Orphax / Modelbau // Split TAPE
Orphax / Modelbau // Split TAPE
¥1,298
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The latest batch of British fetish drone label Invisible City Records, familiar with black and white artwork like surrealism, arrived in March 2021.
This work is a split work by two Dutch acoustic artists.Both offer 2-30 minutes drone. Limited to 40 pieces.
Two giants of the Dutch experimental scene pay tribute to one another in two longform pieces.
Artist: Orphax / Modelbau
Label: Invisible City Records
The latest batch of British fetish drone label Invisible City Records, familiar with black and white artwork like surrealism, arrived in March 2021.
This work is a split work by two Dutch acoustic artists.Both offer 2-30 minutes drone. Limited to 40 pieces.
Two giants of the Dutch experimental scene pay tribute to one another in two longform pieces.
Artist: Orphax / Modelbau
Label: Invisible City Records
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{"id":7486350917882,"title":"Gailes \/\/ Session Two LP","handle":"gailes-session-two-lp","description":"\u003cp\u003eアメリカ・LAのアンビエント〜IDMレーベルA Strangely Isolated Placeが新たに立ち上げたライブ録音専門レーベル9128.live諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アンビエント作家Rafael Anton IrisarriとBenoît Pioulardが、12月に500枚限定でリリースした共作レコードです。メランコリックなアンビエントドローン2曲、40分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1687740826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e ------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9128.live:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe very first live stream on 9128.live broadcast from the studio of Rafael Anton Irisarri, as he and Thomas Meluch (Benoît Pioulard) pieced together a completely live improvisation, christening the newly created 9128 airwaves in 2019 and setting the bar for many more live takeovers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith one album between them as Gailes, and profound work individually (also together as Orcas), Rafael and Thomas are masters of the ambient craft, combining intricate field recordings, guitar, pedals, vocals, and heady reverb across a 40-minute non-stop immersive listen, split into two 20-minute sides for the inaugural 9128 vinyl release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gailes\u003c\/p\u003e\n\u003cp\u003eLabel : 9128.live\u003c\/p\u003e","published_at":"2021-12-07T15:09:30+09:00","created_at":"2021-12-07T14:23:09+09:00","vendor":"Tobira Records","type":"","tags":["A Strangely Isolated Place","ambient","drone","lp","new"],"price":295000,"price_min":295000,"price_max":295000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42162071404794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gailes \/\/ Session Two LP","public_title":null,"options":["Default Title"],"price":295000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga1_e3fc254f-94f3-4475-aecd-6c6d3c3d330d.jpg?v=1638854591","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga2_15dc8748-c051-4b97-924b-6337845790fd.jpg?v=1638854591"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga1_e3fc254f-94f3-4475-aecd-6c6d3c3d330d.jpg?v=1638854591","options":["Title"],"media":[{"alt":null,"id":28830851563770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga1_e3fc254f-94f3-4475-aecd-6c6d3c3d330d.jpg?v=1638854591"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga1_e3fc254f-94f3-4475-aecd-6c6d3c3d330d.jpg?v=1638854591","width":700},{"alt":null,"id":28830851596538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga2_15dc8748-c051-4b97-924b-6337845790fd.jpg?v=1638854591"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ga2_15dc8748-c051-4b97-924b-6337845790fd.jpg?v=1638854591","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント〜IDMレーベルA Strangely Isolated Placeが新たに立ち上げたライブ録音専門レーベル9128.live諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アンビエント作家Rafael Anton IrisarriとBenoît Pioulardが、12月に500枚限定でリリースした共作レコードです。メランコリックなアンビエントドローン2曲、40分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1687740826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e ------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9128.live:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe very first live stream on 9128.live broadcast from the studio of Rafael Anton Irisarri, as he and Thomas Meluch (Benoît Pioulard) pieced together a completely live improvisation, christening the newly created 9128 airwaves in 2019 and setting the bar for many more live takeovers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith one album between them as Gailes, and profound work individually (also together as Orcas), Rafael and Thomas are masters of the ambient craft, combining intricate field recordings, guitar, pedals, vocals, and heady reverb across a 40-minute non-stop immersive listen, split into two 20-minute sides for the inaugural 9128 vinyl release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gailes\u003c\/p\u003e\n\u003cp\u003eLabel : 9128.live\u003c\/p\u003e"}
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Ambient in LA, USA ~ IDM label A Strangely Isolated Place has newly launched a live recording specialty label 9128.live.This is a collaborative record released by the country's ambient writers Rafael Anton Irisarri and Benoît Pioulard in December, limited to 12 copies.Includes 500 melancholic ambient drones, 2 minutes. DL code included. ------------------------------ Edition of 40. Text by 500.live: ...
