Lessons In Hate // Stairs of Emotion TAPE
Lessons In Hate // Stairs of Emotion TAPE
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This is the debut work released by Italian post-industrial writer Lessons In Hate in 2018, limited to 50 pieces.
Includes 20 industrial ambient drones by Korg MS-4 and effectors.
--------------------------------
Edition of 50.
Prehistoric Silence:
"Lessons In Hate's sound is made up of noise and ambient music textures influenced by lots of genres, varying from industrial soundscapes to ethereal streams of harmonies.
"Stairs of Emotion" is a work about love, hate and confusion. It tries to represent blurred figures and places with repetitive patterns and feedbacks made using a Korg MS-20 along with effect pedals. The tracks were recorded in the last year and they were then re-worked in the last months.
For his first release as Lessons In Hate, Samuele Larese presents itself with four tracks. Side A is characterized by ambient soundscapes and feedbacks bringing nostalgic feelings. Side B contains two tracks focused on distorted sounds and field recordings with a more aggressive impact. "
Artist: Lessons In Hate
Label: Prehistoric Silence
This is the debut work released by Italian post-industrial writer Lessons In Hate in 2018, limited to 50 pieces.
Includes 20 industrial ambient drones by Korg MS-4 and effectors.
--------------------------------
Edition of 50.
Prehistoric Silence:
"Lessons In Hate's sound is made up of noise and ambient music textures influenced by lots of genres, varying from industrial soundscapes to ethereal streams of harmonies.
"Stairs of Emotion" is a work about love, hate and confusion. It tries to represent blurred figures and places with repetitive patterns and feedbacks made using a Korg MS-20 along with effect pedals. The tracks were recorded in the last year and they were then re-worked in the last months.
For his first release as Lessons In Hate, Samuele Larese presents itself with four tracks. Side A is characterized by ambient soundscapes and feedbacks bringing nostalgic feelings. Side B contains two tracks focused on distorted sounds and field recordings with a more aggressive impact. "
Artist: Lessons In Hate
Label: Prehistoric Silence
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{"id":8613543805178,"title":"pablo diserens \/\/ turning porous LP","handle":"pablo-diserens-turning-porous-lp","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e当店人気ドイツ・ベルリンのフィールドレコーディング作家pablo diserensが、\u003cspan data-mce-fragment=\"1\"\u003e2024年6月に自身\u003c\/span\u003e主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼女がスペイン・ガリシア地方に2ヵ月間滞在して録音した様々な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるディープリスニング系サウンドスケープ作品です。DLコード付属。180g重量盤、45RPMです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"個展「on becoming amphibian（両生類になることについて）」と出版物の一環として、forms of minutiaeとGalería Vilasecoは、フィールドレコーディング作家であり、forms of minutiaeの共同設立者であるpablo diserensによる、水陸両用と水路音響の集大成「turning porous」を発表する。\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eスペイン北西部の緑豊かなガリシア地方に招かれたpablo diserensは、2ヶ月間住み込みで働き、地元の両生類のコミュニティと融合することを願い、昼夜を問わずこの地方の淡水に生息した。耳を澄ませ、耳を傾ける姿勢をとりながら、さまざまな映像や音の記録技術を駆使した。爬虫両生類に徐々に溶け込みながら、pablo diserensは身体的な遊びや知覚のリフレーミングに取り組むことで、人間の経験の境界線をもてあそんだ。その結果、体現された水陸両用の現実を通過する存在として、現在の感覚が変化した。その後の展覧会と出版物 「on becoming amphibian 」とアルバム 「turning porous 」は、ガリシアの水生生態系の脆弱なサウンドスケープにリスナーを誘いながら、この透過的な変容を反映した作品群を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6曲のトラックの中で、無尾類の鳴き声、昆虫の鳴き声、コウモリの鳴き声、鳥の鳴き声、水力発電のうなり声、そして風によって運ばれてくる音が聞こえる。カエルの鳴き声とドローンのようなサウンドスケープが交互に流れ、この地域の池や川の複雑な音に引き込まれると同時に、その土地特有の音楽を暗示する。身体的な接触と親密な位置関係が感じられるトラックは、全体を通して親密さが感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカエルに魅了され、彼らの幸福を願うpablo diserensは、無尾類の世界に舞台を提供する。両生類は指標種として知られている。彼らの健康状態や環境の変化に対する極めて敏感な感受性は、地球の状態を物語っている。そのため、彼らの存在（あるいは不在）を利用して生息地の健全性をモニターすることができるほどだ。アルバムの冒頭を飾る 「arytes 」は、リオ・ミーニョの斜面で録音されたミッドワイフヒキガエル（Alytes obstetricans）の微細な鳴き声で始まる。ヒキガエルのすぐ近くに置かれたマイクは、夜鳴きするヒキガエルを注意深く拾い上げ、時間とともに繊細な音色のタペストリーに絡み合っていく。ある種の妖しい音楽だ。イベリア水ガエル（Pelophylax perezi）とイベリアアマガエル（Hyla molleri）の賑やかな鳴き声が、かつての採石場から放射される。リスナーがこれらの興奮したサウンドスケープに溶け込むと、ピング、リビット、さえずりは、まるで私たちがそれらを言語として理解し、聞き始めたかのように、意味のヒントで膨らんでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「riparian zone 」は、川の斜面で聞こえる動物の声と人為的な振動を融合させることで、リオ・ミーニョの肖像を描いている。アリクイ、コオロギ、バッタ、コウモリ、鳥が擬似的なサーカディアン曲線の中で、クリック音、ピング音、ジップ音からなるポリリズムのサウンドスケープに融合する。