ASTMA // Rat Angels TAPE
ASTMA // Rat Angels TAPE
¥1,480
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This is a cassette released by Polish techno writer ASTMA in January 2022, limited to 1 pieces.
Contains 12 post-industrial techno songs. DL code included.
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Artist: ASTMA
Label: Label: Wysokie Pokrzywywy
This is a cassette released by Polish techno writer ASTMA in January 2022, limited to 1 pieces.
Contains 12 post-industrial techno songs. DL code included.
----------------------------------
Artist: ASTMA
Label: Label: Wysokie Pokrzywywy
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{"id":7611289731322,"title":"Maurizio Bianchi (M.B.) \/\/ Mectpyo 10xCDR BOX","handle":"maurizio-bianchi-m-b-mectpyo-10xcdr-box","description":"\u003cp\u003e1970年代後半から活動している、インダストリアル音楽のパイオニアMaurizio Bianchi (M.B.)本人から多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、自主リリースの手作り感満載10枚組CDRボックスセットです。それぞれパッケージが異なります。初期作品をお持ちでない方はぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSymphony For A Genocide (1981)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMenses (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeuro Habitat (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegel (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMectpyo Bakterium (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDas Testament (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEndometrio (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarcinosi (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Plain Truth (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArmaghedon (1984)\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/24uoDj0SJtc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\"\u003ehere\u003c\/a\u003e to see more Maurizio Bianchi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eReissue of the original boxset in new packaging with 10 CDs reproducing albums issued between 1981 and 1984, plus tracks from compilations. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSymphony For A Genocide (1981)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMenses (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeuro Habitat (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegel (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMectpyo Bakterium (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDas Testament (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEndometrio (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarcinosi (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Plain Truth (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArmaghedon (1984)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M.B.\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-05-15T13:06:31+09:00","created_at":"2022-05-15T10:50:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","self-released","strange beats"],"price":1890000,"price_min":1890000,"price_max":1890000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42759001637114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maurizio Bianchi (M.B.) \/\/ Mectpyo 10xCDR BOX","public_title":null,"options":["Default Title"],"price":1890000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_7830.jpg?v=1652587268"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_7830.jpg?v=1652587268","options":["Title"],"media":[{"alt":null,"id":29716918993146,"position":1,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_7830.jpg?v=1652587268"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_7830.jpg?v=1652587268","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1970年代後半から活動している、インダストリアル音楽のパイオニアMaurizio Bianchi (M.B.)本人から多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、自主リリースの手作り感満載10枚組CDRボックスセットです。それぞれパッケージが異なります。初期作品をお持ちでない方はぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSymphony For A Genocide (1981)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMenses (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeuro Habitat (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegel (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMectpyo Bakterium (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDas Testament (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEndometrio (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarcinosi (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Plain Truth (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArmaghedon (1984)\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/24uoDj0SJtc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mau-mb\"\u003ehere\u003c\/a\u003e to see more Maurizio Bianchi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eReissue of the original boxset in new packaging with 10 CDs reproducing albums issued between 1981 and 1984, plus tracks from compilations. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSymphony For A Genocide (1981)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMenses (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeuro Habitat (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegel (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMectpyo Bakterium (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDas Testament (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEndometrio (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarcinosi (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Plain Truth (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArmaghedon (1984)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M.B.\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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Many have arrived from Maurizio Bianchi (MB), a pioneer of industrial music who has been active since the late 1970s.This work is a 10-disc CDR box set that is fully handmade and released independently.Each package is different.If you don't have an early work, please do. Symphony For A Genocide (1981) Menses (1982) Neuro Habitat (1982) Regel (1982) Mectpyo Bakterium ...
