Julien Demoulin // Shine EP TAPE

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Julien Demoulin, an ambient artist from Brussels, Belgium, independently released a cassette of 2012 copies in 50.

Contains 6 post-new age ambient songs. DL code included.

-----------------------------------

Edition of 50.

Artist : julien demoulin

Label: Eglantine Records

Julien Demoulin, an ambient artist from Brussels, Belgium, independently released a cassette of 2012 copies in 50.

Contains 6 post-new age ambient songs. DL code included.

-----------------------------------

Edition of 50.

Artist : julien demoulin

Label: Eglantine Records

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Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist destination. The population of parrots and birds multiplied, filling the air with a cacophony of colours and sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe remaining humans on the island adapted to their new reality, living in isolated communities and learning to survive in a world where they are the minority. Meanwhile, the virus continues its advance in the outside world, pushing humanity to the brink of extinction.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hannibal Chew Ⅳ\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2023-11-29T20:35:14+09:00","created_at":"2023-11-29T20:22:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","monooto","new","recommended","strange beats","tape"],"price":209600,"price_min":209600,"price_max":209600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44824789778682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hannibal Chew Ⅳ \/\/ Loros Locos (Sinfonías Destrozadas en Tenerife TAPE","public_title":null,"options":["Default Title"],"price":209600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1847220855_16.jpg?v=1701256965","\/\/tobirarecords.com\/cdn\/shop\/files\/0034028067_10.jpg?v=1701256968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1847220855_16.jpg?v=1701256965","options":["Title"],"media":[{"alt":null,"id":32766511153402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1847220855_16.jpg?v=1701256965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1847220855_16.jpg?v=1701256965","width":700},{"alt":null,"id":32766511251706,"position":2,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034028067_10.jpg?v=1701256968"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034028067_10.jpg?v=1701256968","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル大密林地帯Discrepant主宰Hannibal Chew Ⅳが、2023年12月に100本限定でリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e密林アンビエント〜ストレンジビーツ〜Lo-Fi実験ヒップホップがミックステープのようにシームレスに展開するコラージュ絵巻2曲、1時間を収録。DLリンク付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「2054年、テネリフェ島：地元の動物園のオウムが不可解なことに発狂し、人間にのみ感染する致死性のウィルスを撒き散らした。病気を封じ込めることができず、当局は島を完全に隔離することを余儀なくされた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e時が経つにつれ、島は野生動物の聖域へと変貌を遂げ、今では動物たちがその領土を自由に歩き回るようになった。シャチやイルカが周囲の海を占領し、ゴリラはかつて人気の観光地だったテイデ周辺の山々に住処を見つけた。オウムや鳥の数は増え、空気は色と音の不協和音で満たされた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e島に残った人間たちは新しい現実に適応し、孤立したコミュニティで暮らし、自分たちが少数派となった世界で生き残る術を身につけた。一方、外の世界ではウイルスが増殖を続け、人類は絶滅の危機に瀕していた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1663227493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist destination. The population of parrots and birds multiplied, filling the air with a cacophony of colours and sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe remaining humans on the island adapted to their new reality, living in isolated communities and learning to survive in a world where they are the minority. Meanwhile, the virus continues its advance in the outside world, pushing humanity to the brink of extinction.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hannibal Chew Ⅳ\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}

This is an extremely rare 2023" lace cut that was released in October 10 by Australian-born experimental vocalist Karen Vogt, who lives in France, on the British experimental label Waxing Crescent in a limited edition of 30 copies. Le Mans 10 Hour Race (near Le Mans, France) Contains 24 experimental ambient songs using only his own voice and field recordings collected during the four-wheel endurance race held in 24, where participants compete for the number of circuit laps in 10 hours. DL code included. Out of print. Click here for other works from the label. /// Click here to see more Waxing Crescent releases available at...

¥5,968

Carlos Niño & Friends // EXTRA PRESENCE 2xLP [COLOR] / TAPE

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Quickview {"id":8096614383866,"title":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE","handle":"carlos-nino-friends-extra-presence-2xlp-color-tape","description":"\u003cp\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T18:57:03+09:00","created_at":"2023-11-28T18:49:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage","tape"],"price":242000,"price_min":242000,"price_max":596400,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821345829114,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110591017210,"product_id":8096614383866,"position":4,"created_at":"2023-11-28T18:53:53+09:00","updated_at":"2023-11-28T18:53:54+09:00","alt":null,"width":144,"height":108,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","variant_ids":[44821345829114]},"available":true,"name":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE - 2xLP","public_title":"2xLP","options":["2xLP"],"price":596400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761579929850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44821345861882,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110591836410,"product_id":8096614383866,"position":6,"created_at":"2023-11-28T18:54:36+09:00","updated_at":"2023-11-28T18:55:31+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","variant_ids":[44821345861882]},"available":true,"name":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":242000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","options":["Format"],"media":[{"alt":null,"id":32761579602170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","width":700},{"alt":null,"id":32761579798778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","width":1200},{"alt":null,"id":32761579864314,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","width":144},{"alt":null,"id":32761579929850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","width":144},{"alt":null,"id":32761581928698,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","width":1200},{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","width":1200},{"alt":null,"id":32761581830394,"position":7,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}

This is an album released by percussionist Carlos Niño from Los Angeles, USA, on the Chicago jazz label International Anthem in July 2022.Contains 7 Togenkyo spiritual ambient jazz songs, 17 minutes.The records are purple and green.Click here to see more International Anthem releases available at Tobira. ...

