Charlemagne Palestine // Dingggdongggdinggg VS Singggsonggsinggg LP
Charlemagne Palestine // Dingggdongggdinggg VS Singggsonggsinggg LP
¥ 2,728
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A work dedicated to Mika Vainio, who passed away by Charlemagne Palestine, an important figure in minimal music. Contains 5 songs.It is a yellow vinyl specification.
Singing songs while playing ding dongs, Charlemagne's solo voice over the bells of his studio carillon is a premiere in his recorded works, and-to our knowledge- the first voise / carillon record in musical history. added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.
pressed in 1000 hand-numbered, yellow vinyls.
--Matière Mémoire
Artist: Charlemagne Palestine
Label: Label: Matière Mémoire
A work dedicated to Mika Vainio, who passed away by Charlemagne Palestine, an important figure in minimal music. Contains 5 songs.It is a yellow vinyl specification.
Singing songs while playing ding dongs, Charlemagne's solo voice over the bells of his studio carillon is a premiere in his recorded works, and-to our knowledge- the first voise / carillon record in musical history. added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.
pressed in 1000 hand-numbered, yellow vinyls.
--Matière Mémoire
Artist: Charlemagne Palestine
Label: Label: Matière Mémoire
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approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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The latest album released in July 2021 by Andrew Weathers, who presides over the experimental / ambient label Full Spectrum in Texas, USA.Unlike the past work, this work is an ambitious work that uses field recording as the main source and mixes explanations about the place where the material was recorded. Contains 7 songs, 4 minutes or more. Includes 100 graphic scores, text (recorded sound source as instructed can be sent directly to the writer) and DL code. * Due to the shape of the case, it will be shipped by Sagawa Express (10 yen), so it is advantageous if you purchase it with records etc. Label Other works are here /// Click here to see more Full Spectrum Records releases available ...
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(3) One of its homophones is \"eye\"...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐧𝐚𝐭𝐢𝐨𝐧 : (1) Wikipedia: \"a stable community of people formed on the basis of a common language, territory, history, ethnicity or culture\", (2) Benedict Anderson: an \"imagined community\", (3) Kurt Vonnegut: a \"granfalloon\", a \"false karass\", i.e. a group of people who affect a shared identity or purpose, but whose mutual association is meaningless...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e....................................................................................\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music on this album sprang out of my work for the MAGAM project and consists of 3 suites –2 of which have, in earlier stages, been used for a butoh and a dance performance respectively– that cover the distance from aleatoric to improvised to composed music... What I like most about it is its playfulness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album title was initially inspired by Kurt Vonnegut's concept of \"a nation of two\" (in \"Mother Night\", 1962):\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“[...] 𝘢 𝘱𝘢𝘪𝘳 𝘰𝘧 𝘭𝘰𝘷𝘦𝘳𝘴 𝘪𝘯 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘨𝘰𝘯𝘦 𝘮𝘢𝘥 𝘤𝘰𝘶𝘭𝘥 𝘴𝘶𝘳𝘷𝘪𝘷𝘦 𝘣𝘺 𝘣𝘦𝘪𝘯𝘨 𝘭𝘰𝘺𝘢𝘭\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 𝘰𝘯𝘭𝘺 𝘵𝘰 𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 –𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰.”\u003cbr data-mce-fragment=\"1\"\u003e“𝘖𝘯𝘭𝘺 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨 𝘤𝘰𝘶𝘯𝘵𝘦𝘥 –𝘵𝘩𝘦 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰. 𝘈𝘯𝘥 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘦𝘢𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦, 𝘐 𝘣𝘦𝘤𝘢𝘮𝘦 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘮 𝘵𝘰𝘥𝘢𝘺 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘭𝘸𝘢𝘺𝘴 𝘸𝘪𝘭𝘭 𝘣𝘦, 𝘢 𝘴𝘵𝘢𝘵𝘦𝘭𝘦𝘴𝘴 𝘱𝘦𝘳𝘴𝘰𝘯.”\u003cbr data-mce-fragment=\"1\"\u003e....................................................................................\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : moody alien\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-30T17:25:07+09:00","created_at":"2021-07-28T12:18:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","new","thirsty leaves"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456655470757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moody Alien \/\/ Nations of I LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","options":["Title"],"media":[{"alt":null,"id":23123208732837,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","width":700},{"alt":null,"id":23123208765605,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験レーベルThirsty Leavesを主宰し、MAGAM名義でも作品を発表しているMoody Alienが2021年5月にリリースした最新作。