Clinton Green // Relativity / Only LP

¥3,470

Write a review

Item no:
Availability:

The latest record released by Clinton Green, a great experimental musician in Melbourne, Australia, on Nice Music in March 2021.

Includes 4 intensely astringent sounds with a turntable as the main source.

---------------------------------

Text by Nice Music:

"In conjunction with long-standing Australian outsider music label and mail order Shame File, Nice Music presents a new full length recording from Clinton Green.

'Relativity / Only' is Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments and repurposed objects, captured in a softly endless world of binaural ambience. Unable to repeat a single step or rhythm given the mostly hands off methods Green employs within simple physics and gravitational axioms, this pointillist approach to automatic composition almost relegates time Perhaps akin to watching a fireplace at night. Encouraging the listener to either take in the view as a moment's glimpse or to become deeply engrossed in its crevices, Green's work offers as much or as little as the senses care to seek. or witnessing ants marching through the grass.

Percussion ephemera recorded this quietly could indeed pass experientially as'ambient music' at this point, but a rare And is ambient music dictated by how little it distracts the ear? Surely a misnomer if so. Green's loving supervision of these quietly magical instant compositions splays his work bewitchingly over many worlds of compositional reference; a spectral wonder given only the most skeletal elements do all the talking.

Clinton Green is a writer, researcher and legendary patron of Australian experimental and outsider music, as well as the founder of Shame File Music. He has released numerous solo and collaborative recordings both under his own name and as Undecisive God.

For fans of Len Lye's surgical steel sculpture recordings and Han Bennink "

Artist: Clinton Green

Label: Nice Music

The latest record released by Clinton Green, a great experimental musician in Melbourne, Australia, on Nice Music in March 2021.

Includes 4 intensely astringent sounds with a turntable as the main source.

---------------------------------

Text by Nice Music:

