Charlemagne Palestine // Dingggdongggdinggg VS Singggsonggsinggg LP [COLOR]
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Charlemagne Palestine // Dingggdongggdinggg VS Singggsonggsinggg LP [COLOR]
¥2,728
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A work dedicated to Mika Vainio, who passed away by Charlemagne Palestine, an important figure in minimal music. Contains 5 songs.It is a yellow vinyl specification.
Labels and other works here /// Click here to see more Matiere Memoire releases available at Tobira.
-------------------------------------
Pressed on 12" yellow vinyl.
Matière Mémoire:
"Singing songs while playing ding dongs, Charlemagne's solo voice over the bells of his studio carillon is a premiere in his recorded works, and - to our knowledge- the first voise/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs , including a song in memory of Mika Vainio."
Artist: Charlemagne Palestine
Label: Label: Matiere Mémoire
A work dedicated to Mika Vainio, who passed away by Charlemagne Palestine, an important figure in minimal music. Contains 5 songs.It is a yellow vinyl specification.
Labels and other works here /// Click here to see more Matiere Memoire releases available at Tobira.
-------------------------------------
Pressed on 12" yellow vinyl.
Matière Mémoire:
"Singing songs while playing ding dongs, Charlemagne's solo voice over the bells of his studio carillon is a premiere in his recorded works, and - to our knowledge- the first voise/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs , including a song in memory of Mika Vainio."
Artist: Charlemagne Palestine
Label: Label: Matiere Mémoire
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Italian experimental musician Fabio Perletta released a limited edition of 2022 CDs from the Greek experimental label Granny Records in December 12.Quiet electro-acoustic ~ Sound collage 80 songs included.Below is a commentary by the author himself.Microbiology has a very important role in my life.Lately, I've been thinking a lot about cell lifespan.How cells arise, evolve, change, and ultimately die.A good friend of mine was diagnosed with metastatic lung cancer a few months ago.From our point of view, cancer is bad, but life is never human-centered.Life goes its own way and most of it is beyond our control.Today, thanks to research in epigenetics, we have discovered that the environment can change our DNA.Love, like sound, can change your DNA.I see my sound fragments as stem cell-like undifferentiated (or partially differentiated) cells whose fate is controlled by a complex intracellular molecular regulatory network.I have adopted this perspective as a method of composition.Proximities, relationships, distributions and interactions determine the behavior of sounds, much like biological systems.Life is a network, and we cannot exist without plants, fungi, and ultimately other humans.Sound provides a special framework for building complex systems of collision, overlap and motion.It is a way of staying within the complexity that permeates our lives.And just like life is ever-changing, so are my snippets of sound, adapting to new contexts, needs and listener sensitivities.Sound, like cells, exists as a biological process.We are also part of that process.We are called to remain in this mystical journey.See more Granny Records releases available here /// Click here to see more Granny Records releases available...
