Self-Supervision by Constant-Pattern Solutions // Blind Denoising CDR
Self-Supervision by Constant-Pattern Solutions // Blind Denoising CDR
¥ 1,180
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We have received a lot of self-released works by Eric Frye, a sound artist from Minneapolis, USA.
Studies in repetition and formlessness.- Eric
Artist: Self-Supervision by Constant-Pattern Solutions
Label: Label: Cuvée Freddy
We have received a lot of self-released works by Eric Frye, a sound artist from Minneapolis, USA.
Studies in repetition and formlessness.- Eric
Artist: Self-Supervision by Constant-Pattern Solutions
Label: Label: Cuvée Freddy
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{"id":6129403887781,"title":"CARRE \/\/ Ex Nunc CD","handle":"carre-ex-nunc-cd","description":"\u003cp\u003e東京地下インダストリアル代表格CARREが2019年に京都宇治香園よりリリースしたアルバム。以下レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e東京のインダストリアル・ミュージック・デュオ ’CARRE’、4年振りの新作。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e京都の老舗茶問屋・宇治香園が提唱する\"Tealightsound”シリーズ第5弾としてリリースされる本作は、京都の茶園にて録音された自然音と電子音がミックスされたシンプルな音像ながらも今までのCARREの作品とは異なった彩度の高い電子音楽作品となった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e写真家・頭山ゆう紀によるジャケット写真を奇妙な茶園の入口と見立て、その中にある華やかで少し狂気じみた音の茶園めぐりを堪能してください\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590181\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Land of the Plant\" href=\"https:\/\/soundcloud.com\/user-785703111\/land-of-the-plant\" target=\"_blank\"\u003eLand of the Plant\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590295\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Solo Nidore\" href=\"https:\/\/soundcloud.com\/user-785703111\/solo-nidore\" target=\"_blank\"\u003eSolo Nidore\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : 京都宇治香園\u003c\/p\u003e","published_at":"2021-01-27T14:28:34+09:00","created_at":"2021-01-27T14:28:34+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","new","strange beats","techno \/ house"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37787196293285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CARRE \/\/ Ex Nunc CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638","options":["Title"],"media":[{"alt":null,"id":16259670311077,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/img_release_ex_nunc_tn.jpg?v=1611725638","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下インダストリアル代表格CARREが2019年に京都宇治香園よりリリースしたアルバム。以下レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e東京のインダストリアル・ミュージック・デュオ ’CARRE’、4年振りの新作。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e京都の老舗茶問屋・宇治香園が提唱する\"Tealightsound”シリーズ第5弾としてリリースされる本作は、京都の茶園にて録音された自然音と電子音がミックスされたシンプルな音像ながらも今までのCARREの作品とは異なった彩度の高い電子音楽作品となった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e写真家・頭山ゆう紀によるジャケット写真を奇妙な茶園の入口と見立て、その中にある華やかで少し狂気じみた音の茶園めぐりを堪能してください\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590181\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Land of the Plant\" href=\"https:\/\/soundcloud.com\/user-785703111\/land-of-the-plant\" target=\"_blank\"\u003eLand of the Plant\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/973590295\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Solo Nidore\" href=\"https:\/\/soundcloud.com\/user-785703111\/solo-nidore\" target=\"_blank\"\u003eSolo Nidore\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : 京都宇治香園\u003c\/p\u003e"}
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An album released by CARRE, a representative of Tokyo underground industrial, from Kyoto Ujikaen in 2019.Below is a description of the label.Tokyo's industrial music duo'CARRE', the first new work in four years.Released as the fifth in the "Tealightsound" series advocated by Kyoto's long-established tea wholesaler Ujikaen, this work is a simple sound image that mixes natural and electronic sounds recorded at Kyoto's tea garden, but until now. It became a highly saturated electronic music work different from the work of CARRE.Think of the jacket photo by photographer Yuki Toyama as the entrance to a strange tea plantation, and enjoy the gorgeous and slightly crazy sound of the tea plantation tour tobirec · Land of the Plant tobirec · Solo Nidore ...