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{"id":7601985356026,"title":"Aria Rostami \/\/ Astoria I, II \u0026 III TAPE","handle":"aria-rostami-astoria-i-ii-iii-tape","description":"\u003cp\u003e過去にDirk EntriesやGeographic Northなどから発表しているアメリカ・NYのアンビエント〜テクノ〜IDM作家Aria Rostamiが、2022年4月に25部限定で自主リリースした最新3本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを多用したアンビエントドローン9曲、2時間の超大作です。知らない土地を旅しているかのような感覚を味わえるサウンドスケープです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便(550円)での発送となりますので、レコードとお求めいただけますとお得です\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1967624261\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25. Comes with DL code\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ essay by the artist :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI moved to Brooklyn from San Francisco in the Summer of 2017. The move was something I had been planning for a long time. There was no way I could have predicted what the cultural and political landscape of the US was going to be when I finally landed in New York City. I saved money for the move and came without a job. I was starting over in many ways - in the first few months here I was trying to get back on my career path while also working a part time job, I met the person that would eventually become my wife, I got sober, I was becoming a new person. I wanted my music to be reborn too, I didn't want to make the same things I was making in San Francisco. The first record I made in New York was called \"Numb Years\". It captured the stress of the country, the uncertainty of my move, the stories from my parent's finally coming to light about their experiences with racism as new immigrants from Iran - the things they never told my brother and me about until they became relevant again in the Trump era. The album captured the noise of New York City, the incredible, unavoidable noise through synths, high tempos and sounds resampled and manipulated many times over. I had never experienced a city this loud before. There was a cross street with an overhead train station I would go to on my way to work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that was so loud that I sometimes would not be able to hear the music or podcast in my headphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the years have gone by, I've made a lot of records while in New York. I've made electronic music, acoustic music, techno, ambient, experimental, folk - I've recorded guitar, flutes, piano, glockenspiel, harmonium, synths, melodica, sampled break beats, utilized new hardware, new software and new techniques to capture different times and thoughts in my life living here. Listening back to these recordings as I was putting albums together, I always had to contend with New York City - songs sometimes get lost in the noise of the subway or streets. Recording is much more difficult too. I've waited for far off sirens and airplanes to pass before pressing \"record\" plenty of times. I always have to remove the clock from the room so that constant ticking doesn't show up on the recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSome years ago a friend of mine who is not a musician bought a field recorder - he was just interested in capturing sounds. I told him in passing I could clean up the recordings for him, maybe even add some ambient soundscapes on top of them. It was a nice idea for both of us but ultimately, it never came to be. But it planted the seed in my mind to eventually get a nice field recorder for myself instead of using my phone or finding recordings online of places I've never been to.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly in 2021, I finally bought a field recorder and started recording my life - just the simple things I was doing anyway. Walks to work, walks home, the office, the roof, the park by my house, a bus ride, getting tested for COVID, doing chores in the kitchen, hanging out with my wife, going to do the laundry, the ambience of my recording space and so on. New York City was no longer a contender to the music, it became the center of the work, everything else added to the recordings were just embellishments. When I listened back to the recordings on my commute, the intrusions from the outside world worked with the recordings. When I was recording environments, I paid attention to sound like I had never done before. It felt cinematic and I felt present in the world in a way I didn't typically. I'm so used to shutting it out with headphones, I rarely spend time just listening to the city as it is. It was a practice of acceptance rather than dismissal. I found that the less I did to manipulate the recordings the better - the natural world of sound didn't need an arranger. I chose to, for the most part, keep the ambient and instrumental additions to the field recordings at the same level or quieter than the field recordings, I didn't want them to be the star of the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI also started to realize that there was a significant perceptual difference between a field recording and what I would probably call a \"studio\" recording. In a studio setting, I'd typically like to capture a sound in an audio vacuum - as pure as possible. Of course with my set up that isn't entirely possible and blemishes seep in from time to time which is ok, it gives the recording some character, but this is only true to a certain extent. Errors in recording or in performance are glaring in a studio setting. This wasn't true at all for a field recording - capturing the sirens and the airplanes was the point. I started to think more critically about this difference - where was the line between the two? When does one type of recording become the other? If I recorded a band playing in a studio and they messed up, that take would be scrapped - but if I captured that same performance on a field recorder while sitting in the studio and included all of the conversation before and after that take, the footsteps and doors opening and closing between the recording area and mixing booth, then I wouldn't hear the recording as a scrapped take, I would hear it as a document of that time and it could work as an interesting recording. But where was that line? Was it in the intent of the recording or is it more gray than that?