Eric Schmid // Technology & Mythology (What Is Structure's Ontology) TAPE
Eric Schmid // Technology & Mythology (What Is Structure's Ontology) TAPE
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Eric Schmid's latest work, which has also released numerous works from Recital, will be released on the British heretical label Regional Bears in October 2020. It is a large volume of 10 hour or more.
Artist: Eric Schmid
Label: Regional Bears
Eric Schmid's latest work, which has also released numerous works from Recital, will be released on the British heretical label Regional Bears in October 2020. It is a large volume of 10 hour or more.
Artist: Eric Schmid
Label: Regional Bears
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{"id":6914045247653,"title":"Alessandro Bosetti \/\/ Didone LP","handle":"alessandro-bosetti-didone-lp","description":"\u003cp\u003eイタリア・トレントの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eKohlhaas\u003c\/a\u003eが2021年4月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、声をテーマにしたインスタレーションを手がけるイタリアのサウンドアーティストAlessandro Bosettiが、同国モデナのCentro Musicaが主催するレジデンスプログラムの一環で制作した最新作です。制作に参加したミュージシャンの成り立ちを取材し、それらの資料をカットアップ〜匿名化した後、空想上の性別を持たない「Didone」の自伝として再構成し、音楽に翻訳した作品です。全9曲、ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1213546763\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3436760415\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2625170076\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1220982511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bosetti posed to each musician was to tell him the history of their life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe materials collected in the interviews subsequently underwent a process of anonymization, selection and cut-up in order to create the imaginary autobiography of Didone, a genderless character on whom Bosetti composed a combinatory poem in 84 aphorisms, six of which have been translated into music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ensemble consists of extremely different musical profiles: the contemporary soprano Giulia Zaniboni, minimalist banjo and acoustic guitar player Glauco Salvo, and four musicians with a jazz background such as guitarist Luca Perciballi, drummers Andrea Grillini and Simone Sferruzza, and saxophonist Dan Kinzelman (also part of Hobby Horse trio and long-time collaborator of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnrico Rava). Some of the stylistic features of Bosetti’s project Trophies (along with Kenta Nagai and Tony Buck) can be detected here and there. Persistent repetitions, mesmerizing sonic masses and extended, oblique melodic lines are here led by the clear and precise voice of soprano Giulia Zaniboni.\u003cbr data-mce-fragment=\"1\"\u003eThe voice is at the heart of this work: the textual fragments of the autobiographies are filtered through Zaniboni’s contemporary vocality, while informing the instrumental writing as well. Themes and textures unveil traces of words or sentences; fragments of biographies are embedded in the intricate instrumental dialogue between the two drummers.\u003cbr data-mce-fragment=\"1\"\u003eA final layer was added by Ettore Tripodi, a unique and out-of-time visual artist who imagined Didone in a series of illustrations accompanying the poem.\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is a work about the reconfiguration and recombination of identities, where every specific sense of belonging melts into an indistinct swarming of possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is released by Kohlhaas as a black vinyl 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Bosetti is a Marseille-based composer and sound artist with a particular interest in the musicality of language and in the voice, conceived as an autonomous object and an instrument of expression. His works enact a dialogue between language, voice and sound within complex tonal and formal constructions, often crossed by oblique irony. He builds surprising devices, often linked to the radio medium and to a tireless reflection on the relationships between music and language, questioning aesthetic categories and listening postures.\u003cbr data-mce-fragment=\"1\"\u003eHis work has been shown in reference venues such as the GRM \/ Présences Electronique festival in Paris, Roulette and The Stone in New York, Café OTO in London, the Liquid Architecture Festival in Melbourne and Sydney, the Serralves Museum in Porto and the San Francisco Electronic Music Festival.\u003cbr data-mce-fragment=\"1\"\u003eHis music is released by labels such as Errant Bodies Press, Holidays Records, Rossbin, Sedimental, Unsounds, Monotype, Weird Ear Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Bosetti\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2021-07-16T11:21:38+09:00","created_at":"2021-07-16T11:21:38+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","kohlhaas","lp","monooto","new"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40372990574757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alessandro Bosetti \/\/ Didone LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336","options":["Title"],"media":[{"alt":null,"id":22974996086949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・トレントの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eKohlhaas\u003c\/a\u003eが2021年4月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、声をテーマにしたインスタレーションを手がけるイタリアのサウンドアーティストAlessandro Bosettiが、同国モデナのCentro Musicaが主催するレジデンスプログラムの一環で制作した最新作です。制作に参加したミュージシャンの成り立ちを取材し、それらの資料をカットアップ〜匿名化した後、空想上の性別を持たない「Didone」の自伝として再構成し、音楽に翻訳した作品です。全9曲、ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1213546763\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3436760415\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2625170076\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1220982511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bosetti posed to each musician was to tell him the history of their life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe materials collected in the interviews subsequently underwent a process of anonymization, selection and cut-up in order to create the imaginary autobiography of Didone, a genderless character on whom Bosetti composed a combinatory poem in 84 aphorisms, six of which have been translated into music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ensemble consists of extremely different musical profiles: the contemporary soprano Giulia Zaniboni, minimalist banjo and acoustic guitar player Glauco Salvo, and four musicians with a jazz background such as guitarist Luca Perciballi, drummers Andrea Grillini and Simone Sferruzza, and saxophonist Dan Kinzelman (also part of Hobby Horse trio and long-time collaborator of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnrico Rava). Some of the stylistic features of Bosetti’s project Trophies (along with Kenta Nagai and Tony Buck) can be detected here and there. Persistent repetitions, mesmerizing sonic masses and extended, oblique melodic lines are here led by the clear and precise voice of soprano Giulia Zaniboni.