Vis-A-Vis // Di Wo Ho Ni LP
Vis-A-Vis // Di Wo Ho Ni LP
¥3,790
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This is a remastered reissue of the album released in 1977 by Ghana's high-life band Vis-A-Vis.
-----------------------------
Edition of 700.
Artist: Vis-A-Vis
Label: We Are Busy Bodies
This is a remastered reissue of the album released in 1977 by Ghana's high-life band Vis-A-Vis.
-----------------------------
Edition of 700.
Artist: Vis-A-Vis
Label: We Are Busy Bodies
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{"id":7980600328442,"title":"Daisuke Suzuki \/\/ D.D.D. CD","handle":"daisuke-suzuki-d-d-d-cd","description":"\u003cp\u003e日本の実験音楽家Daisuke Suzukiが、2023年5月に自身主宰レーベルSirenから200部限定でリリースした再発CDです。（オリジナルは2001年にレコードリリース）\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング3曲を収録。アートワークはAndrew Chalkが担当しています。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1526640175\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in card sleeve. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eSiren Records:\u003c\/p\u003e\n\u003cp\u003e\"‘\u003cem\u003eD.D.D.’ is a field recording album recorded by Daisuke Suzuki and was originally\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ereleased by Texas based IDEA in 2001 in an edition of 300 copies on LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSometimes field recordings can be appreciated in relation to the conceptual art form, or \u003c\/em\u003e\u003cem\u003eas an on-site sound study and documentation of a very specific phenomena. However, \u003c\/em\u003e\u003cem\u003eDaisuke had no concept of the idea of building sonic panoramas and was specifically only \u003c\/em\u003e\u003cem\u003econcerned with gathering lots of intriguing sound matter for his personal listening. \u003c\/em\u003e\u003cem\u003e‘D.D.D.’ was mastered by Gary Todd, who was the founder of the Cortical Foundation. \u003c\/em\u003e\u003cem\u003eGary and Daisuke became good friends when Gary visited Japan as Red Crayola live \u003c\/em\u003e\u003cem\u003esound engineer in the late 1990s and they developed a mutual trust with each other after \u003c\/em\u003e\u003cem\u003ethat. \u003c\/em\u003e\u003cem\u003eSadly in September 2001, Gary fell from his apartment balcony, which left him \u003c\/em\u003e\u003cem\u003ehospitalized ever since. On June 25, 2022 Gary passed away at the age of 59. \u003c\/em\u003e\u003cem\u003eDaisuke said, “Gary was always generous and had a kind heart. He gave me a lot of \u003c\/em\u003e\u003cem\u003efriendship and warmth. I’ve decided to re-issue 'D.D.D.' to keep him in memory and \u003c\/em\u003e\u003cem\u003eheart.” \u003c\/em\u003e\u003cem\u003eThe CD includes an expanded version of ‘Cricket Voice’ which did not appear on the \u003c\/em\u003e\u003cem\u003eoriginal IDEA LP release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Part 1\u003cbr\u003eA2. Part 2\u003cbr\u003eB. Cricket Voice\u003c\/p\u003e\n\u003cp\u003eArtist : Daisuke Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Siren Records\u003c\/p\u003e","published_at":"2023-05-31T17:11:19+09:00","created_at":"2023-05-31T17:00:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","siren records"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44261375082746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daisuke Suzuki \/\/ D.D.D. CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ScreenShot2023-05-31at4.58.44pm.png?v=1685520012","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1442.png?v=1685520013"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ScreenShot2023-05-31at4.58.44pm.png?v=1685520012","options":["Title"],"media":[{"alt":null,"id":32044418498810,"position":1,"preview_image":{"aspect_ratio":0.994,"height":318,"width":316,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ScreenShot2023-05-31at4.58.44pm.png?v=1685520012"},"aspect_ratio":0.994,"height":318,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ScreenShot2023-05-31at4.58.44pm.png?v=1685520012","width":316},{"alt":null,"id":32044418564346,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1442.png?v=1685520013"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1442.png?v=1685520013","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Daisuke Suzukiが、2023年5月に自身主宰レーベルSirenから200部限定でリリースした再発CDです。（オリジナルは2001年にレコードリリース）\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング3曲を収録。アートワークはAndrew Chalkが担当しています。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1526640175\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in card sleeve. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eSiren Records:\u003c\/p\u003e\n\u003cp\u003e\"‘\u003cem\u003eD.D.D.’ is a field recording album recorded by Daisuke Suzuki and was originally\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ereleased by Texas based IDEA in 2001 in an edition of 300 copies on LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSometimes field recordings can be appreciated in relation to the conceptual art form, or \u003c\/em\u003e\u003cem\u003eas an on-site sound study and documentation of a very specific phenomena. However, \u003c\/em\u003e\u003cem\u003eDaisuke had no concept of the idea of building sonic panoramas and was specifically only \u003c\/em\u003e\u003cem\u003econcerned with gathering lots of intriguing sound matter for his personal listening. \u003c\/em\u003e\u003cem\u003e‘D.D.D.’ was mastered by Gary Todd, who was the founder of the Cortical Foundation. \u003c\/em\u003e\u003cem\u003eGary and Daisuke became good friends when Gary visited Japan as Red Crayola live \u003c\/em\u003e\u003cem\u003esound engineer in the late 1990s and they developed a mutual trust with each other after \u003c\/em\u003e\u003cem\u003ethat. \u003c\/em\u003e\u003cem\u003eSadly in September 2001, Gary fell from his apartment balcony, which left him \u003c\/em\u003e\u003cem\u003ehospitalized ever since. On June 25, 2022 Gary passed away at the age of 59. \u003c\/em\u003e\u003cem\u003eDaisuke said, “Gary was always generous and had a kind heart. He gave me a lot of \u003c\/em\u003e\u003cem\u003efriendship and warmth. I’ve decided to re-issue 'D.D.D.' to keep him in memory and \u003c\/em\u003e\u003cem\u003eheart.” \u003c\/em\u003e\u003cem\u003eThe CD includes an expanded version of ‘Cricket Voice’ which did not appear on the \u003c\/em\u003e\u003cem\u003eoriginal IDEA LP release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Part 1\u003cbr\u003eA2. Part 2\u003cbr\u003eB. Cricket Voice\u003c\/p\u003e\n\u003cp\u003eArtist : Daisuke Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Siren Records\u003c\/p\u003e"}