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, instead of taking the clock out of the room when I recorded, I just left it in the room - I used it as a metronome. Field recordings will start in my home studio like on \"The Last Day\" and you'll hear me walking around the room with a recording of a piano I made playing from my computer speakers, then slowly that field recording gets overtaken by the studio recording, imperceptibly slow, and the ambience of the room is slowly replaced by the park by my house recorded months prior which transitions to recordings in my neighborhood and a new ambient synth is introduced as you slowly return to my home studio by the end of the song. The screeching of construction vehicles harmonize with violin on \"Indescwibable Peace and Joy\". Music plays from cars and shops on my walk home through Crown Heights as people talk about ketchup and yell to the city about CoronaVirus on \"The Nuclear Bomb\" until you settle in my home with my wife and I listening to music, washing dishes and then transporting to a tiny shore in Queens, where the waves give way to a jazz band playing on the street and church bells recorded weeks later seep through on top of shoppers pushing their carts along with bowed instruments and bells I recorded years ago. And my favorite, \"Astoria\" captures the sounds of Astoria, Queens from the rooftop of my workplace in January 2022 - synths come in on a minor key and transition to a major key, sweeping away like the wind on a rooftop, the years that went by to finally come to this place, the decisions, accidents and miracles, struggling and overthinking only to realize things don't always need to be controlled.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aria Rostami\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-05-02T14:33:06+09:00","created_at":"2022-05-01T09:08:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aria","field recording","new","recommended","self-released","tape"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42712697897210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aria Rostami \/\/ Astoria I, II \u0026 III TAPE","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","options":["Title"],"media":[{"alt":null,"id":29647165260026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","width":700},{"alt":null,"id":29652898021626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540","width":1200},{"alt":null,"id":29647165292794,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540","width":1200},{"alt":null,"id":29652897923322,"position":4,"preview_image":{"aspect_ratio":1.525,"height":787,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540"},"aspect_ratio":1.525,"height":787,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540","width":1200},{"alt":null,"id":29652898152698,"position":5,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDirk EntriesやGeographic Northなどから発表しているアメリカ・NYのアンビエント〜テクノ〜IDM作家Aria Rostamiが、2022年4月に25部限定で自主リリースした最新3本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを多用したアンビエントドローン9曲、2時間の超大作です。知らない土地を旅しているかのような感覚を味わえるサウンドスケープです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便(550円)での発送となりますので、レコードとお求めいただけますとお得です\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1967624261\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25. Comes with DL code\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ essay by the artist :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI moved to Brooklyn from San Francisco in the Summer of 2017. The move was something I had been planning for a long time. There was no way I could have predicted what the cultural and political landscape of the US was going to be when I finally landed in New York City. I saved money for the move and came without a job. I was starting over in many ways - in the first few months here I was trying to get back on my career path while also working a part time job, I met the person that would eventually become my wife, I got sober, I was becoming a new person. I wanted my music to be reborn too, I didn't want to make the same things I was making in San Francisco. The first record I made in New York was called \"Numb Years\". It captured the stress of the country, the uncertainty of my move, the stories from my parent's finally coming to light about their experiences with racism as new immigrants from Iran - the things they never told my brother and me about until they became relevant again in the Trump era. The album captured the noise of New York City, the incredible, unavoidable noise through synths, high tempos and sounds resampled and manipulated many times over. I had never experienced a city this loud before. There was a cross street with an overhead train station I would go to on my way to work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that was so loud that I sometimes would not be able to hear the music or podcast in my headphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the years have gone by, I've made a lot of records while in New York. I've made electronic music, acoustic music, techno, ambient, experimental, folk - I've recorded guitar, flutes, piano, glockenspiel, harmonium, synths, melodica, sampled break beats, utilized new hardware, new software and new techniques to capture different times and thoughts in my life living here. Listening back to these recordings as I was putting albums together, I always had to contend with New York City - songs sometimes get lost in the noise of the subway or streets. Recording is much more difficult too. I've waited for far off sirens and airplanes to pass before pressing \"record\" plenty of times. I always have to remove the clock from the room so that constant ticking doesn't show up on the recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSome years ago a friend of mine who is not a musician bought a field recorder - he was just interested in capturing sounds. I told him in passing I could clean up the recordings for him, maybe even add some ambient soundscapes on top of them. It was a nice idea for both of us but ultimately, it never came to be. But it planted the seed in my mind to eventually get a nice field recorder for myself instead of using my phone or finding recordings online of places I've never been to.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly in 2021, I finally bought a field recorder and started recording my life - just the simple things I was doing anyway. Walks to work, walks home, the office, the roof, the park by my house, a bus ride, getting tested for COVID, doing chores in the kitchen, hanging out with my wife, going to do the laundry, the ambience of my recording space and so on. New York City was no longer a contender to the music, it became the center of the work, everything else added to the recordings were just embellishments. When I listened back to the recordings on my commute, the intrusions from the outside world worked with the recordings. When I was recording environments, I paid attention to sound like I had never done before. It felt cinematic and I felt present in the world in a way I didn't typically. I'm so used to shutting it out with headphones, I rarely spend time just listening to the city as it is. It was a practice of acceptance rather than dismissal. I found that the less I did to manipulate the recordings the better - the