Avvitagalli // None Corsa LP + BOOKLET
Avvitagalli // None Corsa LP + BOOKLET
¥3,750
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Percussionist in London, EnglandThe debut record released by the duo Avvitagalli by Valentina Magaletti and acoustic writer Pino Montecalvo on the country's experimental label Horn of Plenty in April 2022.
Contains 10 magical strange beats-post-punk jazz songs that make full use of various percussion instruments. Comes with a 24-page booklet photobook.
Labels and other works here /// Click here to see more Horn of Plenty releases available at Tobira.
----------------------------
Horn of Plenty:
"Debut vinyl outing for Valentina Magaletti and Pino Montecalvo's Avvitagalli project.
Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting substrates to the surreal push-pull of Valentina & Pino's aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, grabbing at modern composition, jazz, dub and post punk along the way.
None Corsa comes on black vinyl with a full color cover and a striking 24 page zine with photography by Adele Di Nunzio. "
Artist: Avvitagalli
Label: Label: Horn of Plenty
Percussionist in London, EnglandThe debut record released by the duo Avvitagalli by Valentina Magaletti and acoustic writer Pino Montecalvo on the country's experimental label Horn of Plenty in April 2022.
Contains 10 magical strange beats-post-punk jazz songs that make full use of various percussion instruments. Comes with a 24-page booklet photobook.
Labels and other works here /// Click here to see more Horn of Plenty releases available at Tobira.
----------------------------
Horn of Plenty:
"Debut vinyl outing for Valentina Magaletti and Pino Montecalvo's Avvitagalli project.
Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting substrates to the surreal push-pull of Valentina & Pino's aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, grabbing at modern composition, jazz, dub and post punk along the way.
None Corsa comes on black vinyl with a full color cover and a striking 24 page zine with photography by Adele Di Nunzio. "
Artist: Avvitagalli
Label: Label: Horn of Plenty
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{"id":7937786642682,"title":"Nein Rodere \/\/ Form \u0026 Feeling LP","handle":"nein-rodere-form-feeling-lp","description":"\u003cp\u003eドイツ・ベルリンの実験フォーク作家Nein Rodereが、2023年3月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験Lo-Fiフォーク〜ドローン・フォーク15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1933601895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl with insert.\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRoughly a year on from Catch Up with What Party +, Nein Rodere returns to Horn of Plenty with Form \u0026amp; Feeling, the project’s third outing with the label and first LP of all new material: an immersion into meticulously montaged, irreverent lo-fi song writing, incorporating elements of sampling and musique concrete.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNein Rodere is the moniker of the Berlin-based music maker and visual artist David Roeder. Having played in bands for more than 20 years - often times making improvised music with other “non-musicians” - Roeder was trained in painting and psychodynamic art therapy. This multifaceted background underpins the complex humour and multiple dimensions of meaning (and double meaning) that bubble below his work. The body of solo efforts that has slowly emerged over the last five years brings to mind the collage-style efforts of Letha Rodman-Melchior, Dean Blunt or Jim Shepard as much as the conceptual excursions into sound forged by visual artists like Anton Heyboer, Henning Christiansen and Jean Dubuffet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComprising fifteen “songs” of varied length, Form \u0026amp; Feeling’s title is a riff on the philosopher Susanne Langer’s book Feeling and Form, which interrogates the influences of art on the mind. Deeply influential on his own practice, Roeder explains “In a very\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e simplified way, it's [about] how the unique \"form\" of an art-piece (of any medium) is supposed to have this quality of \"feeling\", which means it creates an emotional experience that lies outside of the realm of what can be expressed by factual language or science. Form operates within a symbolic logic of making presentable the structure of inner life - not just one's own but also in a general way.