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Edition of 100.\u003c\/p\u003e\n\u003cp\u003eunjenesaisquoi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eComposed, played, recorded and mixed by Rachel Langlais, Dothe is an album that was built around two upright pianos, which she tuned and played differently. In line with John Cage and his prepared pianos, Rachel Langlais relies on this broad practice which consists in modifying the very nature of the sounds a piano makes by applying various materials directly onto the strings (paper, metal objects, pieces of wood, adhesive tape, plastic…). She completes her approach to the prepared piano with diverse recording and digital processing techniques (cut, slowdown) turning Dothe into a contemporary experiment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title was borrowed from Ursula K. Le Guin’s science-fiction novel The Left Hand of Darkness (1969), in which “dothe” is a nervous hysterical strength that can be controlled and that is practised by some inhabitants of a planet called Gethen. After using dothe, the body must take a rest called “thangen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA visual universe echoing the repetitive organic patterns that shape this album was conceived by graphic designer and silk-screen printer Damien Tran.\u003cbr data-mce-fragment=\"1\"\u003eDamien Tran makes posters, animation short films, fanzines and art books. His work has been exhibited around Europe, the UK and the US. For Dothe, he imagined a back-to-front cover, credits thus appearing on the front with a choice of colours playing on harmonious and jarring associations, while the back cover is minimal, without any text.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rachel Langlais\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e","published_at":"2023-01-23T11:29:09+09:00","created_at":"2023-01-23T11:07:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","new","tape","unjenesaisquoi"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43929083150586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rachel Langlais \/\/ Dothe TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_77c7569e-b22d-4808-8893-c26a2a640421.jpg?v=1674439644","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_2a256387-abb6-47db-82a5-05ddbb45b3a9.jpg?v=1674439644"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_77c7569e-b22d-4808-8893-c26a2a640421.jpg?v=1674439644","options":["Title"],"media":[{"alt":null,"id":31420707373306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_77c7569e-b22d-4808-8893-c26a2a640421.jpg?v=1674439644"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_77c7569e-b22d-4808-8893-c26a2a640421.jpg?v=1674439644","width":700},{"alt":null,"id":31420707406074,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_2a256387-abb6-47db-82a5-05ddbb45b3a9.jpg?v=1674439644"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_2a256387-abb6-47db-82a5-05ddbb45b3a9.jpg?v=1674439644","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのピアニストRachel Langlaisが、2022年12月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eunjenesaisquoiから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2台のアップライトピアノに木片や紙、金属を貼り付けた実験的なアプローチによる反復ピアノコンテンポラリー〜アンビエント9曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/db80CkJc_yU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1775244146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1775244146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3605847469\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003ehere\u003c\/a\u003e to see more unjenesaisquoi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eunjenesaisquoi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eComposed, played, recorded and mixed by Rachel Langlais, Dothe is an album that was built around two upright pianos, which she tuned and played differently. In line with John Cage and his prepared pianos, Rachel Langlais relies on this broad practice which consists in modifying the very nature of the sounds a piano makes by applying various materials directly onto the strings (paper, metal objects, pieces of wood, adhesive tape, plastic…). She completes her approach to the prepared piano with diverse recording and digital processing techniques (cut, slowdown) turning Dothe into a contemporary experiment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title was borrowed from Ursula K. Le Guin’s science-fiction novel The Left Hand of Darkness (1969), in which “dothe” is a nervous hysterical strength that can be controlled and that is practised by some inhabitants of a planet called Gethen. After using dothe, the body must take a rest called “thangen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA visual universe echoing the repetitive organic patterns that shape this album was conceived by graphic designer and silk-screen printer Damien Tran.\u003cbr data-mce-fragment=\"1\"\u003eDamien Tran makes posters, animation short films, fanzines and art books. His work has been exhibited around Europe, the UK and the US. For Dothe, he imagined a back-to-front cover, credits thus appearing on the front with a choice of colours playing on harmonious and jarring associations, while the back cover is minimal, without any text.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rachel Langlais\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e"}
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French pianist Rachel Langlais released a limited edition of 2022 cassettes from the French experimental label unjenesaisquoi in December 12. Contains 100 repetitive piano contemporary/ambient songs based on an experimental approach in which pieces of wood, paper, and metal are attached to two upright pianos. Comes with DL code.Click here for labels and other works /// Click here to see more unjenesaisquoi releases available at Tobira. ..
