ANDREW CHALK & TIMO VAN LUIJK // Skagafjördur LP
![Valentina Magaletti & Laila Sakini // CUPO LP [COLOR]](https://cdn.shopify.com/s/files/1/0305/1637/9780/products/cu1_7a4996f9-9c4c-4c12-b207-0e390f53d598_medium.jpg?v=1679292846)
![Tomoyoshi Date // 438Hz As It Is, As You Are LP [COLOR]](https://cdn.shopify.com/s/files/1/0305/1637/9780/products/da1_ba0b8f29-7b9c-48fc-9d9e-4b54cd0890e5_medium.jpg?v=1679288230)
ANDREW CHALK & TIMO VAN LUIJK // Skagafjördur LP
¥2,890
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The album released on cassette from the Belgian experimental label BAADM has been reissued on vinyl by Andrerw Chalk's Faraway Press.Includes a mysterious dronescape.A poster is included.
Labels and other works here /// Click here to see more Faraway Press releases available at Tobira.
Artists and other works here /// Click here to see more Andrew Chalk releases available at Tobira.
----------------------------
artist: ANDREW CHALK & TIMO VAN LUIJK
label: Faraway Press
The album released on cassette from the Belgian experimental label BAADM has been reissued on vinyl by Andrerw Chalk's Faraway Press.Includes a mysterious dronescape.A poster is included.
Labels and other works here /// Click here to see more Faraway Press releases available at Tobira.
Artists and other works here /// Click here to see more Andrew Chalk releases available at Tobira.
----------------------------
artist: ANDREW CHALK & TIMO VAN LUIJK
label: Faraway Press
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{"id":7940619403514,"title":"Tomoyoshi Date \/\/ 438Hz As It Is, As You Are [あるがまま、あなたのままに] LP [COLOR]","handle":"tomoyoshi-date-438hz-as-it-is-as-you-are-あるがまま-あなたのままに-lp-color","description":"\u003cp\u003e成田のアンビエント作家／医師Tomoyoshi Dateが、2023年3月にフランスのアンビエントレーベルlaapsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノを用いたあたたかいアンビエント8曲を収録。DLコード付属。金盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eこのレコードは、母方の祖母の姉（＊）の家にあった1950年代につくられたDiapasonのアップライト·ピアノで録音されました。そのピアノは、何度も引越しと調律を経て、今は我が家のリビングにたどり着きました。大量生産前のピアノで板も厚く、音の響きが良いのですが、ネジや衰えてきた基盤を交換しなければ、調律ができなくなってしまいました。そこで調律師さんと相談した結果、一番緩んでいるしめることのできないネジに巻かれている弦の音に、全体の調律を合わせていくことにしました。「As it is（それがあるがままに）」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e＊山田美喜子：1964年に現代邦楽の日本音楽集団を結成し、琵琶を初めて五線譜にした演奏者。三味線もひいていたので僕は「ペンペンおばちゃん」と呼んでいました。旦那さんは尺八の奏者なので「ブーブーおじちゃん」でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e 夏に調律した際には、少し無理をして442kHzで調律をしたのですが、冬の調律は438kHzにしました。これからこのピアノは、物質の老朽化と共に、年々ピッチが下がっていきます。僕は朽ちていくピアノを弾いて、その時だけにしかできない音楽を、録音し続けていこうと思っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e レコードに針を落としたその時、その場で音が生まれ、その針の周りの空気や温度·湿度によって音は常に変化します。その音はさらに、聞く人の生活のすべてに影響を与え、その人の身体と精神の周波数に影響を与えます。一度発生した音の影響は永遠に残るものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e この作品は、聴く人のその時の気分や周波数に合わせて、好きな速度でピッチを調整してもらうことを念頭に作成されました。45回転を少し早くすれば、あなたはこの老朽化したピアノを440kHzでも、442kHzでも聴けます。遅くしても良いし、33回転の早めでも、遅めでも、あなたの好きなように回転数を調整してください。僕は録音したピアノの音が引き伸ばされた音がとても好きです。ゆっくりしたいときはゆっくりとした音楽で、あなたの周りの空間や生きものたち、あなた自身の身体と精神のピッチを調整してみてください。「As You Are（あなたのままに）」\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4232881670\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. Hand numbered. Pressed on 12\" gold vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThis record was recorded on Diapason's upright piano made in the 1950s at the house of his maternal grandmother's sister (*). The piano has moved and tuned many times, and now it has arrived at my living room. It was a pre-mass production piano with a thick board and good sound, but I couldn't tune it without replacing the\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e screws and the weakened base. After consulting with the tuner, I decided to tune the whole tune to the sound of the strings wound around the loosest and most inseparable screws. \"As it is\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e* Mikiko Yamada: A performer who formed a Japanese music group of contemporary Japanese music in 1964 and made Biwa the first five-line score. She also had a samisen, so I called her \"Aunt Pen Pen\". Her husband was a shakuhachi player, so she was \"Uncle Boo Boo\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I tuned in the summer, I tried to tune at 442kHz, but I changed the tune in the winter to 438kHz. From now on, the pitch of this piano will decrease year by year as the material ages. I will play the decaying piano and continue to record music that can only be done at that time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen you drop a needle on a record, a sound is produced on the spot, and the sound constantly changes depending on the air, temperature, and humidity around the needle. The sound also affects all of the listener's life, affecting the frequency of the person's body and mind. The effect of the sound once generated will last forever.