Cristián Alvear // Seis Pequeñas Piezas Para Guitarra TAPE

Quickview {"id":6642565742757,"title":"Emile Bojesen \/\/ Dépayesment CDR","handle":"emile-bojesen-depayesment-cdr-1","description":"\u003cp\u003eオーストラリア・タスマニア島の音響作家Philip Sulidaeが主宰するレーベルHemisphereの空虚から新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、LINEなどからも発表している音響作家Emile Bojesenによる新作です。物音スケープ2曲、1時間を収録。既に廃盤です。DLコード、2種のカラーポストカードが付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3245003810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\"To work I need to find a sound which will be at the base because there is an emotive shock [...] and at that moment we can listen to the sound in depth, not for what it is, but for what it can become; we hear the sound as a promising element of a musical structure.\" \/ C. Zanesi\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"Forgetting is the sun: memory gleams through reflection, reflecting forgetting drawing from this reflection the light - amazement and clarity - of forgetting.\" \/ M. Blanchot\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed by Emile Bojesen\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis recording utilises Sinusoidal Partial Editing Analysis and Resynthesis (SPEAR), as well as other processing techniques, to transform field recordings made at two places that could once have been called ‘home’ in to defamiliarised soundscapes. Rickmansworth \u0026amp; Winchester, U.K. 2019 to 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emile Bojesen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHemisphäreの空虚\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-04-10T10:58:14+09:00","created_at":"2021-04-10T10:58:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","hemisphereの空虚","monooto","new"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39603824033957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Emile Bojesen \/\/ Dépayesment CDR","public_title":null,"options":["Default Title"],"price":135000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023905011_10.jpg?v=1618020106","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1394652840_16.jpg?v=1618020106"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023905011_10.jpg?v=1618020106","options":["Title"],"media":[{"alt":null,"id":21182755700901,"position":1,"preview_image":{"aspect_ratio":1.22,"height":984,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023905011_10.jpg?v=1618020105"},"aspect_ratio":1.22,"height":984,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023905011_10.jpg?v=1618020105","width":1200},{"alt":null,"id":21182753374373,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1394652840_16.jpg?v=1618020100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1394652840_16.jpg?v=1618020100","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・タスマニア島の音響作家Philip Sulidaeが主宰するレーベルHemisphereの空虚から新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、LINEなどからも発表している音響作家Emile Bojesenによる新作です。物音スケープ2曲、1時間を収録。既に廃盤です。DLコード、2種のカラーポストカードが付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3245003810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\"To work I need to find a sound which will be at the base because there is an emotive shock [...] and at that moment we can listen to the sound in depth, not for what it is, but for what it can become; we hear the sound as a promising element of a musical structure.\" \/ C. Zanesi\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"Forgetting is the sun: memory gleams through reflection, reflecting forgetting drawing from this reflection the light - amazement and clarity - of forgetting.\" \/ M. Blanchot\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed by Emile Bojesen\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis recording utilises Sinusoidal Partial Editing Analysis and Resynthesis (SPEAR), as well as other processing techniques, to transform field recordings made at two places that could once have been called ‘home’ in to defamiliarised soundscapes. Rickmansworth \u0026amp; Winchester, U.K. 2019 to 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emile Bojesen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHemisphäreの空虚\u003c\/span\u003e\u003c\/p\u003e"}

Quickview {"id":6639537520805,"title":"Gonzo \/\/ Ruído(s) LP","handle":"gonzo-ruidos-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eロンドンのエセ密林系レーベルDisocrepant主宰Goncalo F CardosoによるGonzo名義での2019年リリース作品。実験エキゾチカ13曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4135512049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSometimes you know it’s coming, sometimes it’s unexpected, but the time to hang your boots will always come. It’s better when you have total control, even better if you end up on a high (or on a low). After seven years of sonic interferences, calibrating the soundscape of field recordings and helping to recreate the old sounds of today, Gonzo is retiring from music. It’s a goodbye, yeah, and a well-crafted one.