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{"id":7484379037946,"title":"Catherine Christer Hennix \/\/ Unbegrenzt LP","handle":"catherine-christer-hennix-unbegrenzt-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4158344538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12\" black vinyl edition pressed at Quality Record Pressings and housed in a heavy-duty Stoughton gatefold jacket, with an insert featuring liner notes by Bill Dietz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo\u003cspan class=\"bcTruncateMore\"\u003e Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003cbr\u003e\u003cbr\u003eAudio restoration and mastering by Stephan Mathieu, with an essay by Bill Dietz.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCatherine Christer Hennix (b. 1948) started her creative life playing drums with her older brother Peter, growing up in Sweden where she heard jazz luminaries, such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform from 1960 to 1967. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she developed early tape music, incorporating computer generated speech done at the Royal Technological University (KTH), where she was an undergraduate student. After traveling to New York In 1968, she met artists Dick Higgins and Alison Knowles who invited her to stay at the Something Else Press Town House where she had the opportunity to meet, among others, composers John Cage, James Tenney, and Phil Corner. During the following years she developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath and she would later study intensively under him as his first European disciple. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage, which has featured musicians Amelia Cuni, Amirtha Kidambi, Chiyoku Szlavnics, Hilary Jeffrey, Amir El-Saffar, Benjamin Duboc and Rozemarie Heggen. She currently resides in Istanbul, Turkey pursuing studies in classical Arabic and Turkish makam.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-06T12:46:03+09:00","created_at":"2021-12-06T11:21:47+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","drone","lp","monooto","tape"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42154054156538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Catherine Christer Hennix \/\/ Unbegrenzt LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","options":["Title"],"media":[{"alt":null,"id":28822007709946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","width":700},{"alt":null,"id":28822007742714,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4158344538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12\" black vinyl edition pressed at Quality Record Pressings and housed in a heavy-duty Stoughton gatefold jacket, with an insert featuring liner notes by Bill Dietz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo\u003cspan class=\"bcTruncateMore\"\u003e Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003cbr\u003e\u003cbr\u003eAudio restoration and mastering by Stephan Mathieu, with an essay by Bill Dietz.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCatherine Christer Hennix (b. 1948) started her creative life playing drums with her older brother Peter, growing up in Sweden where she heard jazz luminaries, such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform from 1960 to 1967. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she developed early tape music, incorporating computer generated speech done at the Royal Technological University (KTH), where she was an undergraduate student. After traveling to New York In 1968, she met artists Dick Higgins and Alison Knowles who invited her to stay at the Something Else Press Town House where she had the opportunity to meet, among others, composers John Cage, James Tenney, and Phil Corner. During the following years she developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath and she would later study intensively under him as his first European disciple. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage, which has featured musicians Amelia Cuni, Amirtha Kidambi, Chiyoku Szlavnics, Hilary Jeffrey, Amir El-Saffar, Benjamin Duboc and Rozemarie Heggen. She currently resides in Istanbul, Turkey pursuing studies in classical Arabic and Turkish makam.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e"}
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The third in the archive series of the legendary Swedish composer Catherine Christer Hennix, who also has the face of a philosopher and mathematician. In February 1974, she played a song by Stockhausen, and she is in charge of reading, percussion, and electronics, and HANS ISGREN is in charge of the gong.Stephan Mathieu is in charge of mastering.Click here to see more Blank Forms Editions releases available ...