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Japanese experimental musician Daisuke Suzuki is a reissue CD released in May 2023 from his own label Siren, limited to 5 copies. (Original record released in 200) Includes 2001 field recordings.Artwork is by Andrew Chalk. ------------------------------------- CD in card sleeve. Edition of 3. Siren Records:. ..
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{"id":7980203901178,"title":"Namian Sidibé \/\/ Namian Sidibé LP","handle":"namian-sidibe-namian-sidibe-lp","description":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. From a rising generation of young Malian divas leveraging social media, Namian has built a following, publishing videos and dedications in song, accompanied by her cousin Jules Diabaté on acoustic guitar. Recorded at her home, with powerful yet restrained vocals that drift over melancholy acoustic guitar, Namian explores epic generational songs and poetry, brought into the Tik Tok age.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Namian Sidibé\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-05-30T19:54:37+09:00","created_at":"2023-05-30T13:46:55+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","new","sahel sounds"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259672391930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Namian Sidibé \/\/ Namian Sidibé LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","options":["Title"],"media":[{"alt":null,"id":32036800987386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","width":700},{"alt":null,"id":32036801020154,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. 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{"id":7980201705722,"title":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","handle":"nakibembe-embaire-group-nakibembe-embaire-group-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※6月上旬再入荷後発送いたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である\u003cmeta charset=\"utf-8\"\u003e巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-05-30T14:56:58+09:00","created_at":"2023-05-30T13:40:16+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new","strange beats"],"price":303000,"price_min":303000,"price_max":303000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259664494842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","public_title":null,"options":["Default Title"],"price":303000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na1_af836a1f-be90-4894-baa0-a712a9145ba8.jpg?v=1685421618","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na2_e247fa98-0ea2-4b73-921b-893accb5b65c.jpg?v=1685421618"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na1_af836a1f-be90-4894-baa0-a712a9145ba8.jpg?v=1685421618","options":["Title"],"media":[{"alt":null,"id":32036751802618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na1_af836a1f-be90-4894-baa0-a712a9145ba8.jpg?v=1685421618"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na1_af836a1f-be90-4894-baa0-a712a9145ba8.jpg?v=1685421618","width":700},{"alt":null,"id":32036751835386,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na2_e247fa98-0ea2-4b73-921b-893accb5b65c.jpg?v=1685421618"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/na2_e247fa98-0ea2-4b73-921b-893accb5b65c.jpg?v=1685421618","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※6月上旬再入荷後発送いたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である\u003cmeta charset=\"utf-8\"\u003e巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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*We will ship after restocking in early June.Nakibembe Embaire Group, a band that plays the giant xylophone "Enberl", a traditional instrument of Nakibembe, a small village in the Kingdom of Busoga, Uganda, will launch Nyage Nyage, a dance label in Kampala, Uganda in May 6. Debut record released fromContains 2023 pieces of primitive dance music with full polyrhythm.Indonesian gamelang gaba band Gabber Modus Operandi also participates. "Nakibembe, a small village in Uganda's Kingdom of Busoga (one of four remaining constitutional monarchies), has long had a communal space reserved for locals to perform music and socialize. has a deep hole and crosses the groove to amplify the giant xylophone "enver", which consists of 5-8 wooden keys.While log xylophones are common in East Africa, the music played by the Basoga, an eastern Bantu people, is special and unique, with its own tunings, dances, and auxiliary instruments.Up to eight musicians perform simultaneously around Enver, creating an ensemble layered with hypnotic polyrhythms and adding vocals, shakers and drums.The Nakibembe Xylophone Group was one of the last groups to play with the Humbert, and as anyone who's seen them live will know, they create a complex, multi-layered wall of sound, perfect wherever they play. I am fascinated byThe band are regulars at the Nyege Nyege festival and in 4 performed at the legendary nightclub Berghain in Berlin with avant-garde bands Gabber Modus Operandi and Harsya Wahono from Jakarta.The debut album features 15 songs as an ensemble and 25 songs as a collaboration with an Indonesian trio.Listened together, they reveal not only Nakibembe's own motion sounds, but sonic ripples that correlate with more distant forms, from Indonesian metallophone-driven gamelan music to the cerebral digital processes of the sound art world. The 8-minute Omagari "Omukazi...