\u003cbr data-mce-fragment=\"1\"\u003eThe voice is at the heart of this work: the textual fragments of the autobiographies are filtered through Zaniboni’s contemporary vocality, while informing the instrumental writing as well. Themes and textures unveil traces of words or sentences; fragments of biographies are embedded in the intricate instrumental dialogue between the two drummers.\u003cbr data-mce-fragment=\"1\"\u003eA final layer was added by Ettore Tripodi, a unique and out-of-time visual artist who imagined Didone in a series of illustrations accompanying the poem.\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is a work about the reconfiguration and recombination of identities, where every specific sense of belonging melts into an indistinct swarming of possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is released by Kohlhaas as a black vinyl 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Bosetti is a Marseille-based composer and sound artist with a particular interest in the musicality of language and in the voice, conceived as an autonomous object and an instrument of expression. His works enact a dialogue between language, voice and sound within complex tonal and formal constructions, often crossed by oblique irony. He builds surprising devices, often linked to the radio medium and to a tireless reflection on the relationships between music and language, questioning aesthetic categories and listening postures.\u003cbr data-mce-fragment=\"1\"\u003eHis work has been shown in reference venues such as the GRM \/ Présences Electronique festival in Paris, Roulette and The Stone in New York, Café OTO in London, the Liquid Architecture Festival in Melbourne and Sydney, the Serralves Museum in Porto and the San Francisco Electronic Music Festival.\u003cbr data-mce-fragment=\"1\"\u003eHis music is released by labels such as Errant Bodies Press, Holidays Records, Rossbin, Sedimental, Unsounds, Monotype, Weird Ear Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Bosetti\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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The latest work released in April 2021 by the Italian Trento experimental label Kohlhaas has arrived for the first time in Japan.This work is the latest work produced by Italian sound artist Alessandro Bosetti, who works on voice-themed installations, as part of a residence program sponsored by Centro Musica in Modena, Italy.After covering the origins of the musicians who participated in the production and cutting up and anonymizing those materials, this work was reconstructed as an autobiography of "Didone", which has no fantasy gender, and translated into music.All 4 songs, booklet and DL code included.Click here to see more Kohlhaas releases available at Tobira. ...
¥ 2,580
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{"id":6907943977125,"title":"Linus Hillborg \/\/ Magelungsverket LP","handle":"linus-hillborg-magelungsverket-lp","description":"\u003cp\u003eスウェーデン・ストックホルムの実験レーベルMolotonを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Linus Hillborgが2021年1月に200部限定でリリースした初のレコードです。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuchla 200を用いた\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック・オーケストラドローン10曲を収録。DLコード付属。廃盤間近です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4218628069\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003ehere\u003c\/a\u003e to see more Moloton releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Moloton:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLinus Hillborg’s solo debut lures listeners through despaired soundscapes of justly tuned electroacoustic orchestral arrangements seeped in rich harmonic synthesis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMagelungsverket is a rendering of materials from one of Hillborg’s technology repurposing projects, Orphan Works, where an obsolete game engine was modified to create an interactive installation in which participants drive through a fractured manifestation of Stockholm. Displaced, uncanny narratives and depictions of both real and semi-fictional locations in Stockholm that could have existed — but do not — and the spaces that end up in between, procures distinct sequences of sound constructed with the Buchla 200 system, programmed synthesis, bowed cymbals, metal clarinet, and tape machines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe rendered pieces on Magelungsverket have been adapted from Orphan Works’ interactive and generative material into separate, fixed compositions, bound by duration, each one named after a location in this fictional, virtual Stockholm. For instance, Vårbergsobservatoriet (The Vårberg Observatory), draws its name from an artificial mountain that exists in the outskirts of Stockholm, amidst the sprawl of residential areas far beyond the sparkling city center. It was\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e built from garbage scraps left behind after the underground metro system was constructed in the 1970s. In this fictional version, a public observatory was wishfully imagined to have been built on top of it. However fictitious Hillborg has imagined these locations, it is a bittersweet reflection and fragmented mental image of a Stockholm that never existed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Hillborg\u003c\/p\u003e\n\u003cp\u003eLabel : Moloton\u003c\/p\u003e","published_at":"2021-07-23T16:16:17+09:00","created_at":"2021-07-14T16:08:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","moloton","monooto","new"],"price":293000,"price_min":293000,"price_max":293000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40356688167077,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Linus Hillborg \/\/ Magelungsverket LP","public_title":null,"options":["Default Title"],"price":293000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","options":["Title"],"media":[{"alt":null,"id":22946923348133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","width":700},{"alt":null,"id":22946923380901,"position":2,"preview_image":{"aspect_ratio":1.281,"height":937,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524"},"aspect_ratio":1.281,"height":937,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムの実験レーベルMolotonを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Linus Hillborgが2021年1月に200部限定でリリースした初のレコードです。