¥1,680
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{"id":7898565837050,"title":"Twinkle3 ft David Sylvian and Kazuko Hohki \/\/ Upon This Fleeting Dream LP","handle":"twinkle3-ft-david-sylvian-and-kazuko-hohki-upon-this-fleeting-dream-lp","description":"\u003cp\u003e過去にMarionetteなどから発表しているイギリスのフリーフォームトリオTwinkle3が、2022年10月にベルギーの実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eDavid SylvianとKazuko Hohkiが朗読で参加した、日本の死生観をコンセプトにしたフリーフォーム〜コラージュ〜サウンドポエトリー10曲を収録。DLコードと詩のブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2901812310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Includes double-printed inlay + insert with poems on which the album is based on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn ‘Upon This Fleeting Dream’ Clive Bell’s Twinkle3 embraces medieval and 16th century Japanese poems and haiku about death and saying farewell. Bell and Twnkle3, consisting of Dave Ross and Richard Scott, expand their sonic borders to unknown territory: bringing these pithy epigrams to a new Fourth World where electro-acoustic sounds glitches into an hypnagogic, if not unconscious level of fragile beauty.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe distinctive voice of David Sylvian, who reads the English version of the poems and created field recordings and the artwork for this album blends in the most organic way with the shakuhachi,Thai reed flutes and mouth organs played by Clive Bell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe narrative voices of David Sylvian and Kazuko Hohki’s (Frank Chickens, Kahondo Style…) velvet timbre are the cornerstones of this compelling journey while the tangling and abstract rhythms transcending from Dave Ross’ modular synths and Richard Scott’s sampler and analogue electronics, unravel and unfold a mesmerizing universe with unknown dimensions and frequencies of a fleeting dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twinkle3 ft David Sylvian and Kazuko Hohki\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2023-01-19T13:22:51+09:00","created_at":"2023-01-19T12:24:40+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","jazz","lp","monooto","new"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43909463277818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twinkle3 ft David Sylvian and Kazuko Hohki \/\/ Upon This Fleeting Dream LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","options":["Title"],"media":[{"alt":null,"id":31399228834042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","width":700},{"alt":null,"id":31399228866810,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMarionetteなどから発表しているイギリスのフリーフォームトリオTwinkle3が、2022年10月にベルギーの実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eDavid SylvianとKazuko Hohkiが朗読で参加した、日本の死生観をコンセプトにしたフリーフォーム〜コラージュ〜サウンドポエトリー10曲を収録。DLコードと詩のブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2901812310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Includes double-printed inlay + insert with poems on which the album is based on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn ‘Upon This Fleeting Dream’ Clive Bell’s Twinkle3 embraces medieval and 16th century Japanese poems and haiku about death and saying farewell. Bell and Twnkle3, consisting of Dave Ross and Richard Scott, expand their sonic borders to unknown territory: bringing these pithy epigrams to a new Fourth World where electro-acoustic sounds glitches into an hypnagogic, if not unconscious level of fragile beauty.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe distinctive voice of David Sylvian, who reads the English version of the poems and created field recordings and the artwork for this album blends in the most organic way with the shakuhachi,Thai reed flutes and mouth organs played by Clive Bell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe narrative voices of David Sylvian and Kazuko Hohki’s (Frank Chickens, Kahondo Style…) velvet timbre are the cornerstones of this compelling journey while the tangling and abstract rhythms transcending from Dave Ross’ modular synths and Richard Scott’s sampler and analogue electronics, unravel and unfold a mesmerizing universe with unknown dimensions and frequencies of a fleeting dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twinkle3 ft David Sylvian and Kazuko Hohki\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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This is a record released in October 3 by Belgian experimental label Cortizona by British freeform trio Twinkle2022, which has been released on Marionette and other labels in the past. Includes 10 free-form, collage, and sound poetry based on the concept of Japanese views on life and death, in which David Sylvian and Kazuko Hohki participated in reading. Includes DL code and poetry booklet.Click here for labels and other works /// Click here to see more Cortizona releases available at Tobira.