¥3,490
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{"id":7484373827834,"title":"Graham Lambkin \/\/ Solos 2xLP + 42-PAGE BOOKLET","handle":"graham-lambkin-solos-2xlp-42-page-booklet","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268676685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis deluxe boxed set of Graham Lambkin’s first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Blank Forms:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe years between Graham Lambkin’s tenure with the legendary Shadow Ring and his more recent improvisational duos mark a distinct period of creative production within the artist’s insular career. Living with his family in Poughkeepsie, NY, from 2001 through 2011 Lambkin recorded and self-released four solo albums that valorized mundane domestic situations while reveling in the liminal spaces between the acts of listening, recording, and producing. Created through an ingenious economy of means, these solo records are as beguilingly seductive as they are uncanny. Perpetually laughing in his own duplicitous face, Lambkin breathed new life into musique concrète and sound poetry, giving outmoded forms a contemporary consciousness while setting the gold standard for a continuously unfolding canon of 21st century tape music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoem (For Voice \u0026amp; Tape), Salmon Run, Softly Softly Copy Copy, and Amateur Doubles are now remastered and finally back in print, with Salmon Run and Softly Softly Copy Copy available on vinyl for the first time. This deluxe boxed set of Graham Lambkin’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGraham Lambkin (b. 1973, Dover, England) is a multidisciplinary artist who first came to prominence in the early ‘90s through the formation of his experimental music group The Shadow Ring. As a sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations, and the thick ambience of domestic field recordings. His Kye imprint, founded in 2001, was an instrumental platform for the dissemination of and dialogue between work by an intergenerational cast of artists using sound, including Henning Christiansen, Anton Heyboer, Moniek Darge, and Gabi Losoncy. He began showing his visual art in 2014 with Came To Call Mine, an exhibition curated by Lawrence Kumpf and Justin Luke at Audio Visual Arts in conjunction with the publication of Lambkin’s children’s book (for adults) of the same name, and has since exhibited his work at 356 Mission, Künstlerhaus, PiK, and Blank Forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e","published_at":"2021-12-06T13:01:38+09:00","created_at":"2021-12-06T11:16:02+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","drone","lp","monooto","new"],"price":1348000,"price_min":1348000,"price_max":1348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42154041803002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Graham Lambkin \/\/ Solos 2xLP + 42-PAGE BOOKLET","public_title":null,"options":["Default Title"],"price":1348000,"weight":1700,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","options":["Title"],"media":[{"alt":null,"id":28821971173626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","width":700},{"alt":null,"id":28821971206394,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268676685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis deluxe boxed set of Graham Lambkin’s first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Blank Forms:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe years between Graham Lambkin’s tenure with the legendary Shadow Ring and his more recent improvisational duos mark a distinct period of creative production within the artist’s insular career. Living with his family in Poughkeepsie, NY, from 2001 through 2011 Lambkin recorded and self-released four solo albums that valorized mundane domestic situations while reveling in the liminal spaces between the acts of listening, recording, and producing. Created through an ingenious economy of means, these solo records are as beguilingly seductive as they are uncanny. Perpetually laughing in his own duplicitous face, Lambkin breathed new life into musique concrète and sound poetry, giving outmoded forms a contemporary consciousness while setting the gold standard for a continuously unfolding canon of 21st century tape music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoem (For Voice \u0026amp; Tape), Salmon Run, Softly Softly Copy Copy, and Amateur Doubles are now remastered and finally back in print, with Salmon Run and Softly Softly Copy Copy available on vinyl for the first time. This deluxe boxed set of Graham Lambkin’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGraham Lambkin (b. 1973, Dover, England) is a multidisciplinary artist who first came to prominence in the early ‘90s through the formation of his experimental music group The Shadow Ring. As a sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations, and the thick ambience of domestic field recordings. His Kye imprint, founded in 2001, was an instrumental platform for the dissemination of and dialogue between work by an intergenerational cast of artists using sound, including Henning Christiansen, Anton Heyboer, Moniek Darge, and Gabi Losoncy. He began showing his visual art in 2014 with Came To Call Mine, an exhibition curated by Lawrence Kumpf and Justin Luke at Audio Visual Arts in conjunction with the publication of Lambkin’s children’s book (for adults) of the same name, and has since exhibited his work at 356 Mission, Künstlerhaus, PiK, and Blank Forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e"}
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Click here to see more Blank Forms Editions releases available at Tobira. ------------------------ Edition of ...
¥13,480
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{"id":7477986558202,"title":"Zenxen \/\/ In Waves TAPE","handle":"zenxen-in-waves-tape","description":"\u003cp\u003eドイツ・ベルリンのドローンテクノ作家Zenxenが、2021年11月にアメリカの実験ダブテクノ作家Glyn Maier主宰レーベルenmossedから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eフロア総棒立ち請け合いの低空飛行ドローン・ダブテクノ8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4273158194\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2651177500\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4273158194\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eText by Enmossed:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythms of sleep are unknown to the sleeper. Usually, only with interruption, or dreams, or through wakeful observation, are we made aware of them. And even then, only somewhat. On this cassette, Zenxen uses his research into the cycles of sleep and rest to explore and recreate the phenomenon of neural oscillations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tracks sound as if they’re composed of water, vapor, and dust. Trails of percussive events and simple melodic gestures accompany low end sculpting that moves like water, vapor, and dust. Like a tour of the body’s rhythmic structures, these are the waves within, crashing on interior shores. The electrical activity of the brain’s neurons are measured in hertz—cycles per second. Using a range of sampling techniques, Zenxen recreates alpha, theta, and delta waves to construct sonic models of the brain in various states.