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M. Sage // The Wind of Things LP

M. Sage // The Wind of Things LP

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Presided over by Cached Media (ex. Patient Sounds)Familiar as the brain of a traditional band,This is a new work released in August 2021 by ambient writer M. Sage in Chicago, USA.It is an ambient folk-ambient jazz monster with 8 guest musicians who control all acoustic guitars, banjos, pianos, percussion, violins, harmonica, etc.

Since the publisher is sold out in an instant after the release, this is the first and last arrival. DL code included.

Edition of 400.

Geographic North:

"Matthew Sage is about seeing the big picture, but focused through the most intimate and personal lens possible. Best XNUMX on the gauzy, cartographical opus'A Singular Continent', as well as his impulsively meditative Geographic North debut'Catch a Blessing', Sage's imagination yields fully realized sonic suites to worlds both imaginary and referential to his own.

Now, the Chicago-based composer, producer, label owner, and publisher returns with'The Wind of Things', a personal and pastoral oblation to the wild and wind-blown waters and mountains, both from Sage's own memory and writ large. are the processed sounds and filters that have come to define Sage's work; the album finds Sage stripping away the synthesized sounds that alchemied his past work into aural gold, instead favoring an entirely acoustic and natural
palette.

Sage called upon a myriad of long-time collaborators, who together form the aptly-titled Spinnaker Ensemble (featuring Patrick Shiroishi, Chaz Pyrmek, Nate Henricks, Chris Jusell, Allison Sheldon, Martin Albertz, David Hirsch, Matt Wenzel, and Ang Wilson) to help realize his vision and further the melodic potential of the living and breathing field recordings that permeate the album. an intimate sense of self, these field recordings derive from natural places that are significant to Sage. Lakes, mountains, and rivers he grew up boat-racing on and swimming in; tall fields of grass in rural Nebraska near his family's birthplaces; wildlife on the pond of his in-laws home in Texas; the harbors and beaches of Lake Michigan that he frequents; all serving as places of occupation for these compositions to live in and blow through.

Opener “Cloud Plexus” is a fog-laden float in a calm lake of unrestrained optimism. The serenity soon glissades into “Harbor Dive”, a shimmering and elegant rift of sloshing harmonies. tinkering with rusted refrains and oblong melodies. The action quickens with “Zephyr: Ponderosa Pollen,” charting a speedy course with only a shoddy sonic sextant as its guide. “Starboard Reach” offers a moment of playful clarity before “Luffing Adrift” and “ Sail-Shaped Light, ”a murky pool of darkness and light that ripples into the ether.

“Slipping the Mooring / Pond” opens the B-side in an amorphous din of familiar auditory accoutrements that gather into a single, slow-motion blur. “Dazzling Shallow Bay,” “Portside Mark,” and “Tell Tail Tale” play a dreamlike suite of a waterside piano finding its fins and diving below the waves, discovering its blithe buoyancy, and exploring the depths unencumbered by the weight of the world. The hopeful meditation of “Spinnaker on a Southerly” serves as a calm before the (rain) ) Storm that is “Hiked Way Out,” a welcome reflection on past, present, and future maritime melancholia.
 "

Artist: M. Sage

Label: Geographic North

Presided over by Cached Media (ex. Patient Sounds)Familiar as the brain of a traditional band,This is a new work released in August 2021 by ambient writer M. Sage in Chicago, USA.It is an ambient folk-ambient jazz monster with 8 guest musicians who control all acoustic guitars, banjos, pianos, percussion, violins, harmonica, etc.

Since the publisher is sold out in an instant after the release, this is the first and last arrival. DL code included.

Edition of 400.

Geographic North:

"Matthew Sage is about seeing the big picture, but focused through the most intimate and personal lens possible. Best XNUMX on the gauzy, cartographical opus'A Singular Continent', as well as his impulsively meditative Geographic North debut'Catch a Blessing', Sage's imagination yields fully realized sonic suites to worlds both imaginary and referential to his own.

Now, the Chicago-based composer, producer, label owner, and publisher returns with'The Wind of Things', a personal and pastoral oblation to the wild and wind-blown waters and mountains, both from Sage's own memory and writ large. are the processed sounds and filters that have come to define Sage's work; the album finds Sage stripping away the synthesized sounds that alchemied his past work into aural gold, instead favoring an entirely acoustic and natural
palette.

Sage called upon a myriad of long-time collaborators, who together form the aptly-titled Spinnaker Ensemble (featuring Patrick Shiroishi, Chaz Pyrmek, Nate Henricks, Chris Jusell, Allison Sheldon, Martin Albertz, David Hirsch, Matt Wenzel, and Ang Wilson) to help realize his vision and further the melodic potential of the living and breathing field recordings that permeate the album. an intimate sense of self, these field recordings derive from natural places that are significant to Sage. Lakes, mountains, and rivers he grew up boat-racing on and swimming in; tall fields of grass in rural Nebraska near his family's birthplaces; wildlife on the pond of his in-laws home in Texas; the harbors and beaches of Lake Michigan that he frequents; all serving as places of occupation for these compositions to live in and blow through.

Opener “Cloud Plexus” is a fog-laden float in a calm lake of unrestrained optimism. The serenity soon glissades into “Harbor Dive”, a shimmering and elegant rift of sloshing harmonies. tinkering with rusted refrains and oblong melodies. The action quickens with “Zephyr: Ponderosa Pollen,” charting a speedy course with only a shoddy sonic sextant as its guide. “Starboard Reach” offers a moment of playful clarity before “Luffing Adrift” and “ Sail-Shaped Light, ”a murky pool of darkness and light that ripples into the ether.

“Slipping the Mooring / Pond” opens the B-side in an amorphous din of familiar auditory accoutrements that gather into a single, slow-motion blur. “Dazzling Shallow Bay,” “Portside Mark,” and “Tell Tail Tale” play a dreamlike suite of a waterside piano finding its fins and diving below the waves, discovering its blithe buoyancy, and exploring the depths unencumbered by the weight of the world. The hopeful meditation of “Spinnaker on a Southerly” serves as a calm before the (rain) ) Storm that is “Hiked Way Out,” a welcome reflection on past, present, and future maritime melancholia.
 "

Artist: M. Sage

Label: Geographic North