¥4,180
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{"id":7897584894202,"title":"Frederik Croene \/\/ Solastalgia LP","handle":"frederik-croene-solastalgia-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのピアニストFrederik Croeneが、2022年9月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e気候変動をコンセプトにしたピアノコンテンポラリー4曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e気候変動の心配な兆候について語り合う言葉を、私たちはまだ見つけられていないのです。8月のはじめに紅葉の上を歩いていて不安になるのは、ごく普通のことでしょう。でも、それをどうやって伝えればいいのでしょう？私たちは、ヒステリックな狂信者になりたくないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの音楽で、気候の痛みそのものに焦点を当て、リスナーが潜在的に感じている不安や環境に対する懸念の高まりを探るよう、やさしく誘うことを試みています。現実の世界と同じように、私たちは現実の問題を回避しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、4つの異なる試みによって、最終的に私たち全員をつなぐことになる、より深い痛みについてのコミュニケーションへの道を切り開こうとしています。私の一般的な手法は、偽りのノスタルジアに満ちた心地よいメロディーから始まり、自爆モードにギアチェンジした後、痛々しいクエスチョンマークに変化していくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最初のパートは、繰り返される音符を伴った牧歌的なメロディーで始まり、遠くでミュートされたアラームのエコーのようになります。そのメロディーは、ラヴェルの「夜のガスパール」のような高音域の不協和音の旋律へと痛烈に説明され始めます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2曲目ではビートルズのような暖かいメロディー（And I love her）が、後のレノンの曲のような奇妙なヒッピーのマントラと対決しています。文章は音節に還元され、その結果、あまりの意味の重さにクラッシュして震える孤独な音になります。ショスタコーヴィチの最新作、ヴィオラとピアノのためのソナタのように。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eバッハのErbarme dich, Mein Gottの下降旋律は、第3曲の上下のヴォイシングに響き、エンニオ・モリコーネらしい、脅威のウェスタン・ドットのリズム伴奏と並置されます。このリズムはやがて、1972年のキャプテン・ビーフハートの初期エコロジー警告歌Blabber and Smoke（大きな窓ガラスがある／あなたの窓に痛みがある、それはあなたたちを吊るすつもりだ、... あなたたちをぶら下げる）を引用するように発展していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e曲の中盤では、音楽が爆発し、3つのレイヤーがキーボードの上に散らばり、別の痛みを伴う疑問符に向かって名人芸のような大渦巻きを繰り広げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRZAのアルバム「Liquid Swords」の最初の音を引用しているのが、かろうじて目に付く程度で、苦い答えはビジネスに戻っています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e最後の曲はある種のマントラであり、全編を通して同じ7\/4のパルスです。キーボードのAとBのダンパーはミドルペダルによって解放され、常にレゾナンスを維持します。メロディックなセルは、量感を変化させながら、小さな鐘のようなパーカッシブなクラスター演奏と交互に繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの曲を作曲しているとき、日曜日の朝、教会を出て、鐘の音を聞きながら、地元の方言で世間話をする人たちの間を取り持っているイメージが浮かんできました。どうやら私は、このような会話を呼び起こそうとしたようです。しかし、その会話には架空の警戒すべき話題、つまり現代の話題が注入されているのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011480209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=737704253\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrederik Croene (August ’22):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing concerns about the environment. As in real life, we circumvent the real issues because they are just too big, there are no words,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eno expressions yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album tries, in four different attempts, to carve out a path towards communicating about a deeper pain that eventually will connect us all. My general method is to start with a comforting melody, full of fake nostalgia, which, after changing gear to autodestruct mode, morphs into a painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first part sets off with an idyllic melody, accompanied by repeated notes, as a far, muted echo of an alarm. The melody starts to explain itself painfully into a dissonant whirlwind in the high register, sounding not unlike Ravel’s Gaspard de la Nuit bravura.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the second piece a warm Beatles like melody (And I love her) gets confronted with the weird hippie mantra of a later Lennon song War is over, if you want it. Sentences get reduced to syllables and result in lonely notes that crash and shiver under the burden of too much meaning. Like Shostakovich’s latest work, the Sonata for viola and piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe descending melody of Bach’s Erbarme dich, Mein Gott is echoed in the upper and lower voicings of the third piece, juxtaposed to a typical, threatening Ennio Morricone Western dotted rhythm accompaniment. This rhythm eventually evolves into citing the 1972 Captain Beefheart early ecological warning song Blabber and Smoke (there’s a big pane\/pain in your window, it’s gonna hang you all,… dangle you all).