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollaging other compositional elements into the works, such as field recordings of whispering voices, and the rise and fall of cicadas, Zenxen forms a tapestry that resembles autonomic processes, like a breath, or a secreting gland. Lullabies in one sense—these tracks were composed for an overnight drone event in the artist’s hometown of Berlin—in another they are intensely awakening, serving as activations of specific frequency windows. 𝐼𝑛 𝑊𝑎𝑣𝑒𝑠\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e is a sonically cavernous descent, down into the brain’s most mysterious and rejuvenating depths.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eZenxen [ˈzɛn ˈdʒɛn] is an interdisciplinary ambient project from Benedikt Ellebrecht, combining studies in sociology, literature, and philosophy, time spent playing in post-punk bands, and ongoing participation in the underground electronic music scene in Berlin, Germany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarting with experimentation with sample-based techniques, Ellebrecht has developed Zenxen into a digital musique concrète. He processes and reassembles field recordings from his immediate physical surroundings as well as drawing from virtual spaces such as the internet and videogames. As Zenxen, he has self-released 2 EPs and regularly performs live.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEllebrecht also contributes sound design for theatre and performance pieces, including at Ruhrtriennale Essen 2016 and at Staatstheater Darmstadt 2019 in collaboration with Niels Wehr. And in 2017, he co-founded the multimedia label No Disk (www.instagram.com\/nodisk_\/) with Joel AS (Arad Acid).\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zenxen\u003c\/p\u003e\n\u003cp\u003eLabel : Enmossed\u003c\/p\u003e","published_at":"2021-12-02T15:09:41+09:00","created_at":"2021-12-02T13:56:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","enmossed","new","tape","techno \/ house"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42135741268218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zenxen \/\/ In Waves TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_61c4cde7-0594-47b5-808c-b73178ace075.jpg?v=1638421011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_61c4cde7-0594-47b5-808c-b73178ace075.jpg?v=1638421011","options":["Title"],"media":[{"alt":null,"id":28792685592826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_61c4cde7-0594-47b5-808c-b73178ace075.jpg?v=1638421011"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_61c4cde7-0594-47b5-808c-b73178ace075.jpg?v=1638421011","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのドローンテクノ作家Zenxenが、2021年11月にアメリカの実験ダブテクノ作家Glyn Maier主宰レーベルenmossedから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eフロア総棒立ち請け合いの低空飛行ドローン・ダブテクノ8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4273158194\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2651177500\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4273158194\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eText by Enmossed:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythms of sleep are unknown to the sleeper. Usually, only with interruption, or dreams, or through wakeful observation, are we made aware of them. And even then, only somewhat. On this cassette, Zenxen uses his research into the cycles of sleep and rest to explore and recreate the phenomenon of neural oscillations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tracks sound as if they’re composed of water, vapor, and dust. Trails of percussive events and simple melodic gestures accompany low end sculpting that moves like water, vapor, and dust. Like a tour of the body’s rhythmic structures, these are the waves within, crashing on interior shores. The electrical activity of the brain’s neurons are measured in hertz—cycles per second. Using a range of sampling techniques, Zenxen recreates alpha, theta, and delta waves to construct sonic models of the brain in various states.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollaging other compositional elements into the works, such as field recordings of whispering voices, and the rise and fall of cicadas, Zenxen forms a tapestry that resembles autonomic processes, like a breath, or a secreting gland. Lullabies in one sense—these tracks were composed for an overnight drone event in the artist’s hometown of Berlin—in another they are intensely awakening, serving as activations of specific frequency windows. 𝐼𝑛 𝑊𝑎𝑣𝑒𝑠\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e is a sonically cavernous descent, down into the brain’s most mysterious and rejuvenating depths.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eZenxen [ˈzɛn ˈdʒɛn] is an interdisciplinary ambient project from Benedikt Ellebrecht, combining studies in sociology, literature, and philosophy, time spent playing in post-punk bands, and ongoing participation in the underground electronic music scene in Berlin, Germany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarting with experimentation with sample-based techniques, Ellebrecht has developed Zenxen into a digital musique concrète. He processes and reassembles field recordings from his immediate physical surroundings as well as drawing from virtual spaces such as the internet and videogames. As Zenxen, he has self-released 2 EPs and regularly performs live.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEllebrecht also contributes sound design for theatre and performance pieces, including at Ruhrtriennale Essen 2016 and at Staatstheater Darmstadt 2019 in collaboration with Niels Wehr. And in 2017, he co-founded the multimedia label No Disk (www.instagram.com\/nodisk_\/) with Joel AS (Arad Acid).\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zenxen\u003c\/p\u003e\n\u003cp\u003eLabel : Enmossed\u003c\/p\u003e"}
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This is the latest work released by Zenxen, a drone techno writer in Berlin, Germany, in November 2021 from the label enmossed, which is run by the American experimental dub techno writer Glyn Maier.Includes 11 low-flying drone dub techno songs that are guaranteed to be on the floor. DL code included.It is out of print.Click here to see more Enmossed releases available at Tobira. ----------------------------- Text. ..
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