\"\u003cbr data-mce-fragment=\"1\"\u003eFaced with the arching potential of symbolic reading and like all of the work created under Nein Rodere, there is a sharp counterpoint between immediate aesthetic impressions - foregrounding happenstance and transience - and the depth of the content, expression and experience that lays at the collective core of Form \u0026amp; Feeling’s fifteen compositions. Each piece is drawing on a clear sense of intentionality, narrative, and responsiveness, accumulating the layered residues of Roeder’s constant process of searching and reworking, in his quest to uncover the off kilter equilibrium of their form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFalling somewhere between works of conceptual sound art and wild experiments in bedroom songwriting - internalising an inexplicable mix of Leonard Cohen, The Velvet Underground, Don Cherry's Organic Music, post-boarding school Earl Sweatshirt, Maher Shalal Hash Baz, Terry Riley et al - as Form \u0026amp; Feeling unfolds, fragments of highly individualised narratives are processed through the lens of psychoanalysis, social anxiety, and mundanity of everyday encounter, cumulating as a trip into the inner workings of a singular creative mind. All this time the lyrical focus oscillates between quotidian detail and almost generalising statements, emphasizing specificity in vagueness and vice versa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross its two sides - displaying remarkable versatility and cohesion with the diversity of their approaches - the jangle of unconventionally plucked strings, durational tones, percussive rattles, warped melodies, untraceable samples etc play against the dry delivery of Roeder’s deeply personal poetic sensibility. As such they are saturated with a sense of mood by the ominously present voids of space and further revealed by the raw and exposed means by which they were pointedly laid to tape.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nein Rodere\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2023-03-15T13:17:39+09:00","created_at":"2023-03-15T11:54:31+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","horn of plenty","lp","new"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44083480592634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nein Rodere \/\/ Form \u0026 Feeling LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_352eb5b7-5ecf-4f94-ad91-6e09b7ca5cbc.jpg?v=1678848872","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_6a01e2fb-9475-4f8f-8028-3f3029f4eeb1.jpg?v=1678848872"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_352eb5b7-5ecf-4f94-ad91-6e09b7ca5cbc.jpg?v=1678848872","options":["Title"],"media":[{"alt":null,"id":31684030595322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_352eb5b7-5ecf-4f94-ad91-6e09b7ca5cbc.jpg?v=1678848872"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_352eb5b7-5ecf-4f94-ad91-6e09b7ca5cbc.jpg?v=1678848872","width":700},{"alt":null,"id":31684030628090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_6a01e2fb-9475-4f8f-8028-3f3029f4eeb1.jpg?v=1678848872"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_6a01e2fb-9475-4f8f-8028-3f3029f4eeb1.jpg?v=1678848872","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験フォーク作家Nein Rodereが、2023年3月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験Lo-Fiフォーク〜ドローン・フォーク15曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1933601895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl with insert.\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRoughly a year on from Catch Up with What Party +, Nein Rodere returns to Horn of Plenty with Form \u0026amp; Feeling, the project’s third outing with the label and first LP of all new material: an immersion into meticulously montaged, irreverent lo-fi song writing, incorporating elements of sampling and musique concrete.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNein Rodere is the moniker of the Berlin-based music maker and visual artist David Roeder. Having played in bands for more than 20 years - often times making improvised music with other “non-musicians” - Roeder was trained in painting and psychodynamic art therapy. This multifaceted background underpins the complex humour and multiple dimensions of meaning (and double meaning) that bubble below his work. The body of solo efforts that has slowly emerged over the last five years brings to mind the collage-style efforts of Letha Rodman-Melchior, Dean Blunt or Jim Shepard as much as the conceptual excursions into sound forged by visual artists like Anton Heyboer, Henning Christiansen and Jean Dubuffet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComprising fifteen “songs” of varied length, Form \u0026amp; Feeling’s title is a riff on the philosopher Susanne Langer’s book Feeling and Form, which interrogates the influences of art on the mind. Deeply influential on his own practice, Roeder explains “In a very\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e simplified way, it's [about] how the unique \"form\" of an art-piece (of any medium) is supposed to have this quality of \"feeling\", which means it creates an emotional experience that lies outside of the realm of what can be expressed by factual language or science. Form operates within a symbolic logic of making presentable the structure of inner life - not just one's own but also in a general way.