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut “Ruído(s)” doesn’t sound like an intentional one. You won’t listen to it on any of the thirteen tracks that scavenge for a solution in the space between ambient music and field recordings. You won’t feel it in the intense connection between human and natural sounds and how sometimes everything oscillates in opposite states of mind. You won’t even read it in the intense, but subtle, humor present in some of the pieces. You won’t, because it’s not an intentional goodbye. You only know it is, because you’re reading this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat is it then? It’s a celebration of random sound. How can you experience something scholastic and, simultaneously, deeply hilarious? Just think about the amazing triad formed by “A Fuga dos Grilos”, “Degredado(s)” and “Cantiga Parva”. First, you’re blessed with six minutes that build up on the idea that sound can be an intense religious experience, echoes going back and forth\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e to create a fantastic Boiler Room feeling (one populated with raving Gonzos doing dabs in front of the camera) that eventually ends up with a cinematic touch: someone saying the title of the song out loud. One second after we are into the Flying Lizards world, with two songs that shake any pretentious seriousness of the previous track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIs it serious or not? It is. But it doesn’t have to be. In “Ruído(s)” Gonzo recounts pop\/electronic history through field recordings and weird-soft beats. More than compiling his seven-year history, Gonzo is more worried to understand where he’s leaving his ideas, Caretaker style. Speaking of Caretaker, Leyland Kirby should think about reviving Caretaker and do a whole album around “Brilhante Cortejo”: it’s haunted ballroom in a ‘cracked’ nutshell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the album progresses and the need to revisit it grows, it becomes clearer(?) that “Ruído(s)” is more than an artist self-indulging on his work – in a very good manner. It’s also a condensed catalog of Portuguese music and its sounds, a circular trip down the memory lane of a forgotten country and its landscape. “Ruído(s)” is a goodbye to a country and its traditions. It does it without sulking but with the most respectful loud laugh - the Gonzo way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Discrepant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gonzo\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2021-04-10T08:19:50+09:00","created_at":"2021-04-09T15:33:30+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","monooto","new","post newage","strange beats"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39597148962981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gonzo \/\/ Ruído(s) LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ru1.jpg?v=1617950011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ru1.jpg?v=1617950011","options":["Title"],"media":[{"alt":null,"id":21148679012517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ru1.jpg?v=1617950011"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ru1.jpg?v=1617950011","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eロンドンのエセ密林系レーベルDisocrepant主宰Goncalo F CardosoによるGonzo名義での2019年リリース作品。実験エキゾチカ13曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4135512049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSometimes you know it’s coming, sometimes it’s unexpected, but the time to hang your boots will always come. It’s better when you have total control, even better if you end up on a high (or on a low). After seven years of sonic interferences, calibrating the soundscape of field recordings and helping to recreate the old sounds of today, Gonzo is retiring from music. It’s a goodbye, yeah, and a well-crafted one.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut “Ruído(s)” doesn’t sound like an intentional one. You won’t listen to it on any of the thirteen tracks that scavenge for a solution in the space between ambient music and field recordings. You won’t feel it in the intense connection between human and natural sounds and how sometimes everything oscillates in opposite states of mind. You won’t even read it in the intense, but subtle, humor present in some of the pieces. You won’t, because it’s not an intentional goodbye. You only know it is, because you’re reading this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat is it then? It’s a celebration of random sound. How can you experience something scholastic and, simultaneously, deeply hilarious? Just think about the amazing triad formed by “A Fuga dos Grilos”, “Degredado(s)” and “Cantiga Parva”. First, you’re blessed with six minutes that build up on the idea that sound can be an intense religious experience, echoes going back and forth\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e to create a fantastic Boiler Room feeling (one populated with raving Gonzos doing dabs in front of the camera) that eventually ends up with a cinematic touch: someone saying the title of the song out loud. One second after we are into the Flying Lizards world, with two songs that shake any pretentious seriousness of the previous track.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIs it serious or not? It is. But it doesn’t have to be. In “Ruído(s)” Gonzo recounts pop\/electronic history through field recordings and weird-soft beats. More than compiling his seven-year history, Gonzo is more worried to understand where he’s leaving his ideas, Caretaker style. Speaking of Caretaker, Leyland Kirby should think about reviving Caretaker and do a whole album around “Brilhante Cortejo”: it’s haunted ballroom in a ‘cracked’ nutshell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the album progresses and the need to revisit it grows, it becomes clearer(?) that “Ruído(s)” is more than an artist self-indulging on his work – in a very good manner. It’s also a condensed catalog of Portuguese music and its sounds, a circular trip down the memory lane of a forgotten country and its landscape. “Ruído(s)” is a goodbye to a country and its traditions. It does it without sulking but with the most respectful loud laugh - the Gonzo way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Discrepant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gonzo\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}

