Fred McDowell: The Alan Lomax Recordings LP
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Fred McDowell: The Alan Lomax Recordings LP
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A collection of early sound sources by blues writer Fred McDowell.
--------------------------------
Alan Lomax Archives:
"These are the first recordings made of Fred McDowell—before the folk festivals and blues clubs, before “Mississippi” was inserted in front of his name, before the Rolling Stones covered his “You Got To Move.” They're the sound of the music McDowell played on his porch, at picnics, and juke joints; with his friends and family; occasionally for money but always for pleasure. Remastered from 24-bit digital transfers of Alan Lomax's original tapes, and annotated by Arhoolie Records' Adam Machado and the Alan Lomax Archive's Nathan Salsburg, they are an illustration of the mind-blowing revelation that was Fred McDowell.
On the first day of fall, 1959, in Como, Mississippi, a farmer named Fred McDowell emerged from the woods and ambled over to his neighbor
Lonnie Young's front porch with a guitar in hand. Alan Lomax and Shirley Collins were there recording the Young brothers' fife and drum ensemble, as well as the raggy old country dance music of their neighbors, the Pratcher brothers, and they had no idea what They certainly didn't expect that Fred would soon become internationally known as one of the most original, talented, and affecting country bluesmen ever recorded "
Artist: Fred McDowell
Label: Label: Alan Lomax Archive
A collection of early sound sources by blues writer Fred McDowell.
--------------------------------
Alan Lomax Archives:
"These are the first recordings made of Fred McDowell—before the folk festivals and blues clubs, before “Mississippi” was inserted in front of his name, before the Rolling Stones covered his “You Got To Move.” They're the sound of the music McDowell played on his porch, at picnics, and juke joints; with his friends and family; occasionally for money but always for pleasure. Remastered from 24-bit digital transfers of Alan Lomax's original tapes, and annotated by Arhoolie Records' Adam Machado and the Alan Lomax Archive's Nathan Salsburg, they are an illustration of the mind-blowing revelation that was Fred McDowell.
On the first day of fall, 1959, in Como, Mississippi, a farmer named Fred McDowell emerged from the woods and ambled over to his neighbor
Lonnie Young's front porch with a guitar in hand. Alan Lomax and Shirley Collins were there recording the Young brothers' fife and drum ensemble, as well as the raggy old country dance music of their neighbors, the Pratcher brothers, and they had no idea what They certainly didn't expect that Fred would soon become internationally known as one of the most original, talented, and affecting country bluesmen ever recorded "
Artist: Fred McDowell
Label: Label: Alan Lomax Archive
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{"id":8340108312826,"title":"Little Kid \/\/ A Million Easy Payments LP [BLACK \/ COLOR] \/ TAPE","handle":"little-kid-a-million-easy-payments-lp-black-color-tape","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eLPは歌詞インサート付属。黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black and orange vinyl, cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T18:01:33+09:00","created_at":"2024-04-18T17:54:06+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45721651151098,"title":"Black LP","option1":"Black 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TAPE","public_title":"TAPE","options":["TAPE"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33779430228218,"position":4,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0034848073_10.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Format"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779422888186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848073_10.jpg?v=1713430850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848073_10.jpg?v=1713430850","width":1200},{"alt":null,"id":33779422757114,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","width":1200},{"alt":null,"id":33779430228218,"position":4,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","width":1200},{"alt":null,"id":33779430654202,"position":5,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843","width":1199},{"alt":null,"id":33785784762618,"position":6,"preview_image":{"aspect_ratio":1.442,"height":1985,"width":2862,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"},"aspect_ratio":1.442,"height":1985,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865","width":2862}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eLPは歌詞インサート付属。黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black and orange vinyl, cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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Little Kid, a folk rock band led by singer-songwriter Kenny Boothby from Toronto, Canada, released this album in February 2024 from the Chicago, USA indie label Orindal Records. Contains eight indie folk rock songs featuring guitar, banjo, flute, cello, pedal steel and clever lyrics. DL code included. The LP comes with a lyric insert. There is a black edition and a marble edition. Below is an explanation by Rosie Stockton. "The camera zooms in without crowding the subject. Songs about other people's damage help us understand our own and lead us to new mysteries. Stars look like grains of sand. Little Kid's New On A Million Easy Payments, his album and Orindal debut, the urgency in Kenny Boothby's voice pushes the boundaries of epic balladry, reminiscence, and self-reflection that approach life from every angle and exposure. , the band's light folk-rock arrangements match the lyrics that go a little beyond that.