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis work was created with the intention of having the listener adjust the pitch at the desired speed according to the mood and frequency of the listener at that time. With a little faster 45 turns, you can listen to this dilapidated piano at 440kHz or 442kHz. You can slow it down, or adjust the number of rotations as you like, whether it is 33 rotations early or late. I really like the stretched sound of the recorded piano. When you want to relax, use slow music to adjust the pitch of the space around you, the creatures, and your own body and mind. \"As You Are\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tomoyoshi Date\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e","published_at":"2023-03-20T14:08:07+09:00","created_at":"2023-03-20T13:57:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Laaps","lp","new"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44107551146234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tomoyoshi Date \/\/ 438Hz As It Is, As You Are [あるがまま、あなたのままに] LP [COLOR]","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ba0b8f29-7b9c-48fc-9d9e-4b54cd0890e5.jpg?v=1679288230","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_b2ac2d75-ccdf-45c3-a246-2d7c9e23fdf7.jpg?v=1679288230"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ba0b8f29-7b9c-48fc-9d9e-4b54cd0890e5.jpg?v=1679288230","options":["Title"],"media":[{"alt":null,"id":31702800466170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ba0b8f29-7b9c-48fc-9d9e-4b54cd0890e5.jpg?v=1679288230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_ba0b8f29-7b9c-48fc-9d9e-4b54cd0890e5.jpg?v=1679288230","width":700},{"alt":null,"id":31702800498938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_b2ac2d75-ccdf-45c3-a246-2d7c9e23fdf7.jpg?v=1679288230"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_b2ac2d75-ccdf-45c3-a246-2d7c9e23fdf7.jpg?v=1679288230","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e成田のアンビエント作家／医師Tomoyoshi Dateが、2023年3月にフランスのアンビエントレーベルlaapsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノを用いたあたたかいアンビエント8曲を収録。DLコード付属。金盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eこのレコードは、母方の祖母の姉（＊）の家にあった1950年代につくられたDiapasonのアップライト·ピアノで録音されました。そのピアノは、何度も引越しと調律を経て、今は我が家のリビングにたどり着きました。大量生産前のピアノで板も厚く、音の響きが良いのですが、ネジや衰えてきた基盤を交換しなければ、調律ができなくなってしまいました。そこで調律師さんと相談した結果、一番緩んでいるしめることのできないネジに巻かれている弦の音に、全体の調律を合わせていくことにしました。「As it is（それがあるがままに）」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e＊山田美喜子：1964年に現代邦楽の日本音楽集団を結成し、琵琶を初めて五線譜にした演奏者。三味線もひいていたので僕は「ペンペンおばちゃん」と呼んでいました。旦那さんは尺八の奏者なので「ブーブーおじちゃん」でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e 夏に調律した際には、少し無理をして442kHzで調律をしたのですが、冬の調律は438kHzにしました。これからこのピアノは、物質の老朽化と共に、年々ピッチが下がっていきます。僕は朽ちていくピアノを弾いて、その時だけにしかできない音楽を、録音し続けていこうと思っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e レコードに針を落としたその時、その場で音が生まれ、その針の周りの空気や温度·湿度によって音は常に変化します。その音はさらに、聞く人の生活のすべてに影響を与え、その人の身体と精神の周波数に影響を与えます。一度発生した音の影響は永遠に残るものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e この作品は、聴く人のその時の気分や周波数に合わせて、好きな速度でピッチを調整してもらうことを念頭に作成されました。45回転を少し早くすれば、あなたはこの老朽化したピアノを440kHzでも、442kHzでも聴けます。遅くしても良いし、33回転の早めでも、遅めでも、あなたの好きなように回転数を調整してください。僕は録音したピアノの音が引き伸ばされた音がとても好きです。ゆっくりしたいときはゆっくりとした音楽で、あなたの周りの空間や生きものたち、あなた自身の身体と精神のピッチを調整してみてください。「As You Are（あなたのままに）」\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4232881670\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. Hand numbered. Pressed on 12\" gold vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThis record was recorded on Diapason's upright piano made in the 1950s at the house of his maternal grandmother's sister (*). The piano has moved and tuned many times, and now it has arrived at my living room. It was a pre-mass production piano with a thick board and good sound, but I couldn't tune it without replacing the\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e screws and the weakened base. After consulting with the tuner, I decided to tune the whole tune to the sound of the strings wound around the loosest and most inseparable screws. \"As it is\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e* Mikiko Yamada: A performer who formed a Japanese music group of contemporary Japanese music in 1964 and made Biwa the first five-line score. She also had a samisen, so I called her \"Aunt Pen Pen\". Her husband was a shakuhachi player, so she was \"Uncle Boo Boo\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I tuned in the summer, I tried to tune at 442kHz, but I changed the tune in the winter to 438kHz. From now on, the pitch of this piano will decrease year by year as the material ages. I will play the decaying piano and continue to record music that can only be done at that time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen you drop a needle on a record, a sound is produced on the spot, and the sound constantly changes depending on the air, temperature, and humidity around the needle. The sound also affects all of the listener's life, affecting the frequency of the person's body and mind. The effect of the sound once generated will last forever.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis work was created with the intention of having the listener adjust the pitch at the desired speed according to the mood and frequency of the listener at that time. With a little faster 45 turns, you can listen to this dilapidated piano at 440kHz or 442kHz. You can slow it down, or adjust the number of rotations as you like, whether it is 33 rotations early or late. I really like the stretched sound of the recorded piano. When you want to relax, use slow music to adjust the pitch of the space around you, the creatures, and your own body and mind. \"As You Are\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tomoyoshi Date\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e"}
