Shroom Gang // NCA GIH TAPE

Quickview {"id":6951961231525,"title":"Soft Boi \/\/ So Nice 2xLP","handle":"soft-boi-so-nice-2xlp","description":"\u003cp\u003eBlackest Ever Blackなどから発表しているイギリス・ブリストルのDJ PessimistがSoft Boi名義でのデビューアルバムを2枚組レコードでリリース。ひと癖あるトリップホップ〜ドラムンベース10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615715970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003ehere\u003c\/a\u003e to see more Climate of Fear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor its second release, Climate of Fear proudly presents “So Nice,” the debut LP from Soft Boi aka Pessimist aka Kristian Jabs. Following 2019’s sludge-crawl collab with Karim Maas and the eco-hellscape new age of Boreal Massif’s “We All Have An Impact,” Jabs turns his attention to a new nightmare: dating. “So Nice” dials back the suffocating d’n’b bass weight Jabs has perfected, opting instead for a shimmering palette of magenta hued synth leads and chunky Rhythm Nation snare cracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross this languid backdrop, Jabs narrates the inner monologue of his Soft Boi counterpart. By turns cheeky, seething and emotive, his terse lyrics dissect modern masculinity with unflinching control. Hours blearily wasted on dating apps, spiraling arguments and circular obsessions, the clammy loneliness of self-obsession and the rigid fury of objectification all spread out across the album like an oil spill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the opening credits roll of “Saying Hi To You,” through the slo-mo rave sheen of “Fais Moi La Guerre” (feat Nastychong), the junglist malaise of “And Shout” and the boiled trip hop of “Guestlist,” “So Nice” is an album of surprising violence, tightly coiled and covered in an artificially-sweetened pop glaze. As Soft Boi, Jabs reclaims the conceptual from its oft-clinical corner, giving us a concept \/ breakup album rooted in the club marketplace, executed with punk’s jugular concision and driven by a deep antipathy for modern life \u0026amp; love.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soft Boi \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-04T07:48:01+09:00","created_at":"2021-08-03T09:44:54+09:00","vendor":"Tobira Records","type":"","tags":["climate of fear","hiphop \/ funk","house","lp","new","techno \/ house"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40495430336677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Soft Boi \/\/ So Nice 2xLP","public_title":null,"options":["Default Title"],"price":238000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","options":["Title"],"media":[{"alt":null,"id":23182961508517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","width":700},{"alt":null,"id":23182961541285,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBlackest Ever Blackなどから発表しているイギリス・ブリストルのDJ PessimistがSoft Boi名義でのデビューアルバムを2枚組レコードでリリース。ひと癖あるトリップホップ〜ドラムンベース10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615715970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003ehere\u003c\/a\u003e to see more Climate of Fear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor its second release, Climate of Fear proudly presents “So Nice,” the debut LP from Soft Boi aka Pessimist aka Kristian Jabs. Following 2019’s sludge-crawl collab with Karim Maas and the eco-hellscape new age of Boreal Massif’s “We All Have An Impact,” Jabs turns his attention to a new nightmare: dating. “So Nice” dials back the suffocating d’n’b bass weight Jabs has perfected, opting instead for a shimmering palette of magenta hued synth leads and chunky Rhythm Nation snare cracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross this languid backdrop, Jabs narrates the inner monologue of his Soft Boi counterpart. By turns cheeky, seething and emotive, his terse lyrics dissect modern masculinity with unflinching control. Hours blearily wasted on dating apps, spiraling arguments and circular obsessions, the clammy loneliness of self-obsession and the rigid fury of objectification all spread out across the album like an oil spill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the opening credits roll of “Saying Hi To You,” through the slo-mo rave sheen of “Fais Moi La Guerre” (feat Nastychong), the junglist malaise of “And Shout” and the boiled trip hop of “Guestlist,” “So Nice” is an album of surprising violence, tightly coiled and covered in an artificially-sweetened pop glaze. As Soft Boi, Jabs reclaims the conceptual from its oft-clinical corner, giving us a concept \/ breakup album rooted in the club marketplace, executed with punk’s jugular concision and driven by a deep antipathy for modern life \u0026amp; love.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soft Boi \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear\u003c\/span\u003e\u003c\/p\u003e"}