\"\u003cbr data-mce-fragment=\"1\"\u003eFaced with the arching potential of symbolic reading and like all of the work created under Nein Rodere, there is a sharp counterpoint between immediate aesthetic impressions - foregrounding happenstance and transience - and the depth of the content, expression and experience that lays at the collective core of Form \u0026amp; Feeling’s fifteen compositions. Each piece is drawing on a clear sense of intentionality, narrative, and responsiveness, accumulating the layered residues of Roeder’s constant process of searching and reworking, in his quest to uncover the off kilter equilibrium of their form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFalling somewhere between works of conceptual sound art and wild experiments in bedroom songwriting - internalising an inexplicable mix of Leonard Cohen, The Velvet Underground, Don Cherry's Organic Music, post-boarding school Earl Sweatshirt, Maher Shalal Hash Baz, Terry Riley et al - as Form \u0026amp; Feeling unfolds, fragments of highly individualised narratives are processed through the lens of psychoanalysis, social anxiety, and mundanity of everyday encounter, cumulating as a trip into the inner workings of a singular creative mind. All this time the lyrical focus oscillates between quotidian detail and almost generalising statements, emphasizing specificity in vagueness and vice versa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross its two sides - displaying remarkable versatility and cohesion with the diversity of their approaches - the jangle of unconventionally plucked strings, durational tones, percussive rattles, warped melodies, untraceable samples etc play against the dry delivery of Roeder’s deeply personal poetic sensibility. As such they are saturated with a sense of mood by the ominously present voids of space and further revealed by the raw and exposed means by which they were pointedly laid to tape.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nein Rodere\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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This is a record released in March 2023 by experimental folk artist Nein Rodere from Berlin, Germany on the British experimental label Horn of Plenty.Contains 3 tracks from experimental Lo-Fi folk to drone folk. Comes with DL code.Click here to see more Horn of Plenty releases available...
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{"id":7937785889018,"title":"Annelies Monseré \/\/ Mares LP","handle":"annelies-monsere-mares-lp","description":"\u003cp\u003e2000年から活動しているベルギーの実験フォーク作家Annelies Monseréが、2023年3月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンやインディアンハルモニウム、キーボードなどを用いた実験ネオクラシカル・フォーク〜ドローン・フォーク8曲を収録。DLコード付属。既に廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3875903899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty casts its gaze into the thriving contemporary Belgian underground with Annelies Monseré’s Mares, a remarkable body of experimental compositions that taps the deep well of raw, emotive expression rumbling below numerous traditions of European folk music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs a member of Ghent’s experimental music scene, over the past two decades Annelies Monseré has slowly refined a singular approach to musicality, moving from the sparse, instrumental piano works from that defined her early career, toward increasingly complex arrangements of instrumentation that offer a central place to her own voice, issued by noteworthy imprints such as Morc Tapes, Stroom, and three:four. Like her work within the widely celebrated ensemble, Luster, as well as Distels, her duo with Steve Marreyt, Monseré’s solo efforts establish a strikingly beautiful and remarkably unique territory that elegantly balances between rigorous experimentalism, minimalism, drone, and folk.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between 2016 and 2022, Mares is arguably best approached through the song that marked its inception and conclusion, a rendition of Cyril Tawney’s Sally Free \u0026amp; Easy. Written in 1958 and popularised by Pentangle during the early 1970s, it has been approached by so many artists – Davy Graham, Trees, Tony Caro \u0026amp; John, Marianne Faithfull, Flying Saucer Attack, etc. – that it’s become a “standard” within the folk scenes of the last half century or so. Initially drawn to the melodic qualities of the tune, Monseré became fascinated with the lyrical content, which she points out are “ethically problematic: a sailor ‘slutshaming’ a woman because she left him.. blaming her for his (planned) suicide”. Refined from paired down beginnings over a six year period, a droning, feminist dirge slowly emerged from her hands, incorporating male backing vocals and harmonium as brooding counterpoint to her voice, that entirely recasts the song into a new and radically prescient form.