natural world of sound didn't need an arranger. I chose to, for the most part, keep the ambient and instrumental additions to the field recordings at the same level or quieter than the field recordings, I didn't want them to be the star of the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI also started to realize that there was a significant perceptual difference between a field recording and what I would probably call a \"studio\" recording. In a studio setting, I'd typically like to capture a sound in an audio vacuum - as pure as possible. Of course with my set up that isn't entirely possible and blemishes seep in from time to time which is ok, it gives the recording some character, but this is only true to a certain extent. Errors in recording or in performance are glaring in a studio setting. This wasn't true at all for a field recording - capturing the sirens and the airplanes was the point. I started to think more critically about this difference - where was the line between the two? When does one type of recording become the other? If I recorded a band playing in a studio and they messed up, that take would be scrapped - but if I captured that same performance on a field recorder while sitting in the studio and included all of the conversation before and after that take, the footsteps and doors opening and closing between the recording area and mixing booth, then I wouldn't hear the recording as a scrapped take, I would hear it as a document of that time and it could work as an interesting recording. But where was that line? Was it in the intent of the recording or is it more gray than that?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, instead of taking the clock out of the room when I recorded, I just left it in the room - I used it as a metronome. Field recordings will start in my home studio like on \"The Last Day\" and you'll hear me walking around the room with a recording of a piano I made playing from my computer speakers, then slowly that field recording gets overtaken by the studio recording, imperceptibly slow, and the ambience of the room is slowly replaced by the park by my house recorded months prior which transitions to recordings in my neighborhood and a new ambient synth is introduced as you slowly return to my home studio by the end of the song. The screeching of construction vehicles harmonize with violin on \"Indescwibable Peace and Joy\". Music plays from cars and shops on my walk home through Crown Heights as people talk about ketchup and yell to the city about CoronaVirus on \"The Nuclear Bomb\" until you settle in my home with my wife and I listening to music, washing dishes and then transporting to a tiny shore in Queens, where the waves give way to a jazz band playing on the street and church bells recorded weeks later seep through on top of shoppers pushing their carts along with bowed instruments and bells I recorded years ago. And my favorite, \"Astoria\" captures the sounds of Astoria, Queens from the rooftop of my workplace in January 2022 - synths come in on a minor key and transition to a major key, sweeping away like the wind on a rooftop, the years that went by to finally come to this place, the decisions, accidents and miracles, struggling and overthinking only to realize things don't always need to be controlled.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aria Rostami\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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This is the latest 2022-pack cassette released independently in April 4 by Aria Rostami, an American / NY ambient-techno-IDM writer who has announced in the past from Dirk Entries and Geographic North.It's a 25-hour blockbuster with 3 ambient drone songs that make heavy use of field recording.It is a soundscape that makes you feel as if you are traveling to a land you do not know. DL code included. * Due to the shape of the case, it will be shipped by Sagawa Express (9 yen), so it is advantageous if you purchase it as a record ----------------------- --- Edition of 2. Comes with DL code ...
¥4,380
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{"id":7597426442490,"title":"Celebration Guns \/\/ (probably) worth it TAPE \/ CD \/ LP","handle":"celebration-guns-probably-worth-it-tape-cd-lp","description":"\u003cp\u003eアメリカ・アリゾナのマスロックバンドcelebration gunsが、2018年に自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエモ・マスロック11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1172092575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" vinyl, beautiful half dookie brown and half electric blue vinyl. Includes an insert featuring lyrics for all 10 songs.\u003c\/span\u003e\u003cbr\u003e-\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh-bias cassette featuring all 10 songs from (probably) worth it, 5 per side. Edition of 50.\u003cbr\u003e\u003c\/span\u003e-\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 panel artwork including lyrics for all 10 songs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e*** \u003c\/p\u003e\n\u003cp\u003eArtist : celebration guns\u003c\/p\u003e\n\u003cp\u003eLabel : self released\u003c\/p\u003e","published_at":"2022-04-26T13:41:38+09:00","created_at":"2022-04-25T17:21:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","celebration guns","folk \/ left-field pop","lp","new","self-released","tape"],"price":138000,"price_min":138000,"price_max":238000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42685582770426,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37040450011386,"product_id":7597426442490,"position":2,"created_at":"2022-04-25T17:21:37+09:00","updated_at":"2022-04-25T17:21:40+09:00","alt":null,"width":1200,"height":798,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/it2_8f17d357-4bea-41ec-a28d-4af93fe1895e.jpg?v=1650874900","variant_ids":[42685582770426]},"available":true,"name":"Celebration Guns \/\/ (probably) worth it TAPE \/ CD \/ LP - 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Includes an insert featuring lyrics for all 10 songs.\u003c\/span\u003e\u003cbr\u003e-\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh-bias cassette featuring all 10 songs from (probably) worth it, 5 per side. Edition of 50.\u003cbr\u003e\u003c\/span\u003e-\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 panel artwork including lyrics for all 10 songs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e*** \u003c\/p\u003e\n\u003cp\u003eArtist : celebration guns\u003c\/p\u003e\n\u003cp\u003eLabel : self released\u003c\/p\u003e"}
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This is an album released independently in 2018 by the American math rock band celebration guns in Arizona.Contains 11 emo and math rock songs. DL code included. ----------------------------------- 12 "vinyl, beautiful half dookie brown and half electric blue ...
