Quickview
{"id":7980221956346,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD","handle":"copy-of-jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp-2xcd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA(David Foster Wallaceに由来)というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:50:00+09:00","created_at":"2023-05-30T15:02:59+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","cd","jazz","lp","new","recommended"],"price":348000,"price_min":348000,"price_max":528000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748872442,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":true,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - LP","public_title":"LP","options":["LP"],"price":528000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44259748905210,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - CD","public_title":"CD","options":["CD"],"price":348000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Format"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA(David Foster Wallaceに由来)というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}