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{"id":8340032913658,"title":"Duffy x Uhlmann \/\/ Doubles LP [BLACK \/ COLOR] \/ TAPE","handle":"duffy-x-uhlmann-doubles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T17:51:14+09:00","created_at":"2024-04-18T17:49:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45721565036794,"title":"Black LP","option1":"Black 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charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。LPは黒盤とマーブル盤がございます。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or cassette in norelco case.\u003cbr\u003eBlack vinyl edition of 250 - tape edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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This is a collaborative album released by American guitarists Duffy x Uhlmann, who have played together as backing band members of Perfume Genius and Hand Habits, on the Chicago indie label Orindal Record in September 2023. Contains 9 songs from ambient folk to ambient jazz improvised by two guitars. DL code included. The LP is available in black and marble versions. Below is an explanation by Rosie Stockton. "Duffy x Uhlmann communicate with speed, blurring the lines between speed and slow, taking on each other's peaks and flurries as they aim for each other's horizons. Their constant motif is a constant return, knowing that if one wanders off, the other will follow or be called home. It's a steady, committed pulse. Here, fluidity prevails over order, each note passing by like an initial carved into the bark of a tree.
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{"id":8339953484026,"title":"Gia Margaret \/\/ Mia Gargaret LP [COLOR] \/ TAPE","handle":"gia-margaret-mia-gargaret","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・シカゴのインディーポップ〜フォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレコードはクリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2024-04-18T17:43:27+09:00","created_at":"2024-04-18T17:42:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","orindal","recommended","tape"],"price":228000,"price_min":228000,"price_max":378000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45721479774458,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41060918067450,"product_id":8339953484026,"position":2,"created_at":"2024-04-18T17:42:48+09:00","updated_at":"2024-04-18T17:42:48+09:00","alt":null,"width":1200,"height":720,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768","variant_ids":[45721479774458]},"available":true,"name":"Gia Margaret \/\/ Mia Gargaret LP [COLOR] \/ TAPE - LP","public_title":"LP","options":["LP"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33779119915258,"position":2,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45721479807226,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41060918165754,"product_id":8339953484026,"position":3,"created_at":"2024-04-18T17:42:48+09:00","updated_at":"2024-04-18T17:42:48+09:00","alt":null,"width":600,"height":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/1008279344_99165dea-9dfa-4cfe-abe1-ee5d3fdb3acb.jpg?v=1713429768","variant_ids":[45721479807226]},"available":true,"name":"Gia Margaret \/\/ Mia Gargaret LP [COLOR] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33779119980794,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/1008279344_99165dea-9dfa-4cfe-abe1-ee5d3fdb3acb.jpg?v=1713429768"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768","\/\/tobirarecords.com\/cdn\/shop\/files\/1008279344_99165dea-9dfa-4cfe-abe1-ee5d3fdb3acb.jpg?v=1713429768"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","options":["format"],"media":[{"alt":null,"id":33779119849722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","width":700},{"alt":null,"id":33779119915258,"position":2,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768","width":1200},{"alt":null,"id":33779119980794,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/1008279344_99165dea-9dfa-4cfe-abe1-ee5d3fdb3acb.jpg?v=1713429768"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/1008279344_99165dea-9dfa-4cfe-abe1-ee5d3fdb3acb.jpg?v=1713429768","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・シカゴのインディーポップ〜フォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのマルチ奏者Gia Margaretが病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレコードはクリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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A large quantity has arrived from Orindal Record, an indie pop-folk label based in Chicago, USA. This is an album released in 2020 by Chicago multi-instrumentalist Gia Margaret, who produced it during a period when she was unable to sing due to illness. Contains 11 dreamy ambient folk songs. DL code included. The record is a clear green edition. Below is an explanation by the artist himself and the label. "After canceling my tour due to illness, I couldn't sing for nearly half a year, so I felt like I was stuck in my shell and turned to synthesizers for solace. Writing has helped me maintain my identity as a music maker. Sometimes this music has relieved my anxiety more than therapy or anything else.'' Without a doubt, Mia Gargaret's instrumental tracks highlight Gia Margaret's skills as a musician, composer, and producer. The understated yet immersive arrangement of synthesizers, piano, and acoustic guitar creates an emotional landscape that is at once painful and soothing, much like the view from a car window. “I wanted to create a hopeful sound. I was making music to soothe myself. I would play synth loops as I walked around my apartment, forming my own daily soundtrack. ” Mia Gargaret documents Gia Margaret's self-healing. The album's opener, apathy, includes excerpts from vocal therapy exercises she did. Body samples lectures by British philosopher Alan Watts. (The use of this sample was personally granted by Mark Watts, the late lecturer's son, in exchange for the use of "body" in a documentary film about his father). Other tracks feature Gia's daily field recordings, including footsteps, church bells, a crackling bonfire, and lake waves. "I wanted to capture the feeling of having a really magical time in my life, even though I wanted to forget it completely. This process helped me understand something about myself. "Mia...
