Eric Frye // Obfuscation Morphologies CDR

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We have received a lot of voluntary releases by Eric Frye, a sound artist from Minneapolis, USA.This work contains 10 field recordings that have passed Max / MSP. Limited to 50 copies.

Obfuscation Morphologies by Eric Frye

Hand stamped edition of 50.

Artist: Eric Frye

Label: Cuvée Freddy

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We have received a lot of voluntary releases by Eric Frye, a sound artist from Minneapolis, USA.This work contains 10 field recordings that have passed Max / MSP. Limited to 50 copies.

Obfuscation Morphologies by Eric Frye

Hand stamped edition of 50.

Artist: Eric Frye

Label: Cuvée Freddy

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The live sound source of London's experimental box Cafe OTO by the most important person of British anti-music, The New Blockaders, has been released on CDR from opal tapes in the country.It is a terrible content that metal sounds jump.There is no digital sales due to the artist's intention, only CDR will be developed. CDr only. No digital release at the request of ...

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Almost literally in terms of the visceral and dimensional sounds he’s producing here, and that continues into the raw stint which is deliciously elastic and punctuated by percussive bleeps. The deer-in-the-headlights is let loose in something altogether magically mysterious. These sound like sound effects from one of those rare new wave albums that surfaced forty years later, but gone through some sort of electro-acoustic treatment including amplified microsounds (rain, scratching, and jittery interludes).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIs it hail or is it a spray paint can being jostled about, or is it simply electro-static of some sort? Nehil has created many collaborations over the years, but seems most fortified on his own. His unexpected altercations with tiny objects blended with sonic effects are out of this world, figuratively (and conceptually). 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Almost literally in terms of the visceral and dimensional sounds he’s producing here, and that continues into the raw stint which is deliciously elastic and punctuated by percussive bleeps. The deer-in-the-headlights is let loose in something altogether magically mysterious. These sound like sound effects from one of those rare new wave albums that surfaced forty years later, but gone through some sort of electro-acoustic treatment including amplified microsounds (rain, scratching, and jittery interludes).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIs it hail or is it a spray paint can being jostled about, or is it simply electro-static of some sort? Nehil has created many collaborations over the years, but seems most fortified on his own. His unexpected altercations with tiny objects blended with sonic effects are out of this world, figuratively (and conceptually). 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The leatherette-like cover by photographer Harrison Higgs only emboldens the whole ‘man-made rough-trade’ aspect of this surprisingly fleshy record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe closer Cleft is telekinetic in construct, yet has this visceral ambiguity about it. By combining the glassy synths of 70’s sci-fi cult classic film soundtracks with a dynamic set of scaling, diacritical markings and bloated effects it becomes a double take. It’s lurid and dank, unlike anything in his discography, leaving you hanging in a suspended sense of wait. Think about the rings of Saturn, slightly teetering, pendulous, in the darkest cosmos — and then simply add transmissions an untapped species from a far-off galaxy that are nearly impossible to decode by human means.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e- TJ Norris \/\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/toneshift.net\/\"\u003eToneshift.net\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seth Nehil\u003c\/p\u003e\n\u003cp\u003eLabel : Opal Tapes\u003c\/p\u003e"}