabel : Ultraviolet Light \u003c\/p\u003e"}

This is a reissue cassette released in May 2023 by Baltimore experimental/collage label Ultraviolet Light in a limited edition of 5 pieces by Max Eilbacher, an experimental musician from Baltimore, USA who has released on labels such as NNA and Unifactor in the past. Contains two computer-generated psychedelic electronic trip songs. DL code included. Below is an explanation by the author himself. Digital sketch for "string instruments" One morning I came up with the idea of composing for string instruments. The timbre of a stringed instrument is constantly transforming between changing intonations. The rising and falling spectrum of various sonorities builds a pulsating, living whole. The gestural and perceptual quality of the stringed collection would exist somewhere between glacial and constant movement. In the end, I used sawtooth waves instead of string samples or acoustic instruments. Spectral Mask Room Construction This work explores audio perception and onset partials in spectral masking. I started with woodblock print samples. For me, the harsh yet beautiful impact sound of woodblock prints is complex. This short sound acts as a very noticeable and frightening sound cue. After listening to a single strike for many hours and performing a thorough spectral analysis, I began to hear and understand that the complex material complex of a strike extends beyond its short temporal lifespan. became. Bursts now exist as impulse responses. With each keystroke, the woodblock material conveyed information about the space in which it existed for the recording. The room where the wood was struck became part of the audible sound material, just like wood hitting each other. In order to synthesize the sound of the woodblock print from scratch, I decided to examine the attack and decay times of each partial in detail. Based on the results of spectral analysis, I composed the song focusing on the first short note. The pitches that make up the fundamental and overtones of the sample were extracted in various clusters and used to create several types of digital synthesizers. The timing structure of the sampled and synthesized strikes is controlled by a simple count transformation. By doing so, we established a conceptual through line for the variations in keystroke sounds. The many variations of partials that are highlighted or sent into the audio background serve to mimic the "fake" space in which these sounds exist and convey subtle architectural information to the listener. "Click here to see more Ultraviolet Light...

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Quickview {"id":8186014269690,"title":"Andrew Bernstein \/\/ Studies For Just Intonation Saxophone TAPE","handle":"andrew-bernstein-studies-for-just-intonation-saxophone-tape-1","description":"\u003cp\u003eアメリカ・メリーランドの実験／コラージュレーベルUltraviolet Lightの2022年7月リリース作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州ボルチモアのマルチ奏者Andrew Bernsteinが100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサックスのみを用いたドローン2曲、30分を収録。DLコード付属。\u003c\/p\u003e\n \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2578205449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCassette in norelco case. Edition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSTUDIES FOR JUST INTONATION SAXOPHONE - SIDE A 15:50\u003c\/li\u003e\n\u003cli\u003eSTUDIES FOR JUST INTONATION SAXOPHONE - SIDE B 15:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn May of 2020 I began a daily practice of exploring extended just intonation harmonies on the alto saxophone. For nearly a year I recorded every night, layering multiple tracks of saxophone or playing against an electronic drone. I worked with strict overtone relationships, integer multiples on a fundamental tone, as well as scales with so-called \"undertone\" relationships, derived from divisions of a fundamental tone. The recordings on Studies for Just Intonation Saxophone are drawn from these sessions. Some are rough sketches simply demonstrating a static harmony. Others are melodic improvisations on modal scales. Study III is a collage of different studies that was composed for the 2020 High Zero Festival and originally accompanied a video by Tim Nohe. - Andrew Bernstein, 2022\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : ANDREW BERNSTEIN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-02-26T13:52:01+09:00","created_at":"2024-02-26T12:55:44+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","tape","Ultraviolet Light"],"price":193900,"price_min":193900,"price_max":193900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45231818277114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Bernstein \/\/ Studies For Just Intonation Saxophone TAPE","public_title":null,"options":["Default Title"],"price":193900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_01518fef-d237-4d63-b849-31da088905b0.jpg?v=1708919746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_01518fef-d237-4d63-b849-31da088905b0.jpg?v=1708919746","options":["Title"],"media":[{"alt":null,"id":33238983999738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_01518fef-d237-4d63-b849-31da088905b0.jpg?v=1708919746"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_01518fef-d237-4d63-b849-31da088905b0.jpg?v=1708919746","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メリーランドの実験／コラージュレーベルUltraviolet Lightの2022年7月リリース作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州ボルチモアのマルチ奏者Andrew Bernsteinが100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサックスのみを用いたドローン2曲、30分を収録。DLコード付属。\u003c\/p\u003e\n \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2578205449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCassette in norelco case. Edition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSTUDIES FOR JUST INTONATION SAXOPHONE - SIDE A 15:50\u003c\/li\u003e\n\u003cli\u003eSTUDIES FOR JUST INTONATION SAXOPHONE - SIDE B 15:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn May of 2020 I began a daily practice of exploring extended just intonation harmonies on the alto saxophone. For nearly a year I recorded every night, layering multiple tracks of saxophone or playing against an electronic drone. I worked with strict overtone relationships, integer multiples on a fundamental tone, as well as scales with so-called \"undertone\" relationships, derived from divisions of a fundamental tone. The recordings on Studies for Just Intonation Saxophone are drawn from these sessions. Some are rough sketches simply demonstrating a static harmony. Others are melodic improvisations on modal scales. Study III is a collage of different studies that was composed for the 2020 High Zero Festival and originally accompanied a video by Tim Nohe. - Andrew Bernstein, 2022\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : ANDREW BERNSTEIN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e"}