Healthy Realism // Dog Armor DLC TAPE
Healthy Realism // Dog Armor DLC TAPE
¥ 1,188
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The new October 2020 free jazz trio Healthy Realism led by Alex Colombo, who has released a large number of works from Orangemilk.Includes 10 improvisation sessions. Limited to 5, DL code included.
Edition of 50.
Artist: Healthy Realism
Label: Personal Archives
The new October 2020 free jazz trio Healthy Realism led by Alex Colombo, who has released a large number of works from Orangemilk.Includes 10 improvisation sessions. Limited to 5, DL code included.
Edition of 50.
Artist: Healthy Realism
Label: Personal Archives
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{"id":6558658232485,"title":"Taku Sugimoto \/ Takashi Masubuchi \/\/ Live at Otooto \u0026 Permian CD","handle":"taku-sugimoto-takashi-masubuchi-live-at-otooto-permian-cd","description":"\u003cp\u003e東京のギタリスト2名によるライブ音源5曲を収録したCD。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929314613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn Live At OTOOTO \u0026amp; Permian, two guitarists from Japan, Taku Sugimoto and Takashi Masubuchi, ask a series of unresolved questions – about time, about interplay, about tonality. Those who know Sugimoto’s music will recognise here a certain tension, and a feeling for the apposite; these two traits have been core to his playing and composing since he first introduced himself to the broader listening public, in the ‘90s, with albums like Opposite. Masubuchi, who has also recently collaborated with Shizuo Uchida and Straytone, intersects with Sugimoto in a number of ways – they share interests in Morton Feldman and in folk blues, both of which are evident here in the abstract.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive At OTOOTO \u0026amp; Permian is particularly fascinating for its surprise, its contrast, and its unique character. Sugimoto may have been cautious of improvisation of late, but here his playing sits perfectly alongside Masubuchi’s rich, resonant explorations of his acoustic guitar. Of note is the juxtaposition between Masubuchi’s glistening, open-ended notes – in equal temperament – and the glissing, reedy drones and tensile droplets of tone from Sugimoto’s guitar, in a tuning that he himself devised. The five tracks here, excerpts from live performances at Permian (a venue run by Masubuchi with fellow guitarist, Riuchi Daijo) and OTOOTO (run by Hiromi and Seiji Kimura) are messages sent from the front, exploratory devices – the blues and the abstract truth. (Jon Dale)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Taku Sugimoto \/ Takashi Masubuchi \u003c\/p\u003e\n\u003cp\u003elabel : Confront Recordings \u003c\/p\u003e","published_at":"2021-03-07T11:08:50+09:00","created_at":"2021-03-07T11:08:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","jazz","monooto","new"],"price":176000,"price_min":176000,"price_max":176000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39326089281701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Taku Sugimoto \/ Takashi Masubuchi \/\/ Live at Otooto \u0026 Permian CD","public_title":null,"options":["Default Title"],"price":176000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931","options":["Title"],"media":[{"alt":null,"id":20535966335141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のギタリスト2名によるライブ音源5曲を収録したCD。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929314613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn Live At OTOOTO \u0026amp; Permian, two guitarists from Japan, Taku Sugimoto and Takashi Masubuchi, ask a series of unresolved questions – about time, about interplay, about tonality. Those who know Sugimoto’s music will recognise here a certain tension, and a feeling for the apposite; these two traits have been core to his playing and composing since he first introduced himself to the broader listening public, in the ‘90s, with albums like Opposite. Masubuchi, who has also recently collaborated with Shizuo Uchida and Straytone, intersects with Sugimoto in a number of ways – they share interests in Morton Feldman and in folk blues, both of which are evident here in the abstract.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive At OTOOTO \u0026amp; Permian is particularly fascinating for its surprise, its contrast, and its unique character. Sugimoto may have been cautious of improvisation of late, but here his playing sits perfectly alongside Masubuchi’s rich, resonant explorations of his acoustic guitar. 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{"id":6548161659045,"title":"Jaman \/\/ Sweet Heritage LP","handle":"jaman-sweet-heritage","description":"\u003cp\u003eオリジナル盤が6万円で取引されている1974年リリースのジャズファンクアルバムがヴァイナル再発。ひたすら甘いピアノです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1341786731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1930453273\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1341786731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable again for the first time since original release in 1974, Outernational Sounds proudly presents one of the deepest custom press jazz recordings of all – Jaman’s spiritualised and funky Sweet Heritage.