これらの音は、昆虫のざわめきとダムの水力発電所の静的なうなり音のドローン的な合流音によって緩衝され、マイクがドローンの発生源に近づいたり遠ざかったりするにつれて、音色の共鳴が徐々に変化していく。トラック全体を通して、風景に傷をつける水圧技術の絶え間ないうなり声から、人間以外の存在が浮き沈みする。夕暮れが夜明けを迎えると、鳥がマイクを攻撃して前景を取り戻し、コウノトリの掴み所のない鳴き声に変わる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003epablo diserensにとって、持続的な音色と複雑なリズムは独特の魅力を持ち、そのような音楽が世界の中に控えめに存在する場合はなおさらである。「透過性のある皮膚」は、この感情を呪術的なまでに繊細に表現している。カエルがたくさんいる池の水面下では、ミズスマシが蠢き、ジワジワと音を立て、水の裏側の沈んだ脈動を露わにする。さらに上流にある水力発電の構造物からは、感情の曖昧さを帯びたサイトスペシフィックな音楽が絡み合いながら音色を奏でる。pablo diserensはガラス瓶に息を吹き込み、ヘルムホルツ共振による振動を作り出す。最後に、アヌランの鳴き声がこの微分音コーラスに加わり、両生類が浸透し、聴く者を浸透可能な状態へと液化させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「mirage in motion 」は、難解なオープニングでアルバムを締めくくる。突き出た岩と歪んだ栗の木の間のどこかで、森は穏やかなハミングに包まれる。昆虫が臆病に蠢き、風はひび割れた木の幹を通り抜け、柔らかなエオリアントーンを形成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全体として、「turning porous 」は、pablo diserensのリスニング体験のぬめりと親密さがにじみ出ている。彼らは隣接する出版物にこう書いている：「私は最近、人間よりもカエルになった」。フィールドレコーディング、ドローン的な形態、音響生態学のヒントが組み合わされることによって、聴こえるようになる変身。リスナーをガリシアのフラジャイルな両生類や水辺の現実と織りなすように誘う「turning porous」は、浸透のジェスチャーで世界を取り込むように誘う。池の生き物たち、そしてその向こう側と共存する方法として、浸透しやすく多孔性の存在を呼びかけるつぶやきである。\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3908389456\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid September.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e12\" record - 45rpm - 180g\u003cbr\u003eprinted outersleeves\u003cbr\u003elimited edition of 200 copies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. alytes 06:40\u003cbr\u003e2. riparian zone 09:58\u003cbr\u003e3. herpetophonics: ponderings 04:41\u003cbr\u003e4. permeable skin 08:28\u003cbr\u003e5. herpetophonics: arousal 06:46\u003cbr\u003e6. mirage in motion 04:55 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003eAs part of the upcoming solo exhibition and publication “on becoming amphibian”, forms of minutiae and Galería Vilaseco present \"turning porous\", a gathering of amphibious and hydrographic acoustics by field recordist, artist, and forms of minutiae’s co-founder Pablo Diserens.\u2028 \u003cbr\u003e\u003cbr\u003eInvited to live and work for a two-month period in Galicia, the verdant region of Spain’s northwest, Pablo Diserens spent days and nights inhabiting the region’s freshwaters in the hope of merging with the local amphibian communities. All ears, they adopted a series of listening postures while deploying a range of visual and sound recording techniques. Gradually dissolving in the herpetofauna, Diserens toyed with the boundaries of human\u003cspan class=\"bcTruncateMore\"\u003e experience by engaging in somatic play and perceptual reframing. This resulted in an altered sensing of the present as existence funneled through embodied amphibious realities. The subsequent exhibition and publication “on becoming amphibian” and the album “turning porous” form a body of work that reflects this permeable morphing while inviting listeners into the vulnerable soundscapes of Galicia’s aqueous ecologies. \u003cbr\u003e\u003cbr\u003eOver the course of six tracks, anuran calls, insect stridulations, bat clicks, avian songs, hydroelectric hums, and wind-borne tones occur. Frog recordings and dronesque soundscape compositions alternate, drawing us into the sonic intricacies of the region’s ponds and rivers while hinting at site-specific musics. Closeness is felt throughout, as tracks bear a sense of intimate positioning flirting with physical contact. \u003cbr\u003e\u003cbr\u003eEnamored with frogs and concerned with their well-being, Diserens gives the stage to the anuran world. Amphibians are known as indicator species. Their health and extreme sensitivity to environmental changes speak volumes on the state of the planet. So much so that their presence (or lack of) can be used to monitor the health of a habitat. “alytes” opens the album with the deliciously minute calls of common midwife toads (Alytes obstetricans) recorded on the slopes of the Rio Miño. Placed extremely close to the toads, microphones pick up prudent nocturnal pings intertwining over time into a delicate tonal tapestry. A bewitching music of some sort. Aptly named, the two “herpetophonics” tickle the ears and dilate the pores as the boisterous calls of Iberian water frogs (Pelophylax perezi) and Iberian tree frogs (Hyla molleri) radiate from former quarries. As listeners melt in these aroused soundscapes, pings, ribbits and chirps swell with hints of meaning as if we began to fathom and hear them