Artist: Clinton Green

Label: Nice Music

Related Products

Quickview {"id":6685103521957,"title":"Tarab \/\/ Housekeeping CD","handle":"tarab-housekeeping-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2000年代初期から活動しており、来日公演も経験したメルボルンの音響作家Tarabが自主レーベルSonic Rubbishより2018年12月にリリースした作品。環境音を再構築する彼特有のスタイルで描かれる音響彫刻2曲を収録。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/526569336\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soru\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soru\"\u003ehere\u003c\/a\u003e to see more \u003ca data-sanitized-data-mce-fragment=\"1\" data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eSonic Rubbish releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTarab:\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003e\u003cspan\u003e\"\u003cem\u003eI am a collector of rubbish: not an archivist, but in a small way, a hoarder. Clutter seems to be attracted to me.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHOUSEKEEPING was originally conceived as a project to finally put to use some of this amassed junk, and then to discard it all once again. It first took shape as an installation work for 8-channel audio, found objects, speakers, transducers, desk, chair and room; presented at Blindside, Melbourne, August 2017.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eSince then it has slowly shifted itself into this CD. However rather than a documentation of an installation, this iteration has been arranged from the debris collected during the process of making one. Sound was gathered together from various raw audio materials; object manipulation; rehearsals, studio tests and failures; recordings of both installation and de-installation; the final composition files ; recordings of the installation in-situ; the empty gallery space; the Nicholas Building (the home of Blindside); a performance made with Clinton Green enacted to close the installation. All collected materials were then cut up, tumbled around and de-arranged into the current form it finds itself in here.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eHoward Stelzer - VITAL WEEKLY \u003ca href=\"http:\/\/www.vitalweekly.net\/1166.html\"\u003ereview\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003e \u003cem\u003eThough Tarab’s work is based mainly on field recordings, it’d be a mistake to think of it as documentary or sound ecology. On his latest album, composer Eamon Sprod jams his source sounds together into action-heavy audio dramas that leap from one intense space to another in a way that demands active, attentive listening. The sudden shifts in tone, volume and character are ideal for headphones. Maybe don’t listen before going to sleep, though. This is music that delights in subverting expectations over and over again. The dull drone of people in a reverberant hallway settles into a lull for just long enough to make the punctuating slam of ear-boxing trash hilariously startling. Doors shut, the wind sings, motors whine… a distant murmur comes slowly into focus and then suddenly runs straight at the listener. The impetus for this work was Sprod dealing with his accumulated clutter, using up the debris one last time before he throws it away. Between its first iteration as an 8-channel installation to the current 2-channel distillation, the debris generated by the process has also been folded back into the music. Somehow, the three-dimensional character of the multi-channel installation is preserved on this stereo composition. All the junk swirling inside “Housekeeping” seems so tactile that at one point I had to take my headphones off to make sure something hadn’t fallen off a shelf in my living room.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TARAB\u003c\/p\u003e\n\u003cp\u003eLabel : Sonic Rubbish\u003c\/p\u003e","published_at":"2021-04-23T11:09:26+09:00","created_at":"2021-04-23T10:16:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","Clinton Green","monooto","sonic rubbish"],"price":165000,"price_min":165000,"price_max":165000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39700338409637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tarab \/\/ Housekeeping CD","public_title":null,"options":["Default Title"],"price":165000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hou1.jpg?v=1619140607","\/\/tobirarecords.com\/cdn\/shop\/products\/hou2.jpg?v=1619140607","\/\/tobirarecords.com\/cdn\/shop\/products\/hou3.jpg?v=1619140607"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou1.jpg?v=1619140607","options":["Title"],"media":[{"alt":null,"id":21724590080165,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou1.jpg?v=1619140607"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou1.jpg?v=1619140607","width":700},{"alt":null,"id":21724590112933,"position":2,"preview_image":{"aspect_ratio":2.023,"height":173,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou2.jpg?v=1619140607"},"aspect_ratio":2.023,"height":173,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou2.jpg?v=1619140607","width":350},{"alt":null,"id":21724590145701,"position":3,"preview_image":{"aspect_ratio":1.118,"height":313,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou3.jpg?v=1619140607"},"aspect_ratio":1.118,"height":313,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hou3.jpg?v=1619140607","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2000年代初期から活動しており、来日公演も経験したメルボルンの音響作家Tarabが自主レーベルSonic Rubbishより2018年12月にリリースした作品。環境音を再構築する彼特有のスタイルで描かれる音響彫刻2曲を収録。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/526569336\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soru\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soru\"\u003ehere\u003c\/a\u003e to see more \u003ca data-sanitized-data-mce-fragment=\"1\" data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eSonic Rubbish releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTarab:\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003e\u003cspan\u003e\"\u003cem\u003eI am a collector of rubbish: not an archivist, but in a small way, a hoarder. Clutter seems to be attracted to me.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHOUSEKEEPING was originally conceived as a project to finally put to use some of this amassed junk, and then to discard it all once again. It first took shape as an installation work for 8-channel audio, found objects, speakers, transducers, desk, chair and room; presented at Blindside, Melbourne, August 2017.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eSince then it has slowly shifted itself into this CD. However rather than a documentation of an installation, this iteration has been arranged from the debris collected during the process of making one. Sound was gathered together from various raw audio materials; object manipulation; rehearsals, studio tests and failures; recordings of both installation and de-installation; the final composition files ; recordings of the installation in-situ; the empty gallery space; the Nicholas Building (the home of Blindside); a performance made with Clinton Green enacted to close the installation. All collected materials were then cut up, tumbled around and de-arranged into the current form it finds itself in here.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eHoward Stelzer - VITAL WEEKLY \u003ca href=\"http:\/\/www.vitalweekly.net\/1166.html\"\u003ereview\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003e \u003cem\u003eThough Tarab’s work is based mainly on field recordings, it’d be a mistake to think of it as documentary or sound ecology. On his latest album, composer Eamon Sprod jams his source sounds together into action-heavy audio dramas that leap from one intense space to another in a way that demands active, attentive listening. The sudden shifts in tone, volume and character are ideal for headphones. Maybe don’t listen before going to sleep, though. This is music that delights in subverting expectations over and over again. The dull drone of people in a reverberant hallway settles into a lull for just long enough to make the punctuating slam of ear-boxing trash hilariously startling. Doors shut, the wind sings, motors whine… a distant murmur comes slowly into focus and then suddenly runs straight at the listener. The impetus for this work was Sprod dealing with his accumulated clutter, using up the debris one last time before he throws it away. Between its first iteration as an 8-channel installation to the current 2-channel distillation, the debris generated by the process has also been folded back into the music. Somehow, the three-dimensional character of the multi-channel installation is preserved on this stereo composition. All the junk swirling inside “Housekeeping” seems so tactile that at one point I had to take my headphones off to make sure something hadn’t fallen off a shelf in my living room.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TARAB\u003c\/p\u003e\n\u003cp\u003eLabel : Sonic Rubbish\u003c\/p\u003e"}

A work released in December 2000 by Melbourne's acoustic artist Tarab, who has been active since the early 2018s and has also performed in Japan, on his own label Sonic Rubbish.Includes two sound sculptures drawn in his unique style that reconstructs environmental sounds.It is a digipak specification.Click here to see more Sonic Rubbish releases available at Tobira. ---------------------------- Tarab :. ..

