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Widowspeak // The Jacket LP / CD

Widowspeak // The Jacket LP / CD

€11,95
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The dream pop duo Widowspeak from New York, USA will be performing in the country in March 2022.Captured TracksThis is the released album.

Contains 10 simple and tasteful dream pop songs.

Labels and other worksplease use this form. ///Click here to see more Captured Tracks releases available at Tobira. 

----------------------------

Black 12" vinyl / CD in jewel case with full color booklet.

Captured Tracks:

"Widowspeak's sixth album started out with loose strings of a concept, a story about a fictional band:

A chain-stitcher working in the satin district of an unnamed city, a neighborhood of storefront tailors devoted to elaborate costumery for country-western, art rock, ye-ye cover bands that populate the street's bars after dark. , “Le Tex” and feels a sense of belonging and momentum, movement beyond what was previously a stable, predictable life. A relationship with a bandmate materializes. Eventually, the group start to write originals. on the open road seeking new opportunities beyond what the satin district can offer. But the vibrational energy that got things moving is the same that shakes the whole thing apart: the relationship, and the band, disintegrate upon finally reaching their destination, the end of the road. The chain-stitcher heads back to the city, settling back into the rhythm of work, old standards and a familiar place.

The story is self-referential on purpose: it speaks to the absurdity of ego, codependency and shared visions even as it celebrates them. The Jacket finds Widowspeak navigating these contradictions, and although its ten tracks now trace a more abstract arc than the campier initial concept, strands of that earlier narrative remain: “stitches in satin”, American cities after dark, glimpses of the open road, dark bars, and backstages where things get left behind. and past lives from a band who've seen their fair share, hitting their stride now over a decade in.

Written in the months before and after the release of their critically acclaimed fifth album Plum, The Jacket feels like a full-circle moment for the duo of singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas. values ​​ascribed to one's time and labor through the more refined lens of performance and music-making. This is due in part to the band's recent return to New York City, the site of their own origin story, where they recorded The Jacket at the Diamond Mine with co-producer and noted Daptone Records affiliate Homer Steinweiss. In addition to Hamilton and Thomas on guitars, the album features founding drummer Michael Stasiak, as well as JD Sumner on bass, and piano and keyboard contributions from Michael Hess.

Reunions always breed reflection, and Hamilton admits that much of the abandoned thematic concept is still inherently true, tied to formative experiences in the band's own early years with removed observation. Tracks like “While You Wait,” “Sleeper,” “Slow Dance” trace the rise and fall of a western-tinged outfit from the perspective of an unreliable narrator, amid the fracturing of personal relationships and shifting expectations. Some songs speak to the process of moving on (“Unwind”, “Salt”), while others muse about regret (“True Blue”, “Forget It”). before they're ultimately left behind. Elsewhere, Widowspeak question the very concepts of performance and ambition (“Everything is Simple,” “The Drive”), weighing the relentless rolling of a stone against the worth of growing just a bitof moss. The symbolic spaces of work, music, nightlife are seen through the haze of recalling one's own unknown legends.

Sonically, The Jacket finds the band at their usual and best: the album breathes deeply, balancing moments of open lushness with a straightforward, Velvets-y approach. Dynamics shift seamlessly between gentle, drifting ballads and twangy jams, built up from layered guitars, dusty percussion and ambling bass lines. Elsewhere: whimsical flutes, choral textures, and basement organs. Thomas's guitar playing is as lyrical and emotive as it's ever been, and Hamilton's voice: comfortable and effortless. Chris Coady (Yeah Yeah Yeahs, Beach House). The band still wears the same perennial influences on its sleeve: cornerstones like Yo La Tengo, Neil Young, Cowboy Junkies, Cat Power, and Richard and Linda Thompson. They expertly pepper in slow- core, dream-pop, pacific northwest indie, and outlaw country, resulting in a 60s-meets-90s aesthetic. ell multi-layered stories in their own RIYL language. This sense of sonic nostalgia adds another layer to lyrics that reflect on old selves, invented and true.

The Jacket is a present and comfortable record, imbued with a sense of collective pause and the ease of a band at the top of their game. For all its familiar textures, it still feels entirely fresh within that canon: proudly a guitar record, a rock record, a songwriter's record.
 "

Artist: WIDOWSPEAK

Label: Captured Tracks

+ -

The dream pop duo Widowspeak from New York, USA will be performing in the country in March 2022.Captured TracksThis is the released album.