as a language — an anuran semantic. \u003cbr\u003e\u003cbr\u003e“riparian zone” paints a portrait of the Rio Miño by merging animal voices and anthropogenic vibrations heard along the river’s slopes. In a quasi-circadian curvature, alytes, crickets, grasshoppers, bats and birds merge into a polyrhythmic soundscape made of clicks, pings, and zips. These are cushioned by the dronesque confluence of murmuring insects and the static hums of a dam’s hydroelectric plant—which tonal resonances gradually shift as the microphones move closer and away from the drone’s source. Throughout the track, non-human presences ebb and flow from the constant buzz of the hydraulic technologies scarring the landscape. As dusk reaches dawn, a bird reclaims the foreground by attacking the microphones and giving way to the gripping clatter of storks. \u003cbr\u003e\u003cbr\u003eFor Diserens, sustained tones and rhythmic complexities hold a unique magnetism, even more so when such music is found discreetly existing in the world. “permeable skin” carries this sentiment with spellbinding delicacy. Water beetles stridulate and zip away under the surface of a frog-packed pond, unveiling the submerged pulses of the waters’ flip side. Tones rise from the hydroelectric structures further upstream, intertwining in a site-specific music charged with emotional ambiguity. Diserens responds by blowing into glass bottles, creating oscillations made of Helmholtz resonances. Finally, anuran pings join this microtonal chorus as it percolates with amphibience, liquifying listeners into a permeable state. \u003cbr\u003e\u003cbr\u003e“mirage in motion” ends the album with an arcane opening. Somewhere between protruding boulders and contorted bodies of sick chestnut trees, the forest is visited by a gentle hum. As insects stridulate timidly, winds funnel through a cracked sylvan trunk to form soft aeolian tones, ebbing and flowing with the aerial currents. \u003cbr\u003e\u003cbr\u003eAll in all, “turning porous” oozes with the slime and intimacy of Diserens’ listening experience. They write in the adjacent publication: “I’m more frog than human these days”. A shapeshifting that is made audible through the imbrication of field recordings, dronesque forms, and hints of acoustic ecology. By inviting listeners to weave themselves with the fragile amphibian and riparian realities of Galicia, \"turning porous\" is an invitation to let the world in in a gesture of permeance. A murmur that calls for permeable and porous existence as a way of cohabiting with the critters of the ponds, and beyond. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : pablo diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e","published_at":"2024-09-04T08:34:18+09:00","created_at":"2024-09-04T08:18:43+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","forms of minutiae","lp","monooto","new","recommended"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46628512071930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"pablo diserens \/\/ turning porous 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Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429","\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","options":["Title"],"media":[{"alt":null,"id":34824000078074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","width":700},{"alt":null,"id":34824000209146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429","width":1200},{"alt":null,"id":34824000241914,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e当店人気ドイツ・ベルリンのフィールドレコーディング作家pablo diserensが、\u003cspan data-mce-fragment=\"1\"\u003e2024年6月に自身\u003c\/span\u003e主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼女がスペイン・ガリシア地方に2ヵ月間滞在して録音した様々な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるディープリスニング系サウンドスケープ作品です。DLコード付属。180g重量盤、45RPMです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"個展「on becoming amphibian（両生類になることについて）」と出版物の一環として、forms of minutiaeとGalería Vilasecoは、フィールドレコーディング作家であり、forms of minutiaeの共同設立者であるpablo diserensによる、水陸両用と水路音響の集大成「turning porous」を発表する。\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eスペイン北西部の緑豊かなガリシア地方に招かれたpablo diserensは、2ヶ月間住み込みで働き、地元の両生類のコミュニティと融合することを願い、昼夜を問わずこの地方の淡水に生息した。耳を澄ませ、耳を傾ける姿勢をとりながら、さまざまな映像や音の記録技術を駆使した。爬虫両生類に徐々に溶け込みながら、pablo diserensは身体的な遊びや知覚のリフレーミングに取り組むことで、人間の経験の境界線をもてあそんだ。その結果、体現された水陸両用の現実を通過する存在として、現在の感覚が変化した。