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Narita ambient writer/doctor Tomoyoshi Date released a limited edition of 2023 copies from the French ambient label laaps in March 3.Includes 300 warm ambient songs using piano. Comes with DL code.It's a gold plate.Below is an explanation by the author.This record was recorded on a Diapason upright piano built in the 8s in his maternal grandmother's sister's house.The piano has been moved and tuned many times, and now it has arrived in our living room.It was a pre-mass-produced piano with thick plates and a good sound, but it became impossible to tune it without replacing the screws and the deteriorated base.After consulting with the tuner, I decided to tune the entire instrument to match the sound of the strings wound around the screws that are the most loose and cannot be tightened. “As it is” *Mikiko Yamada: In 1950, she formed a Japanese music group for contemporary Japanese music, and was the first performer to record the biwa on a staff.She also played the shamisen, so I called her "Aunt Pen Pen".Her husband was a shakuhachi player, so she was "Uncle Boo Boo".When she was tuned in the summer, she forced herself a bit and tuned it at 1964kHz, but in the winter she tuned it to 442kHz.From now on, the pitch of this piano will decrease year by year as the material ages.I plan to play the decaying piano and continue recording music that can only be made at that time.When the stylus is dropped on the record, sound is produced on the spot, and the sound constantly changes depending on the air, temperature and humidity around the stylus.The sound also affects everything in the life of the person who hears it, affecting the frequency of the person's body and mind.The impact of a sound, once generated, remains forever.This work was created with the listener in mind to adjust the pitch at their favorite speed according to their mood and frequency at that time. If you speed up the 438 rpm a little, you can hear this aging piano at 45kHz or 440kHz.You can slow it down, 442 rpm early, or slow it down.I really like the stretched sound of recorded piano sounds.When you want to slow down, listen to slow music and try to adjust the pitch of the space around you, the creatures, and your own body and mind. "As You Are" label and other works /// Click here to see more Laaps...
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{"id":7940199874810,"title":"Gia Margaret \/\/ Mia Gargaret LP \/ TAPE","handle":"gia-margaret-mia-gargaret-lp-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントフォーク11曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/track=1467595371\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/track=2116948687\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 200. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-03-19T14:21:38+09:00","created_at":"2023-03-19T14:20:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","orindal","tape"],"price":208000,"price_min":208000,"price_max":345000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44104344273146,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ Mia Gargaret LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44104344305914,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gia Margaret \/\/ Mia Gargaret LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":208000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi1_d3fa8914-0750-4169-8535-32dec157d34c.jpg?v=1679203281","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi2_4e05faf3-d23d-4fcb-b452-f08355a0bfb4.jpg?v=1679203282"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi1_d3fa8914-0750-4169-8535-32dec157d34c.jpg?v=1679203281","options":["format"],"media":[{"alt":null,"id":31700098842874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi1_d3fa8914-0750-4169-8535-32dec157d34c.jpg?v=1679203281"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi1_d3fa8914-0750-4169-8535-32dec157d34c.jpg?v=1679203281","width":700},{"alt":null,"id":31700098908410,"position":2,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi2_4e05faf3-d23d-4fcb-b452-f08355a0bfb4.jpg?v=1679203282"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gi2_4e05faf3-d23d-4fcb-b452-f08355a0bfb4.jpg?v=1679203282","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントフォーク11曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/track=1467595371\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/track=2116948687\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 200. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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Indie pop/indie folk label Orindal Record from Chicago, USA, has received a large amount of music.This work is an album released in 2020 by Chicago multi-instrumentalist Gia Margaret.Contains 11 songs from ambient to ambient folk. Comes with DL code.Clear green board.Click here to see more Orindal Records releases available at...
¥2,080