Plastobéton // Glam Mort LP
Plastobéton // Glam Mort LP
¥ 2,280
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2013 work of French post-punk band Plastobéton. Contains 18 songs.
Artist: Plastobéton
Label: Tanzprocesz
2013 work of French post-punk band Plastobéton. Contains 18 songs.
Artist: Plastobéton
Label: Tanzprocesz
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{"id":6129402577061,"title":"CARRE \/\/ Grey Scale CD","handle":"carre-grey-scale-cd","description":"\u003cp\u003e東京地下インダストリアル代表格CARREが2015年にリリースしたアルバム。所謂ノイズ的なアプローチではなく、異質のサイケデリアを持ち合わせており、気付いたらズブズブの沼にハマっているような感覚の全10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2566046777\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2037824290\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2210059899\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : MGMD\u003c\/p\u003e","published_at":"2021-01-27T14:27:15+09:00","created_at":"2021-01-27T14:27:13+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","monooto","new","strange beats","techno \/ house"],"price":200000,"price_min":200000,"price_max":200000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37787190689957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CARRE \/\/ Grey Scale CD","public_title":null,"options":["Default Title"],"price":200000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235","options":["Title"],"media":[{"alt":null,"id":16259632234661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":506,"width":506,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235"},"aspect_ratio":1.0,"height":506,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235","width":506}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下インダストリアル代表格CARREが2015年にリリースしたアルバム。所謂ノイズ的なアプローチではなく、異質のサイケデリアを持ち合わせており、気付いたらズブズブの沼にハマっているような感覚の全10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2566046777\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2037824290\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2210059899\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : MGMD\u003c\/p\u003e"}
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An album released in 2015 by CARRE, a representative of Tokyo underground industrial.It is not a so-called noise-like approach, but has a different psychedelia, and when you notice it, all 10 songs that make you feel like you are addicted to the swamp of Zubuzubu are recorded. Gray Scale by CARREGrey Scale by CARREGrey Scale by CARRE Carre is one ...
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{"id":6129403887781,"title":"CARRE \/\/ Ex Nunc CD","handle":"carre-ex-nunc-cd","description":"\u003cp\u003e東京地下インダストリアル代表格CARREが2019年に京都宇治香園よりリリースしたアルバム。以下レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e東京のインダストリアル・ミュージック・デュオ ’CARRE’、4年振りの新作。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e京都の老舗茶問屋・宇治香園が提唱する\"Tealightsound”シリーズ第5弾としてリリースされる本作は、京都の茶園にて録音された自然音と電子音がミックスされたシンプルな音像ながらも今までのCARREの作品とは異なった彩度の高い電子音楽作品となった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e写真家・頭山ゆう紀によるジャケット写真を奇妙な茶園の入口と見立て、その中にある華やかで少し狂気じみた音の茶園めぐりを堪能してください\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590181\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; 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color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Solo Nidore\" href=\"https:\/\/soundcloud.com\/user-785703111\/solo-nidore\" target=\"_blank\"\u003eSolo Nidore\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : 京都宇治香園\u003c\/p\u003e","published_at":"2021-01-27T14:28:34+09:00","created_at":"2021-01-27T14:28:34+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","new","strange beats","techno \/ house"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37787196293285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CARRE \/\/ Ex Nunc CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638","options":["Title"],"media":[{"alt":null,"id":16259670311077,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下インダストリアル代表格CARREが2019年に京都宇治香園よりリリースしたアルバム。以下レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e東京のインダストリアル・ミュージック・デュオ ’CARRE’、4年振りの新作。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e京都の老舗茶問屋・宇治香園が提唱する\"Tealightsound”シリーズ第5弾としてリリースされる本作は、京都の茶園にて録音された自然音と電子音がミックスされたシンプルな音像ながらも今までのCARREの作品とは異なった彩度の高い電子音楽作品となった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e写真家・頭山ゆう紀によるジャケット写真を奇妙な茶園の入口と見立て、その中にある華やかで少し狂気じみた音の茶園めぐりを堪能してください\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590181\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; 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{"id":6129311154341,"title":"Catherine Christer Hennix \/\/ Unebgrenzt LP","handle":"catherine-christer-hennix-unebgrenzt-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/810834142\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Blank Forms\" href=\"https:\/\/soundcloud.com\/blankforms\" target=\"_blank\"\u003eBlank Forms\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Catherine Christer Hennix: Unbegrenzt (excerpt)\" href=\"https:\/\/soundcloud.com\/blankforms\/catherine-christer-hennix-unbegrenzt-excerpt\" target=\"_blank\"\u003eCatherine Christer Hennix: Unbegrenzt (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the number 