その後の展覧会と出版物 「on becoming amphibian 」とアルバム 「turning porous 」は、ガリシアの水生生態系の脆弱なサウンドスケープにリスナーを誘いながら、この透過的な変容を反映した作品群を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6曲のトラックの中で、無尾類の鳴き声、昆虫の鳴き声、コウモリの鳴き声、鳥の鳴き声、水力発電のうなり声、そして風によって運ばれてくる音が聞こえる。カエルの鳴き声とドローンのようなサウンドスケープが交互に流れ、この地域の池や川の複雑な音に引き込まれると同時に、その土地特有の音楽を暗示する。身体的な接触と親密な位置関係が感じられるトラックは、全体を通して親密さが感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカエルに魅了され、彼らの幸福を願うpablo diserensは、無尾類の世界に舞台を提供する。両生類は指標種として知られている。彼らの健康状態や環境の変化に対する極めて敏感な感受性は、地球の状態を物語っている。そのため、彼らの存在（あるいは不在）を利用して生息地の健全性をモニターすることができるほどだ。アルバムの冒頭を飾る 「arytes 」は、リオ・ミーニョの斜面で録音されたミッドワイフヒキガエル（Alytes obstetricans）の微細な鳴き声で始まる。ヒキガエルのすぐ近くに置かれたマイクは、夜鳴きするヒキガエルを注意深く拾い上げ、時間とともに繊細な音色のタペストリーに絡み合っていく。ある種の妖しい音楽だ。イベリア水ガエル（Pelophylax perezi）とイベリアアマガエル（Hyla molleri）の賑やかな鳴き声が、かつての採石場から放射される。リスナーがこれらの興奮したサウンドスケープに溶け込むと、ピング、リビット、さえずりは、まるで私たちがそれらを言語として理解し、聞き始めたかのように、意味のヒントで膨らんでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「riparian zone 」は、川の斜面で聞こえる動物の声と人為的な振動を融合させることで、リオ・ミーニョの肖像を描いている。アリクイ、コオロギ、バッタ、コウモリ、鳥が擬似的なサーカディアン曲線の中で、クリック音、ピング音、ジップ音からなるポリリズムのサウンドスケープに融合する。これらの音は、昆虫のざわめきとダムの水力発電所の静的なうなり音のドローン的な合流音によって緩衝され、マイクがドローンの発生源に近づいたり遠ざかったりするにつれて、音色の共鳴が徐々に変化していく。トラック全体を通して、風景に傷をつける水圧技術の絶え間ないうなり声から、人間以外の存在が浮き沈みする。夕暮れが夜明けを迎えると、鳥がマイクを攻撃して前景を取り戻し、コウノトリの掴み所のない鳴き声に変わる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003epablo diserensにとって、持続的な音色と複雑なリズムは独特の魅力を持ち、そのような音楽が世界の中に控えめに存在する場合はなおさらである。「透過性のある皮膚」は、この感情を呪術的なまでに繊細に表現している。カエルがたくさんいる池の水面下では、ミズスマシが蠢き、ジワジワと音を立て、水の裏側の沈んだ脈動を露わにする。さらに上流にある水力発電の構造物からは、感情の曖昧さを帯びたサイトスペシフィックな音楽が絡み合いながら音色を奏でる。pablo diserensはガラス瓶に息を吹き込み、ヘルムホルツ共振による振動を作り出す。最後に、アヌランの鳴き声がこの微分音コーラスに加わり、両生類が浸透し、聴く者を浸透可能な状態へと液化させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「mirage in motion 」は、難解なオープニングでアルバムを締めくくる。突き出た岩と歪んだ栗の木の間のどこかで、森は穏やかなハミングに包まれる。昆虫が臆病に蠢き、風はひび割れた木の幹を通り抜け、柔らかなエオリアントーンを形成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全体として、「turning porous 」は、pablo diserensのリスニング体験のぬめりと親密さがにじみ出ている。彼らは隣接する出版物にこう書いている：「私は最近、人間よりもカエルになった」。フィールドレコーディング、ドローン的な形態、音響生態学のヒントが組み合わされることによって、聴こえるようになる変身。リスナーをガリシアのフラジャイルな両生類や水辺の現実と織りなすように誘う「turning porous」は、浸透のジェスチャーで世界を取り込むように誘う。池の生き物たち、そしてその向こう側と共存する方法として、浸透しやすく多孔性の存在を呼びかけるつぶやきである。\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3908389456\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid September.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e12\" record - 45rpm - 180g\u003cbr\u003eprinted outersleeves\u003cbr\u003elimited edition of 200 copies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. alytes 06:40\u003cbr\u003e2. riparian zone 09:58\u003cbr\u003e3. herpetophonics: ponderings 04:41\u003cbr\u003e4. permeable skin 08:28\u003cbr\u003e5. herpetophonics: arousal 06:46\u003cbr\u003e6. mirage in motion 04:55 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003eAs part of the upcoming solo exhibition and publication “on becoming amphibian”, forms of minutiae and Galería Vilaseco present \"turning porous\", a gathering of amphibious and hydrographic acoustics by field recordist, artist, and forms of minutiae’s co-founder Pablo Diserens.\u2028 \u003cbr\u003e\u003cbr\u003eInvited to live and work for a two-month period in Galicia, the verdant region of Spain’s northwest, Pablo Diserens spent days and nights inhabiting the region’s freshwaters in the hope of merging with the local amphibian communities. All ears, they adopted a series of listening postures while deploying a range of visual and sound recording techniques. Gradually dissolving in the herpetofauna, Diserens toyed with the boundaries of human\u003cspan class=\"bcTruncateMore\"\u003e experience by engaging in somatic play and perceptual reframing. This resulted in an altered sensing of the present as existence funneled through embodied amphibious realities. The subsequent exhibition and publication “on becoming amphibian” and the album “turning porous” form a body of work that reflects this permeable morphing while inviting listeners into the vulnerable soundscapes of Galicia’s aqueous ecologies. \u003cbr\u003e\u003cbr\u003eOver the course of six tracks, anuran calls, insect stridulations, bat clicks, avian songs, hydroelectric hums, and wind-borne tones occur. Frog recordings and dronesque soundscape compositions alternate, drawing us into the sonic intricacies of the region’s ponds and rivers while hinting at site-specific musics. Closeness is felt throughout, as tracks bear a sense of intimate positioning