マリンバやビブラフォンを用いたコンポジション9曲を収録。音色が涼しげなのでアンビエント的にも聴けます。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220333025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eAccompanying description:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐈 : (1) The ninth letter of the Latin alphabet as well as the Roman numeral for the number 1. (2) The first-person singular nominative case personal pronoun in Modern English, which is used to refer to one's self and is capitalized –although other pronouns, such as he or she, are not. (3) One of its homophones is \"eye\"...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐧𝐚𝐭𝐢𝐨𝐧 : (1) Wikipedia: \"a stable community of people formed on the basis of a common language, territory, history, ethnicity or culture\", (2) Benedict Anderson: an \"imagined community\", (3) Kurt Vonnegut: a \"granfalloon\", a \"false karass\", i.e. a group of people who affect a shared identity or purpose, but whose mutual association is meaningless...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e....................................................................................\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music on this album sprang out of my work for the MAGAM project and consists of 3 suites –2 of which have, in earlier stages, been used for a butoh and a dance performance respectively– that cover the distance from aleatoric to improvised to composed music... What I like most about it is its playfulness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album title was initially inspired by Kurt Vonnegut's concept of \"a nation of two\" (in \"Mother Night\", 1962):\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“[...] 𝘢 𝘱𝘢𝘪𝘳 𝘰𝘧 𝘭𝘰𝘷𝘦𝘳𝘴 𝘪𝘯 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘨𝘰𝘯𝘦 𝘮𝘢𝘥 𝘤𝘰𝘶𝘭𝘥 𝘴𝘶𝘳𝘷𝘪𝘷𝘦 𝘣𝘺 𝘣𝘦𝘪𝘯𝘨 𝘭𝘰𝘺𝘢𝘭\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 𝘰𝘯𝘭𝘺 𝘵𝘰 𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 –𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰.”\u003cbr data-mce-fragment=\"1\"\u003e“𝘖𝘯𝘭𝘺 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨 𝘤𝘰𝘶𝘯𝘵𝘦𝘥 –𝘵𝘩𝘦 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰. 𝘈𝘯𝘥 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘦𝘢𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦, 𝘐 𝘣𝘦𝘤𝘢𝘮𝘦 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘮 𝘵𝘰𝘥𝘢𝘺 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘭𝘸𝘢𝘺𝘴 𝘸𝘪𝘭𝘭 𝘣𝘦, 𝘢 𝘴𝘵𝘢𝘵𝘦𝘭𝘦𝘴𝘴 𝘱𝘦𝘳𝘴𝘰𝘯.”\u003cbr data-mce-fragment=\"1\"\u003e....................................................................................\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : moody alien\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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The latest work released in May 2021 by Moody Alien, who presides over the Greek experimental label Thirsty Leaves and has released works under the name of MAGAM.Contains 5 compositions using marimba and vibraphone.The tone is cool, so you can listen to it ambiently.Click here to see more Thirsty Leaves releases available at Tobira. ---------------------------- .. ..
¥ 2,580
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{"id":6937794576549,"title":"Syko Friend \/\/ Fontanelle LP","handle":"syko-friend-fontanelle-lp","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T10:00:47+09:00","created_at":"2021-07-26T11:41:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","lp","new","post present medium"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443257454757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Syko Friend \/\/ Fontanelle LP","public_title":null,"options":["Default Title"],"price":245000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","options":["Title"],"media":[{"alt":null,"id":23102324277413,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","width":700},{"alt":null,"id":23102324310181,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6937790775461,"title":"Otis Houston Jr \/\/ America LP","handle":"otis-houston-jr-america-lp","description":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T09:59:06+09:00","created_at":"2021-07-26T11:39:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","hiphop \/ funk","lp","new","post present medium"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443247296677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Otis Houston Jr \/\/ America LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","options":["Title"],"media":[{"alt":null,"id":23102314774693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","width":700},{"alt":null,"id":23102314807461,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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A record released in March 2020 by American artist / performer Otis Houston Jr.Includes 3 spoken words on the melody of funk-R & B.Click here to see more Post Present Medium releases available at Tobira. ...
¥ 2,650