¥1,380
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{"id":7594641621242,"title":"Jeff Tobias \/\/ Recurring Dream LP","handle":"jered","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunwatchersや\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eModern Nature、Thee Repsなどのメンバーとしても活動する\u003c\/span\u003eアメリカ・NYのマルチ奏者Jeff Tobiasが、2022年1月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e斬新な曲の構成ですが妙にキャッチーで中毒性が高い実験ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685968881\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by Brad Rose (Foxy Digitalis):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eRecurring Dream is put together to bring listeners in immediately with the opening hum of “Our Very Recent Past.” Those first few bars open this world up and let us know that we’re in for something different, something special. Each song has its own signature and each piece creates this larger, stunning mosaic. In the middle breakdown of the strange, haunted whimsy of “Ghost Story” a raucous group of voices begs, “Please be serious man!” Meanwhile, Naoko Uno’s cut-up chorus of backing vocals swirls around enchanting every crevice of this bizarre, wonderful song. It’s the perfect microcosm of why Recurring Dream is so good; unlike anything but with a familiar edge and a huge dash of unexplained magic. I can’t get this album out of my head and I’d like to keep it that way. Huge recommendation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Tobias\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-04-27T07:55:46+09:00","created_at":"2022-04-22T10:41:21+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","self-released"],"price":256000,"price_min":256000,"price_max":256000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42672789160186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Tobias \/\/ Recurring Dream LP","public_title":null,"options":["Default Title"],"price":256000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je1_53de3961-344a-4ef8-9e28-0131cfee3b20.jpg?v=1650591683","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je2_82a58eb8-2a76-4c85-8102-f1c775ecee12.jpg?v=1650591683"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je1_53de3961-344a-4ef8-9e28-0131cfee3b20.jpg?v=1650591683","options":["Title"],"media":[{"alt":null,"id":29587791741178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je1_53de3961-344a-4ef8-9e28-0131cfee3b20.jpg?v=1650591683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je1_53de3961-344a-4ef8-9e28-0131cfee3b20.jpg?v=1650591683","width":700},{"alt":null,"id":29587791773946,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je2_82a58eb8-2a76-4c85-8102-f1c775ecee12.jpg?v=1650591683"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/je2_82a58eb8-2a76-4c85-8102-f1c775ecee12.jpg?v=1650591683","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunwatchersや\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eModern Nature、Thee Repsなどのメンバーとしても活動する\u003c\/span\u003eアメリカ・NYのマルチ奏者Jeff Tobiasが、2022年1月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e斬新な曲の構成ですが妙にキャッチーで中毒性が高い実験ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685968881\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by Brad Rose (Foxy Digitalis):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eRecurring Dream is put together to bring listeners in immediately with the opening hum of “Our Very Recent Past.” Those first few bars open this world up and let us know that we’re in for something different, something special. Each song has its own signature and each piece creates this larger, stunning mosaic. In the middle breakdown of the strange, haunted whimsy of “Ghost Story” a raucous group of voices begs, “Please be serious man!” Meanwhile, Naoko Uno’s cut-up chorus of backing vocals swirls around enchanting every crevice of this bizarre, wonderful song. It’s the perfect microcosm of why Recurring Dream is so good; unlike anything but with a familiar edge and a huge dash of unexplained magic. I can’t get this album out of my head and I’d like to keep it that way. Huge recommendation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Tobias\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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This record was released independently in January 2022 by Jeff Tobias, an American / NY multi-instrumentalist who is also active as a member of Sunwatchers, Modern Nature, Thee Reps, etc.Includes 1 experimental pop songs that are strangely catchy and highly addictive, although they have a novel composition. DL code included. --------------------------------- Edition of 11. *** Review by Brad Rose ...
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