flirting with physical contact. \u003cbr\u003e\u003cbr\u003eEnamored with frogs and concerned with their well-being, Diserens gives the stage to the anuran world. Amphibians are known as indicator species. Their health and extreme sensitivity to environmental changes speak volumes on the state of the planet. So much so that their presence (or lack of) can be used to monitor the health of a habitat. “alytes” opens the album with the deliciously minute calls of common midwife toads (Alytes obstetricans) recorded on the slopes of the Rio Miño. Placed extremely close to the toads, microphones pick up prudent nocturnal pings intertwining over time into a delicate tonal tapestry. A bewitching music of some sort. Aptly named, the two “herpetophonics” tickle the ears and dilate the pores as the boisterous calls of Iberian water frogs (Pelophylax perezi) and Iberian tree frogs (Hyla molleri) radiate from former quarries. As listeners melt in these aroused soundscapes, pings, ribbits and chirps swell with hints of meaning as if we began to fathom and hear them as a language — an anuran semantic. \u003cbr\u003e\u003cbr\u003e“riparian zone” paints a portrait of the Rio Miño by merging animal voices and anthropogenic vibrations heard along the river’s slopes. In a quasi-circadian curvature, alytes, crickets, grasshoppers, bats and birds merge into a polyrhythmic soundscape made of clicks, pings, and zips. These are cushioned by the dronesque confluence of murmuring insects and the static hums of a dam’s hydroelectric plant—which tonal resonances gradually shift as the microphones move closer and away from the drone’s source. Throughout the track, non-human presences ebb and flow from the constant buzz of the hydraulic technologies scarring the landscape. As dusk reaches dawn, a bird reclaims the foreground by attacking the microphones and giving way to the gripping clatter of storks. \u003cbr\u003e\u003cbr\u003eFor Diserens, sustained tones and rhythmic complexities hold a unique magnetism, even more so when such music is found discreetly existing in the world. “permeable skin” carries this sentiment with spellbinding delicacy. Water beetles stridulate and zip away under the surface of a frog-packed pond, unveiling the submerged pulses of the waters’ flip side. Tones rise from the hydroelectric structures further upstream, intertwining in a site-specific music charged with emotional ambiguity. Diserens responds by blowing into glass bottles, creating oscillations made of Helmholtz resonances. Finally, anuran pings join this microtonal chorus as it percolates with amphibience, liquifying listeners into a permeable state. \u003cbr\u003e\u003cbr\u003e“mirage in motion” ends the album with an arcane opening. Somewhere between protruding boulders and contorted bodies of sick chestnut trees, the forest is visited by a gentle hum. As insects stridulate timidly, winds funnel through a cracked sylvan trunk to form soft aeolian tones, ebbing and flowing with the aerial currents. \u003cbr\u003e\u003cbr\u003eAll in all, “turning porous” oozes with the slime and intimacy of Diserens’ listening experience. They write in the adjacent publication: “I’m more frog than human these days”. A shapeshifting that is made audible through the imbrication of field recordings, dronesque forms, and hints of acoustic ecology. By inviting listeners to weave themselves with the fragile amphibian and riparian realities of Galicia, \"turning porous\" is an invitation to let the world in in a gesture of permeance. A murmur that calls for permeable and porous existence as a way of cohabiting with the critters of the ponds, and beyond. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : pablo diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e"}
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*Shipping will start in mid-September. This is a record released in June 9 by our popular Berlin-based field recording artist Pablo Diserens from his own label Forms of Minutiae. This is a deep listening soundscape work made from various field recordings she recorded during her two-month stay in Galicia, Spain. DL code included. 2024g heavy vinyl, 6RPM. The following is a description from the label. "As part of the solo exhibition "on becoming amphibian" and publication, forms of minutiae and Galería Vilaseco are field recording artist and forms of...