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is this sense of contrast – the elemental humanity and tension that runs below countless traditions of folk, reconceptualized within the forward thinking temperaments of contemporary experimental music – that defines Mares as such a distinct piece of work. A departure from her previous solo efforts, being the first to leave behind her main instruments, the guitar and piano, the album was conceived by Monseré as something akin to timbral painting; “adding similar layers upon each other with (slightly) different hues”. Taking the image of the sea and the ethical tensions within Sally Free \u0026amp; Easy as a conceptual departure point – weaving these themes like a thread through the record – amongst complex sets of harmonic relationships and varied durational structures that unfold within the remaining seven compositions, she intertwined her own childhood memories of the sea with interrogations of how “these memories are often arbitrarily fixed and tainted by the present, and more metaphorical (even biblical) connotations of the sea, hinting at toxic human relationships and intoxication in its multiple senses.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAppearing with the immediacy and emotiveness of folk music, imbued with sense of adventure of experimentalism and bred with the restraint and elegance of minimalism, Mares’ is a deep body of sonority that draws upon the fundamental human need to express and commune through sound, projecting this ancient need into forward-thinking forms without sacrificing its roots. Profoundly beautiful, elegant, and poetic, these eight tracks offer immersion into the singular creative voice of one of the most unique artists currently working in the Belgian scene.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic, voice, lyrics by Annelies Monseré (keyboard, drum computer, accordian, indian harmonium, bass guitar and melodica).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e*written by Cyril Tawney with additional vocals by Tim Depraetere, Steve Marreyt and Glen Steenkiste.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded and mixed by Annelies in Ghent, Belgium between 2017 and 2022.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annelies Monseré\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2023-03-15T13:06:41+09:00","created_at":"2023-03-15T11:52:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","horn of plenty","lp","neo classical","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44083473318138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Annelies Monseré \/\/ Mares LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann3_27c48e66-a9af-4138-9228-0357119eb7b2.jpg?v=1678848728","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann1.png?v=1678848728","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann2.png?v=1678848728"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann3_27c48e66-a9af-4138-9228-0357119eb7b2.jpg?v=1678848728","options":["Title"],"media":[{"alt":null,"id":31684024664314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann3_27c48e66-a9af-4138-9228-0357119eb7b2.jpg?v=1678848728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann3_27c48e66-a9af-4138-9228-0357119eb7b2.jpg?v=1678848728","width":700},{"alt":null,"id":31684024697082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann1.png?v=1678848728"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann1.png?v=1678848728","width":600},{"alt":null,"id":31684024729850,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann2.png?v=1678848728"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ann2.png?v=1678848728","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年から活動しているベルギーの実験フォーク作家Annelies Monseréが、2023年3月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンやインディアンハルモニウム、キーボードなどを用いた実験ネオクラシカル・フォーク〜ドローン・フォーク8曲を収録。DLコード付属。既に廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3875903899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty casts its gaze into the thriving contemporary Belgian underground with Annelies Monseré’s Mares, a remarkable body of experimental compositions that taps the deep well of raw, emotive expression rumbling below numerous traditions of European folk music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs a member of Ghent’s experimental music scene, over the past two decades Annelies Monseré has slowly refined a singular approach to musicality, moving from the sparse, instrumental piano works from that defined her early career, toward increasingly complex arrangements of instrumentation that offer a central place to her own voice, issued by noteworthy imprints such as Morc Tapes, Stroom, and three:four. Like her work within the widely celebrated ensemble, Luster, as well as Distels, her duo with Steve Marreyt, Monseré’s solo efforts establish a strikingly beautiful and remarkably unique territory that elegantly balances between rigorous experimentalism, minimalism, drone, and folk.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between 2016 and 2022, Mares is arguably best approached through the song that marked its inception and conclusion, a rendition of Cyril Tawney’s Sally Free \u0026amp; Easy. Written in 1958 and popularised by Pentangle during the early 1970s, it has been approached by so many artists – Davy Graham, Trees, Tony Caro \u0026amp; John, Marianne Faithfull, Flying Saucer Attack, etc. – that it’s become a “standard” within the folk scenes of the last half century or so. Initially drawn to the melodic qualities of the tune, Monseré became fascinated with the lyrical content, which she points out are “ethically problematic: a sailor ‘slutshaming’ a woman because she left him.. blaming her for his (planned) suicide”. Refined from paired down beginnings over a six year period, a droning, feminist dirge slowly emerged from her hands, incorporating male backing vocals and harmonium as brooding counterpoint to her voice, that entirely recasts the song into a new and radically prescient form.