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTowards the middle of the piece, the music explodes and the three layers get dispersed all over the keyboard in a virtuosic maelstrom towards another painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bitter answer is going back to business with a barely noticeable citation of the first notes of the RZA’s Liquid Swords album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe final piece is some kind of mantra, the same 7\/4 pulse all throughout the piece. The dampers of all A’s and B’s on the keyboard are released by the middle pedal, thus sustaining an ever present resonance. Melodic cells alternate in shifting quantifications with small, bell like percussive cluster playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile composing this piece an image crept up: walking out of the church on Sunday morning, tolling bells enthusiastically moderating the churchgoers’ small talk in the local dialect. Apparently I have tried to evoke this kind of conversation, but injecting it with fictitious alarming conversation topics, the contemporary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frederik Croene \u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2023-01-18T09:54:42+09:00","created_at":"2023-01-18T09:54:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","jazz","lp","new"],"price":375000,"price_min":375000,"price_max":375000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43905090322682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Frederik Croene \/\/ Solastalgia LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360","options":["Title"],"media":[{"alt":null,"id":31392962445562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのピアニストFrederik Croeneが、2022年9月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e気候変動をコンセプトにしたピアノコンテンポラリー4曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e気候変動の心配な兆候について語り合う言葉を、私たちはまだ見つけられていないのです。8月のはじめに紅葉の上を歩いていて不安になるのは、ごく普通のことでしょう。でも、それをどうやって伝えればいいのでしょう？私たちは、ヒステリックな狂信者になりたくないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの音楽で、気候の痛みそのものに焦点を当て、リスナーが潜在的に感じている不安や環境に対する懸念の高まりを探るよう、やさしく誘うことを試みています。現実の世界と同じように、私たちは現実の問題を回避しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、4つの異なる試みによって、最終的に私たち全員をつなぐことになる、より深い痛みについてのコミュニケーションへの道を切り開こうとしています。私の一般的な手法は、偽りのノスタルジアに満ちた心地よいメロディーから始まり、自爆モードにギアチェンジした後、痛々しいクエスチョンマークに変化していくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最初のパートは、繰り返される音符を伴った牧歌的なメロディーで始まり、遠くでミュートされたアラームのエコーのようになります。そのメロディーは、ラヴェルの「夜のガスパール」のような高音域の不協和音の旋律へと痛烈に説明され始めます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2曲目ではビートルズのような暖かいメロディー（And I love her）が、後のレノンの曲のような奇妙なヒッピーのマントラと対決しています。文章は音節に還元され、その結果、あまりの意味の重さにクラッシュして震える孤独な音になります。ショスタコーヴィチの最新作、ヴィオラとピアノのためのソナタのように。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eバッハのErbarme dich, Mein Gottの下降旋律は、第3曲の上下のヴォイシングに響き、エンニオ・モリコーネらしい、脅威のウェスタン・ドットのリズム伴奏と並置されます。このリズムはやがて、1972年のキャプテン・ビーフハートの初期エコロジー警告歌Blabber and Smoke（大きな窓ガラスがある／あなたの窓に痛みがある、それはあなたたちを吊るすつもりだ、... あなたたちをぶら下げる）を引用するように発展していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e曲の中盤では、音楽が爆発し、3つのレイヤーがキーボードの上に散らばり、別の痛みを伴う疑問符に向かって名人芸のような大渦巻きを繰り広げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRZAのアルバム「Liquid Swords」の最初の音を引用しているのが、かろうじて目に付く程度で、苦い答えはビジネスに戻っています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e最後の曲はある種のマントラであり、全編を通して同じ7\/4のパルスです。キーボードのAとBのダンパーはミドルペダルによって解放され、常にレゾナンスを維持します。メロディックなセルは、量感を変化させながら、小さな鐘のようなパーカッシブなクラスター演奏と交互に繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの曲を作曲しているとき、日曜日の朝、教会を出て、鐘の音を聞きながら、地元の方言で世間話をする人たちの間を取り持っているイメージが浮かんできました。どうやら私は、このような会話を呼び起こそうとしたようです。しかし、その会話には架空の警戒すべき話題、つまり現代の話題が注入されているのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011480209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=737704253\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrederik Croene (August ’22):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing concerns about the environment. As in real life, we circumvent the real issues because they are just too big, there are no words,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eno expressions yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album tries, in four different attempts, to carve out a path towards communicating about a deeper pain that eventually will connect us all. My general method is to start with a comforting melody, full of fake nostalgia, which, after changing gear to autodestruct mode, morphs into a painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first part sets off with an idyllic melody, accompanied by repeated notes, as a far, muted echo of an alarm. The melody starts to explain itself painfully into a dissonant whirlwind in the high register, sounding not unlike Ravel’s Gaspard de la Nuit bravura.