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe history of jazz is often told as though it was principally a history of releases and recordings. On those terms, it’s easy to mistake a small recorded footprint for obscurity or silence. But that is to put the cart before the horse, for the true history of the jazz is the story of the music as it was played night after night in the clubs, bars, concert halls and backrooms of cities and towns across America and the world. Only a tiny fraction of this living tradition ever makes it onto a recording. The far greater part is embodied in the musicians and their music as they play it and live it. And even though 1974’s Sweet Heritage is James Edward Manuel’s only release, the pianist and educator better known as Jaman has undoubtedly lived it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrought up in Buffalo, New York, Jaman studied classical piano before beginning formal jazz studies under greats including Earl Bostic and Horace Parlan. Quickly becoming a respected regular on the club scene in Buffalo, Jaman held down innumerable residencies and worked with top local musicians – one of his\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearly trios included the renowned bassist John Heard and drummer Clarence Becton, both of whom were poached one night by a visiting Jon Hendricks; sometime Sun Ra Arkestra bassist Juini Booth and regular Ahmad Jamal sideman Sabu Adeyola (also of Kamal \u0026amp; The Brothers) have graced his groups too. At famous night spots all over Buffalo’s East Side and on excursions to Manhattan’s storied jazz clubs, Jaman has shared the stage with some of the most illustrious names in jazz and blues: Big Joe Turner, Muddy Waters, Joe Henderson, Ruth Brown, Frank Morgan, Woody Shaw, Sonny Stitt, and too many others to mention. His eponymous group, Jaman, was formed in 1970; they toured the US and Canada steadily in the years that followed. He became, in short, one of Buffalo’s true jazz stalwarts, and so he remains.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut despite a life lived deep within the music, Jaman only recorded a single LP, 1974’s Sweet Heritage. Pressed in tiny quantities by the Mark Records custom service, and issued with a stock landscape cover, Sweet Heritage featured the regular Jaman group playing a mixture of covers and originals. The whole LP showcases an ensemble in compete control, and with the flying, spiritual sound of ‘Free Will’ and the upful, Latin-tinged ‘In The Fall of The Year’ – both Jaman originals – the album has since become a legendary collector’s classic. Unavailable since its original issue, Outernational Sounds is proud to present Jaman’s Sweet Heritage – the soulful and spiritualised sounds of a master at work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jaman\u003c\/p\u003e\n\u003cp\u003elabel : Outernational Sounds\u003c\/p\u003e","published_at":"2021-03-01T14:47:57+09:00","created_at":"2021-03-01T14:47:57+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","Outernational Sounds"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39287488348325,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jaman \/\/ Sweet Heritage LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0534015093_16.jpg?v=1614577911"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0534015093_16.jpg?v=1614577911","options":["Title"],"media":[{"alt":null,"id":20352209223845,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0534015093_16.jpg?v=1614577911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0534015093_16.jpg?v=1614577911","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオリジナル盤が6万円で取引されている1974年リリースのジャズファンクアルバムがヴァイナル再発。ひたすら甘いピアノです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1341786731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1930453273\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1341786731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable again for the first time since original release in 1974, Outernational Sounds proudly presents one of the deepest custom press jazz recordings of all – Jaman’s spiritualised and funky Sweet Heritage.