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{"id":8613243748602,"title":"Carl Lindh \/\/ listening with the tips of my fingers CD","handle":"carl-lindh-listening-with-the-tips-of-my-fingers-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの実験／ノイズ作家\u003c\/span\u003eCarl Lindhが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Carl Lindhはスウェーデンのサウンド・アーティストで、普段はプリミティヴな電子機器をもちいた演奏をおこなっている。本作ではそんな彼の演奏の録音2つを記録したものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここでの演奏でもプリミティヴな機器をもちいており、しかしながら鳴らされる音のバリエーションは非常に豊かである。機器から発せられる繊細なノイズの音、カタカタという反復、ハウリングのように鳴る音、ときに金属的でときにハーシュなノイズ。あるときには複数の音を同時に、またあるときにはたったひとつの音を繊細にコントロールすることで、多層的な音の空間や展開のある流れを創出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1219462231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. sound becomes word becomes sound 20:46\u003cbr\u003e2. a certain lack of consistency 30:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCarl Lindh is a sound artist in Sweden, and he usually performs using primitive electronic devices. This work includes two recordings of his performances.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn these recordings he also uses primitive sound devices, however, their sound variations are rich that there are delicate noises emanating from the equipment, repetitive rattling sounds, feedback-like sounds, sometimes metallic and sometimes harsh noises there. And by delicately controlling sometimes multiple sounds simultaneously and sometimes just one sound, he creates multi-layered sound spaces and evolving flows.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Lindh\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-018\u003c\/p\u003e","published_at":"2024-09-03T18:45:19+09:00","created_at":"2024-09-03T18:03:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","noise","zappak"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46626682011898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carl Lindh \/\/ listening with the tips of my fingers CD","public_title":null,"options":["Default Title"],"price":1695,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_a9ec616f-d185-4089-88b8-c63ea16f2978.jpg?v=1725354157","\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_c6202e56-d330-4473-a626-d75c79861a15.jpg?v=1725354157","\/\/tobirarecords.com\/cdn\/shop\/files\/fin3.jpg?v=1725354157"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_a9ec616f-d185-4089-88b8-c63ea16f2978.jpg?v=1725354157","options":["Title"],"media":[{"alt":null,"id":34819723755770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_a9ec616f-d185-4089-88b8-c63ea16f2978.jpg?v=1725354157"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_a9ec616f-d185-4089-88b8-c63ea16f2978.jpg?v=1725354157","width":700},{"alt":null,"id":34819723788538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_c6202e56-d330-4473-a626-d75c79861a15.jpg?v=1725354157"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_c6202e56-d330-4473-a626-d75c79861a15.jpg?v=1725354157","width":1200},{"alt":null,"id":34819723821306,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin3.jpg?v=1725354157"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin3.jpg?v=1725354157","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの実験／ノイズ作家\u003c\/span\u003eCarl Lindhが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Carl Lindhはスウェーデンのサウンド・アーティストで、普段はプリミティヴな電子機器をもちいた演奏をおこなっている。本作ではそんな彼の演奏の録音2つを記録したものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここでの演奏でもプリミティヴな機器をもちいており、しかしながら鳴らされる音のバリエーションは非常に豊かである。機器から発せられる繊細なノイズの音、カタカタという反復、ハウリングのように鳴る音、ときに金属的でときにハーシュなノイズ。あるときには複数の音を同時に、またあるときにはたったひとつの音を繊細にコントロールすることで、多層的な音の空間や展開のある流れを創出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1219462231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. sound becomes word becomes sound 20:46\u003cbr\u003e2. a certain lack of consistency 30:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCarl Lindh is a sound artist in Sweden, and he usually performs using primitive electronic devices. This work includes two recordings of his performances.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn these recordings he also uses primitive sound devices, however, their sound variations are rich that there are delicate noises emanating from the equipment, repetitive rattling sounds, feedback-like sounds, sometimes metallic and sometimes harsh noises there. And by delicately controlling sometimes multiple sounds simultaneously and sometimes just one sound, he creates multi-layered sound spaces and evolving flows.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Lindh\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-018\u003c\/p\u003e"}
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This CD was released in September 2024 by Swedish experimental/noise artist Carl Lindh through Tokyo experimental label Zappak. The following is a description from the label. "Carl Lindh is a Swedish sound artist who usually performs using primitive electronic equipment. This work is a recording of two of his performances. In these performances, he also uses primitive equipment, but the variety of sounds produced is very rich. The sounds emitted by the equipment are delicate, rattling, howling-like sounds, and sometimes metallic and sometimes harsh noises. By delicately controlling sometimes multiple sounds at the same time and sometimes just one sound, he creates multi-layered sound spaces and evolving flows." Click here to see more zappak releases available at Tobira....