¥ 1,500

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{"id":6129402577061,"title":"CARRE \/\/ Grey Scale CD","handle":"carre-grey-scale-cd","description":"\u003cp\u003e東京地下インダストリアル代表格CARREが2015年にリリースしたアルバム。所謂ノイズ的なアプローチではなく、異質のサイケデリアを持ち合わせており、気付いたらズブズブの沼にハマっているような感覚の全10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2566046777\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2037824290\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2210059899\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : MGMD\u003c\/p\u003e","published_at":"2021-01-27T14:27:15+09:00","created_at":"2021-01-27T14:27:13+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","monooto","new","strange beats","techno \/ house"],"price":200000,"price_min":200000,"price_max":200000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37787190689957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CARRE \/\/ Grey Scale CD","public_title":null,"options":["Default Title"],"price":200000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235","options":["Title"],"media":[{"alt":null,"id":16259632234661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":506,"width":506,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235"},"aspect_ratio":1.0,"height":506,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-7220449-1436464605-2735_png.jpg?v=1611725235","width":506}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下インダストリアル代表格CARREが2015年にリリースしたアルバム。所謂ノイズ的なアプローチではなく、異質のサイケデリアを持ち合わせており、気付いたらズブズブの沼にハマっているような感覚の全10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2566046777\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2037824290\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729982599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2210059899\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/carre-alter.bandcamp.com\/album\/grey-scale\"\u003eGrey Scale by CARRE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCarre is one of the best industrial duo from Tokyo for the last 10 years.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Carre\u003c\/p\u003e\n\u003cp\u003elabel : MGMD\u003c\/p\u003e"}
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An album released in 2015 by CARRE, a representative of Tokyo underground industrial.It is not a so-called noise-like approach, but has a different psychedelia, and when you notice it, all 10 songs that make you feel like you are addicted to the swamp of Zubuzubu are recorded. Gray Scale by CARREGrey Scale by CARREGrey Scale by CARRE Carre is one ...
¥ 2,000

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{"id":6129334681765,"title":"Judith Hamann \/\/ Music for Cello and Humming CD","handle":"judith-hamann-music-for-cello-and-humming-cd","description":"\u003cp\u003eオーストラリアのチェロ奏者Judith Hamannのデビュー作品。題の通り、チェロと対峙した際の直感的感覚をハミングで表現しており、彼女のうっすらとした声がチェロと融合した8曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2178117103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/music-for-cello-and-humming\"\u003eMusic for Cello and Humming by Judith Hamann\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, \"Shaking Studies,\" is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann’s conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of the pulse of her cello, inciting it to shake audibly and visually as a symbiotic basis for determining the rate of her own left hand’s tremor and consequent direction of resonant frequencies. Following a thorough harmonic investigation of her shaking practice in two parts, she directs us to look outwards, combining beating chordal structures with electronics and recordings of real world shaking. From inner pulse to more macrocosmic quaking, Hamann’s alternative conception of shaking rejects measurement and regularity, order and control, instead alluding to a more responsive and intuitive mode of convulsive sounding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJudith Hamann undertook her doctoral studies with renowned cellist Charles Curtis, with whom she is currently engaged\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein a discourse based project, ‘Materialities of Realisation.’ She has additionally demonstrated a superlative capacity for improvisation and engagement with sonic arts through work with artists Dennis Cooper, Éliane Radigue, Áine O’Dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young and Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, and Lori Goldston, among others. Her recorded appearances include Tashi Wada’s Duets, Graham Lambkin’s Community, Alvin Lucier’s Illuminated By The Moon, and Gossamers, with Rosalind Hall.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e","published_at":"2021-01-27T13:24:16+09:00","created_at":"2021-01-27T13:24:16+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","cd","drone","jazz","monooto","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37786762248357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Judith Hamann \/\/ Music for Cello and Humming CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0384000667_16.jpg?v=1611721581"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0384000667_16.jpg?v=1611721581","options":["Title"],"media":[{"alt":null,"id":16259287941285,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0384000667_16.jpg?v=1611721581"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0384000667_16.jpg?v=1611721581","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのチェロ奏者Judith Hamannのデビュー作品。題の通り、チェロと対峙した際の直感的感覚をハミングで表現しており、彼女のうっすらとした声がチェロと融合した8曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2178117103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/music-for-cello-and-humming\"\u003eMusic for Cello and Humming by Judith Hamann\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, \"Shaking Studies,\" is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann’s conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of the pulse of her cello, inciting it to shake audibly and visually as a symbiotic basis for determining the rate of her own left hand’s tremor and consequent direction of resonant frequencies. Following a thorough harmonic investigation of her shaking practice in two parts, she directs us to look outwards, combining beating chordal structures with electronics and recordings of real world shaking. From inner pulse to more macrocosmic quaking, Hamann’s alternative conception of shaking rejects measurement and regularity, order and control, instead alluding to a more responsive and intuitive mode of convulsive sounding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJudith Hamann undertook her doctoral studies with renowned cellist Charles Curtis, with whom she is currently engaged\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein a discourse based project, ‘Materialities of Realisation.’ She has additionally demonstrated a superlative capacity for improvisation and engagement with sonic arts through work with artists Dennis Cooper, Éliane Radigue, Áine O’Dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young and Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, and Lori Goldston, among others. Her recorded appearances include Tashi Wada’s Duets, Graham Lambkin’s Community, Alvin Lucier’s Illuminated By The Moon, and Gossamers, with Rosalind Hall.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e"}
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The debut work of Australian cellist Judith Hamann.As the title suggests, it expresses the intuition when confronting the cello with humming, and includes eight songs in which her faint voice is fused with the cello. DL code included. Music for Cello and Humming by Judith Hamann For her first album releases ...