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe history of jazz is often told as though it was principally a history of releases and recordings. On those terms, it’s easy to mistake a small recorded footprint for obscurity or silence. But that is to put the cart before the horse, for the true history of the jazz is the story of the music as it was played night after night in the clubs, bars, concert halls and backrooms of cities and towns across America and the world. Only a tiny fraction of this living tradition ever makes it onto a recording. The far greater part is embodied in the musicians and their music as they play it and live it. And even though 1974’s Sweet Heritage is James Edward Manuel’s only release, the pianist and educator better known as Jaman has undoubtedly lived it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrought up in Buffalo, New York, Jaman studied classical piano before beginning formal jazz studies under greats including Earl Bostic and Horace Parlan. Quickly becoming a respected regular on the club scene in Buffalo, Jaman held down innumerable residencies and worked with top local musicians – one of his\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearly trios included the renowned bassist John Heard and drummer Clarence Becton, both of whom were poached one night by a visiting Jon Hendricks; sometime Sun Ra Arkestra bassist Juini Booth and regular Ahmad Jamal sideman Sabu Adeyola (also of Kamal \u0026amp; The Brothers) have graced his groups too. At famous night spots all over Buffalo’s East Side and on excursions to Manhattan’s storied jazz clubs, Jaman has shared the stage with some of the most illustrious names in jazz and blues: Big Joe Turner, Muddy Waters, Joe Henderson, Ruth Brown, Frank Morgan, Woody Shaw, Sonny Stitt, and too many others to mention. His eponymous group, Jaman, was formed in 1970; they toured the US and Canada steadily in the years that followed. He became, in short, one of Buffalo’s true jazz stalwarts, and so he remains.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut despite a life lived deep within the music, Jaman only recorded a single LP, 1974’s Sweet Heritage. Pressed in tiny quantities by the Mark Records custom service, and issued with a stock landscape cover, Sweet Heritage featured the regular Jaman group playing a mixture of covers and originals. The whole LP showcases an ensemble in compete control, and with the flying, spiritual sound of ‘Free Will’ and the upful, Latin-tinged ‘In The Fall of The Year’ – both Jaman originals – the album has since become a legendary collector’s classic. 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{"id":6548033667237,"title":"Kirk Lightsey \u0026 Rudolph Johnson With The All Stars \/\/ Habiba LP","handle":"kirk-lightsey-rudolph-johnson-with-the-all-stars-habiba-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオリジナル盤が南アフリカで1974年にリリースされて以来廃盤のままだった幻の作品がヴァイナル再発。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eChet BakerやSonny Stittのサイドマンであったバップ・ピアニストのKirk Lightseyとブラックジャズのキープレーヤーであるサックス奏者Rudolph Johnsonとのセッション。アパルトヘイトの時代に黒人ミュージシャンが南アフリカへ訪れること自体難しいことでしたが、元々イギリスとアフリカで成功を収めたヴォーカリストLovelace Watkinsのバック・バンドとして同行した際に現地最高峰のスタジオガロ・レコーディング・スタジオで録音された作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/QgLSM2rMul8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kirk Lightsey \u0026amp; Rudolph Johnson With The All Stars\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Outernational Sounds\u003c\/p\u003e","published_at":"2021-03-01T13:10:55+09:00","created_at":"2021-03-01T13:10:54+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","Outernational Sounds"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39287126392997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kirk Lightsey \u0026 Rudolph Johnson With The All Stars \/\/ Habiba LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/1008211056.jpg?v=1614571856"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/1008211056.jpg?v=1614571856","options":["Title"],"media":[{"alt":null,"id":20351376425125,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/1008211056.jpg?v=1614571856"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/1008211056.jpg?v=1614571856","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオリジナル盤が南アフリカで1974年にリリースされて以来廃盤のままだった幻の作品がヴァイナル再発。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eChet BakerやSonny Stittのサイドマンであったバップ・ピアニストのKirk Lightseyとブラックジャズのキープレーヤーであるサックス奏者Rudolph Johnsonとのセッション。アパルトヘイトの時代に黒人ミュージシャンが南アフリカへ訪れること自体難しいことでしたが、元々イギリスとアフリカで成功を収めたヴォーカリストLovelace Watkinsのバック・バンドとして同行した際に現地最高峰のスタジオガロ・レコーディング・スタジオで録音された作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/QgLSM2rMul8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kirk Lightsey \u0026amp; Rudolph Johnson With The All Stars\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Outernational Sounds\u003c\/p\u003e"}
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A vinyl reissue of a phantom work that has been out of print since the original was released in South Africa in 1974. A session between Chet Baker and Sonny Stitt sideman Kirk Lightsey, a bop pianist, and saxophonist Rudolph Johnson, a key player in black jazz.It was difficult for black musicians to visit South Africa during the apartheid era, but when they accompanied the successful vocalist Lovelace Watkins in the UK and Africa as a backing band, they were at the best local studio, Gallo Recording Studio. It is a recorded work. artist: Kirk Lightsey & Rudolph Johnson ...
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