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuchla 200を用いた\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック・オーケストラドローン10曲を収録。DLコード付属。廃盤間近です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4218628069\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003ehere\u003c\/a\u003e to see more Moloton releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Moloton:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLinus Hillborg’s solo debut lures listeners through despaired soundscapes of justly tuned electroacoustic orchestral arrangements seeped in rich harmonic synthesis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMagelungsverket is a rendering of materials from one of Hillborg’s technology repurposing projects, Orphan Works, where an obsolete game engine was modified to create an interactive installation in which participants drive through a fractured manifestation of Stockholm. Displaced, uncanny narratives and depictions of both real and semi-fictional locations in Stockholm that could have existed — but do not — and the spaces that end up in between, procures distinct sequences of sound constructed with the Buchla 200 system, programmed synthesis, bowed cymbals, metal clarinet, and tape machines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe rendered pieces on Magelungsverket have been adapted from Orphan Works’ interactive and generative material into separate, fixed compositions, bound by duration, each one named after a location in this fictional, virtual Stockholm. For instance, Vårbergsobservatoriet (The Vårberg Observatory), draws its name from an artificial mountain that exists in the outskirts of Stockholm, amidst the sprawl of residential areas far beyond the sparkling city center. It was\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e built from garbage scraps left behind after the underground metro system was constructed in the 1970s. In this fictional version, a public observatory was wishfully imagined to have been built on top of it. However fictitious Hillborg has imagined these locations, it is a bittersweet reflection and fragmented mental image of a Stockholm that never existed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Hillborg\u003c\/p\u003e\n\u003cp\u003eLabel : Moloton\u003c\/p\u003e"}
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The experimental label Moloton in Stockholm, Sweden has arrived for the first time in Japan.This is the first record released by the country's electro-acoustic writer Linus Hillborg in January 2021 in a limited edition of 1 copies. Contains 200 electro-acoustic orchestra drones using Buchla 200. DL code included.It is about to be out of print.Click here to see more Moloton releases available at Tobira. ...
¥ 2,930
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{"id":6903111909541,"title":"V\/A \/\/ Electroacoustic Music at Oberlin Vol. 2.LP","handle":"v-a-electroacoustic-music-at-oberlin-vol-2-lp","description":"\u003cp\u003eアメリカ・オハイオの大御所ノイズ作家Aaron Dillowayが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eHanson Records\u003c\/a\u003eリリース作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5jQ312GwTMk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText from \u003ca href=\"https:\/\/www.timara.oberlin.edu\/\"\u003eT.I.M.A.R.A \/ Oberlin College\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : v\/a\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e","published_at":"2021-07-12T12:36:39+09:00","created_at":"2021-07-12T11:39:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hanson","lp","monooto","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40340861485221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"V\/A \/\/ Electroacoustic Music at Oberlin Vol. 2.LP","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571","options":["Title"],"media":[{"alt":null,"id":22925013188773,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3706,"width":3707,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571"},"aspect_ratio":1.0,"height":3706,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571","width":3707}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオの大御所ノイズ作家Aaron Dillowayが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eHanson Records\u003c\/a\u003eリリース作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5jQ312GwTMk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText from \u003ca href=\"https:\/\/www.timara.oberlin.edu\/\"\u003eT.I.M.A.R.A \/ Oberlin College\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : v\/a\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e"}
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A large number of works released by Hanson Records, a label run by Aaron Dilloway, a major noise writer in Ohio, USA, have arrived.This work is a compilation album by students (9 almost unknown writers) of the experimental music major at Oberlin College in the state.Make a record of the forgotten memorial collection. Text from TIMARA / Oberlin College: "The TIMARA department has teamed ...
¥ 2,280
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{"id":6897809850533,"title":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","handle":"oyvind-brandtsegg-nancarrow-biotope-tape","description":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-07-11T08:40:17+09:00","created_at":"2021-07-09T10:33:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cronica","monooto","new","tape"],"price":133000,"price_min":133000,"price_max":133000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40324588863653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","public_title":null,"options":["Default Title"],"price":133000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","options":["Title"],"media":[{"alt":null,"id":22900382924965,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","width":700},{"alt":null,"id":22900382957733,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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Computer improviser Øyvind Brandtsegg, who is also a professor of music at the Norwegian University of Science and Technology, released a limited edition of 2020 cassettes on the Portuguese experimental label Cronica in December 12.Includes 100 automatic performances for pipe organs with chords written by himself. DL code included. Edition of 17. Description and bio by Cronica: "" My essential concern, whether ...
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