Quickview {"id":6949976178853,"title":"NxWorries \/\/ Yes Lawd! 2xLP","handle":"nxworries-yes-lawd-2xlp","description":"\u003cp\u003eLAのシンガー／ドラマーANDERSON .PAAKと同じくLAの人気ビートメイカーKNXWLEDGEによるデュオNxWorriesの2018年リリース2枚組レコード。モダンソウル19曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2914321928\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Stones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYES LAWD! As temping as it may be to just let that exclamation suffice as your sole introduction to NxWorries, we should go a little deeper. The men at the heart of this LP — soul styler Anderson .Paak and loop beast Knxwledge — make an exceedingly clean pair, even as they deal almost entirely in the gritty: vocals that sound lived in for a couple of lifetimes; beats that kick up dust as they bump; and an 18-track set that plays like a mixtape merging skits, songs, and snippets into a package of fluid groove and rough-cut rap 'n' soul gems. You may have heard these two out in the world, on their own or sprinkling some of their musical gold dust on someone else's songs, but this is what happens when .Paak and Knx get home, lay back, light up, and let it go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there's a Blaxploitation vibe to Yes Lawd!, that's just the depth of NxWorries' funk and strut showing. If there's gospel in the grits, that's the history of the cooks. Each grew up with religion. It was Knxwledge's job to tidy up the family church in Jersey as a kid, and when he was done, he got to play on the instruments. Better still, when those instruments went bad, he kept them. Similarly, he'd soon find sounds in his growing vinyl cache, and when he moved to Los Angeles in 2008 as a beat maker, his\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions ensured he'd be home at Stones Throw. His hypnotically dank 2015 LP Hud Dreems was the tip of an iceberg—75 Bandcamp collections, and counting. Paak was neck deep in those songs when Knxwledge reached out. The singer grew up in Oxnard drumming in his own family's church. His folks got locked up when he was a teen, and while he'd eke by on odd jobs (grocer, trimmer, personal assistant), he was homeless for a spell with a newborn son. But .Paak pushed forward, building a career via imaginative albums (2016's Malibu), and collaborations that always seem to make him the star, even when he's just there to sing the hook.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo when they got together, of course it was going to flow. As Knx points out, one of the reasons it's taken so long to deliver Yes Lawd! is the fact that every time they get together, they make more music. Their come-up was strangely synchronicitous too. Knx landed on Kendrick Lamar's To Pimp a Butterfly (\"Momma\") after the Aftermath MC heard one his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable \"Suede,\" that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the Compton album and, ultimately, a deal with Aftermath. The point is: neither is a stranger to the head-down hustle, even if each was born for the spotlight. Which feeds back into the theme of NxWorries' debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Yes Lawd!, .Paak – who calls the album “my best work” – plays theatrically brash version of himself who sings like a '70s superstar and talks shit like a stone cold player. But the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile, Knx weaves a tapestry of sampled bits and live fragments—bass, brass and violin—that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: NxWorries.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003eNxWorries\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2021-08-02T12:29:09+09:00","created_at":"2021-08-02T11:48:09+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","leaving records","lp","new","stones throw"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40488480964773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NxWorries \/\/ Yes Lawd! 2xLP","public_title":null,"options":["Default Title"],"price":348000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491","options":["Title"],"media":[{"alt":null,"id":23172069064869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLAのシンガー／ドラマーANDERSON .PAAKと同じくLAの人気ビートメイカーKNXWLEDGEによるデュオNxWorriesの2018年リリース2枚組レコード。モダンソウル19曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2914321928\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Stones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYES LAWD! As temping as it may be to just let that exclamation suffice as your sole introduction to NxWorries, we should go a little deeper. The men at the heart of this LP — soul styler Anderson .Paak and loop beast Knxwledge — make an exceedingly clean pair, even as they deal almost entirely in the gritty: vocals that sound lived in for a couple of lifetimes; beats that kick up dust as they bump; and an 18-track set that plays like a mixtape merging skits, songs, and snippets into a package of fluid groove and rough-cut rap 'n' soul gems. You may have heard these two out in the world, on their own or sprinkling some of their musical gold dust on someone else's songs, but this is what happens when .Paak and Knx get home, lay back, light up, and let it go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there's a Blaxploitation vibe to Yes Lawd!, that's just the depth of NxWorries' funk and strut showing. If there's gospel in the grits, that's the history of the cooks. Each grew up with religion. It was Knxwledge's job to tidy up the family church in Jersey as a kid, and when he was done, he got to play on the instruments. Better still, when those instruments went bad, he kept them. Similarly, he'd soon find sounds in his growing vinyl cache, and when he moved to Los Angeles in 2008 as a beat maker, his\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions ensured he'd be home at Stones Throw. His hypnotically dank 2015 LP Hud Dreems was the tip of an iceberg—75 Bandcamp collections, and counting. Paak was neck deep in those songs when Knxwledge reached out. The singer grew up in Oxnard drumming in his own family's church. His folks got locked up when he was a teen, and while he'd eke by on odd jobs (grocer, trimmer, personal assistant), he was homeless for a spell with a newborn son. But .Paak pushed forward, building a career via imaginative albums (2016's Malibu), and collaborations that always seem to make him the star, even when he's just there to sing the hook.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo when they got together, of course it was going to flow. As Knx points out, one of the reasons it's taken so long to deliver Yes Lawd! is the fact that every time they get together, they make more music. Their come-up was strangely synchronicitous too. Knx landed on Kendrick Lamar's To Pimp a Butterfly (\"Momma\") after the Aftermath MC heard one his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable \"Suede,\" that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the Compton album and, ultimately, a deal with Aftermath. The point is: neither is a stranger to the head-down hustle, even if each was born for the spotlight. Which feeds back into the theme of NxWorries' debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Yes Lawd!, .Paak – who calls the album “my best work” – plays theatrically brash version of himself who sings like a '70s superstar and talks shit like a stone cold player. But the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile, Knx weaves a tapestry of sampled bits and live fragments—bass, brass and violin—that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: NxWorries.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003eNxWorries\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}

Quickview {"id":6937790775461,"title":"Otis Houston Jr \/\/ America LP","handle":"otis-houston-jr-america-lp","description":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T09:59:06+09:00","created_at":"2021-07-26T11:39:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","hiphop \/ funk","lp","new","post present medium"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443247296677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Otis Houston Jr \/\/ America LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","options":["Title"],"media":[{"alt":null,"id":23102314774693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","width":700},{"alt":null,"id":23102314807461,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}