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{"id":8613243420922,"title":"Dimitra Kousteridou \/\/ scattering theories in D# CD","handle":"dimitra-kousteridou-scattering-theories-in-d-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャの実験音楽家\u003c\/span\u003eDimitra Kousteridouが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dimitra Kousteridouはギリシャ出身の作家\/演奏家で精力的に活動する現代作家のひとり。普段はNo Inputミキサーなどを使用したエレクトロニックなアプローチにフィールドレコーディングされた素材などを混ぜ合わせたパフォーマンスをおこなっている。\"scattering theories in D#\"はそんな彼女のアプローチを記録したコンポジション作品。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその場その場で聞こえる音はシームレスに変化し続け、そのロングフォームなスタイルのなかで表れては消えていく。全体をとおした展開はシンプルながら新しい発見に満ちており、聴き手に刺激を与えてやまない。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2374262493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. scattering theories in D# 36:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn electroacoustic composition crafted from field recordings, masked piano, and DIY sound circuits, blending improvisation with no-input mixing techniques.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'...Floating somewhere between dusty air, memories of moving in space and time, heterotopias of matter and scattering atmosphere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA pulsating composition, that unravels loops made using handmade synthesizers and no input feedback mixing along with masked and drifting minor-key tone clusters over which various field recording continuums unfold...'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dimitra Kousteridou\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-017\u003c\/p\u003e","published_at":"2024-09-03T18:40:04+09:00","created_at":"2024-09-03T18:01:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","zappak"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46626679783674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dimitra Kousteridou \/\/ scattering theories in D# CD","public_title":null,"options":["Default Title"],"price":1695,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dim1_4214b6b0-3df2-42b6-bc2f-4d2157edca08.jpg?v=1725354023","\/\/tobirarecords.com\/cdn\/shop\/files\/dim.jpg?v=1725354023","\/\/tobirarecords.com\/cdn\/shop\/files\/dim3.jpg?v=1725354023"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim1_4214b6b0-3df2-42b6-bc2f-4d2157edca08.jpg?v=1725354023","options":["Title"],"media":[{"alt":null,"id":34819720904954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim1_4214b6b0-3df2-42b6-bc2f-4d2157edca08.jpg?v=1725354023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim1_4214b6b0-3df2-42b6-bc2f-4d2157edca08.jpg?v=1725354023","width":700},{"alt":null,"id":34819720872186,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim.jpg?v=1725354023"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim.jpg?v=1725354023","width":1200},{"alt":null,"id":34819720937722,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim3.jpg?v=1725354023"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dim3.jpg?v=1725354023","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャの実験音楽家\u003c\/span\u003eDimitra Kousteridouが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dimitra Kousteridouはギリシャ出身の作家\/演奏家で精力的に活動する現代作家のひとり。普段はNo Inputミキサーなどを使用したエレクトロニックなアプローチにフィールドレコーディングされた素材などを混ぜ合わせたパフォーマンスをおこなっている。\"scattering theories in D#\"はそんな彼女のアプローチを記録したコンポジション作品。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその場その場で聞こえる音はシームレスに変化し続け、そのロングフォームなスタイルのなかで表れては消えていく。全体をとおした展開はシンプルながら新しい発見に満ちており、聴き手に刺激を与えてやまない。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2374262493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. scattering theories in D# 36:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn electroacoustic composition crafted from field recordings, masked piano, and DIY sound circuits, blending improvisation with no-input mixing techniques.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'...Floating somewhere between dusty air, memories of moving in space and time, heterotopias of matter and scattering atmosphere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA pulsating composition, that unravels loops made using handmade synthesizers and no input feedback mixing along with masked and drifting minor-key tone clusters over which various field recording continuums unfold...'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dimitra Kousteridou\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-017\u003c\/p\u003e"}
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This CD was released by Greek experimental musician Dimitra Kousteridou in September 2024 by Tokyo experimental label Zappak. The following is a description from the label. "Dimitra Kousteridou is a Greek-born artist/performer and one of the most active contemporary artists. She usually performs by mixing field-recorded materials with an electronic approach using a No Input mixer. "Scattering theories in D#" is a composition work that records her approach. The sounds heard in each place continue to change seamlessly, appearing and disappearing in the long-form style. The overall development is simple yet full of new discoveries, stimulating the listener. " Other works from the label are here /// Click here to see more...