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Quickview {"id":8096505463034,"title":"Aiko Takahashi \/\/ It Could Have Been A Beautiful LP [COLOR] \/ CD","handle":"aiko-takahashi-it-could-have-been-a-beautiful-lp-color-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e神戸のアンビエント作家Aiko Takahashi\u003c\/span\u003eが、2023年11月にフランスのアンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e環境音を織り交ぜた微睡系アンビエント〜アンビエントドローン3曲（CDは4曲）を収録。DLコード付属。レコードは黄色盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2297564210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ yellow transparent vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, black inner with empty hole\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eAiko Takahashi :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"I’ve released various materials over the years under other names, Aiko has been materialized in 2022 through self\u003c\/span\u003e-published music and with IIKKI it's the first official release that I am very proud of. Despite this, Aiko has been publishing in other forms since 2020, but always within the sphere of ambient music.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"This album was born as a long-lasting sound continuum. It was then cut, stitched together and reassembled to give shape and restore unity from the fragments, in order to have an album that shows its completeness halfway between the titles and the compositions themselves. Contrary to what it may seem, it is not born from a concept and does not want to be. The titles were chosen in a poetic, almost naïve way, the sounds of these creatures led me to believe that they could be divided into different distinct phases of the day. What I want to communicate with the titles is just what came to mind in a moment of reflection, a very simple thing, that sometimes time passes too quickly, and the moments we spend with our loved ones could always be better, it could have been a beautiful morning, afternoon, evening or night.\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Aiko Takahashi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e","published_at":"2023-11-28T13:20:17+09:00","created_at":"2023-11-28T13:09:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","Laaps","lp","new","recommended"],"price":217000,"price_min":217000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44820812988666,"title":"LP [COLOR]","option1":"LP [COLOR]","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aiko Takahashi \/\/ It Could Have Been A Beautiful LP [COLOR] \/ CD - LP [COLOR]","public_title":"LP [COLOR]","options":["LP [COLOR]"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44820813021434,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aiko Takahashi \/\/ It Could Have Been A Beautiful LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":217000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1129639910_16.jpg?v=1701145023","\/\/tobirarecords.com\/cdn\/shop\/files\/0033755229_10.jpg?v=1701145025","\/\/tobirarecords.com\/cdn\/shop\/files\/0033755194_10.jpg?v=1701145026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1129639910_16.jpg?v=1701145023","options":["Format"],"media":[{"alt":null,"id":32760426627322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1129639910_16.jpg?v=1701145023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1129639910_16.jpg?v=1701145023","width":700},{"alt":null,"id":32760426660090,"position":2,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033755229_10.jpg?v=1701145025"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033755229_10.jpg?v=1701145025","width":1200},{"alt":null,"id":32760426692858,"position":3,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033755194_10.jpg?v=1701145026"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033755194_10.jpg?v=1701145026","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e神戸のアンビエント作家Aiko Takahashi\u003c\/span\u003eが、2023年11月にフランスのアンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e環境音を織り交ぜた微睡系アンビエント〜アンビエントドローン3曲（CDは4曲）を収録。DLコード付属。レコードは黄色盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2297564210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ yellow transparent vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, black inner with empty hole\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eAiko Takahashi :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"I’ve released various materials over the years under other names, Aiko has been materialized in 2022 through self\u003c\/span\u003e-published music and with IIKKI it's the first official release that I am very proud of. Despite this, Aiko has been publishing in other forms since 2020, but always within the sphere of ambient music.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"This album was born as a long-lasting sound continuum. It was then cut, stitched together and reassembled to give shape and restore unity from the fragments, in order to have an album that shows its completeness halfway between the titles and the compositions themselves. Contrary to what it may seem, it is not born from a concept and does not want to be. The titles were chosen in a poetic, almost naïve way, the sounds of these creatures led me to believe that they could be divided into different distinct phases of the day. What I want to communicate with the titles is just what came to mind in a moment of reflection, a very simple thing, that sometimes time passes too quickly, and the moments we spend with our loved ones could always be better, it could have been a beautiful morning, afternoon, evening or night.\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Aiko Takahashi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e"}