Orbitalpatterns // Behold, the Wraith TAPE

Orbitalpatterns // Behold, the Wraith TAPE

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This is a cassette released in October 2022 by Orbitalpatterns, an ambient guitarist from Michigan, USA, with a limited edition of 8 copies from the ambient label Mystery Circles in Las Vegas, the country.

Includes 8 nostalgic lo-fi shoegaze ambient songs on guitar and cassette. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Mystery Circles releases available at Tobira.

-------------------------

Includes DL code. Edition of 50.

Mystery Circles:

"This project was not originally intended to be released as an album.

When Abdul first sent me these tracks, it was my understanding that these were just sketches to preview some of the new approaches he had been applying to his sound. What he called a “guitar compatibility test” slowly spiraled into this collection of tracks we now call 'Behold, the Wraith'. Pure experimentation with a new instrument, figuring out how this guitar based approach could fit in with his tried and true modular synth workflow.

It felt simple, yet difficult. Oddly comforting. Angular nostalgia. Imperfect beauty. Deep. the synths, into this universe. A true glimpse into his most abstract thoughts + ideas, available for me to interpret and feel in my own way.

"Experimental" can sometimes read like a pretentious or unnecessary adjective, but in this case, it feels right. On 'Behold, the Wraith' I get the sense Abdul is reaching deep within, all while still sorting out out how he wants to use some tend to avoid these early iterations when using a new approach, feeling things are “imperfect” and “not quite ready”. However, it's my opinion that often some of the most interesting art comes from exactly these sessions when everything is unknown, fresh and new.

Aside from editing for length due to the limitations of tape, the sketches remain in their original form.

Composed over the course of 2021 using a collection of modular synths, guitars, monome norns + an assortment of fx pedals, 'Behold, The Wraith' is the spectral descendent to his first Mystery Circles release 'These Haunted Objects'.

Artist: Orbital patterns

Label: Mystery Circles

Quantity

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Includes 8 nostalgic lo-fi shoegaze ambient songs on guitar and cassette. Comes with DL code.

Labels and other worksplease use this form. ///Click here to see more Mystery Circles releases available at Tobira.

-------------------------

Includes DL code. Edition of 50.

Mystery Circles:

Artist: Orbital patterns

Label: Mystery Circles

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LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Now Dream 06:18\u003cbr\u003e2. Saltos 03:51\u003cbr\u003e3. Ticking Clock 03:37\u003cbr\u003e4. Euphoria Part 2 02:51\u003cbr\u003e5. Euphoria Part 1 01:54\u003cbr\u003e6. Sleep Walker 03:42 video\u003cbr\u003e7. Episode 02:21\u003cbr\u003e8. One Breath 04:10\u003cbr\u003e9. Lost in Descanso 03:00\u003cbr\u003e10. Sunrise 02:52\u003cbr\u003e11. The Hidden Path 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlan Licht, New York, December 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}