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is this sense of contrast – the elemental humanity and tension that runs below countless traditions of folk, reconceptualized within the forward thinking temperaments of contemporary experimental music – that defines Mares as such a distinct piece of work. A departure from her previous solo efforts, being the first to leave behind her main instruments, the guitar and piano, the album was conceived by Monseré as something akin to timbral painting; “adding similar layers upon each other with (slightly) different hues”. Taking the image of the sea and the ethical tensions within Sally Free \u0026amp; Easy as a conceptual departure point – weaving these themes like a thread through the record – amongst complex sets of harmonic relationships and varied durational structures that unfold within the remaining seven compositions, she intertwined her own childhood memories of the sea with interrogations of how “these memories are often arbitrarily fixed and tainted by the present, and more metaphorical (even biblical) connotations of the sea, hinting at toxic human relationships and intoxication in its multiple senses.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAppearing with the immediacy and emotiveness of folk music, imbued with sense of adventure of experimentalism and bred with the restraint and elegance of minimalism, Mares’ is a deep body of sonority that draws upon the fundamental human need to express and commune through sound, projecting this ancient need into forward-thinking forms without sacrificing its roots. Profoundly beautiful, elegant, and poetic, these eight tracks offer immersion into the singular creative voice of one of the most unique artists currently working in the Belgian scene.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic, voice, lyrics by Annelies Monseré (keyboard, drum computer, accordian, indian harmonium, bass guitar and melodica).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e*written by Cyril Tawney with additional vocals by Tim Depraetere, Steve Marreyt and Glen Steenkiste.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded and mixed by Annelies in Ghent, Belgium between 2017 and 2022.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annelies Monseré\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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Belgian experimental folk artist Annelies Monseré, who has been active since 2000, released this record in March 2023 from the British experimental label Horn of Plenty.Includes 3 experimental neo-classical folk to drone folk songs using accordion, Indian harmonium, and keyboard. Comes with DL code.It is already out of print.Click here to see more Horn of Plenty releases available...
¥4,280
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{"id":7855224389882,"title":"Nova Scotia \/\/ Old Light LP","handle":"nova-scotia-old-light-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eニュージーランド・アオテアロアの実験トリオNova Scotiaが、2022年12月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフリーフォームなジャズ〜ドローン〜ネオクラシカル・アンビエント7曲を収録。各曲それぞれ異なった作風ですが、全体を通して聴くとまとまりのある作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2417290691\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl LP. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty excavates the shadowy depths of the New Zealand\/Aotearoa underground with Old Light, a collection of previously unreleased recordings by Nova Scotia, the experimental trio of Dean Brown, Dick Whyte, and Rick Jensen. Resting at the borders of free improvisation, noise, drone, and ecstatic ritualism, across seven tracks - recorded sporadically between the early to mid-2000s - the LP unveils a widely unacknowledged flowering of singular, real-time creativity from the southern hemisphere, with few parallels before or since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSurveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ\/Aotearoa, the two remote islands in the South Pacific, vast and disassociated within their own borders, that few not from there could find on a map. Yet, between the 1980s and early 2000s, the country produced some of the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singular realisations of underground music of that era, beginning with seminal post punk gesture delivered by labels like Flying Nun – The Clean, This Kind Of Punishment, The Verlaines, etc. - before eventually coming to rest in the wilder reaches of experimentalism, via projects like The Dead C, Flies Inside The Sun, Sandoz Lab Technicians, Gate and A Handful Of Dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlmost by accident, it was the later movement to which Nova Scotia, the trio of Dean Brown, Dick Whyte, and Rick Jensen, would come to belong. Originally founded in Hamilton during the mid-90s as Negative Eh by three inseparable, 15 year old high school friends, during the second half of the decade they would release a handful of limited edition lathe cuts of DIY, glacial guitar and drum driven noise, before relocating to Wellington and reinventing themselves under the name Nova Scotia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNova Scotia encountered Brown, Whyte, and Jensen embracing a radically expanded approach to music making, incorporating a more diverse pallet of instrumentation - saxophone, electronics, concrete sounds, objects, violin, flute, guitar, drums, etc. – and touchstones drawn from Chicago and Louisville post-rock, stoner psyche, the experimental tactics of artists like Tony Conrad, and numerous free improvisational approaches from Japan, Europe, and the United States. Over the course of a small number of years, the band would live, sleep, and breath as a unit, slowly refining their sound playing gigs, often to empty rooms, with Birchville Cat Motel, Antony Milton, 1\/3 Octave Band, and numerous jazz projects in the Wellington scene, while remaining – beyond a small handful in the know - almost entirely unknown inside NZ\/Aotearoa as much as without.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot without irony, Nova Scotia’s debut release, Tangiwai, issued by Peter Stapleton's\u003cbr data-mce-fragment=\"1\"\u003eMetonymic imprint in 2002, roughly corresponded with each of the band’s members beginning to follow divergent paths. Described by The Dead C's Bruce Russell at the time as \"Proof that there is a genuine groundswell of this abstract music.. from Nowhere NZ”. Before long Brown and Jensen would relocate to the UK. For the roughly 20 years since, the project has remained a live-only endeavour, reforming and playing during rare moments that the three members are in the same place, using recordings made during those performances to create three more full-lengths - Ramses II, Memphis, and Revolt Of Capricorn - that appeared between 2005 and 2009.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOld Light - Nova Scotia’s first full-length to appear in 13 years and the first to be issued on vinyl - draws on live recordings made across the years spanning the early to mid-2000s. Encountering the trio fully embracing a radical search for creative freedom, while dispelling all notions of dedicated instrumentation in an “anything goes” approach, the LP’s seven tracks cover a vast amount of ground, while retaining a unifying logic and sense of cohesion. Rather than the brittle angularity and simmering aggression that helped define the generation of NZ\/Aotearoa artists that proceeded them, Nova Scotia’s sound - a distant cousin at best - draws from a different well, embracing a form of ecstatic ritualism bound to a fundamental human desire to commune through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs though Faust, Marginal Consort, and the free-wheeling psychedelia of Parson Sound and International Harvester had birthed a delicate, inward-looking child, Old Light embarks on a journey through doomy noise dirges, clatter-threaded drones, spirited DIY clamour, and joyously experimental, real-time improvisation, culminating as a body of creatively brilliant sonority that recalibrates our understanding of what flowered from the NZ\/Aotearoa underground at the dawn of the new millennium.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotia\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2022-12-02T08:18:33+09:00","created_at":"2022-12-01T10:24:38+09:00","vendor":"Tobira Records","type":"","tags":["horn of plenty","jazz","lp","monooto","neo classical","new","strange beats"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43717736169722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nova Scotia \/\/ Old Light LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","options":["Title"],"media":[{"alt":null,"id":31110621397242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","width":700},{"alt":null,"id":31110621430010,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879","width":1200},{"alt":null,"id":31110621462778,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eニュージーランド・アオテアロアの実験トリオNova Scotiaが、2022年12月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフリーフォームなジャズ〜ドローン〜ネオクラシカル・アンビエント7曲を収録。各曲それぞれ異なった作風ですが、全体を通して聴くとまとまりのある作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2417290691\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl LP. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty excavates the shadowy depths of the New Zealand\/Aotearoa underground with Old Light, a collection of previously unreleased recordings by Nova Scotia, the experimental trio of Dean Brown, Dick Whyte, and Rick Jensen. Resting at the borders of free improvisation, noise, drone, and ecstatic ritualism, across seven tracks - recorded sporadically between the early to mid-2000s - the LP unveils a widely unacknowledged flowering of singular, real-time creativity from the southern hemisphere, with few parallels before or since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSurveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ\/Aotearoa, the two remote islands in the South Pacific, vast and disassociated within their own borders, that few not from there could find on a map. Yet, between the 1980s and early 2000s, the country produced some of the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singular realisations of underground music of that era, beginning with seminal post punk gesture delivered by labels like Flying Nun – The Clean, This Kind Of Punishment, The Verlaines, etc. - before eventually coming to rest in the wilder reaches of experimentalism, via projects like The Dead C, Flies Inside The Sun, Sandoz Lab Technicians, Gate and A Handful Of Dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlmost by accident, it was the later movement to which Nova Scotia, the trio of Dean Brown, Dick Whyte, and Rick Jensen, would come to belong. Originally founded in Hamilton during the mid-90s as Negative Eh by three inseparable, 15 year old high school friends, during the second half of the decade they would release a handful of limited edition lathe cuts of DIY, glacial guitar and drum driven noise, before relocating to Wellington and reinventing themselves under the name Nova Scotia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNova Scotia encountered Brown, Whyte, and Jensen embracing a radically expanded approach to music making, incorporating a more diverse pallet of instrumentation - saxophone, electronics, concrete sounds, objects, violin, flute, guitar, drums, etc. – and touchstones drawn from Chicago and Louisville post-rock, stoner psyche, the experimental tactics of artists like Tony Conrad, and numerous free improvisational approaches from Japan, Europe, and the United States. Over the course of a small number of years, the band would live, sleep, and breath as a unit, slowly refining their sound playing gigs, often to empty rooms, with Birchville Cat Motel, Antony Milton, 1\/3 Octave Band, and numerous jazz projects in the Wellington scene, while remaining – beyond a small handful in the know - almost entirely unknown inside NZ\/Aotearoa as much as without.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot without irony, Nova Scotia’s debut release, Tangiwai, issued by Peter Stapleton's\u003cbr data-mce-fragment=\"1\"\u003eMetonymic imprint in 2002, roughly corresponded with each of the band’s members beginning to follow divergent paths. Described by The Dead C's Bruce Russell at the time as \"Proof that there is a genuine groundswell of this abstract music.. from Nowhere NZ”. Before long Brown and Jensen would relocate to the UK. For the roughly 20 years since, the project has remained a live-only endeavour, reforming and playing during rare moments that the three members are in the same place, using recordings made during those performances to create three more full-lengths - Ramses II, Memphis, and Revolt Of Capricorn - that appeared between 2005 and 2009.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOld Light - Nova Scotia’s first full-length to appear in 13 years and the first to be issued on vinyl - draws on live recordings made across the years spanning the early to mid-2000s. Encountering the trio fully embracing a radical search for creative freedom, while dispelling all notions of dedicated instrumentation in an “anything goes” approach, the LP’s seven tracks cover a vast amount of ground, while retaining a unifying logic and sense of cohesion. Rather than the brittle angularity and simmering aggression that helped define the generation of NZ\/Aotearoa artists that proceeded them, Nova Scotia’s sound - a distant cousin at best - draws from a different well, embracing a form of ecstatic ritualism bound to a fundamental human desire to commune through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs though Faust, Marginal Consort, and the free-wheeling psychedelia of Parson Sound and International Harvester had birthed a delicate, inward-looking child, Old Light embarks on a journey through doomy noise dirges, clatter-threaded drones, spirited DIY clamour, and joyously experimental, real-time improvisation, culminating as a body of creatively brilliant sonority that recalibrates our understanding of what flowered from the NZ\/Aotearoa underground at the dawn of the new millennium.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotia\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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A record released in December 2022 by the experimental trio Nova Scotia from Aotearoa, New Zealand on the British experimental label Horn of Plenty.Includes 12 free-form jazz, drone, and neo-classical ambient songs.Each song has a different style, but when you listen to it as a whole, it's a cohesive work. Comes with DL code.Click here to see more Horn of Plenty releases available...