¥ 1,980

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{"id":6129320624293,"title":"Masayuki Takayanagi New Direction Unit \/\/ Axis\/Another Revolvable Thing CD","handle":"masayuki-takayanagi-new-direction-unit-axis-another-revolvable-thing-cd","description":"\u003cp\u003e高柳 昌行アーカイヴ・リイシュー第2弾。1975年9月5日、東京・新宿の安田生命ホールで行われたNew Direction Unitのコンサート録音を収録した2枚組で、高柳がそれまでの「リアルジャズ」という枠を飛び越えて「ノンセクション・ミュージック」と呼ぶようになったものを深く追求している様子がうかがえる内容です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4144906859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/axis-another-revolvable-thing\"\u003eAxis\/Another Revolvable Thing by Masayuki Takayanagi New Direction Unit\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAxis\/Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April is the cruellest month, a 1975 studio record by his New Direction Unit. Comprised of recordings of a September 5, 1975 concert by the New Direction Unit at Yasuda Seimei Hall in Tokyo’s Shinjuku district, the two-part set showcases Takayanagi in deep pursuit of what he began calling “non-section music” after leaping beyond the confines of his prior descriptor “real jazz.” The quartet of Takayanagi (guitar), Kenji Mori (reeds), Nobuyoshi Ino (bass, cello), and Hiroshi Yamazaki (percussion) deftly explores the twin poles of Takayanagi’s spacious “gradually projection” and explosively virulent “mass projection” concepts across six pieces, titled Fragments I - VI. Originally issued in two individual LP volumes in rearranged order, this CD edition presents the Another Revolvable Thing concert in chronological sequence for the first time, with “gradually projection” pieces on the first disc and “mass projection” eruptions on the second.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs part of his liner notes for the original records (newly translated for this edition), noted Japanese free jazz critic Teruto Soejima wrote:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"New Direction Unit performances always emit the smell\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof blood. Fresh blood, never blood that is old or crusted. This is not the desiccated shell of music, it's sound through which pumps the blood of living human beings. Blood that seethes, that flows and counterflows, that blazes, runs, rises and congeals, blood that vomits and spurts. Vivid, scarlet blood. The ultimate beauty that Takayanagi aims at, is it not the color of this blood?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlood calls out to blood. For these four musicians, playing together means feasting on each other’s blood. It is also a summoning to a secret blood oath, to the creation of solidarity with the audience. In the moment, truly, the situation and beauty are instantaneously unified. To borrow the title of a movie by Kōji Wakamatsu: blood is redder than the sun.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMasayuki “Jojo” Takayanagi (1932 - 1991) was a maverick Japanese guitarist, a revolutionary spirit whose oeuvre embodied the radical political movements of late ‘60s Japan. Having cut his teeth as an accomplished Lennie Tristano disciple playing cool jazz in the late ‘50s, Takayanagi had his mind blown by the Chicago Transit Authority’s “Free Form Guitar” in 1969 and promptly turned his back on the jazz scene by which he was beloved, going as far as to call his former peers and admirers “a bunch of losers” in the press. Takayanagi had found a new direction, an annihilation of jazz and its associated idolatry of hegemonic American culture. Aiming his virtuoso chops towards the stratosphere, Takayanagi dedicated himself to the art of the freakout, laying waste to tradition left and right, most notably via the all-out assault of his aptly-named New Direction for the Arts (later New Direction Unit) and collaborations with like-minded outsider saxophonist Kaoru Abe. His innovations on the instrument parallel those of Sonny Sharrock and Derek Bailey and paved the way for the Japanese necromancy of Keiji Haino and Otomo Yoshihide, but even at its most limitless hurdling Takayanagi’s playing is propelled by the dexterous grasp of his foundations, to which he paid tribute with elegant takes on flamenco and Ornette Coleman’s “Lonely Woman.” In the autumn of his life, Takayanagi’s solo Action Direct performances made him one of the first guitarists, alongside but independent of Keith Rowe, to use tabletop guitar for pure noise improvisation.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Masayuki Takayanagi New Direction Unit\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e","published_at":"2021-01-27T13:09:36+09:00","created_at":"2021-01-27T13:09:36+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","cd","jazz","new"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37786713260197,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Masayuki Takayanagi New Direction Unit \/\/ Axis\/Another Revolvable Thing CD","public_title":null,"options":["Default Title"],"price":238000,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2507392548_16.jpg?v=1611720786"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2507392548_16.jpg?v=1611720786","options":["Title"],"media":[{"alt":null,"id":16259215294629,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2507392548_16.jpg?v=1611720786"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2507392548_16.jpg?v=1611720786","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e高柳 昌行アーカイヴ・リイシュー第2弾。