Quickview {"id":6639532736677,"title":"Tasos Stamou \/\/ D.A.D. LP","handle":"tasos-stamou-d-a-d-lp","description":"\u003cp\u003eギリシャ人音楽家Tasos Stamouが2019年にDIscrepantからリリースしたレコード。ブズーキなどの伝統楽器を用いた、実験サイケデリア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443448905\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMaybe it’s too much to ask for a moment of your attention. As we grow older and keep diving into this era of information, disinformation, fake news and all that, we also tend to take a step back and listen to the intents of those social media adverts that tell us to slow down, breathe in, breathe out, enjoy everything around you a little bit. So, if it’s not too much to ask, you can press play and start enjoying “D-A-D”. If you’re doing that, you can even stop reading this, because you don’t need further instructions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s the second time in less than two years that we release music from London based Greek musician Tasos Stamou (Athens, 1978). The wordplay of “Musique Con Crète” (CREP54, 2018) was a backdoor to an adventurous and ‘concrete’ experience with sound. “D-A-D” follows up on that. Recorded between 2015-2018 as an homage to both his Dad and the more commonly used tuning on the Greek Bouzouki, D-A-D, Stamou delivers 40 minutes of music that explores ancient and modern languages, while crossing his unique instrumentation with celebrations of new\/old folk, field recordings and electronics. In his music, there’s a constant flow of ideas that defy standard tonalities and the conception of “traditional”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eImprovisation was the starting point for the creation of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e some of the nine pieces Tasos Stamou wrote for “D-A-D”. The electronics often serve to interact with field recordings that are wisely manipulated, while acoustic instruments, like a Bouzouki, build up the connection with the tradition and the necessity to slow down.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his unique atmospheres, Tasos is whispering some life hacks to build a better life. Nowadays, it’s quite rare for a record to organize the way the listener wants to listen to music, to sounds. “D-A-D” creates a beautiful systematisation between old and new, folk\/traditional music and the technology in sound. There’s – still - some boldness in that.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e- Discrepant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tasos Stamou\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2021-04-11T10:23:11+09:00","created_at":"2021-04-09T15:31:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","field recording","lp","monooto","new","strange beats"],"price":288000,"price_min":288000,"price_max":288000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39597144342693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tasos Stamou \/\/ D.A.D. LP","public_title":null,"options":["Default Title"],"price":288000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_7ae524cf-3002-4990-8216-918080082ac5.jpg?v=1617949876"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_7ae524cf-3002-4990-8216-918080082ac5.jpg?v=1617949876","options":["Title"],"media":[{"alt":null,"id":21148602957989,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_7ae524cf-3002-4990-8216-918080082ac5.jpg?v=1617949876"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_7ae524cf-3002-4990-8216-918080082ac5.jpg?v=1617949876","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ人音楽家Tasos Stamouが2019年にDIscrepantからリリースしたレコード。ブズーキなどの伝統楽器を用いた、実験サイケデリア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443448905\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMaybe it’s too much to ask for a moment of your attention. As we grow older and keep diving into this era of information, disinformation, fake news and all that, we also tend to take a step back and listen to the intents of those social media adverts that tell us to slow down, breathe in, breathe out, enjoy everything around you a little bit. So, if it’s not too much to ask, you can press play and start enjoying “D-A-D”. If you’re doing that, you can even stop reading this, because you don’t need further instructions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s the second time in less than two years that we release music from London based Greek musician Tasos Stamou (Athens, 1978). The wordplay of “Musique Con Crète” (CREP54, 2018) was a backdoor to an adventurous and ‘concrete’ experience with sound. “D-A-D” follows up on that. Recorded between 2015-2018 as an homage to both his Dad and the more commonly used tuning on the Greek Bouzouki, D-A-D, Stamou delivers 40 minutes of music that explores ancient and modern languages, while crossing his unique instrumentation with celebrations of new\/old folk, field recordings and electronics. In his music, there’s a constant flow of ideas that defy standard tonalities and the conception of “traditional”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eImprovisation was the starting point for the creation of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e some of the nine pieces Tasos Stamou wrote for “D-A-D”. The electronics often serve to interact with field recordings that are wisely manipulated, while acoustic instruments, like a Bouzouki, build up the connection with the tradition and the necessity to slow down.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his unique atmospheres, Tasos is whispering some life hacks to build a better life. Nowadays, it’s quite rare for a record to organize the way the listener wants to listen to music, to sounds. “D-A-D” creates a beautiful systematisation between old and new, folk\/traditional music and the technology in sound. There’s – still - some boldness in that.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e- Discrepant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tasos Stamou\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}