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the second piece a warm Beatles like melody (And I love her) gets confronted with the weird hippie mantra of a later Lennon song War is over, if you want it. Sentences get reduced to syllables and result in lonely notes that crash and shiver under the burden of too much meaning. Like Shostakovich’s latest work, the Sonata for viola and piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe descending melody of Bach’s Erbarme dich, Mein Gott is echoed in the upper and lower voicings of the third piece, juxtaposed to a typical, threatening Ennio Morricone Western dotted rhythm accompaniment. This rhythm eventually evolves into citing the 1972 Captain Beefheart early ecological warning song Blabber and Smoke (there’s a big pane\/pain in your window, it’s gonna hang you all,… dangle you all).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTowards the middle of the piece, the music explodes and the three layers get dispersed all over the keyboard in a virtuosic maelstrom towards another painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bitter answer is going back to business with a barely noticeable citation of the first notes of the RZA’s Liquid Swords album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe final piece is some kind of mantra, the same 7\/4 pulse all throughout the piece. The dampers of all A’s and B’s on the keyboard are released by the middle pedal, thus sustaining an ever present resonance. Melodic cells alternate in shifting quantifications with small, bell like percussive cluster playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile composing this piece an image crept up: walking out of the church on Sunday morning, tolling bells enthusiastically moderating the churchgoers’ small talk in the local dialect. Apparently I have tried to evoke this kind of conversation, but injecting it with fictitious alarming conversation topics, the contemporary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frederik Croene \u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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Belgian pianist Frederik Croene released a limited edition of 2022 copies from the country's experimental label Cortizona in September 9.Includes 400 piano contemporary songs with the concept of climate change. Comes with DL code.Below is a commentary by the author himself.We still haven't found the words to talk about the worrying signs of climate change. It's normal to feel uneasy walking through the autumn leaves in early August.But how do we communicate that?We don't want to be hysterical fanatics.With this music, I try to focus on the pain of the climate itself, gently inviting the listener to explore their subconscious anxieties and growing environmental concerns.Just like in the real world, we avoid real problems.On this album, four different endeavors pave the way for communication about the deeper pain that ultimately connects us all.My general method is to start with a soothing melody full of false nostalgia, shift gears into self-destruct mode, and then morph into painful question marks.The first part opens with an idyllic melody accompanied by repeated notes, like the echo of a distant, muted alarm.The melody begins to be poignantly explained into a high-range dissonant melody like Ravel's Gaspard de la Nite. In the second track, a Beatles-like warm melody (And I love her) confronts a strange hippie mantra like a later Lennon song.Sentences are reduced to syllables, resulting in lone sounds that crash and tremble under the weight of too much meaning.Like Shostakovich's latest Sonata for viola and piano.Bach's Erbarme dich, Mein Gott's descending melody echoes in the upper and lower voicings of the 4rd piece, juxtaposed with Ennio Morricone's threatening western dot rhythm accompaniment.This rhythm eventually becomes Captain Beefheart's early ecology warning song from 8, Blabber and Smoke (There's a big windowpane/There's pain in your window, it's gonna hang you up,...hang you up) ) will be developed to quote.Midway through the song, the music explodes, three layers scattering over the keyboard, and maelstrom maelstrom towards another painful question mark. RZA's album "Liquid...
¥3,750