1975年9月5日、東京・新宿の安田生命ホールで行われたNew Direction Unitのコンサート録音を収録した2枚組で、高柳がそれまでの「リアルジャズ」という枠を飛び越えて「ノンセクション・ミュージック」と呼ぶようになったものを深く追求している様子がうかがえる内容です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4144906859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/axis-another-revolvable-thing\"\u003eAxis\/Another Revolvable Thing by Masayuki Takayanagi New Direction Unit\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAxis\/Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April is the cruellest month, a 1975 studio record by his New Direction Unit. Comprised of recordings of a September 5, 1975 concert by the New Direction Unit at Yasuda Seimei Hall in Tokyo’s Shinjuku district, the two-part set showcases Takayanagi in deep pursuit of what he began calling “non-section music” after leaping beyond the confines of his prior descriptor “real jazz.” The quartet of Takayanagi (guitar), Kenji Mori (reeds), Nobuyoshi Ino (bass, cello), and Hiroshi Yamazaki (percussion) deftly explores the twin poles of Takayanagi’s spacious “gradually projection” and explosively virulent “mass projection” concepts across six pieces, titled Fragments I - VI. Originally issued in two individual LP volumes in rearranged order, this CD edition presents the Another Revolvable Thing concert in chronological sequence for the first time, with “gradually projection” pieces on the first disc and “mass projection” eruptions on the second.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs part of his liner notes for the original records (newly translated for this edition), noted Japanese free jazz critic Teruto Soejima wrote:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"New Direction Unit performances always emit the smell\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof blood. Fresh blood, never blood that is old or crusted. This is not the desiccated shell of music, it's sound through which pumps the blood of living human beings. Blood that seethes, that flows and counterflows, that blazes, runs, rises and congeals, blood that vomits and spurts. Vivid, scarlet blood. The ultimate beauty that Takayanagi aims at, is it not the color of this blood?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBlood calls out to blood. For these four musicians, playing together means feasting on each other’s blood. It is also a summoning to a secret blood oath, to the creation of solidarity with the audience. In the moment, truly, the situation and beauty are instantaneously unified. To borrow the title of a movie by Kōji Wakamatsu: blood is redder than the sun.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMasayuki “Jojo” Takayanagi (1932 - 1991) was a maverick Japanese guitarist, a revolutionary spirit whose oeuvre embodied the radical political movements of late ‘60s Japan. Having cut his teeth as an accomplished Lennie Tristano disciple playing cool jazz in the late ‘50s, Takayanagi had his mind blown by the Chicago Transit Authority’s “Free Form Guitar” in 1969 and promptly turned his back on the jazz scene by which he was beloved, going as far as to call his former peers and admirers “a bunch of losers” in the press. Takayanagi had found a new direction, an annihilation of jazz and its associated idolatry of hegemonic American culture. Aiming his virtuoso chops towards the stratosphere, Takayanagi dedicated himself to the art of the freakout, laying waste to tradition left and right, most notably via the all-out assault of his aptly-named New Direction for the Arts (later New Direction Unit) and collaborations with like-minded outsider saxophonist Kaoru Abe. His innovations on the instrument parallel those of Sonny Sharrock and Derek Bailey and paved the way for the Japanese necromancy of Keiji Haino and Otomo Yoshihide, but even at its most limitless hurdling Takayanagi’s playing is propelled by the dexterous grasp of his foundations, to which he paid tribute with elegant takes on flamenco and Ornette Coleman’s “Lonely Woman.” In the autumn of his life, Takayanagi’s solo Action Direct performances made him one of the first guitarists, alongside but independent of Keith Rowe, to use tabletop guitar for pure noise improvisation.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Masayuki Takayanagi New Direction Unit\u003c\/p\u003e\n\u003cp\u003elabel : Blank Forms\u003c\/p\u003e"}
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Masayuki Takayanagi The second archive reissue. Takayanagi jumped over the frame of "real jazz" in a two-disc set that recorded the concert recording of the New Direction Unit held at Yasuda Seimei Hall in Shinjuku, Tokyo on September 2, 1975. It is a content that seems to be deeply pursuing what has come to be called "music". Axis / Another Revolvable Thing by Masayuki Takayanagi New Direction Unit Axis / Another Revolvable ...
¥ 2,380