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{"id":7980201574650,"title":"Various Artists \/\/ Canto A Lo Divino 2x12\"","handle":"various-artists-canto-a-lo-divino-2x12","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eチリ・セントラルバレーに伝わる宗教民謡Canto A Lo Divinoのコンピレーション2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Canto A Lo Divinoは、チリのセントラルバレーに伝わる聖なる音楽です。この音楽は、この辺りの農民にとって、礼拝と内省のための共同体であり、仕事が終わると夜通し満員の部屋で演奏され、ギターと25弦の天空のギターロンで催眠的な変奏が鳴り響きまし。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eカントは何世紀にもわたり、何百人もの男女の声の中に生き続け、終末、神、アンジェリトス（死んだ幼い子供）の鮮明なビジョンを思い起こさせます。しかし、この詩は、労働や干ばつ、家族、動物、植物のライフサイクルなど、谷の日常生活にも根ざしています。スペインで生まれ、南米からミシシッピ・デルタに伝わる古代の歌の形式である10行韻のデシマで、無数のエントナシオン（メロディ）が受け継がれています。この組み合わせは、魅惑的であり、輸送的であり、宇宙的であり、同時に地球的でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアートワークは、ロス・ヴィロス村のパン職人であるフレデリコ・ローゼの作品を紹介するもので、カントからの終末のヴィジョンを、古い小麦粉袋に描かれた終末のヴィジョンに命を吹き込きました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMississippi Recordsは、カンペシーノ・エン・ムービミエント博物館（Museo Campesino En Movimiento）と共同で、数百時間に及ぶカントのフィールドレコーディングのアーカイブを提供する特権を持っています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2枚組LPは、8ページの歌詞、写真、カントの伝統に関する詳細なメモが付いた豪華なゲートフォールドジャケットに収められています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1333397490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2x12\" black vinyl. Presented in deluxe gatefold jacket with 8-page full color notes and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMississippi Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCanto A Lo Divino is the sacred music of Chile’s Central Valley. It is a communal form of worship and reflection for the peasants of the remote region, played in packed rooms throughout the night when work is done, hypnotic variations chiming out on the guitar and the celestial, 25-string guitarron.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Canto has persisted for centuries in the voices of hundreds of men and women who conjure vivid visions of apocalypse, the divine, and angelitos (very young children who have died). But the verses are also rooted in daily life in the valley - labor and drought, family, animals, and the life cycles of plants. There are countless entonaciones (melodies) passed on in 10-line rhyming decimas, an ancient song form originating in Spain and found from South America to the Mississippi Delta. The combination is entrancing and transporting, cosmic and earthly at once.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe artwork introduces the work of Frederico Lohse, a baker from the village of Los Vilos who brought the end-times visions from the cantos to life - the apocalypse painted on old flour sacks. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMississippi Records is privileged to work with the Museo Campesino En Movimiento and their archive of hundreds of hours of intimate field recordings of the Canto - music rarely, if ever, heard outside of the region.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e","published_at":"2023-05-31T08:11:03+09:00","created_at":"2023-05-30T13:37:05+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","mississipi records","new"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259663118586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Canto A Lo Divino 2x12\"","public_title":null,"options":["Default Title"],"price":438000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto.jpg?v=1685421427","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto2.jpg?v=1685421428","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto3.jpg?v=1685421427"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto.jpg?v=1685421427","options":["Title"],"media":[{"alt":null,"id":32036740923642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto.jpg?v=1685421427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto.jpg?v=1685421427","width":700},{"alt":null,"id":32036740956410,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto2.jpg?v=1685421428"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto2.jpg?v=1685421428","width":1200},{"alt":null,"id":32036740989178,"position":3,"preview_image":{"aspect_ratio":1.004,"height":1195,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto3.jpg?v=1685421427"},"aspect_ratio":1.004,"height":1195,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/canto3.jpg?v=1685421427","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eチリ・セントラルバレーに伝わる宗教民謡Canto A Lo Divinoのコンピレーション2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Canto A Lo Divinoは、チリのセントラルバレーに伝わる聖なる音楽です。