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{"id":8613243093242,"title":"Ayami Suzuki \/\/ Invisible Guest CD","handle":"ayami-suzuki-invisible-guest-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエント作家／インプロ奏者\u003c\/span\u003eAyami Suzukiが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"鈴木彩文は主に自身の声をもちいたパフォーマンスや録音作品の制作をつうじて、東京を拠点に精力的に活動している。本作は彼女の声の主体性や作為性が抑えられた珍しい作品となっている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここで聴くことのできる音は意図的、意識的に作り上げられていくような形となっておらず、ただそこにある、または遠くからこちらへ向かってくるかのような特異性をもっている。さらには、4曲でひと続きとなるストーリー的な要素が存在しており、とおして作品を聴くことによってそのストイックな世界を体感することができるだろう。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4138555827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Station 08:58\u003cbr\u003e2. Invisible Guest 12:38\u003cbr\u003e3. Tesseract 10:24\u003cbr\u003e4. Clairvoyance 11:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAyami Suzuki works actively in Tokyo, through performances and recordings using her own voice. And this is a rare work in which the subjectivity and artificiality of her voice is suppressed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sounds you hear here are not intentionally or consciously constructed, but have a unique texture that makes them seem as if they are just there, or approaching you from afar. Furthermore, there is a story-like element that runs through the four songs, and by listening to the album as a whole, you will be able to experience the stoic world of this work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ayami Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-016\u003c\/p\u003e","published_at":"2024-09-03T18:34:51+09:00","created_at":"2024-09-03T17:59:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","zappak"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46626678309114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ayami Suzuki \/\/ Invisible Guest CD","public_title":null,"options":["Default Title"],"price":1695,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_e01767f4-7b64-4fd3-a1fd-f326f29f6c56.jpg?v=1725353885","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5a57e362-8f43-4c44-83b8-d638b3e497f8.jpg?v=1725353885","\/\/tobirarecords.com\/cdn\/shop\/files\/in3_b970a2b7-274c-4422-9396-564f8bdab127.jpg?v=1725353885"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_e01767f4-7b64-4fd3-a1fd-f326f29f6c56.jpg?v=1725353885","options":["Title"],"media":[{"alt":null,"id":34819716710650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_e01767f4-7b64-4fd3-a1fd-f326f29f6c56.jpg?v=1725353885"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_e01767f4-7b64-4fd3-a1fd-f326f29f6c56.jpg?v=1725353885","width":700},{"alt":null,"id":34819716743418,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5a57e362-8f43-4c44-83b8-d638b3e497f8.jpg?v=1725353885"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5a57e362-8f43-4c44-83b8-d638b3e497f8.jpg?v=1725353885","width":1200},{"alt":null,"id":34819716776186,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_b970a2b7-274c-4422-9396-564f8bdab127.jpg?v=1725353885"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_b970a2b7-274c-4422-9396-564f8bdab127.jpg?v=1725353885","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエント作家／インプロ奏者\u003c\/span\u003eAyami Suzukiが、2024年9月に東京の実験レーベルZappakからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"鈴木彩文は主に自身の声をもちいたパフォーマンスや録音作品の制作をつうじて、東京を拠点に精力的に活動している。本作は彼女の声の主体性や作為性が抑えられた珍しい作品となっている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここで聴くことのできる音は意図的、意識的に作り上げられていくような形となっておらず、ただそこにある、または遠くからこちらへ向かってくるかのような特異性をもっている。さらには、4曲でひと続きとなるストーリー的な要素が存在しており、とおして作品を聴くことによってそのストイックな世界を体感することができるだろう。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4138555827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve with plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Station 08:58\u003cbr\u003e2. Invisible Guest 12:38\u003cbr\u003e3. Tesseract 10:24\u003cbr\u003e4. Clairvoyance 11:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ezappak:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAyami Suzuki works actively in Tokyo, through performances and recordings using her own voice. And this is a rare work in which the subjectivity and artificiality of her voice is suppressed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sounds you hear here are not intentionally or consciously constructed, but have a unique texture that makes them seem as if they are just there, or approaching you from afar. Furthermore, there is a story-like element that runs through the four songs, and by listening to the album as a whole, you will be able to experience the stoic world of this work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ayami Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-016\u003c\/p\u003e"}
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This CD was released in September 2024 by Tokyo ambient artist/improviser Ayami Suzuki through Tokyo experimental label Zappak. The following is a description from the label. "Ayami Suzuki is based in Tokyo and is active mainly through the production of performances and recordings using her own voice. This is a rare work in which the subjectivity and artificiality of her voice is suppressed. The sounds you can hear here are not intentionally or consciously created, but have a uniqueness that makes them seem just there, or approaching you from afar. Furthermore, there is a story-like element that runs through the four songs, and by listening to the work as a whole, you will be able to experience the stoic world. " Other works from the label can be found here /// Click here to see more zappak releases available at Tobira....
€16,95