¥3,780
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{"id":7855208038650,"title":"Valentina Magaletti and Fanny Chiarello \/\/ Permanent Draft 7\" FLEXI + BOOKLET","handle":"valentina-magaletti-and-fanny-chiarello-permanent-draft-7-flexi-booklet","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの打楽器奏者Valentina Magalettiと詩人Fanny Chiarelloが、2022年12月に同国実験レーベルHorn of Plentyから300部限定でリリースしたソノシートと写真＋ポエトリー集です。\u003c\/p\u003e\n\u003cp\u003e呪術的なストレンジビーツ〜サウンドポエトリー・ネオクラシカルアンビエント2曲、を収録。彼女らが撮った32ページのカラー写真集＋ポエトリー集とDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054438625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlso includes DL code, \u003cmeta charset=\"utf-8\"\u003e32 page photo\/poetry zine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHorn of Plenty:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eConceived as a manifesto for eponymous all-female label Permanent Draft, this limited flexi comes with a booklet of poetry and pictures based on the prime number 13.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePermanent Draft aims to highlight works showing a certain taste for fragmentary, irrepressible creative eruption and lo-fi experiments. Leaving the grandiose apart to pay and bring attention to the sounds, details and anecdotes of everyday life, picking up raw material from the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBitter truths, migrainous fulfilments, dead clowns, broken gods, taffeta fairies, fruit foxes and non-binary empty frames outline these very aesthetics.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Valentina Magaletti and Fanny Chiarello\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2022-12-01T09:49:46+09:00","created_at":"2022-12-01T09:49:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","books \/ clothing \/ others","horn of plenty","lp","neo classical","new","strange beats"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43717561581818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Valentina Magaletti and Fanny Chiarello \/\/ Permanent Draft 7\" FLEXI + BOOKLET","public_title":null,"options":["Default Title"],"price":248000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2470550024_16.jpg?v=1669855982","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030351361_10.jpg?v=1669855982","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349905_10.jpg?v=1669855982","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349927_10.jpg?v=1669855982","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349929_10.jpg?v=1669855982","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030346121_10.jpg?v=1669855982"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2470550024_16.jpg?v=1669855982","options":["Title"],"media":[{"alt":null,"id":31110452445434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2470550024_16.jpg?v=1669855982"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2470550024_16.jpg?v=1669855982","width":700},{"alt":null,"id":31110451691770,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030351361_10.jpg?v=1669855982"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030351361_10.jpg?v=1669855982","width":900},{"alt":null,"id":31110451953914,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349905_10.jpg?v=1669855982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349905_10.jpg?v=1669855982","width":1200},{"alt":null,"id":31110451986682,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349927_10.jpg?v=1669855982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349927_10.jpg?v=1669855982","width":1200},{"alt":null,"id":31110452019450,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349929_10.jpg?v=1669855982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030349929_10.jpg?v=1669855982","width":1200},{"alt":null,"id":31110452084986,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030346121_10.jpg?v=1669855982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0030346121_10.jpg?v=1669855982","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの打楽器奏者Valentina Magalettiと詩人Fanny Chiarelloが、2022年12月に同国実験レーベルHorn of Plentyから300部限定でリリースしたソノシートと写真＋ポエトリー集です。\u003c\/p\u003e\n\u003cp\u003e呪術的なストレンジビーツ〜サウンドポエトリー・ネオクラシカルアンビエント2曲、を収録。彼女らが撮った32ページのカラー写真集＋ポエトリー集とDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054438625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlso includes DL code, \u003cmeta charset=\"utf-8\"\u003e32 page photo\/poetry zine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHorn of Plenty:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eConceived as a manifesto for eponymous all-female label Permanent Draft, this limited flexi comes with a booklet of poetry and pictures based on the prime number 13.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePermanent Draft aims to highlight works showing a certain taste for fragmentary, irrepressible creative eruption and lo-fi experiments. Leaving the grandiose apart to pay and bring attention to the sounds, details and anecdotes of everyday life, picking up raw material from the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBitter truths, migrainous fulfilments, dead clowns, broken gods, taffeta fairies, fruit foxes and non-binary empty frames outline these very aesthetics.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Valentina Magaletti and Fanny Chiarello\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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British percussionist Valentina Magaletti and poet Fanny Chiarello released a limited edition of 2022 copies of a sonosheet and photo + poetry collection from the British experimental label Horn of Plenty in December 12.Contains magical strange beats-sound poetry and two neo-classical ambient songs.Comes with a 300-page color photo book + poetry book taken by them and a DL code.Click here for label and other works /// Click here to see more Horn of Plenty releases...
¥2,480