この音楽は、この辺りの農民にとって、礼拝と内省のための共同体であり、仕事が終わると夜通し満員の部屋で演奏され、ギターと25弦の天空のギターロンで催眠的な変奏が鳴り響きまし。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eカントは何世紀にもわたり、何百人もの男女の声の中に生き続け、終末、神、アンジェリトス（死んだ幼い子供）の鮮明なビジョンを思い起こさせます。しかし、この詩は、労働や干ばつ、家族、動物、植物のライフサイクルなど、谷の日常生活にも根ざしています。スペインで生まれ、南米からミシシッピ・デルタに伝わる古代の歌の形式である10行韻のデシマで、無数のエントナシオン（メロディ）が受け継がれています。この組み合わせは、魅惑的であり、輸送的であり、宇宙的であり、同時に地球的でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアートワークは、ロス・ヴィロス村のパン職人であるフレデリコ・ローゼの作品を紹介するもので、カントからの終末のヴィジョンを、古い小麦粉袋に描かれた終末のヴィジョンに命を吹き込きました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMississippi Recordsは、カンペシーノ・エン・ムービミエント博物館（Museo Campesino En Movimiento）と共同で、数百時間に及ぶカントのフィールドレコーディングのアーカイブを提供する特権を持っています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2枚組LPは、8ページの歌詞、写真、カントの伝統に関する詳細なメモが付いた豪華なゲートフォールドジャケットに収められています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1333397490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2x12\" black vinyl. Presented in deluxe gatefold jacket with 8-page full color notes and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMississippi Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCanto A Lo Divino is the sacred music of Chile’s Central Valley. It is a communal form of worship and reflection for the peasants of the remote region, played in packed rooms throughout the night when work is done, hypnotic variations chiming out on the guitar and the celestial, 25-string guitarron.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Canto has persisted for centuries in the voices of hundreds of men and women who conjure vivid visions of apocalypse, the divine, and angelitos (very young children who have died). But the verses are also rooted in daily life in the valley - labor and drought, family, animals, and the life cycles of plants. There are countless entonaciones (melodies) passed on in 10-line rhyming decimas, an ancient song form originating in Spain and found from South America to the Mississippi Delta. The combination is entrancing and transporting, cosmic and earthly at once.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe artwork introduces the work of Frederico Lohse, a baker from the village of Los Vilos who brought the end-times visions from the cantos to life - the apocalypse painted on old flour sacks. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMississippi Records is privileged to work with the Museo Campesino En Movimiento and their archive of hundreds of hours of intimate field recordings of the Canto - music rarely, if ever, heard outside of the region.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e"}
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A two-disc compilation record of Canto A Lo Divino, a religious folk song from Chile's Central Valley.Below is an explanation by the label. "Canto A Lo Divino is the sacred music of Chile's Central Valley. This music is a community of worship and reflection for the peasants of this area, and it is played in packed rooms all night long after work. With guitars and 2-string heavenly guitarrons blaring with hypnotic variations, Kant has lived on for centuries in the voices of hundreds of men and women, apocalyptic, divine and Angelitos (dead little child). It conjures up a vivid vision, but the poem is also rooted in the daily life of the valley: labor, drought, the life cycle of families, animals and plants.Ancient, originating in Spain and reaching the Mississippi Delta from South America. Innumerable entnacions (melodies) are inherited in the ten-line rhyme decima, the song form of the , a combination that is captivating, transporting, cosmic, and terrestrial at the same time. The artwork showcases the work of Frederico Rohse, a baker from the village of Los Vilos, who brought to life a vision of the apocalypse from Kant on an old flour sack. Mississippi Records, in conjunction with the Museo Campesino En Movimiento, has the privilege of offering an archive of hundreds of hours of Kant's field recordings, a double LP containing 25 pages. Housed in a gorgeous gatefold jacket with lyrics, photographs and detailed notes on Kant's traditions." More on the label here ///...
¥4,380