¥1,650

Add to cart

Quickview {"id":7086859190437,"title":"Clinton Green \/\/ Here?\/Secret TAPE","handle":"clinton-green-here-secret-tape","description":"\u003cp\u003eオーストラリア・メルボルンの大御所実験音楽家Clinton Greenが、2021年8月に自身主宰レーベルShame Fileから17本限定でリリースしたカセット。\u003c\/p\u003e\n\u003cp\u003e声をメインソースとした激渋物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eアートワークとインサートは一点一点異なります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3511576899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------- \u003c\/p\u003e\n\u003cp\u003eLimited edition of 17.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLimited edition cassette\/art object hand-made by visual artist, Simon Fisher. Each cassette case has been transformed by into a unique object d'art, with a painted cassette case featuring a unique cover, containing further unique full colour sleeve and inserts, plus liner notes. Hand-numbered edition of 17 copies only.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Here?\/Secret is a new work of tape compositions reimagining voice and the reverberant influence of collaboration, by Australian experimental musician Clinton Green.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe seeds of this project were planted during Melbourne's hard COVID lockdown of 2020, when I could not access my studio and the majority of my equipment. After several months of not making any new music, I felt it imperative to do SOMETHING, and looked at what I had around me at home:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An old Tascam 4-track cassette porta-studio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cheap Walkmans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cassettes that had been generated over several performances and rehearsals around 2015-16.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI devised a compositional procedure for laying out excerpts from these cassettes on the 4-track tape, including changes of tape speed, panning, tape reversal (by flipping the master cassette), changing tracks, etc. I also included some field recordings of local frog populations, and a recording of record gifted to me by Kerrie Farnsworth, who had found it in a drain in Kiev. I transferred the results in bulk to digital and slowly edited them down with a more conscious and less-process driven aesthetic driving\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe resulting compositions. The results regularly astounded me as I played them back; this feels like something completely different from what I've previously created, and in that spirit I've decided to share them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNoise Not Music\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e review:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File\u003c\/p\u003e","published_at":"2021-10-04T13:15:06+09:00","created_at":"2021-10-04T11:26:04+09:00","vendor":"Tobira Records","type":"","tags":["Clinton Green","monooto","noise","shame file music","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40937856434341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Clinton Green \/\/ Here?\/Secret TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","options":["Title"],"media":[{"alt":null,"id":23945483681957,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","width":700},{"alt":null,"id":23945483714725,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの大御所実験音楽家Clinton Greenが、2021年8月に自身主宰レーベルShame Fileから17本限定でリリースしたカセット。\u003c\/p\u003e\n\u003cp\u003e声をメインソースとした激渋物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eアートワークとインサートは一点一点異なります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3511576899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------- \u003c\/p\u003e\n\u003cp\u003eLimited edition of 17.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLimited edition cassette\/art object hand-made by visual artist, Simon Fisher. Each cassette case has been transformed by into a unique object d'art, with a painted cassette case featuring a unique cover, containing further unique full colour sleeve and inserts, plus liner notes. Hand-numbered edition of 17 copies only.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Here?\/Secret is a new work of tape compositions reimagining voice and the reverberant influence of collaboration, by Australian experimental musician Clinton Green.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe seeds of this project were planted during Melbourne's hard COVID lockdown of 2020, when I could not access my studio and the majority of my equipment. After several months of not making any new music, I felt it imperative to do SOMETHING, and looked at what I had around me at home:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An old Tascam 4-track cassette porta-studio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cheap Walkmans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cassettes that had been generated over several performances and rehearsals around 2015-16.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI devised a compositional procedure for laying out excerpts from these cassettes on the 4-track tape, including changes of tape speed, panning, tape reversal (by flipping the master cassette), changing tracks, etc. I also included some field recordings of local frog populations, and a recording of record gifted to me by Kerrie Farnsworth, who had found it in a drain in Kiev. I transferred the results in bulk to digital and slowly edited them down with a more conscious and less-process driven aesthetic driving\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe resulting compositions. The results regularly astounded me as I played them back; this feels like something completely different from what I've previously created, and in that spirit I've decided to share them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNoise Not Music\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e review:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File\u003c\/p\u003e"}