Contains 10 simple and tasteful dream pop songs.

Labels and other worksplease use this form. ///Click here to see more Captured Tracks releases available at Tobira. 

----------------------------

Black 12" vinyl / CD in jewel case with full color booklet.

Captured Tracks:

"Widowspeak's sixth album started out with loose strings of a concept, a story about a fictional band:

A chain-stitcher working in the satin district of an unnamed city, a neighborhood of storefront tailors devoted to elaborate costumery for country-western, art rock, ye-ye cover bands that populate the street's bars after dark. , “Le Tex” and feels a sense of belonging and momentum, movement beyond what was previously a stable, predictable life. A relationship with a bandmate materializes. Eventually, the group start to write originals. on the open road seeking new opportunities beyond what the satin district can offer. But the vibrational energy that got things moving is the same that shakes the whole thing apart: the relationship, and the band, disintegrate upon finally reaching their destination, the end of the road. The chain-stitcher heads back to the city, settling back into the rhythm of work, old standards and a familiar place.

The story is self-referential on purpose: it speaks to the absurdity of ego, codependency and shared visions even as it celebrates them. The Jacket finds Widowspeak navigating these contradictions, and although its ten tracks now trace a more abstract arc than the campier initial concept, strands of that earlier narrative remain: “stitches in satin”, American cities after dark, glimpses of the open road, dark bars, and backstages where things get left behind. and past lives from a band who've seen their fair share, hitting their stride now over a decade in.

Written in the months before and after the release of their critically acclaimed fifth album Plum, The Jacket feels like a full-circle moment for the duo of singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas. values ​​ascribed to one's time and labor through the more refined lens of performance and music-making. This is due in part to the band's recent return to New York City, the site of their own origin story, where they recorded The Jacket at the Diamond Mine with co-producer and noted Daptone Records affiliate Homer Steinweiss. In addition to Hamilton and Thomas on guitars, the album features founding drummer Michael Stasiak, as well as JD Sumner on bass, and piano and keyboard contributions from Michael Hess.

Reunions always breed reflection, and Hamilton admits that much of the abandoned thematic concept is still inherently true, tied to formative experiences in the band's own early years with removed observation. Tracks like “While You Wait,” “Sleeper,” “Slow Dance” trace the rise and fall of a western-tinged outfit from the perspective of an unreliable narrator, amid the fracturing of personal relationships and shifting expectations. Some songs speak to the process of moving on (“Unwind”, “Salt”), while others muse about regret (“True Blue”, “Forget It”). before they're ultimately left behind. Elsewhere, Widowspeak question the very concepts of performance and ambition (“Everything is Simple,” “The Drive”), weighing the relentless rolling of a stone against the worth of growing just a bitof moss. The symbolic spaces of work, music, nightlife are seen through the haze of recalling one's own unknown legends.

Sonically, The Jacket finds the band at their usual and best: the album breathes deeply, balancing moments of open lushness with a straightforward, Velvets-y approach. Dynamics shift seamlessly between gentle, drifting ballads and twangy jams, built up from layered guitars, dusty percussion and ambling bass lines. Elsewhere: whimsical flutes, choral textures, and basement organs. Thomas's guitar playing is as lyrical and emotive as it's ever been, and Hamilton's voice: comfortable and effortless. Chris Coady (Yeah Yeah Yeahs, Beach House). The band still wears the same perennial influences on its sleeve: cornerstones like Yo La Tengo, Neil Young, Cowboy Junkies, Cat Power, and Richard and Linda Thompson. They expertly pepper in slow- core, dream-pop, pacific northwest indie, and outlaw country, resulting in a 60s-meets-90s aesthetic. ell multi-layered stories in their own RIYL language. This sense of sonic nostalgia adds another layer to lyrics that reflect on old selves, invented and true.

The Jacket is a present and comfortable record, imbued with a sense of collective pause and the ease of a band at the top of their game. For all its familiar textures, it still feels entirely fresh within that canon: proudly a guitar record, a rock record, a songwriter's record.
 "

Artist: WIDOWSPEAK

Label: Captured Tracks