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{"id":8289270563066,"title":"Sonic Youth \/\/ Live in Brooklyn 2011 2xLP [BLACK\/COLOR]","handle":"sonic-youth-live-in-brooklyn-2011-2xlp-black-color","description":"\u003cp\u003eアメリカのバンドSonic Youthが、2011年8月12日に行ったアメリカでの最終公演のライブ録音です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1342438376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2 x 12\" black vinyl or 2 x 12\" color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrave Men Run (In My Family) 05:12\u003c\/li\u003e\n\u003cli\u003eDeath Valley ’69 05:51\u003c\/li\u003e\n\u003cli\u003eKotton Krown 05:07\u003c\/li\u003e\n\u003cli\u003eKill Yr Idols 02:56\u003c\/li\u003e\n\u003cli\u003eEric’s Trip 03:45\u003c\/li\u003e\n\u003cli\u003eSacred Trickster 02:11\u003c\/li\u003e\n\u003cli\u003eCalming The Snake 03:51\u003c\/li\u003e\n\u003cli\u003eStarfield Road 03:27\u003c\/li\u003e\n\u003cli\u003eI Love Her All The Time 07:15\u003c\/li\u003e\n\u003cli\u003eGhost Bitch 04:18\u003c\/li\u003e\n\u003cli\u003eTom Violence 03:11\u003c\/li\u003e\n\u003cli\u003eWhat We Know 04:54\u003c\/li\u003e\n\u003cli\u003eDrunken Butterfly 04:23\u003c\/li\u003e\n\u003cli\u003eFlower 04:27\u003c\/li\u003e\n\u003cli\u003eSugar Kane 07:42\u003c\/li\u003e\n\u003cli\u003ePsychic Hearts 04:31\u003c\/li\u003e\n\u003cli\u003eInhuman 11:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Silver Current Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOn August 12, 2011 Sonic Youth played their final US show on an outdoor stage overlooking the East River at the Williamsburg Waterfront in Brooklyn. Fitting that their storied career would bookend with a panoramic view of New York City where it all began 30 years before, having left in their wake one of one of the most powerfully influential careers in rock music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollowing incredible sets from Kurt Vile and Wild Flag, the band took the stage. As the sun went down over the city, Sonic Youth ripped through a 17 song set that spanned from deep cuts off their first studio album and highlighting many other albums all the way through to their last, like a band with everything to prove. 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width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2 x 12\" black vinyl or 2 x 12\" color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrave Men Run (In My Family) 05:12\u003c\/li\u003e\n\u003cli\u003eDeath Valley ’69 05:51\u003c\/li\u003e\n\u003cli\u003eKotton Krown 05:07\u003c\/li\u003e\n\u003cli\u003eKill Yr Idols 02:56\u003c\/li\u003e\n\u003cli\u003eEric’s Trip 03:45\u003c\/li\u003e\n\u003cli\u003eSacred Trickster 02:11\u003c\/li\u003e\n\u003cli\u003eCalming The Snake 03:51\u003c\/li\u003e\n\u003cli\u003eStarfield Road 03:27\u003c\/li\u003e\n\u003cli\u003eI Love Her All The Time 07:15\u003c\/li\u003e\n\u003cli\u003eGhost Bitch 04:18\u003c\/li\u003e\n\u003cli\u003eTom Violence 03:11\u003c\/li\u003e\n\u003cli\u003eWhat We Know 04:54\u003c\/li\u003e\n\u003cli\u003eDrunken Butterfly 04:23\u003c\/li\u003e\n\u003cli\u003eFlower 04:27\u003c\/li\u003e\n\u003cli\u003eSugar Kane 07:42\u003c\/li\u003e\n\u003cli\u003ePsychic Hearts 04:31\u003c\/li\u003e\n\u003cli\u003eInhuman 11:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Silver Current Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOn August 12, 2011 Sonic Youth played their final US show on an outdoor stage overlooking the East River at the Williamsburg Waterfront in Brooklyn. Fitting that their storied career would bookend with a panoramic view of New York City where it all began 30 years before, having left in their wake one of one of the most powerfully influential careers in rock music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollowing incredible sets from Kurt Vile and Wild Flag, the band took the stage. As the sun went down over the city, Sonic Youth ripped through a 17 song set that spanned from deep cuts off their first studio album and highlighting many other albums all the way through to their last, like a band with everything to prove. Or as Brooklyn Vegan’s Andrew Sacher said at the time: “While most bands who are thirty years into their career are either fading away or living off of the nostalgia of their older material, Sonic Youth continue to sound and perform as fresh as ever.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sonic Youth\u003c\/p\u003e\n\u003cp\u003eLabel : Silver Current Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSC 055LP\u003c\/span\u003e\u003c\/p\u003e"}
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This is a live recording of the American band Sonic Youth's final performance in the United States on August 2011, 8. ---------------------------------------- Available on 12 x 2" black vinyl or 12 x 2"...
¥5,680