1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/p\u003e\n\u003cp\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003c\/p\u003e\n\u003cp\u003eartist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e","published_at":"2021-01-27T12:55:57+09:00","created_at":"2021-01-27T12:55:55+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","drone","lp","monooto","new"],"price":308000,"price_min":308000,"price_max":308000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37786671382693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Catherine Christer Hennix \/\/ Unebgrenzt LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/500x500.jpg?v=1611719757"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/500x500.jpg?v=1611719757","options":["Title"],"media":[{"alt":null,"id":16259119317157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/500x500.jpg?v=1611719757"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/500x500.jpg?v=1611719757","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/810834142\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Blank Forms\" href=\"https:\/\/soundcloud.com\/blankforms\" target=\"_blank\"\u003eBlank Forms\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Catherine Christer Hennix: Unbegrenzt (excerpt)\" href=\"https:\/\/soundcloud.com\/blankforms\/catherine-christer-hennix-unbegrenzt-excerpt\" target=\"_blank\"\u003eCatherine Christer Hennix: Unbegrenzt (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the number 1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/p\u003e\n\u003cp\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003c\/p\u003e\n\u003cp\u003eartist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e"}
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The third in the archive series of the legendary Swedish composer Catherine Christer Hennix, who also has the face of a philosopher and mathematician. In February 1974, she played a song by Stockhausen, and she is in charge of reading, percussion, and electronics, and HANS ISGREN is in charge of gongs.Stephan Mathieu is in charge of mastering. DL code included. Blank Forms · Catherine Christer Hennix: Unbegrenzt (excerpt) ...
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{"id":6129315315877,"title":"Exotic Sin \/\/ Customer's Copy LP","handle":"exotic-sin-customers-copy-lp","description":"\u003cp\u003eDon Cherryの孫Naima Karlssonと日本人ジャズ奏者Kenichi Iwasaによるデュオの初リリース作品。アナログとデジタル、アコースティックとエレクトリック、自然と非自然のコントラストを好む\u003cmeta charset=\"utf-8\"\u003eKarlssonはピアノ、チェレスタ、ベルに加えてシンセサイザーを、Iwasaは時代錯誤な90年代ヤマハのキーボードとギターレットにコントラバス・リコーダー、ドラムス、カリンバ、そしてDon Cherryオリジナル楽器「Donのやかん」（けたたましい高音が出るため）を取り入れています。ジャズと呼ぶにはアヴァン過ぎる3作を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2308381917\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/customers-copy\"\u003eCustomer's Copy by Exotic Sin\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCustomer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreferring the stark contrast of analog\/digital, acoustic\/electric, and natural\/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eRichard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.\u003cbr\u003e\u003cbr\u003eA visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Exotic Sin\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e","published_at":"2021-01-27T13:01:04+09:00","created_at":"2021-01-27T13:01:04+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","jazz","lp","monooto","new"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37786688258213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Exotic Sin \/\/ Customer's Copy LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0160732745_16.jpg?v=1611720376"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0160732745_16.jpg?v=1611720376","options":["Title"],"media":[{"alt":null,"id":16259184001189,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0160732745_16.jpg?v=1611720376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0160732745_16.jpg?v=1611720376","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDon Cherryの孫Naima Karlssonと日本人ジャズ奏者Kenichi Iwasaによるデュオの初リリース作品。アナログとデジタル、アコースティックとエレクトリック、自然と非自然のコントラストを好む\u003cmeta charset=\"utf-8\"\u003eKarlssonはピアノ、チェレスタ、ベルに加えてシンセサイザーを、Iwasaは時代錯誤な90年代ヤマハのキーボードとギターレットにコントラバス・リコーダー、ドラムス、カリンバ、そしてDon Cherryオリジナル楽器「Donのやかん」（けたたましい高音が出るため）を取り入れています。ジャズと呼ぶにはアヴァン過ぎる3作を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2308381917\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/customers-copy\"\u003eCustomer's Copy by Exotic Sin\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCustomer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreferring the stark contrast of analog\/digital, acoustic\/electric, and natural\/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eRichard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.\u003cbr\u003e\u003cbr\u003eA visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Exotic Sin\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e"}
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The first release of the duo by Don Cherry's grandson Naima Karlsson and Japanese jazz player Kenichi Iwasa.Karlsson, who likes analog and digital, acoustic and electric, and natural and non-natural contrasts, has synthesizers in addition to pianos, celestas, and bells, and Iwasa has contrabass recorders, drums, and time-honored 90's Yamaha keyboards and guitarlets. It incorporates the double bass and Don Cherry's original instrument "Don's Yakan" (because it produces a loud treble).Includes 3 works that are too avant to be called jazz. DL code included. Customer's Copy by Exotic Sin Customer's Copy is the debut ...
¥ 2,380